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Posts tagged as “New Orleans”

R.I.P Fats Domino, 89, Musical Legend, Rock 'n' Roll Hall of Famer and New Orleans Native

Mr. Domino performing in 2007 on NBC’s “Today” show. (Photo Credit: Richard Drew/AP)

Jon Pareles and William Grimes via nytimes.com
Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, has died in Louisiana. He was 89.
His death was confirmed by his brother-in-law and former road manager Reggie Hall, who said he had no other details. Mr. Domino lived in Harvey, La., across the Mississippi River from New Orleans. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,” “Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue Monday” and “Walkin’ to New Orleans.”
https://youtu.be/xbfMlk1PwGU
Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide.He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that.”
Fats Domino in 1956 (Photo: Associated Press)

Rotund and standing 5 feet 5 inches — he would joke that he was as wide as he was tall — Mr. Domino had a big, infectious grin, a fondness for ornate, jewel-encrusted rings and an easygoing manner in performance; even in plaintive songs his voice had a smile in it. And he was a master of the wordless vocal, making hits out of songs full of “woo-woos” and “la-las.”Working with the songwriter, producer and arranger David Bartholomew, Mr. Domino and his band carried New Orleans parade rhythms into rock ’n’ roll and put a local stamp on nearly everything they touched, even country tunes like “Jambalaya” or big-band songs like “My Blue Heaven” and “When My Dreamboat Comes Home.”
Antoine Dominique Domino Jr. was born on Feb. 26, 1928, the youngest of eight children in a family with Creole roots. He grew up in the Ninth Ward of New Orleans, where he spent most of his life.Music filled his life from the age of 10, when his family inherited an old piano. After his brother-in-law Harrison Verrett, a traditional-jazz musician, wrote down the notes on the keys and taught him a few chords, Antoine threw himself at the instrument — so enthusiastically that his parents moved it to the garage.
He was almost entirely self-taught, picking up ideas from boogie-woogie masters like Meade Lux Lewis, Pinetop Smith and Amos Milburn. “Back then I used to play everybody’s records; everybody’s records who made records,” he told the New Orleans music magazine Offbeat in 2004. “I used to hear ’em, listen at ’em five, six, seven, eight times and I could play it just like the record because I had a good ear for catchin’ notes and different things.” He attended the Louis B. Macarty School but dropped out in the fourth grade to work as an iceman’s helper. “In the houses where people had a piano in their rooms, I’d stop and play,” he told USA Today in 2007. “That’s how I practiced.”
In his teens, he started working at a club called the Hideaway with a band led by the bassist Billy Diamond, who nicknamed him Fats. Mr. Domino soon became the band’s frontman and a local draw.“Fats was breaking up the place, man,” Mr. Bartholomew told The Cleveland Plain Dealer in 2010. “He was singing and playing the piano and carrying on. Everyone was having a good time. When you saw Fats Domino, it was ‘Let’s have a party!’ ”He added: “My first impression was a lasting impression. He was a great singer. He was a great artist. And whatever he was doing, nobody could beat him.”
In 1947 Mr. Domino married Rosemary Hall, and they had eight children, Antoine III, Anatole, Andre, Anonio, Antoinette, Andrea, Anola and Adonica. His wife died in 2008. A complete list of survivors was not immediately available.
To read more, go to: https://www.nytimes.com/2017/10/25/obituaries/fats-domino-89-one-of-rock-n-rolls-first-stars-is-dead.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=second-column-region&region=top-news&WT.nav=top-news&_r=0

Five Xavier University Students Rush to Save Crash Victim as Live Wire Sparked a Few Feet Away

Xavier University local heroes (photo via fox8live.com)

by Brian Naquin via fox8live.com
A bloodstained shoe served as a reminder of just how dangerous the rescue near Xavier University‘s campus was Monday night. “Without us, he probably would have bled out and stayed in the car until the police got there,” Markevion Kennebrew said. Just before 10 p.m., Kennebrew, Moses Michael, Ronald  Haroon, Demetrious Brown and another Xavier student selflessly sprung into action after a man smashed his sedan into a utility pole then crashed upside on the embankment of the drainage canal along Washington Avenue in New Orleans.
“I told my friend I think someone is there. We just got to help then I saw these two guys,” Michael said as he pointed at Brown and Haroon. “[The driver] was like ‘please help’ and I don’t know how you can turn you back away from that,” Haroon said. “We actually made a chain and one person was holding onto the wall because it’s really steep. Dom, that’s the guy who is not here right now, he gave me his jacket and we had to pull the door open and we helped [the driver] up.”
The rescue was not only daring because of the steep embankment and mangled car below them but also because a live-electric wire that sparked in the water just feet away. “The car could have slid down in the water. He could have gotten shocked,” Brown said. “But I feel like it’s our public duty to help people in need. We weren’t thinking (about the wire). We were just thinking to get him out and get him on the street and make sure whoever’s in the car is alright.”
“I know my mom is going to be like you could have been shocked as well,” Kennebrew said. “My mom will probably be mad that I went down there but she’s still going to be happy that I helped people out just being there.”The crash knocked out power to much of the area. Emergency crews rushed the driver to the hospital. The students said he was bleeding from his head and had a large gash on his arm but was able to speak.
Before the rescue, Kennebrew and Michael did not know Brown nor Haroon and vice versa.  But after Monday, their bond formed along a dark canal is something that will never be swept away.”Once we heard someone was in there, I just think all four of us realized what we had to do,” Haroon said.
To see video of these young heroes, go to: Five Xavier students rush to save crash victim as a live wire sp – FOX 8 WVUE New Orleans News, Weather, Sports, Social

Essence Unveils Night-By-Night Schedule for 2017 Concert Series at Superdome this Summer

 article by Lori Lakin Hutcherson (@lakinhutcherson)
The 2017 ESSENCE Festival has announced the all-star, night-by-night schedule for its concert series, from June 30 to July 2 at the Superdome in New Orleans, LA.
Single-night tickets are now on sale and are priced starting at $50 per person per night.
The concerts will feature more than 40 acts across five stages in the Superdome throughout the weekend on the festival’s renowned Mainstage and in the intimate Superlounges. Festival first-timers Diana Ross and Chance the Rapper will open and close the weekend concert series with headlining performances on Friday and Sunday night respectively – along with a special all-female Saturday night lineup, inspired by headliner Mary J. Blige’s forthcoming album Strength of A Woman.

Other well-known performers in this year’s line-up include John Legend, india.arie, Jill Scott, Chaka Khan and Solange.

Roy Wood Jr. from Comedy Central’s “The Daily Show” will serve as the Mainstage host for the weekend, with more surprise guest performances to be announced.
For more information about ticket sales and accommodations and for the latest news about the ESSENCE Festival®, visit www.essencefestival.com, join the festival community by following us on Twitter @essencefest #EssenceFest and become a fan of 2017 ESSENCE Festival® on Facebook.

Solange Knowles Writes Insightful, Personal Essay on Racial Discrimination

Solange Knowles
Solange Knowles (photo via solangemusic.com)

article by Lesa Lakin
by Lesa Lakin, Lifestyle Editor

Today I woke up to a Facebook post that my roommate from college shared on her feed. Her response to that tauntingly generic Facebook encouragement— “What’s on your mind?” seemed a little more perturbed, urgent and determined than usual: “This is a must read! #blacklivesmatter #takeaknee and if u don’t like my hashtags feel free to unfollow me.”  Whoa… okay, she had my attention. I found my glasses and I was in. The share was an essay by Solange Knowles about her recent experience with racial discrimination at a Kraftwerk concert.
The essay is entitled “And Do You Belong? I Do…”,  and the title is a pretty good indication of what follows. Here we go, I thought… I am about to read about how someone had caused Beyoncé’s sister to feel some type of way. I knew it would be a truthful expression of Solange having to deal with some, well… ignorant mess. I’ve certainly been there. This was going to be a level of discrimination probably more than the norm though, because why else make such an effort to share?
Solange’s essay is thought-provoking and definitely worth the read. She is insightful and honest about her past experiences with racial discrimination, as well as her recent encounter while trying to dance and enjoy music with her family.
Though the content of the post is not surprising – again, so many of us have been there – the trash throwing did surprise me. (Yes, someone throws trash at Solange and her family.) Really?? It was taken there??? But instead of responding in the moment in a way that likely would have brought negative attention to her and her family, I have to applaud Solange for instead turning to Twitter, then laying it out there again in writing, as well as covering the anticipated naysayers with intelligent responses.
Here is her essay in its entirety:
http://saintheron.com/featured/and-do-you-belong-i-do/
In light of GBN’s own essay on personal discrimination:
https://goodblacknews.org/2016/07/14/editorial-what-i-said-when-my- white-friend-asked-for-my-black-opinion-on-white-privilege/
We are reminded by her action that knowledge is power, well-chosen words are power, and speaking up in protest is power. I think it’s important that she bravely lays it out there for the world to hear.
Thank you, Solange.

2016 ESSENCE Festival Lineup Revealed: Kendrick Lamar, Mariah Carey, Maxwell, and More!

ESSENCE Festival 2016article by Taylor Lewis via essence.com

It’s four months out from this year’s ESSENCE Festival in New Orleans, and ESSENCE has just revealed its first look at the 2016 lineup.

For the 22nd year, ESSENCE Fest is bringing sure-to-be-lit nighttime concerts featuring more than 30 of today’s hottest hip-hop and R&B stars. This year’s lineup is a mix of old and new: soul and R&B, hip hop and pop—from Kendrick Lamar to Mariah Carey to Maxwell to Lion Babe.
“The ESSENCE Festival is back in New Orleans with an extraordinary roster of the biggest names and best performers in entertainment—from global music icons to the industry’s rising stars,” said ESSENCE President Michelle Ebanks. “We are welcoming Mariah Carey, Kendrick Lamar and Maxwell to headline the Superdome main stage. In addition, we will be embracing newcomers like Leon Bridges, Jeremih, Lion Babe, Dej Loaf and The Internet, as well as fan favorite Charlie Wilson for the ultimate cultural experience in New Orleans this July 4th weekend.”
Click through to see a full list of performers, and be sure to check back for updates.
Get your tickets here.
To read original article, go to: http://www.essence.com/2016/03/01/2016-essence-festival-lineup-revealed-kendrick-mariah-maxwell-oh-my

HBO Drops Teaser for 'Lady Day at Emerson’s Bar & Grill' Starring Audra McDonald (VIDEO)

"Lady Day at Emerson's Bar & Grill"
Audra McDonald as Billie Holiday in HBO’s “Lady Day at Emerson’s Bar & Grill” (photo via blogs.indiewire.com)

Audra McDonald brings her acclaimed portrayal of Billie Holiday in the Broadway smash “Lady Day at Emerson’s Bar & Grill” to HBO, with the exclusive presentation scheduled to debut Saturday, March 12, 2016.
Filmed before a live audience at Cafe Brasil in New Orleans, the special features McDonald in her history-making, tour de force performance as the jazz icon.
Originally written for off-Broadway by Lanie Roberston in 1987, the production tells Holiday’s life story through the songs that made her famous, including “God Bless the Child,” “What a Little Moonlight Can Do,” “Strange Fruit” and “Taint Nobody’s Biz-ness.”
McDonald made history and became Broadway’s most decorated performer when she won her sixth Tony Award, for “Lady Day at Emerson’s Bar & Grill,” in 2014. In addition to setting the record for most competitive wins by an actor, she also became the first person to receive awards in all four acting categories. The show’s run at the Circle in the Square Theatre on Broadway was extended four times due to high demand.
“Lady Day at Emerson’s Bar & Grill” is directed by Lonny Price, who also directed the Broadway production, and produced by Allen Newman and Two Hands Entertainment. It was originally produced on Broadway by Jeffrey Richards, Jerry Frankel, Jessica Genick and Will Trice.
The special will also be available on HBO NOW and HBO GO.
The network has released a first teaser which is embedded below:
[youtube https://www.youtube.com/watch?v=llZRcLoV5Ag&w=560&h=315]
article by Tambay A. Obenson via Shadow and Act

Rutina Wesley Cast in Ava DuVernay’s new OWN Series "Queen Sugar"

452766992-actress-rutina-wesley-attends-entertainment-weeklys
Retina Wesley (ETHAN MILLER/GETTY IMAGES)
It’s been almost two years since HBO’s True Blood aired its series finale, but Rutina Wesley is still a familiar face to many people, and now Wesley has been tapped to star in Ava DuVernay’s upcoming OWN series, Queen Sugar.
Adapted from the novel written by Natalie BaszileQueen Sugar tells the story of Nova Bordelon (Wesley), a journalist-activist based in New Orleans, whose life is turned upside down when her sister returns to Louisiana from Los Angeles to help run the family’s sugarcane farm. DuVernay is writing and directing the series, and Oprah Winfrey will also make a few guest appearances.
Earlier this year, Winfrey and DuVernay discussed how the series came to be.
“I loved this book and immediately saw it as a series for OWN,” said Winfrey. “The story’s themes of reinventing your life, parenting alone, family connections and conflicts, and building new relationships are what I believe will connect our viewers to this show.”
“From the moment I was introduced to the book, I was captivated by the idea of a modern woman wrestling with identity, family, culture and the echoes of history,” DuVernay added. “To bring this kind of storytelling to life alongside Oprah for her network is wildly wonderful. I’m excited about what’s in store.”
article by Yesha Callahan via theroot.com

New Orleans City Council Votes to Remove Confederate Monuments

Confederate Symbols
The Robert E. Lee Monument is seen in Lee Circle in New Orleans.  (AP Photo/Gerald Herbert, File)

New Orleans‘ leaders on Thursday made a sweeping move to break with the city’s Confederate past when the City Council voted to remove prominent Confederate monuments along some of its busiest streets.
The council’s 6-1 vote allows the city to remove four monuments, including a towering statue of Confederate Gen. Robert E. Lee that has stood at the center of a traffic circle for 131 years.
It was an emotional meeting — often interrupted by heckling — infused with references to slavery, lynchings and racism, as well as the pleas of those who opposed removing the monuments to not “rewrite history.”
City Council President Jason Williams called the vote a symbolic severing of an “umbilical cord” tying the city to the offensive legacy of the Confederacy and the era of Jim Crow laws.  “If anybody wins here, it will be the South, because it is finally rising,” Williams, who is African-American, said.
Stacy Head, a council member at large, was the lone vote against the removal. She is one of two white council members.  She lamented what she called a rush to take the monuments down without adequate consideration of their historic value and meaning to many in New Orleans.
Fixing historic injustice is “a lot harder work than removing monuments,” she said, even as many in the packed council chambers jeered her.  She said the issue was dividing the city, not uniting it. “I think all we will be left with is pain and division.”
The decision came after months of impassioned debate. On Thursday, four preservation groups filed a lawsuit in federal court seeking to stop the city from taking down the monuments by challenging the city’s removal process.
Mayor Mitch Landrieu first proposed taking down these monuments after police said a white supremacist killed nine parishioners inside the African-American Emanuel AME Church in CharlestonSouth Carolina, in June.

Michelle Obama Awards 13 Youth Arts Programs at White House

WASHINGTON (AP) — Calling a group of artistic youth the “next generation of fabulous,” Michelle Obama presented national arts and humanities awards to 12 after-school programs from across the country and one international program from Honduras.
Honorees included a musical theater program co-created by comedian Rosie O’Donnell that serves low-income students in New York City.
The first lady presented the awards Tuesday to recognize the nation’s best youth programs that use arts and humanities to develop skills and increase academic achievement. She honored programs that teach ceramics, dance, music, writing, science and more. Each of the U.S. programs will receive $10,000.
The annual White House ceremony included a live performance from winning program, A Commitment to Excellence, or ACTE II. The New York group performed a song and dance medley including “I Got Rhythm,” ”Girls Just Want to Have Fun,” and “Empire State of Mind.”
“Wow…that wasn’t singing, that was ‘sanging,’” Mrs. Obama quipped, referring to the group which she predicted is destined for Broadway.
Mrs. Obama urged continued funding and support for arts and humanities programs, which she said also teach students problem-solving, teamwork and discipline.
“There are millions of kids like these with talent all over the place, and it’s hidden and it’s untapped and that’s why these programs are so important,” Mrs. Obama said. “We wouldn’t know that all this existed without any of these programs and that would be a shame.”
The 2015 National Arts and Humanities Youth Program Awards are hosted by the President’s Committee on the Arts and the Humanities in partnership with three national cultural agencies.
The 13 programs recognized with a National Arts and Humanities Youth Program Award during the White House ceremony are:
— A Commitment to Excellence (ACTE II), New York.
—Action Arts and Science Program, Sioux Falls, S.D.
—Art High, Pasadena, Calif.
—CityDance DREAM Program, Washington.
—Spy Hop Productions, Salt Lake City.
—Milwaukee Youth Symphony Orchestra, Milwaukee.
—Ogden Museum of Southern Art, Inc., New Orleans.
—VSA Indiana, Inc. , Indianapolis.
—The Center for Urban Pedagogy, Inc., Brooklyn, N.Y.
—Deep Center, Inc., Savannah, Ga.
—The Telling Room, Portland, Maine.
—Caldera, Portland, Oregon.
—Organization for Youth Empowerment (OYE), El Progreso, Honduras.
article by Stacy A. Anderson, AP via blackamericaweb.com

America's 1st Slavery Museum Shifts the Focus from Masters to Slaves

Dr. Ibrahima Seck points toward a marble Wall of Honor, where the names of 350 enslaved people at Whitney Plantation have been engraved. (All photos by Michael Patrick Welch via Vice.com)

When you arrive at Whitney Plantation in Wallace, Louisiana, you’re given an enslaved person’s image and story to wear for the day. Mine was Ann Hawthorne, who was 85 years old when the Library of Congress’s Federal Writer’s Project recorded her personal story of growing up enslaved on the Whitney Plantation, one of many plantations along the Mississippi’s winding River Road. Each story is printed on a laminated card that you wear around your neck—a physical manifestation of the history of slavery; a reminder that real people lived here, died here.
Billed as America’s first-ever museum dedicated exclusively to American slavery, Whitney Plantation sits amid acres of sugar cane that, on the late afternoon of my visit, swayed in a wild wind from a passing tropical depression. The plantation’s swampy land lay heavy with ankle-deep water and hummed with voracious mosquitos. A long row of black and white umbrellas leaned against the visitors’ center and gift shop so that those who had paid $22 a head to tour the grounds were not made uncomfortable by the day’s fine, cool mist of rain.
As I waited for my tour guide, a black woman with long braids led a tour group past a white church, where statues of a young Ann Hawthorne and a dozen other enslaved children seemed to stare directly at—or, really, into—the visitors, who watched a video featuring their testimony.


The entire museum is similar: You walk the same pathways that victims of chattel slavery walked, you listen to their stories in their own words, you see and hear the pieces of history that aren’t printed in textbooks or told on other plantation tours. You won’t find much information on the wealthy slaveowners on this plantation. Instead, Whitney presents slavery through the stories of those who experienced it.
The museum’s creation is owed in part to Dr. Ibrahima Seck, a tall, dark man with a florid African accent, who built the museum along with Whitney’s owner, white New Orleans attorney John Cummings. He has an encyclopedic knowledge of the Antebellum South, and it’s clear that everyone working at Whitney regards him as a living exhibit.
“According to the Trans-Atlantic Slave Database, 60 percent of the people in Louisiana came from Senegambia, my area of Africa,” Dr. Seck told me. “So there are very strong ties here from my home.”
Seck had agreed to give me a private tour, so we climbed into his golf cart and drove past a small, rusty jail. Through its cage bars, we could see the slave masters’ 220-year-old “Big House” in the distance.
“This jail wasn’t on this plantation,” said Dr. Seck, driving faster now so the mosquitos wouldn’t catch up. “It was found in Gonzales, Louisiana, buried in the mud. At the slave markets in New Orleans, this is where the slaves were locked up before being sold.”

There is no fiction here. There is nothing you can deny here. — Dr. Ibrahima Seck

Past seven small cypress wood cabins, which at one time slept dozens of slaves apiece, Seck stopped the cart at the marble Wall of Honor, which displays the names of over 350 people who were once enslaved at Whitney, plus how much each sold for and why. Seck, who originally gleaned all this information from documents found on the property, pointed out enslaved people who were deemed less valuable: a one-armed driver, a mentally-disabled woman, an old man with a hernia. Their prices were lower, but their fate was the same.
“Mentally-disabled or old slaves might be assigned to watch the master’s toddlers or something,” Dr. Seck said. “They sold for less, but were never retired. You worked till you died.”