Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!
Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.
The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.
Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.
I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.
I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.
Mulatu Astatke was born in 1943, and is widely sighted as being the greatest innovator of Ethiopian jazz. Astatke took the fusion of traditional Ethiopian folk music and American jazz to a new level.
‘There are tribes in the south called the Derashe They are surrounded by people who play five tone music but they have created a diminished 12-tone scale. Diminished scales are very important in jazz music especially for improvising. We learn how Charlie Parker came up with diminished scales as well as Claude Debussy and Bach. But always on my mind is the question of who were first with the scale, these people or the Derashe tribe?”
By the late 1960s, he helped create a ‘golden age’ in Addis Ababa. It was in full swing in 1973 when American jazz legend, Duke Ellington, came to town and performed with with Mulatu Astatke.
Much of that thriving Ethiopian jazz scene came crashing down the following year, when a Soviet-backed military junta known as the Derg overthrew the government. It left tens of thousands dead and nearly destroyed the thriving musical community.
When the Soviet Union broke apart in 1991, and the Derg was subsequently overthrown, and the budding democracy quickly became a thriving home of musical creativity.
Ethiopian Jazz hit new global audiences through CD releases that included the Ethiopiques series and Rough Guide albums. Astatke’s songs fueled the soundtrack of Jim Jarmusch‘s film Broken Flowers in 2005.
Samples of his were used by Nas, Damian Marley, Kanye West, Cut Chemist, Quantic, Madlib, and Oddisee.
Today, Mulatu Astatke is still active, and collaborating with a new generation of artists including The Heliocentrics and Black Jesus Experience. His most recent album was released in 2020 at age 76.
Universal Hip Hop Museum at Bronx Terminal Market (image via Kevin Ross/radiofacts.com)
New York state officials have approved a $3.75 million grant to help build the Universal Hip Hop Museum, according to cnn.com.
The museum will be located in the Bronx and is the brainchild of local hip hop aficionados. New York Governor Andrew Cuomo announced the $3.75M grant last Thursday to the nation’s first museum dedicated to hip-hop.
Now at a temporary location in the Bronx Terminal Market, The Universal Hip Hop Museum is the brain child of New Yorkers who have been on the hip-hop scene since the very beginning. One of these New Yorkers is executive director Rocky Bucano. Born and raised in the Bronx, Bucano was a DJ as a teenager in the early 1970’s.
Bucano describes the 8-year-old museum as an “ambitious, audacious dream.” Bucano’s co-founders include hip-hop legends Kurtis Blow and Grand Wizzard Theodore, who helped pioneer the popular DJ technique known as scratching.
According to CNN the founding board of directors includes Ice-T and cultural ambassadors include New York natives LL Cool J, Rakim, Big Daddy Kane, Grandmaster Flash, Fab Five Freddy and Nas.
In 2018, the Universal Hip Hop Museum announced that Public Enemy’s Chuck D would serve as the chairman of the museum’s celebrity board.
Thanks to the state funding, the 50,000-square-foot hip-hop museum will have a permanent place to call home in Bronx Point come 2023. The museum’s construction will begin in the summer of 2020.
The museum will showcase all aspects of hip-hop culture — from fashion and breakdancing, as well as the evolution of hip-hop — highlighting artists new and old, from the late ’70s to today. The museum will offer workshops, mentorships and programming to help area youths.
To visit the museum’s site for tickets or to donate, go to: https://www.uhhm.org
Nas and Rakim are part of the NY Met’s Hip Hop Project (photo via ambrosiaforheads.com)
Hip-Hop and art have once again merged in an exciting way, thanks to the inventive mind of a graduate student. Regina Flores Mir is the brains behind the Hip-Hop Project, a program being implemented at the Metropolitan Museum of Art that allows visitors to navigate the various collections with guiding narration from MCs. Lyrics from songs by artist including Missy Elliott, Notorious B.I.G., Eric B. & Rakim, Kendrick Lamar, Nas, Queen Latifah, and more are used as keywords and then cross-referenced with the Met’s massive archive of art, providing listeners with a Hip-Hop-centric blueprint by which to examine and understand the museum’s collections.
According to the Hip-Hop Project’s website, “although the rap lyric may not be directly correlated to the art work in meaning, it allows visitors to see work that they may not have otherwise known existed,” allowing for the kind of accidental discovery that could inspire Heads to establish bridges between music and art in uniquely individualized ways.
As Kari Paul wrote for Vice’s Motherboard channel, the relationship between the lyrics and pieces of art in question aren’t necessarily straightforward, but are nevertheless engaging. “For example, in ‘Juicy’ when the Notorious B.I.G. says ‘fuck all y’all hoes,’ the Hip-Hop Project pulls up an ancient hoe artifact. Users can click on it and explore this work and others,” she explains. The Hip-Hop Project’s site allows users to experience the museum tour without a trip to the Met, simply by picking a rapper and delving into the lyrical matches to items available for viewing. Heads will also appreciate the website’s domain (www.rappersdelight.nyc). article by Bonita via ambrosiaforheads.com
Kendrick Lamar (photo via theurbandaily.com)
A live band rendition of To Pimp A Butterfly is in high demand, and you’d have to look no further than Kendrick Lamar‘s performances on Stephen Colbert‘s shows to know why.
Lamar has been performing cuts live with a backing track, but that changes for one day later in October. The star will perform To Pimp A Butterfly songs with the National Symphony Orchestra in Washington, D.C.’s Kennedy Center on October 20, according to the Washington Post. Nas performed with the orchestra last year to commemorate the 20th anniversary of Illmatic. article by bjosephsny via theurbandaily.com
After flipping through the September fall fashion issues of my favorite magazines with black “It Girls” such as Beyoncé, Kerry Washington, Serenaand Misty Copeland on their covers, I’m unusually interested in clothes. All that paging through magazines got me wondering: Where are all the black-owned fashion brands? Yes, of course well-known black brands still exist. Tracy Reese and Byron Lars are two of my favorites.
Digging into the rabbit hole of black designers led me to Fresh Dressed, a fascinating documentary from 2014 directed by Sacha Jenkins about the foundations of urban fashion that features some of the biggest names in fashion (Dapper Dan, Andre Leon Talley) and hip-hop (Kanye West, Nas). And it conveniently airs on Vimeo on Demand. One late-night click on my PayPal account and I was immersed in the world of pre-gentrified New York and hip-hop’s early years, which started the urban fashion apparel market. Sweet! Check out the trailer below:
Ready to take a walk down memory lane or learn the secret to how the brands so many of us wore in the ‘90s became hot (then not)? Check out Fresh Dressed. Here are 10 reasons the doc is worthwhile:
1. Unique fashion inspirations.
Customized leather jackets underneath denim vests—a fashion staple that was worn by street gang members who wanted to identify their affiliation—were inspired by 1969’s Easy Rider, a film about two bikers.
2. Jamel Shabazz photographs.
Brooklyn-born Shabazz spent the ‘80s taking iconic pictures of black street style and capturing the culture. His driving force? “[Black style] is interpreted around the world as just being fly,” Shabazz says in the documentary. “What I see is pride and dignity. I wanted the world to see [us] as something unlike they had seen before. That despite people’s condition, they were able to maintain a great deal of integrity and it is shown in the way people dress and the pride they take in having clean sneakers on.”
3. Random hip-hop fun facts.
Before Play of the rap duo Kid ‘n Play was a rapper, he was a graffiti artist who used denim jackets as his canvas. “People would pay me to paint their names on their jeans,” says Christopher “Play” Reid.
4. Dapper Dan was more popular than Louis Vuitton (among black people).
The (in)famous Harlem designer and boutique owner was best known for merging hip-hop fashion sensibilities with the logos of European fashion houses, such as Louis Vuitton and Gucci. Think tricking out the upholstery of Big Daddy Kane’s car with a red and black Gucci monogram print or maybe a red leather Gucci sweatsuit for Bobby Brown. “I blacken-ized [luxury] fashion” Dan boasts in Fresh Dressed. “I made it so it would look good on us.”
Nas, a producer of the documentary, takes the boasting a step further:
“Dapper Dan was Tom Ford before Tom Ford,” says the rapper. “He had the foresight to do what they [luxury brands] started doing five years, 10 years after him.”
5. The genesis of fat laces in sneakers.
Before wide laces were sold ready-made in stores, sneaker aficionados had to create their own by taking the laces out of the shoe, stretching them, starching them and then ironing them.
6. Mayor’s closet.
I’m not so into sneakers, but even I gasped looking at the walk-in closet of sneaker aficionado Mayor, who boasts of going 7.5 years without wearing the same pair of shoes twice. (That’s 2,737 pairs). He keeps his collection, which includes a significant number of Jordans, in a row of plastic containers that are as tall he is and estimates his collection is worth more than half a million dollars.
7. Rediscovering the Lo-Lifes.
This was a well-known “gang” in Brooklyn, N.Y., that didn’t identify itself by colors but by fashion logos, one in particular: Polo. Its criminal activity was mainly shoplifting Ralph Lauren clothing from department stores, and status in the group was determined by who wore the most exclusive wares best. For some, such as Lo-Life leader Thirstin Howl the 3rd (yes, like the millionaire from Gilligan’s Island), fashion is really that serious.
8. Learning how Tommy Hilfiger became so popular among black people.
Instead of offering endorsement deals to famous rappers, Hilfiger offered free clothes to the MCs—and in the neighborhoods where they came from. “Tommy Hilfiger would show up in the ‘hood and open up a trunk with clothes,” recalls Ralph McDaniels, who hosted the popular hip-hop TV show Video Music Box. “It was the drug dealer giving you a free hit. It was smart. He knew exactly what he was doing.”
9. That time GAP unwittingly spent $30 million on a FUBU commercial.
LL Cool J signed on to do a GAP commercial, but didn’t really believe the brand respected hip-hop culture, according to FUBU executive Daymond John. The rapper insisted on wearing a FUBU baseball cap in the commercial and even dropped a line that included FUBUs tagline, “For Us By Us.” “It basically became a FUBU commercial,” adds John. FUBU eventually became a $350 million business.
10. Learning that Tupac didn’t charge black people.
At the height of his fame, Tupac took a meeting with Karl Kani in which Kani pitched him to star in an upcoming ad campaign. “I ain’t gonna charge you; you black,” Pac told Kani. “I don’t charge my people for nothing.” Two weeks later, they did a photoshoot … free. Kani credits Pac with introducing him to a global market. article by Demetria Lucas D’oyley via theroot.com
Nas is partnering up with General Assembly to sponsor scholarships for African-American and Latino students, according to reports.
General Assembly, a vocational school for engineering and programming in New York City, is opening the “Opportunity Fund” to help bring diversity into technology. Microsoft, Google and Hirepurpose will also provide monies for the project. Each company will sponsor different populations. While Nas will give scholarships to African-Americans and Latinos, Microsoft and Hirepurpose will provide funding for veterans and Google will give scholarships to women.“This is the start of what hopefully will be a contribution to what will be a more diverse and accessible community worldwide,” General Assembly CEO Jake Schwartz told the Observer.
This is not the first time Nas has had his name attached to an educational opportunity – in 2013 Harvard University created the Nasir Jones Fellowship in his honor. It’s wonderful that he is continuing to foster higher education, this time in his hometown.
original article by Tanay Hudson via allhiphop.com; additions by Lori Lakin Hutcherson
Lauryn Hill, The Roots, A$AP Rocky, Wale, Janelle Monae& Wondaland, Raekwon, Ghostface, The Internet, Raury, SZA, Scarface, and many more will take center stage at ONE Musicfestfestival in Atlanta on Saturday, September 12, 2015.
Over the last 6 years ONE Musicfest has pulled together the best of urban alternative legends and contemporaries for a unique experience through music and visual. And this year it gets even better, with ONE Musicfest in partnership with Live Nation, “pulling out all the stops with an outdoor music festival that the media says, can’t be missed, and attracting a generationally and culturally diverse audience. “
Beyond festival-goers having a good old-fashion time at the ONE Musicfest, Jason Carter, the founder of ONE Musicfest, told Black Enterprise.com exclusively, “I want people to walk away knowing that it’s possible for us all to share the same space. ONE Musicfest is a generational festival. It’s nothing to see a 17-year-old enjoying music along with someone in his or her late 40’s partying just as hard. So many times I think that’s overlooked with festivals. Some people will say, “That’s a young persons festival or that’s old school.” But the way we set up ONE Musicfest is so different—people jump up and dance when they hear a classic New Edition song and in the same breath once they hear the first drop on Kendrick Lamar, they’re bopping their head just as hard.
“The other WIN for One Musicfest is how we’ve brought progressive urban music to the stage. You never see Lauryn Hill on the same bill as Big Krit, but interestingly enough they’re fans of each other, but never get a chance to celebrate each other’s music together. So when they get backstage, they’re snapping pictures together and sharing them on Facebook and Instagram.”
According to a statement released by One Musicfest, the festival will take place on multiple stages and will serve as the ultimate mashup of innovative urban alternative acts with over eleven hours of non-stop music. The festival will feature over 25 of the hottest global DJs whose music crosses over to all spectrums, local vendors, games, and interactive activities. One Musicfest is the only place to see this roster of incredible acts join together for One purpose – which is to witness a wide variety of sounds, from rock to hip-hop, electro, reggae, funk, disco, house, alternative and soul while having your musical senses stimulated.
Founded by Jason Carter, ONE Musicfest has been one of Southeast’s largest home-grown, musical arts festivals to date including over 10,000 plus attendees. Carter has brought Atlanta music lovers the best and the brightest urban alternative acts performing in a welcoming, hospitable setting, creating an atmosphere where everyone can enjoy and discover music.
Previous artists include Kendrick Lamar, Nas, Jhene Aiko, Erykah Badu, Snoop Dogg, CeeLo Green & Goodie Mob, Santigold, Common, Method Man, Redman, Chrisette Michele, Amel Larriueux, Daley, Goapele, Joey Bada$$, De La Soul, Bilal, Quadron and more.
For more information, please visit www.onemusicfest.com and follow @ONEMusicfest | #OMF2015 | #ONLYOMF. article by Kandia Johnson via blackenterprise.com
Grammy Winning Producer DJ Premier to supervise music on upcoming VH1 movie “The Breaks” (Photo: xxlmag.com)
According to Deadline.com, VH1 has announced production of The Breaks, an original movie about the Hip-Hop business set in New York City during the early 90s, that will serve as a backdoor pilot for a potential series. Christopher Edward Martin, better known as DJ Premier, multiple Grammy-award winning member of the seminal rap group Gang Starr, will serve as executive music producer and compose the score. The Breaks is based on Dan Charnas’ non-fiction book The Big Payback: The History of the Business of Hip-Hop, which covers the rap from its infancy in the 1970s house party and park scene through the staggering financial and cultural milestones of the early 2000s. Set in 1990, the series will follow three friends from different backgrounds attempting to break into the business just as the art form became part of the pop music mainstream.
Given the setting, which happens to mark the middle point of the golden age of hip hop, the rise of gangsta rap, and the height of New Jack Swing, Texas native DJ Premier’s involvement is a huge advantage. In addition to his work with Gang Starr, Premier has been involved with some of the most influential and successful rap and R&B albums of all time, including works by KRS-One, Big Daddy Kane, Snoop Dogg, Compton’s Most Wanted, Nas, D’Angelo, The Notorious B.I.G., and Jay Z. The Breaks follows VH1’s previous TV films, 2013’s CrazySexyCool: The TLC Story, and 2014’s Drumline: A New Beat, both of which saw great ratings for the network. Single Ladies, an original series which ran for three seasons on VH1and is now enjoying a fourth on Centric, started as a two-hour back door pilot. If successful, The Breaks could similarly spawn a full series aimed at the audience of other shows with soundtracks overseen by music titans, like Fox’s Empire, with music production by Timbaland, and ABC’s Nashville, which saw T-Bone Burnett as music producer during its first season. The Breaks will be written, directed and executive produced by Seith Mann, whose previous credits include episodes of The Wire, Fringe, The Riches, Entourage, and Homeland. In addition to his production work, DJ Premier is also the host of a weekly show on Sirius XM’s Hip-Hop Nation. Filming for The Breaks will begin in June, and the film is scheduled to air sometime in late fall 2015. article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Nas performing in New York in June (Karsten Moran/The New York Times) The rapper Nas made his first appearance at Harvard University on Thursday, not to perform but to give his blessing to a new fellowship in his name – formally, the Nasir Jones Hip-Hop Fellowship. The fellowship will be awarded to two scholars or artists annually, chosen by a Harvard faculty committee. It is primarily a research fellowship, although Marcyliena Morgan, a professor of African and African American Studies and the founder and director of the Hip-Hop Archive and Research Institute, which will administer the fellowship, said on Friday that fellows could teach courses as well. The application process, she said, has just started. “The main purpose of the fellowship,” Ms. Morgan said, “is to support people doing work that has to do with the ways hip-hop itself reaches out to youth through the world, and particularly how it brings together issues of social justice, art and politics. That relationship – and how difficult it can be – is an important aspect of what we’re looking at. Hip-hop has been a way of getting the word out in very difficult situations.”
