Almost one hundred years after its heyday, the Harlem Renaissance is all the rage once again.
Streaming giant Netflix is currently in talks to acquire Passing, the film adaptation of Nella Larsen‘s 1929 novel that examines the relationship of two biracial women in the 1920s where one chooses to hide her Black ancestry and “pass” for white.
Directed and adapted by Rebecca Hall and produced by Significant Productions partners Forest Whitaker and Nina Yang Bongiovi along with Hall and Margot Hand, the movie stars Tessa Thompson and Ruth Negga in the lead roles.
Passing premiered last Saturday as part of the U.S. Dramatic Competition lineup for Sundance’s virtual 2021 film festival.
Annapurna Pictures has purchased the film “Sorry to Bother You” following its premiere at the Sundance Film Festival. The workplace satire sold in a competitive seven-figure deal, with the studio picking up worldwide rights.
“Sorry to Bother You” centers on an Oakland-based telemarketer named Cassius Green who discovers a magical key to professional success. It takes on such topics as racism and corporate greed — some buyers felt its satire was deft, while others griped that it juggled too many ideas.
The film stars Lakeith Stansfield (“Atlanta”, “Get Out”), Tessa Thompson (“Creed”), Armie Hammer (“Call Me by Your Name”), David Cross (“Arrested Development”), and Terry Crews (“Brooklyn Nine-Nine”). It was written and directed by Boots Riley, who is better known as a musician. He provides vocals for The Coup and Street Sweeper Social Club.
Annapurna, which specializes in auteur-driven fare such as “The Master” and “Detroit,” was pretty blunt about its love for the picture. “We f—ing love this movie,” the studio said in a statement.
LOS ANGELES (AP) — Ryan Coogler is back on the University of Southern California campus for the first time since becoming one of the country’s most promising young filmmakers, and he heads straight to the camera-rental center where he worked as a student. He runs into a former classmate, who high-fives and congratulates him, then asks for a photo. Coogler sheepishly obliges. “This is inspiring, right here!” the younger man says as he snaps an iPhone shot of himself and Coogler. “Thank you, bro!” Coogler gives the student his email address, then looks for his old boss, the equipment manager, who tells the 27-year-old filmmaker that he’s set a new standard for success at USC’s film school, which counts Ron Howard and George Lucas as alumni. There’s no doubt he has. Coogler’s ”Fruitvale Station” — his first dramatic feature and first project since graduating with a master’s degree in 2011 — won both jury and audience awards at the Sundance Film Festival, where the Weinstein Co. outbid a dozen studios to distribute it. Originally called simply “Fruitvale,” the film opens Friday in New York and Los Angeles, and around the nation later this month. Oscar buzz has already begun.