Quvenzhané Wallis, the 9-year-old Oscar nominated star of Beasts of the Southern Wild, is really enjoying her moment in the spotlight.
She has talked about fashion with Vogue’s guru André Leon Talley. She has also appeared on NBC’s Rock Center, where she boasted that she is a “triple threat.”
Now the pint-size star is gracing the cover of Entertainment Weekly. Wallis made history this month when she became the young nominee in history in the lead actress Academy Award category.
article via thegrio.com
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This film image released by Paramount Pictures shows Denzel Washington portraying Whip Whitaker in a scene from “Flight.” (AP Photo/Paramount Pictures, Robert Zuckerman)
Denzel Washington scored his first Oscar nomination in over a decade this morning for his acclaimed performance as an alcoholic pilot in the hit drama Flight. This is Denzel’s sixth career Academy Award nomination, making him the most honored black actor in history. He’s won twice before: supporting actor for 1989′s Glory and best actor for his villainous role in 2001′s Training Day.
This recognition caps perhaps a career-best year for the A-list superstar, following the box office success of February’s action thriller Safe House and now his return to Hollywood’s most prestigious night.
Meanwhile, Quvenzhané Wallis received her first Oscar nomination ever for her acting debut in Beasts of the Southern Wild. At nine, Wallis is also the youngest actress to ever be nominated in the Academy’s leading actress category.Auditioning for the lead role when she was only 5 years old, Quvenzhané was 6 when filming began in 2010 in Pointe-aux-Chenes and Isle de Jean Charles, not too far from her hometown of Houma, Louisiana.
Beasts of the Southern Wild won the ‘Grand Jury Prize’ at the Sundance Independent Film Festival and won the Camera d’Or for best first film at the Cannes Film Festival.
Denzel Washington in a scene from ‘Safe House’
According to Quigley Publishing Company’s 81st Annual Poll of Motion Picture Exhibitors, actor Denzel Washington was voted the top money-making star in 2012. He’s been on the poll seven other times but this is the first time he was crowned winner.
The only woman in the Top Ten this year, Anne Hathaway, placed second with her roles in “Les Miserables” and as Catwoman in “The Dark Knight Rises.” Hugh Jackman and Mark Wahlberg , both with their initial Poll appearance, were third and fourth respectively.
Jackman was in “Les Miserables” and a voice talent in “Rise of the Guardians” and Wahlberg scored with “Contraband” and in the sleeper hit of the year, “Ted.” Johnny Depp was in “Dark Shadows” and had an uncredited role in “21 Jump Street,” but still managed a fifth this year. He has been in the Top Ten eight times, with wins in 2010, 2007 and 2006.
According to the report, exhibitors collectively decided Denzel was responsible for movie traffic in 2012, based on his performances in “Flight” and “Safe House.” He’s the fourth African American to win the poll and joins the ranks of Sidney Poitier (1968), Eddie Murphy (1987) and Will Smith (2005).
Top Ten Money-Making Stars of 2012
1. Denzel Washington
2. Anne Hathaway
3. Hugh Jackman
4. Mark Wahlberg
5. Johnny Depp
6. Daniel Craig
7. Daniel Day-Lewis
8. Brad Pitt
9. Leonardo DiCaprio
10. Robert Downey , Jr,
Read more at http://www.eurweb.com/2013/01/denzel-washington-brought-in-the-most-movie-money-in-2012/#9VVjV0Kz6mU2ZAmS.99
Yuri Arcurs/Shutterstock.com
Ever hear of Kate Henshaw-Nuttal? How about Genevieve Nnaji? You might soon. They are two of Nollywood’s top actresses. Nollywood (Nigeria’s film industry) is continuing to give Hollywood a run for its money… with help from moviegoers. The Nigerian film industry is now an $800-million industry, reports Forbes. And it’s becoming more global. In fact, even the Dish Network has recognized the power of Nollywood. It has just announced it will launch Africa Box Office (ABO), an Afro-Caribbean movie channel. ABO is broadcasts films exclusively from Nollywood, the prolific Nigerian film industry. It also airs films from other major African and Caribbean motion picture houses.
According to a press release, ABO is the largest Afro-Caribbean content aggregator for television in North America, broadcasting over 150 new movies per year, eight movies every day, and three premieres every week. It has a catalog of more than 1,500 African and Caribbean movies, leveraging the Afrotainment Family of Channels.
Hear The Root’s editor-in-chief, Henry Louis Gates Jr., chat with the Django Unchained director about the n-word and a possible sequel.
A Django Unchained and Inglourious Basterds trilogy? The historical accuracy of the n-word in
Django? The unlikely connection between the slavery-themed film and The Birth of a Nation? How Django fits into Hollywood’s overplayed, often offensive white-savior stereotype? You name it, and The Root‘s editor-in-chief, Henry Louis Gates Jr., and Quentin Tarantino — whose latest film, Django Unchained, a “postmodern slave-narrative Western,” as Gates describes it, opened on Christmas Day — likely covered it in this exhaustive interview.
When asked why he wanted to combine a slave narrative with a Western, Tarantino said this:
It’s two separate stories I’ve always wanted to tell. One, I’ve always wanted to tell a Western story. Two, I’ve always wanted to re-create cinematically that world of the antebellum South, of America under slavery, and just what a different place it was — an unfathomable place. To create an environment and again, not just have a historical story play out — they did this and they did that, and they did this and they did that — but actually make it a genre story. Make it an exciting adventure.
Listen to the whole interview by clicking here.
Also, read it in three parts:
Tarantino Unchained Part 1: Django Trilogy?
Tarantino Unchained Part 2: On the N-Word.
Tarantino Unchained Part 3: White Saviors.
(Photo: BILL FOLEY /Landov)
Gordon Parks was a master of many arts: photography, film making, music and fiction. But the world almost missed the opportunity to experience and enjoy his major contributions. Born on Nov. 30, 1912, to a family in Fort Scott, Kansas, that already included 14 other children, Parks was declared stillborn when his doctor couldn’t detect a heartbeat. Thanks to another doctor who thought to immerse him in cold water, which got his heart beating, he survived.
Parks, who taught himself photography with a used camera he bought for $7.50, led a life filled with firsts and major milestones, including shooting for Vogue and becoming the first Black photographer at Life magazine, where for two decades he documented the civil rights movement, race relations and urban life in America.
Abraham, who is African-American, went to high school in the Hill District of Pittsburgh, a historically black neighborhood, and in several of his previous works he drew on his experiences there. For “Pavement,” he went back to 1991, to reimagine the film “Boyz n the Hood,” about gangs in South Central Los Angeles, which was released that summer. He used the film as a springboard for examining life in Pittsburgh’s African-American communities in the Hill District and East Liberty Homewood and reflecting on the state of the black American experience in the two decades since its release.
But Abraham’s conception was even more sweeping. He also wanted to look at the history that had preceded the strife represented in “Boyz n the Hood,” and found a pertinent source in “The Souls of Black Folk,” the 1903 book by W. E. B. Du Bois, whose essays became instrumental in African-Americans’ struggle for equality in the twentieth century. Du Bois’s text made no appearance in “Pavement,” but Abraham included a quote from it in the program, which hovered over the dance: “Men call the shadow prejudice, and learnedly explain it as a natural defense of culture against barbarism, learning against ignorance, purity against crime, the ‘higher’ against the ‘lower’ races.” In the light of Du Bois’s words from more than a century ago, the realities as depicted in the film are sobering. From the perspective of 1991, when the ravages of H.I.V., crack addiction, and gang genocide were entrenched, not much seems to have gone right.
Forest Whitaker’s JuntoBox Films has greenlit production for romantic comedy Sharon Is Caring, while also announcing the shingle’s collaboration with crowd-funding platform Indiegogo.
Announcing the link-up at AFM on Nov. 5, the actor-turned-producer said the JuntoBox-Indiegogo partnership “represents another step toward using social collaboration and the elements of our digital world to empower the voices of independent filmmakers everywhere.”
As a result of the tie-up, entries on the website can now have the access to the production, mentorship and distribution services provided by Juntobox, a “collaborative” film studio chaired by Whitaker.
“Indiegogo’s roots were in film, so we’re excited to partner with JuntoBox to further extend our reach within the independent film community,” said Indiegogo co-founder and CEO Slava Rubin. “The JuntoBox Partner Page on Indiegogo will empower filmmakers to raise money for their films, tap into a global audience and bring more independent film projects to life.”
Founded in January 2008, the San Francisco-based portal aims at facilitating individuals to raise funds for their social or entrepreneurial projects from around the world.
Sharon Is Caring, revolving around two women avenging a man dating them at the same time and to be directed by New Yorker Wesley Mills, is JuntoBox’s fourth approved project this year. Aspiring filmmakers begin pitching the idea online, where members would vote on to pass judgment on whether they merit a launch.
article by Clarence Tsui via hollywoodreporter.com
Activist and actor Russell Means died of cancer Monday at his home in Porcupine, South Dakota on the Pine Ridge Indian Reservation. He was 72. A prominent member of the American Indian movement, he was instrumental in Marlon Brando having a Native American accept Brando’s Best Actor Oscar at the 1973 Academy Awards as a way of highlighting the plight of American Indians. Means also appeared in several films: He debuted as an actor in Michael Mann’s 1992 film The Last Of The Mohicans with Daniel Day-Lewis, and his big-screen credits include Oliver Stone’s Natural Born Killers and the voice of the Powhatan in Disney’s 1995 animated Pocahontas as well as the 1998 sequel. Means also appeared on TV in show such as HBO’s Curb Your Enthusiasm and CBS’ Nash Bridges.
article via deadline.com
The strangely awesome cast of “The Hunger Games: Catching Fire” just got a little bit more strange and awesome. Lionsgate announced Friday that world-class actor Jeffrey Wright has been cast as Beetee in the second installment of the franchise. Back in July, Variety had reported that Tony Shaloub was the front-runner for the role.