Happy Music Monday, you all. It’s a friend and selector, Marlon again. The upcoming U.S. release this Friday, October 11 of PIECE BY PIECE, the animated biopic/documentary/musical about prolific producer/artist Pharrell Williams, served as a nice reminder of just how much work and influence Williams has had from the 1990s to the present.
Veteran documentary director Morgan Neville crafted a freewheeling narrative that follows Williams’ humble beginnings in Virginia Beach, Virginia to becoming one of the most influential music producers of the 21st century.
I’ve gathered hours of tracks in “Alright: The Essential Pharrell Williams” playlist that feature production work by Pharrell and Chad Hugo as The Neptunes. I have included their work with N.E.R.D., alongside Shay Haley.
Of course, there are dozens of hits that he produced, wrote, and sang on. Not to mention his solo work that includes five new tracks for the new film.
Here’s Pharrell Williams’ writing of Teddy Riley‘s verse on Wreckx-n-Effect‘s hit “Rump Shaker”. There are cuts produced by the The Neptunes for a multitude of artists, including Busta Rhymes, Clipse, Beyoncé, Jay-Z, Robin Thicke, Gwen Stefani, Kelis, N.O.R.E., Britney Spears, Justin Timberlake, Nelly, Ludacris, T.I., Snoop Dogg, and so many others.
You’ll find Williams’ debut single, “Frontin'” (featuring Jay-Z), him and T.I. on Robin Thicke’s 2013 single “Blurred Lines”, and guest appearances alongside Nile Rodgers on Daft Punk‘s “Get Lucky” and “Lose Yourself to Dance”.
Please enjoy the eclectic playlist of tracks by Pharrell Williams in his many modes. Look for a repost of Halloween music later this month for your candy-slinging pleasure.
On this week’s Music Monday playlist, “Sarah Dash: Nightbird, Fly,” we take a closer look at the musical career of the late Sarah Dash, most known as one third of the pioneering rock/soul trio LaBelle. Sarah passed away early last week at the age of 76.
Six decades ago, at a time when young musical acts still formed from local friends getting together instead of backstage at the Disney Channel, Sarah and Nona Hendryx were two members of the Trenton, NJ-based Del-Capris. They soon paired up with Patricia Holte and Cindy Birdsong from across the river, who were part of the Philly-based Ordettes. And Patti LaBelle and the Bluebelles were soon born.
This traditional 1960s girl group survived the decade touring the chitlin circuit, becoming favorite live performers (nicknamed The Sweethearts of the Apollo) even if their string of mid-60s Atlantic Records singles was commercially unremarkable amid competition backed by powerhouses like Motown, Stax, and Phil Spector.
When Birdsong left the group to take Florence Ballard’s spot in The Supremes, and as Aretha Franklin took up residence as Atlantic’s reigning diva, it’s a wonder the group survived.
But the remaining trio’s inescapable singing talents were recognized in the United Kingdom – where the British rock music community often championed the Black artists and sounds that had provided rock’s roots. They connected with British music manager Vicki Wickham (known for her work with Dusty Springfield), and were soon re-invented as LaBelle.
As if to symbolically transition from their ‘60s sound to their new world, among their first projects was a 1971 collaboration with legendary folk rock singer/songwriter Laura Nyro on the album Gonna Take A Miracle. On it they offered prominent backing vocals for Nyro’s tribute to the hits of ‘60s soul, kissing goodbye the sounds of their past.
Way ahead of their time, Labelle were by the early ‘70s three Black women performing funk-infused rock music, trading their matching dresses and wigs first for jeans and afros, but later for futuristic space outfits of silver and feathers. (Costume designer Larry Legaspi later went on to design the costumes for the group KISS.)
They were no longer playing the chitlin’ circuit – now they were opening for The Who (The Who’s manager Kit Lambert actually produced Labelle’s first album as a trio). They even became the first Black female group on the cover of Rolling Stone. They were Afro-punk – decades before that phrase existed.
Marvin Gaye (l); Nile Rodgers and Bernard Edwards (r) article by Lori Lakin Hutcherson (@lakinhutcherson)
According to billboard.com, the late Marvin Gaye and Chic principles Nile Rodgers and Bernard Edwards (who died in 1996) are among the artists chosen to be inducted into the Songwriters Hall of Fame on June 9 in New York City. Joining them will be Elvis Costello, Tom Petty, and 1960s hitmaker Chip Taylor.
The new inductees wrote such iconic songs as “What’s Going On,” “Mercy Mercy Me,” “Le Freak,” “Good Times,” “Wild Thing,” “American Girl,” “Everyday I Write The Book,” and many, many more.
“The 2016 roster of Songwriters Hall of Fame inductees is a beautiful mosaic of the best of late 20th Century popular music. With creators of Rock & Roll, Soul/R&B, Country and Funk/Dance represented, we are looking forward to an unforgettable and extremely exciting event and evening at the Marriott Marquis on June 9th,” said co-chairs Kenneth Gamble & Leon Huff, who are serving their first year in that role.
The hall’s 47th Annual Induction and Awards Dinner will take place at the Marriott Marquis Hotel in New York City. Gaye and Edwards will be inducted posthumously.
Maurice White, co-founder and leader of the groundbreaking ensemble Earth, Wind & Fire, died Thursday at his Los Angeles home. He was 74. His brother and bandmate, Verdine White, confirmed the news with the Associated Press.
The source for a wealth of euphoric hits in the 1970s and early ’80s, including “Shining Star,” “September” “Reasons” and “Boogie Wonderland,” Earth, Wind & Fire borrowed elements from funk, soul, gospel and pop for a distinctive sound that yielded six double-platinum albums and six Grammy Awards.
The group was inducted into the Rock and Roll Hall of Fame in 2000, and although White had ceased touring with the group since a diagnosis of Parkinson’s disease in the ’90s, he remained behind the scenes as the act continued to tour, including a run of sold-out shows at the Hollywood Bowl in 2013.
“[Maurice White’s] unerring instincts as a musician and showman helped propel the band to international stardom, influencing countless fellow musicians in the process,” Recording Academy President Neil Portnow wrote in a statement. Earth, Wind & Fire are slated to receive lifetime achievement honors from the Grammys this year.
Born in Memphis, Tenn. on Dec. 19, 1941, Maurice White sang in his church’s gospel choir at an early age, but his interest quickly gravitated to the drums. He earned his first gig backing Booker T. Jones before the organist founded the MGs. He moved to Chicago in the early ’60s and studied composition at the Chicago Conservatory of Music and eventually found work as a session drummer for the Chess and OKeh labels, where he played behind Muddy Waters and John Lee Hooker.
“That’s where I learned about the roots of music,” White told the Chicago Tribune in 1990. “I learned about playing with feeling.”
After also backing jazz pianist Ramsey Lewis in the ’60s, White moved to Los Angeles in 1969 with a band called the Salty Peppers. The group failed to gain much traction, and White changed the group’s name in 1971 to Earth, Wind and Fire, a name rooted in astrology that reflected White’s spiritual approach to music.
“In the beginning,” White told the Tribune in 1988, “My message was basically trying to relate to the community. From that it grew into more of a universal consciousness; the idea was to give the people something that was useful.”
The group’s lineup evolved through the ’70s and eventually included vocalist Phillip Bailey and White’s brother Verdine, both of whom toured with the band into this decade. The band’s reach extended into movies as well in recording the soundtrack album for Melvin Van Peebles’ landmark 1971 film “Sweet Sweetback’s Badasss Song” and appearing in the 1978 film “Sgt. Pepper’s Lonely Hearts Club Band,” which yielded the band’s hit cover of the Beatles’ “Got to Get You Into My Life.”
White’s hits with Earth, Wind & Fire spanned a particularly influential space between R&B, rock and disco that remains current. His music with Earth, Wind & Fire was prominently sampled by scores of hip-hop and pop acts in recent years, including Jay-Z and 2Pac. His mix of incandescent soulfulness and suave, funky arrangements informed recent bestselling albums by Daft Punk and Kendrick Lamar.
Remembrances of White came from all corners of the music world. On Twitter, Nile Rodgers, the Chic founder and record producer who was White’s peer in the ‘70s disco scene, wrote “RIP my soulful brother — You’re one of the most amazing innovators of all time.” Bootsy Collins, bassist of the funk mainstays Parliament-Funkadelic, wrote that White was a “legend, pioneer life long friend.” To read more, go to: http://www.latimes.com/entertainment/music/posts/la-et-ms-maurice-white-earth-wind-fire-dies-20160204-story.html Times staff writer August Brown contributed to this report.
Nile Rodgers, the songwriter and producer behind Chic’s “Le Freak,” David Bowie’s “Let’s Dance,” and Sister Sledge’s “We Are Family,” will be honored by the Recording Academy’s Producers and Engineers Wing at a special tribute on February 3. As part of the official roster of Grammy week events, the evening will include appearances by nine-time Grammy nominee Ledisi, six-time Grammy winner Al Jarreau, and Def Jam co-founder Rick Rubin.
Rodgers co-founded the legendary band Chic with Bernard Edwards in the late ‘70s, and capitalized on disco’s popularity with a string of hits including “Good Times” and “I Want Your Love.” Rodgers also produced for top artists such as Madonna and Diana Ross, and won the Grammy for Record of the Year for Daft Punk’s “Get Lucky” along with Pharrell Williams in 2014.
Rodgers will also be awarded the Vanguard Award at this year’s MojaMoja Pre-Grammy Brunch, an annual event hosted by KCRW’s Garth Trinidad. In March, Chic will release a new album entitled It’s About Time. article by Rhonda Nicole via theurbandaily.com
Pharrell Williams, Daft Punk and Nile Rodgers accepting Best Duo/Group Performance Grammy Award
Although he easily could have been remembered solely for his avant garde Vivienne Westwood hat this Grammy year, Pharrell Williams‘ musical forays trumped his sartorial whims last night, garnering him Producer of the Year, Record of the Year and Best Pop Duo/Group Performance honors. Williams also has partial claim to the Album of the Year award, which electronic duo Daft Punk won for Random Access Memories (featuring two Pharrell collaborations.) Other notable winners were Mackelmore & Ryan Lewis, (Best New Artist, Best Rap Performance, Best Rap Song, Best Rap Album), Alicia Keys (Best R&B Album), Bruno Mars (Best Pop Vocal Album), Ziggy Marley (Best Reggae Album) and Jay Z and Justin Timberlake, who won Best Rap/Sung Collaboration for “Holy Grail.” Beyoncé and Jay Z opened the show with the steamy, risqué “Drunk in Love,” kicking off a night filled with larger-than-life performances including Pink‘s literal and vocal acrobatics on “Try” and “Just Give Me A Reason,” Katy Perry‘s witchy snap vibe on “Dark Horse” with Juicy J , Kendrick Lamar and Imagine Dragons‘ brilliant, burning mash up of “m.A.A.d City” and “Radioactive,” and Pharrell, Nile Rodgers and Daft Punk with Stevie Wonder on a version of “Get Lucky” that flawlessly blended in Chic’s “Le Freak” and Wonder’s “Another Star.”
One of the biggest, funnest surprises of the evening came late in the show when Queen Latifah introduced Mackelmore & Ryan Lewis, Mary Lambert and Trombone Shorty‘s performance of “Same Love.” Midway through the song, Latifah re-appeared to officiate a wedding ceremony for thirty-three couples – heterosexual and homosexual – in the aisles of the Los Angeles Staples Center. As they said their “I dos”, Madonna strolled out in a white suit, hat and cane, melding the chorus of “Open Your Heart” into “Same Love.”
A full list of the Grammy winners follows below: Album of the Year: “Random Access Memories,” Daft Punk
Record of the Year: “Get Lucky,” Daft Punk feat. Pharrell Williams Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde) Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake Best Pop Solo Performance: Lorde Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk Best New Artist: Macklemore & Ryan Lewis
