Author Zadie Smith and the cover of her new novel, NW. (Photo of Zadie Smith by Henry S. Dziekan III/Getty Images)
NW, the latest literary contribution from Zadie Smith – the critically acclaimed author of White Teeth, The Autograph Man, and On Beauty – does not quake with theatrical plot twists or crackle with the suspense of a mystery or adventure, but it achieves a slow burn that captures the small disappointments, encumbrances, betrayals, and self-deceptions that make up the utter “dailyness” of tragedy.
Tracing the lives of Leah, Natalie (formerly known as Keisha), Felix, and Nathan from their working class roots in the council estate (or public housing) of Caldwell in London, to their divergent individual struggles to become “adults”, or whatever it is we mean by that, Smith renders the idea of personal identity in the cacophonous, commercial and consumerist world in which we live, a frail and exposed thing.