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Posts tagged as “Nikole Hannah-Jones”

EDITORIAL: What Black History Month Means to GBN in 2023 and Beyond

EDITORIAL: What Black History Month Means to GBN in 2023 and Beyond

By goodblacknews on February 1, 2023

by Lori Lakin Hutcherson, GBN founder and Editor-in-Chief

Well, here we are, once again. Forty seven years after February was officially recognized by the U.S. government as Black History Month, and ninety seven years after Negro History Week was founded by Carter G. Woodson, “The Father of Black History.”

We are also, once again, deeply distressed by the murder of a young Black person (Tyre Nichols) at the hands of police officers. The fact that the officers and the police chief are Black this time around doesn’t complicate but instead amplifies the grotesque, stark, ironically colorblind reality of systemic racism — it is a pernicious construct of power and oppression that can be upheld or enforced by anyone of any color or gender or creed.

So, how do we reconcile the two — the celebration of Black people and their achievements while constantly experiencing injustice, inequity and increasingly, erasure?

If you think “erasure” is a hyperbolic, overused buzzword, please check out this PBS piece, this ACLU podcast or get your up-to-date Critical Race Theory ban statuses state by state on World Population Review. You can also Google what the governor of Florida is up to these days in regards to one particular course offered in the AP curriculum. and the AP’s seeming capitulatory response.

As Editor-in-Chief of Good Black News, a site which for over a decade has literally been dedicated year-round to the celebration of Black people and their achievements, I have been wrestling with this question for a while, particularly in the last eight months.

After the murder of 10 Black people at a supermarket in Buffalo, NY by a white supremacist in May 2022 and the continued downplaying of racially-based domestic terrorism, I felt depleted and bereft. Of hope, of faith, of purpose. It didn’t seem to matter how much Black people achieved or prospered or protested or suffered in America — we couldn’t even buy our groceries in peace.

And once again, the narrative of the “lone, mentally unstable shooter” was trotted out. One person was (rightfully) punished, but the racist political and economic system he embraced in its most violent extreme? It remained (and remains) steadfastly in place. As did the onus remain on the shoulders of Black people to be seen as worthy of basic human rights.

America quickly got back to the business of forgetting and moving on, even after experiencing only two years before what seemed like a watershed moment of racial reckoning after the police murder of George Floyd.

But here were are again today, literally TODAY, with civil rights attorney Benjamin Crump saying during his call to action during Tyre Nichols’ funeral: “Why couldn’t they see the humanity in Tyre?… We have to make sure they see us as human beings worthy of respect and justice!”

We do?

I’ll admit in many ways, I understand where Crump is coming from. “Show the humanity” has essentially been the GBN operating philosophy since 2010 — to create a site and space where we can see and celebrate our humanity, while offering access to anyone else who wants to take a gander.

But now, in 2023, I must push myself to dig deeper and firmly challenge why it should it ever be the responsibility of any human being to convince any other human being of their humanity. To state the obvious, once, and for all:

BLACK PEOPLE ARE HUMAN BEINGS.

If the words above are not inherently understood to be true, why is that? Why does this have to be shown? Proven? Over and over and over again?

My answer, also obvious, is that they don’t. Not ever.

So, while I absolutely respect and still intend to celebrate the legacies of people such as Frederick Douglass, Harriet Tubman, Dr. Martin Luther King, Jr., Rosa Parks, Jackie Robinson, Sidney Poitier and the like, going forward I also need for GBN’s Black History Month and GBN in general to engage more actively in the interrogation and disempowering any systems, institutions or public policies that do not recognize or uphold this truth and all the basic rights that should flow from it (e.g. respect, freedom, safety, equality).

Maybe I’m not giving enough credit to GBN in its past and present form — I acknowledge that GBN has been helpful and appreciated by many for the way we offer information via the lens of celebration and positivity.

What I’m aiming to add to our existing ethos is more critical thinking and opinion about cultural topics and cultural content, boosting political, economic and social policies that are truly about protecting, serving and uplifting Black people, and working to upend those that don’t.

What will this “new GBN” look like, you might ask? Well, today it’s looking like me sharing this link to the NAACP Petition to Demand Educational Freedom in Florida. To quote the petition:

The College Board creates and administers the AP program. Join us in demanding that they:

  • Reject the narrow interpretation of Florida law that contradicts principles of academic freedom and autonomy in determining what to teach in classrooms.
  • Take swift action to make sure Florida does not modify the curriculum of the proposed AP African-American Studies course designed with the help of respected Black scholars, but rather, maintains the integrity of the proposed curriculum.

Florida’s current agenda of political interference in the AP African American studies curriculum directly conflicts with the values of equity, fairness, and justice. Our students deserve better.

To sign it, click here.

Additionally, I want to highlight Nikole Hannah-Jones’ The 1619 Project series now streaming on Hulu as well as promote the excellent “Intersectionality Matters” podcast by law professor Dr. Kimberlé Crenshaw whose name is among the writers expunged from the AP African American studies curriculum.

[spotifyplaybutton play=”https://open.spotify.com/show/5CEVNLkyQ1kAx2MTSJZJLP?si=1d7be514acc241f1″]

I also want to give props to Beyoncé for officially announcing her 2023 Renaissance World Tour!  A definite bright spot on this first day of Black History Month, the efforts Beyoncé and her team are making via the Verified Fan system and its tiers of engagement (first priority given to the BeyHive!) to ensure real fans get access to tickets over usurious resale entities is for sure worth a shout out.

Frankly, I am tired of us being caught out there, and I want GBN to do more, offer more, share more and speak out more. In our tweets, reels, stories, posts, playlists, comments — however.

Maybe I’ll get it wrong sometimes, but with deep love for this community as my true north, may my faith, purpose and hope never again be broken.

Janelle Monáe and 15 More Black Women Artists and Activists Drop 17-Minute “Say Her Name” Anthem to Protest Police Violence Against Black Woman (VIDEO)

Janelle Monáe and 15 More Black Women Artists and Activists Drop 17-Minute “Say Her Name” Anthem to Protest Police Violence Against Black Woman (VIDEO)

By goodblacknews on September 24, 2021

Musician, actor and activist Janelle Monáe partnered with the African American Policy Forum to create “Say Her Name (Hell You Talmbout),” an anthem protesting police violence and calling attention to 61 Black women and girls who were killed by law enforcement.

The 17-minute song features 15 other Black female artists and activists, including Professor Kimberlé Crenshaw, Beyoncé, Alicia Keys, Chloe x Halle, Tierra Whack, Isis V., Zoë Kravitz, Brittany Howard, Asiahn, Jovian Zayne, Angela Rye, Nikole Hannah-Jones, Brittany Packnett-Cunningham, Alicia Garza and MJ Rodriguez.

“This International Daughter’s Day and we are proud to stand with the African American Policy Forum’s #SayHerName Mothers Network & Kimberlé Crenshaw as we honor the Black women and girls who lost their lives at the hands of police,” Monáe said in a statement.

“We support the tireless work that #SayHerName has been doing for years to help bring these mothers justice for their daughters. This work is too important to do alone and can only be sustained through our collective voices,” she added. “We take up this call to action as daughters ourselves trying to create a world where stories like these are no longer commonplace. This is a rally cry.”

https://twitter.com/AAPolicyForum/status/1441080268727615495?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet

The New York Times Magazine and Pulitzer Prize Winner Nikole Hannah-Jones’ “1619 Project” to Become Docuseries at Hulu

The New York Times Magazine and Pulitzer Prize Winner Nikole Hannah-Jones’ “1619 Project” to Become Docuseries at Hulu

By goodblacknews on April 3, 2021

According to Variety.com, a collaboration between Lionsgate Television, The New York Times, and Oprah Winfrey’s Harpo Films will create a docuseries for streaming platform Hulu based on The 1619 Project from New York Times Magazine’s and Nikole Hannah-Jones‘ journalistic examination of slavery and racism in the U.S. from 1619 to current times.

Emmy-nominated and Peabody Award-winner Shoshana Guy will serve as showrunner and executive producer. Kathleen Lingo, editorial director for film and TV at The New York Times, will also executive produce along with Caitlin Roper, The Times’ executive producer for scripted film and TV.

Academy Award-winning director Roger Ross Williams will produce and oversee the series with producing partner and co-executive producer Geoff Martz and also direct the first episode.

To quote from Variety.com:

The series falls under a distribution agreement between Lionsgate and Disney General Entertainment Content’s BIPOC Creator Initiative led by Tara Duncan.

The 1619 Project connected the centrality of slavery in U.S. history with an account of the racism that endures in so many aspects of American life today. It was launched in August 2019 on the 400th anniversary of the arrival of the first enslaved Africans in the English colonies that would become the United States. It examines the legacy of slavery in America and how it shaped nearly all aspects of society, from music and law to education and the arts, and including the principles of our democracy itself.

“The 1619 Project is an essential reframing of American history,” Williams said. “Our most cherished ideals and achievements cannot be understood without acknowledging both systemic racism and the contributions of Black Americans. And this isn’t just about the past—Black people are still fighting against both the legacy of this racism and its current incarnation. I am thrilled and grateful for the opportunity to work with The New York Times, Lionsgate Television, Harpo Films and Hulu to translate the incredibly important The 1619 Project into a documentary series.”

Oprah Winfrey and Lionsgate Join Forces With Journalist Nikole Hannah-Jones and The New York Times to Adapt the 1619 Project Into Films, Television Programming & Other Content

By goodblacknews on July 8, 2020
Photo Credit: Oprah (Harpo Inc./Ruven Afanador) / Nikole (James Estrin/The New York Times )

Pulitzer Prize®-winning journalist Nikole Hannah-Jones and The New York Times have chosen Lionsgate Studios to be the home for a wide-ranging partnership to develop Ms. Hannah-Jones’ landmark issue of The New York Times Magazine, The 1619 Project, and hit New York Times podcast, 1619, into an expansive portfolio of feature films, television series and other content for a global audience.

As part of the ground-breaking venture, Lionsgate has partnered with Oprah Winfrey as a producer who will provide stewardship and guidance to the development and production of The 1619 Project.

Lionsgate, The Times and Ms. Winfrey will join forces with Ms. Hannah-Jones, who will serve as the creative leader and producer in developing feature films, television series, documentaries, unscripted programming and other forms of entertainment enlisting world-class Black creative voices to help adapt her celebrated series chronicling the ways that the original sin of slavery in America still permeates all aspects of our society today.

Jones’ colleague at The Times Magazine, Caitlin Roper, an editor of The 1619 Project and head of scripted entertainment at The Times, will also produce.

One of the most impactful and thought-provoking works of journalism of the past decade, The Times Magazine’s 1619 Project was a landmark undertaking that connected the centrality of slavery in history with an unflinching account of the brutal racism that endures in so many aspects of American life today.

It was launched in August 2019 on the 400th anniversary of the arrival of the first enslaved Africans in the English colonies that would become the United States, and it examines the legacy of slavery in America and how it shaped all aspects of society, from music and law to education and the arts, including the principles of our democracy itself.

Ms. Hannah-Jones created and was the architect of the initiative at The Times Magazine with contributions from Black authors, essayists, poets, playwrights, and scholars comprising a special issue of the magazine and a special section in the print edition of The New York Times produced in collaboration with the Smithsonian’s National Museum of African-American History & Culture, as well as a five-part podcast that topped the Apple Podcast charts.

One of The Times’ most widely read pieces of journalism last year, The 1619 Project has been discussed in the Senate, is being adapted into a series of books with One World, a division of Penguin Random House, and is already changing the way that American history is being taught in schools.

“We took very seriously our duty to find TV and film partners that would respect and honor the work and mission of The 1619 Project, that understood our vision and deep moral obligation to doing justice to these stories. Through every step of the process, Lionsgate and its leadership have shown themselves to be that partner and it is a dream to be able to produce this work with Ms. Oprah Winfrey, a trailblazer and beacon to so many Black journalists,” said Ms. Hannah-Jones. “I am excited for this opportunity to extend the breadth and reach of The 1619 Project and to introduce these stories of Black resistance and resilience to even more American households.”

“From the first moment I read The 1619 Project and immersed myself in Nikole Hannah-Jones’s transformative work, I was moved, deepened and strengthened by her empowering historical analysis,” said Oprah Winfrey. “I am honored to be a part of Nikole’s vision to bring this project to a global audience.”

Please see a link to The 1619 Project essays here and podcasts here.

Colson Whitehead, Nikole Hannah-Jones, Jericho Brown and More Win Pulitzer Prizes in 2020

Colson Whitehead, Nikole Hannah-Jones, Jericho Brown and More Win Pulitzer Prizes in 2020

By goodblacknews on May 5, 2020
Jericho Brown, Nikole Hannah-Jones, Colson Whitehead (photos via commons.wikipedia.org and nikolehannahjones.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

The Pulitzer Prize winners for 2020 were announced yesterday. Notable among them were Colson Whitehead for Fiction for “The Nickel Boys,“ Nikole Hannah-Jones for Commentary for “The 1619 Project,” Jericho Brown for Poetry for “The Tradition,“ Michael R. Jackson for Drama for “A Strange Loop“ and Anthony Davis for Music for “The Central Park Five.”

And, posthumously, the one and only Ida B. Wells was awarded a special citation for her reporting on lynchings in the late-19th and early 20th century.

The Pulitzer Prize awards were established in 1917 through money provided in the will of Joseph Pulitzer, who had made his fortune as a newspaper publisher. The Pulitzers are given yearly in twenty-one categories. In twenty of the categories, each winner receives a certificate and a US $15,000 cash award. The winner in the public service category is awarded a gold medal.

With his win for “The Nickel Boys,” Colson Whitehead becomes the fourth fiction writer to win the prize two times (Booth Tarkington, William Faulkner and John Updike are the other three) and the first African American writer to pull off that feat.

Whitehead won his first Pulitzer for his 2016 best-selling novel “The Underground Railroad.”

Njideka Akunyili Crosby, Dawoud Bey, Rhiannon Giddens, Nikole Hannah-Jones, Tyshawn Sorey and Jesmyn Ward Receive 2017 MacArthur "Genius" Grants

By goodblacknews on October 12, 2017

2017 MacArthur Fellowship Recipients Dawoud Bey, Rhiannon Giddens, Njideka Akunyili Crosby, Nikole Hannah-Jones, Tyshawn Sorey and Jesmyn Ward (Photo collage via blavity.com)

via blavity.com
The John D. and Catherine T. MacArthur Foundation has announced the winners of this year’s fellowship, better known as the “genius” grant. 24 fellows were chosen, whose professions range immensely across the board. There are historians and musicians, computer scientists and social activists, writers, and architects.
What they all have in common is that each of the recipients has been selected for having “shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction” — and each will receive a $625,000 award from the foundation “as an investment in their potential,” paid out over five years with no strings attached. This year, there were six black recipients of the amazing award:
1. Njideka Akunyili Crosby, 34, painter living in Los Angeles

“Njideka Akunyili Crosby is visualizing the complexities of globalization and transnational identity in works that layer paint, photographic imagery, prints, and collage elements.”
2.  Dawoud Bey, 63, photographer and educator living in Chicago

“Dawoud Bey is using an expansive approach that creates new spaces of engagement within cultural institutions, making them more meaningful to and representative of the communities in which they are situated.”