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Posts tagged as “movies”

Jamie Foxx to be Honored at MTV Movie Awards

By goodblacknews on April 12, 2013

jamie foxx
Jamie Foxx will get some special love during this weekend’s MTV Movie Awards.  The actor, who won an Academy Award for 2004′s “Ray,” will be honored with the “MTV Generation Award” at Sunday’s event. The trophy acknowledges an actor who captivates the network’s audience. Past recipients include Reese Witherspoon, Johnny Depp, Tom Cruise and Sandra Bullock.
Foxx is also nominated for four MTV Movie popcorn statuettes for Best Male Performance, Best Fight, Best Kiss and Best WTF Moment in Quentin Tarantino’s “Django Unchained.”
“As a comedian, Academy award-winning actor and Grammy award-winning artist, Jamie Foxx is a triple threat superstar unlike any we’ve seen in a long time,” said MTV President Stephen Friedman in a statement. “Jamie has captivated audiences for nearly two decades with a dizzying array of memorable performances, and we couldn’t be more excited to celebrate him at this year’s Movie Awards.”
Foxx will next be seen on the big screen opposite Channing Tatum in the action thriller “White House Down,” which hits theaters June 28.  Actress Rebel Wilson is host of the ceremony, which will air live on the East Coast at 9 p.m. on Sunday via MTV. The broadcast will be tape-delayed for the West Coast.
article via eurweb.com

New Denzel Washington Trailer for Action-Comedy "2 Guns" (VIDEO)

By goodblacknews on March 29, 2013

Angela Bassett Delights in Collaboration with "Olympus Has Fallen" Co-Star Morgan Freeman and Director Antoine Fuqua

By goodblacknews on March 21, 2013
Angela Bassett at Sardi's restaurant in New York. Bassett co-stars in the action flick, “Olympus Has Fallen.” (AP Photo/Carlo Allegri, file)

Angela Bassett at Sardi’s restaurant in New York. Bassett co-stars in the action flick, “Olympus Has Fallen.” (AP Photo/Carlo Allegri, file)

That all changed once they started working together on a set outside Shreveport, La., where they recreated parts of Washington, D.C., including the White House.  “He was nothing but professional and kind and warm and fun, and you know, a treat,” Bassett recalled.
The actress plays Secret Service Director Lynn Jacobs alongside Freeman’s Speaker of the House Trumbull, who assumes presidential power when the president and vice president are incapacitated after a terrorist attack on the White House.  “He’s been in so many great roles and he works all the time, you know? Who am I going to be in a world with him? His right hand! And he was at my left. So it was great,” Bassett said.

Jackie Robinson Film Screenings to Help Kansas City Negro Leagues Museum

By goodblacknews on March 21, 2013

42

Chadwick Boseman as Jackie Robinson in a scene from “42.” (Warner Bros. Pictures)

KANSAS CITY, Mo. (AP) — Kansas City was announced Wednesday as the host site for the only advance public screenings of a film chronicling the rise of Jackie Robinson, a nod to the city where the baseball great made his professional debut two years before breaking the major league color barrier.  Harrison Ford stars as former Brooklyn Dodgers General Manager Branch Rickey in the film, “42,” which details Robinson’s Rookie of the Year season in 1947 while combating unabashed racism on and off the diamond.
Ford and fellow cast member Andre Holland planned to attend the screenings on April 11 at a movie theater on the city’s north side. Proceeds will benefit the Negro Leagues Baseball Museum in Kansas City, museum president Bob Kendrick said.  Although the story of Robinson in Brooklyn is well known, Kendrick said Kansas City also played a prominent role in his early career. Robinson played for the Kansas City Monarchs, a member of the Negro Leagues, in 1945, batting .387 while hitting five home runs and stole 13 bases in 47 games. After a year in the minor leagues, he joined the Dodgers in 1947 and won the inaugural Rookie of the Year award.

Halle Berry’s ‘The Call’ Surprise Hit at the Box Office

By goodblacknews on March 17, 2013

Halle Berry The Call

Halle Berry arrives at the premiere of Tri Star Pictures’ ‘The Call’ at the Arclight Theatre on March 5, 2013 in Los Angeles, California. (Photo by Kevin Winter/Getty Images)

After a string of box-office disappointments like last year’s “Cloud Atlas” and this year’s “Movie 43,” Oscar winner Halle Berry entered this weekend in need of a hit.  It appears her new thriller “The Call” brought just what the doctor ordered.
According to box office estimates, the movie opened with $17.1 million, making it her third largest non-X-Men debut.  Entertainment Weekly reports that, “Sony/TriStar, which acquired the $15 million R-rated film from Troika Pictures, effectively marketed “The Call” to women, and according to the studio, the opening-weekend audience was 61 percent female and 47 percent below the age of 30 — and it also played very well with African-American moviegoers. “The Call” earned a ‘B+’ CinemaScore grade.”

"Middle Of Nowhere" Wins John Cassavetes Award (Best Feature Under $500,000) At Spirit Awards

By goodblacknews on February 23, 2013

 The 2013 Spirit Awards celebration is still ongoing at this very moment, as winners are revealed.   Announced just minutes ago, Ava DuVernay’s Middle Of Nowhere won the John Cassavetes Award – which is given to the best feature length film with a budget of under $500,000.
The film’s competition included Breakfast with Curtis, Mosquita y Mari, Starlet and The Color Wheel.
On the full list of nominess are titles and names that you’ll be familiar with like Beasts Of The Southern Wild (in several categories), Gimme the Loot (for Best First Feature), Rashida Jones (and Will McCormack) for Best First Screenplay (for Celeste and Jesse Forever), Wendell Pierce for Best Male Lead (for his performance in Four), The Central Park Five and The Waiting Room for Best Documentary, War Witch(Rebelle) for Best International Film, and Stones in the Sun (for the Piaget Producers Award). 
article by Courtney via indiewire.com

Young Filmmaker Samantha Knowles asks 'Why Do You Have Black Dolls?' in her Debut Documentary

By goodblacknews on February 9, 2013

Samantha Knowles, 22, surrounded by the subject of her new 25-minute movie.
Sometimes, a doll is not just a doll. It’s a reminder of a child’s beauty and potential.  No one understands that better than 22-year-old director Samantha Knowles, whose experience growing up as an African-American in a predominantly white community was the inspiration for her new documentary, “Why Do You Have Black Dolls?”
The 25-minute debut film about the significance of black dolls has been accepted at five film festivals and a trailer for “Why Do You Have Black Dolls” can be seen on Youtube.com.
“When I was 8, a white friend came over and innocently asked, ‘Why do you have black dolls?” remembers Knowles, who was raised in Warwick, N.Y., and now lives in Prospect Heights. “At the time, I obviously couldn’t really answer the question.”  Fourteen years later, she can.  Knowles, who initially made the film as her honors thesis at Dartmouth College, spent $6,000 and interviewed more than 20 dollmakers and historians, mostly in New York and Philadelphia.

Happy 47th Birthday, Comedian, Writer and Actor Chris Rock

By goodblacknews on February 7, 2013

Chris RockBrooklyn, NY native Christopher Julius “Chris Rock” III was born on February 7, 1965 and began to build his stand-up career by working at New York City’s Catch a Rising Star in the 1980s, earning small parts in movies like Beverly Hills Cop II and I’m Gonna Git You Sucka and landing a featured role on NBC’s late-night comedy juggernaut Saturday Night Live in 1990.  Rock went on to write and star in rap mockmentary CB4 before re-inventing himself through a series of HBO comedy specials starting with 1996’s Emmy Award-winning Bring the Pain.  Rock later went on to produce the television show Everybody Hates Chris for UPN/CW and star in feature films such as Death at a Funeral, Down to Earth, The Longest Yard and I Think I Love My Wife.  To learn more about his life and career, click here.
article by Lori Lakin Hutcherson

August Wilson Gets His Wish – Denzel Washington Is Ready To Direct 'Fences' For The Screen

By goodblacknews on February 2, 2013

 The age-old story on a stalled film adaptation of August Wilson’s award-winning play Fences is that, the playwright insisted to the studio (Paramount Pictures at the time – this was in the late 1980s) that the director of the film be black.  Of course, Paramount didn’t feel that was necessary, stating that they wanted “the best director for the job.” Even Eddie Murphy, who was then attached to star in and co-produce the film adaptation, told Wilson that he wasn’t going to hire a director just because they were black. 
Wilson reiterated that he wasn’t suggesting that a black be director hired simply because they are black, but certainly a black director who was qualified for the job. But this wasn’t a clause in the original agreement between Wilson and Paramount, so the studio wasn’t legally bound to adhere to Wilson’s wishes (however they realized well enough that a film adaptation of Fences without Wilson’s blessing, wasn’t something that they wanted to do). While seeming to be taking Wilson’s wishes under strong consideration, the studio approached Barry Levinson to helm the film; obviously, Levinson isn’t black. 
Needless to say, Wilson didn’t approve. Although Levinson backed away from the project anyway, after he saw the play himself, stating that he didn’t think it would translate well to the screen – at least, not the version of the script that Wilson had written. Wilson’s public objections to a white director helming the project were also of some influence.

Howard University has Become Incubator for Cinematographers

By goodblacknews on February 1, 2013

Matt McClain/For The Washington Post – Bradford Young poses for a portrait at Howard University on Monday January 28, 2013 in Washington, D.C. Young won the Excellence in Cinematography award at the Sundance Film Festival for his work on “Mother of George,” and “Ain’t them Bodies Saints.”
At the Sundance Film Festival last weekend, Howard University graduate Bradford Young won the dramatic-feature cinematography award for his work on the films “Ain’t Them Bodies Saints” and “Mother of George” — his second time accepting the honor, having won in 2011 for the coming-of-age drama “Pariah.”
The Sundance recognition reinforces what many in the industry have known for a few years now: Howard, best known for its law and medical schools, has become an incubator for people whose work with lighting, lenses, camera movement, film stocks and visual textures has profoundly influenced contemporary cinematic grammar.
“The interesting thing about it is that there is no formal cinematography department,” filmmaker Ava DuVernay says. “It’s jaw-dropping that you’ve had so many come out [of Howard] with such distinct styles.”
The floating-camera dolly shot and super-saturated color palette that are trademarks of Spike Lee’s work are the best known among several innovations that Howard-trained cinematographers have contributed to the films they’ve worked on. Early in his career, Lee developed these techniques in close collaboration with a Howard graduate, Ernest Dickerson.