Twenty-four talented individuals were recognized Wednesday morning after they were named the 2013 class of MacArthur fellows – an honor given to an extraordinary group made up of individuals who have achieved much success in their personal creative pursuits. This year, three African-Americans — Kyle Abraham, Tarell McCraney and Carrie Mae Weems – have been identified by the MacArthur Foundation and join the group of fellows who are each awarded $625,000 to use as they wish towards their creative visions.
“This year’s class of MacArthur Fellows is an extraordinary group of individuals who collectively reflect the breadth and depth of American creativity,” said Cecilia Conrad, Vice President, MacArthur Fellows Program. “They are artists, social innovators, scientists, and humanists who are working to improve the human condition and to preserve and sustain our natural and cultural heritage. Their stories should inspire each of us to consider our own potential to contribute our talents for the betterment of humankind.”
In particular, the work of these three visonaries attempts to teach lessons and transform the ideas associated with the African-American experience. Abraham is a New-York-based dancer and choreographer whose work is often inspired by some of his childhood memories growing up in Pittsburgh, Pennsylvania.
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Although African-Americans weren’t prominent in Forbes’ annual list of the richest Americans, they are definitely well-represented among Hollywood power couples. The finance magazine has released its list of the highest earning celebrity couples and perhaps to the surprise of no one rapper Jay Z and his wife, pop icon Beyoncé, top the list. The chart topping duo earned $95 million last year through their concerts, album sales and endorsements, putting them ahead of couples like Tom Brady and Gisele Bündchen, as well as Brad Pitt and Angelina Jolie.
Kanye West and Kim Kardashian, who just welcomed their first child, a daughter named North, into the world, came in 5th overall, earning $30 million. Still none of these couples’ earning power combined reaches the height of say Oprah Winfrey, who, bolstered by rising OWN ratings, has made close to $3 billion in the last year.
article via thegrio.com
Longtime Howard Stern show co-host Robin Quivers revealed this morning that she’s been declared cancer-free after a long battle with the disease. She’s been broadcasting from her home by an ISDN line since she had a grapefruit-sized tumor removed from her bladder in May of 2012, missing only two episodes despite undergoing extensive radiation therapy, chemotherapy and highly invasive operations. “Howard was wrecked when this first came out,” said Stern producer Jon Hein on the air. “He didn’t feel comfortable doing the show without her. It looks like she’s cancer-free and will hopefully be back here sometime soon.”
Quivers has been an essential part of the Howard Stern show since she was first paired up with the shock jock in March of 1981 at a Washington, D.C. radio station. With the exception of a very brief time period when Stern moved over to WNBC in New York in 1982, they have been together ever since.
Just over a decade ago, Vin Diesel shot from near-obscurity to earning a $10 million payday in what seemed like record time, racing from an ensemble role in “Saving Private Ryan” to headlining “XXX” in nearly four years. But those who think of Diesel as an overnight action star don’t know the half of it.
“Vin is one of the most wildly misunderstood actor-producers out there,” says Universal co-chairman Donna Langley, whose connection with Diesel predates even 2001’s “The Fast and the Furious,” tracing back to “Boiler Room” at New Line.
While Diesel’s fans are familiar with his muscular physique and the trademark thunder-roll of his voice, what they don’t necessarily realize is just how much work Diesel puts into developing the movies they see as pure popcorn fun — or how hard he struggled to get to this point.
Before he became a star, Diesel broke through as an independent filmmaker, writing and directing work that was invited to screen at the Sundance and Cannes film festivals. And before he retires, Diesel will likely step behind the camera again, maybe even to direct his long-brewing passion project, “Hannibal.”
The mother of Trayvon Martin spoke out Sunday against the stop-and-frisk police practice in New York City, saying neither police nor civilians have the right to stop someone because of their race. Critics say the stops target blacks and Hispanics who aren’t doing anything wrong. Earlier this week, a judge told New York City that its policy was racial discrimination. The city plans to appeal. “You can’t give people the authority, whether civilian or police officers the right to just stop somebody because of the color of their skin,” Martin’s mother, Sybrina Fulton said on NBC’s Meet the Press.
Over the past decade, New York police have stopped, questioned and sometimes patted down about 5 million people; 87 percent were black or Hispanic. About 10 percent of the stops spur an arrest or summons. Police find weapons a fraction of the time. New York Police Commissioner Raymond Kelly defended the use of stop and frisk Sunday and said violent crimes would increase if the practice were abandoned. “The losers in this, if this case is allowed to stand, are people who live in minority communities,” he said on CBS’ Face the Nation.
[youtube=http://www.youtube.com/watch?v=8zGRfLBRQEM&w=420&h=315]Fulton’s attorney, Benjamin Crump, said the stop and frisk policy targeted people by race and noted it was still being used as the 50th anniversary of Dr. Martin Luther King Jr.’s “I have a dream” speech approached. “It actually takes us away from his poignant words of, ‘I dreamed my children would be judged by the content of their character rather than the color of their skin,’” Crump said. Fulton has said neighborhood watch volunteer George Zimmerman “got away with murder” in the 2012 killing of her son, largely because of Florida’s self-defense law.
Protesters had been occupying part of the Capitol in Tallahassee, calling for an examination of the Florida law since Zimmerman was acquitted last month. Zimmerman claimed self-defense in shooting the 17-year-old Martin during a fight; Martin’s supporters say Zimmerman profiled and followed him because Martin was black.
article by Associated Press via blackamericaweb.com
In a split bill at Damrosch Park Bandshell in New York City, Marc Bamuthi Joseph’s “Word Becomes Flesh” and Kyle Abraham’s “Pavement” explored race, power and, most specifically, what it means to be a black man in contemporary society as part of the Lincoln Center Out of Doors series last Thursday night. Using spoken word, movement and music, Mr. Joseph takes on the issues confronting black fatherhood in “Word Becomes Flesh,” which program notes describe as a “choreopoem.” First performed in 2003 by Mr. Joseph, the work is a recitation of letters written to his unborn son. Now “Word” is reimagined for an ensemble cast of six. The performers share their fears about bringing a child — first addressed as “heartbeat” and later as “brown boy” — into the world.
Spurts of movement — diagonal runs from the wings; slow, exaggerated steps; and springy jumps — often serve to accentuate the wistful text, which magnifies the idea of multiple, insecure fathers-to-be. “You have an intrinsically intimate relationship with your mother,” one dancer says, “but your dad didn’t check out when you were in the womb.”
For all of its words, Mr. Joseph’s loquacious piece lacks poetry. Mr. Abraham’s “Pavement” is more elegiac, yet the thorny sightlines of the Damrosch bandshell did the piece few favors. Mr. Abraham is a beautiful dancer — unpredictable and spry, with the kind of articulation that is likely to become only more refined and subtle with age — but his packed productions are somewhat unconvincing. “Pavement,” influenced by the writings of W. E. B. Du Bois and John Singleton’s 1991 film “Boyz N the Hood,” is set in the historically black neighborhoods of Pittsburgh. It was there, at 14, that Mr. Abraham first watched the Singleton movie; audio clips from the film are included in the production.
Tension is wonderful in a work, and Mr. Abraham’s propensity for moving his dancers in multiple directions — his movement phrases show a body swirling one way and then the next before evading momentum with a backward hop in arabesque — can be exhilarating. But the push and pull between narrative and dancing throughout “Pavement” gives it a choppy, locomotive feel. The film audio is overkill.
Celebrities, activists, artists and media descended upon Bridgehampton, New York last Saturday July 28 to help raise more than $1.5 million — and counting — for Danny and Russell Simmons’ fourteenth annual Art For Life Benefit. The event, held at Russell Simmons’ Fairview Farms East Hampton estate, helped to raise money for the Rush Philanthropic Arts Foundation, which provides arts education opportunities for inner-city youth.
“It’s very important that kids get a chance to practice and appreciate art,” Russell Simmons said of his inspiration for the benefit and organization, because, “it informs everything that we do. Nothing happens without creativity.” Guests included Michael Strahan, Nicole Murphy, Anthony Anderson, Rev. Al Sharpton, Star Jones, Angela Simmons and more. Youthful new faces such as Skylar Diggins, Olivia Culpo, Nana Meriwether, Melanie Fiona and Tahira Jose were also seen on the scene to bring attention to the importance of promoting culture among our youth.
Soledad O’Brien hosted the gala, while special performances included Estelle, Rick Ross and Maxwell. There was even a surprise performance by Doug E. Fresh. This year’s theme, ‘A Field of Dreams,’ highlighted the creativity of New York City youth and honored individuals in the community for their contributions, career achievements and philanthropic work.
Honorees included Samuel Englebardt and William D. Johnson of Demarest Films, writer Walter Mosley, Ann Pasternak of Creative Time and filmmaker Tyler Perry. Attendees agreed that the arts are an integral part of any child’s upbringing. “As a parent I want them to be able to read. I want them to be able to write and do mathematics. That’s all really important. But they also, to be human beings, have to understand how to express themselves,” Soledad O’Brien said. The final amount raised by the Art For Life Benefit the will be announced when the online auction, hosted by Charitybuzz, closes on August 7.
article by Nia Hamm via thegrio.com
After unconfirmed rumors from Showbiz411, the man himself, Denzel Washington has confirmed that he is indeed returning to Broadway in 2014 to star in a revival of Lorraine Hansberry’s A Raisin in the Sun, to be directed by Kenny Leon. Washington confirmed the rumors last night at the New York premiere of his action-comedy 2 Guns, the Wall Street Journal reported.
Although he didn’t say whether he’ll be joined by Sophie Okenedo, Anika Noni Rose and Diahann Carroll, as Showbiz411 also previously reported. But since they got Denzel’s involvement right (as well as the play, director and producer), I’d assume that they are also correct on the casting of the three actresses.
Denzel didn’t tell the WSJ what role he’ll be playing in the production, but, really, who else would it be but the lead protagonist, Walter Lee Younger? Certainly not Joseph Asagai nor George Murchison. Besides, I don’t see Denzel returning to Broadway to take a supporting role. Assuming Sophie Okenedo and Anika Noni Rose are indeed attached, they’d likely play Walter Younger’s sister (Beneatha) and wife (Ruth). Showbiz411 pegged Diahann Carroll as the family matriarch, Lena (“mama”). Scott Rudin will produce.