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Posts tagged as “Misty Copeland”

GBN’s Daily Drop: Misty Copeland, 1st African American Principal Dancer in American Ballet Theatre History (LISTEN)

GBN’s Daily Drop: Misty Copeland, 1st African American Principal Dancer in American Ballet Theatre History (LISTEN)

By goodblacknews on March 15, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is about Misty Copeland, the first African American principal dancer in the elite American Ballet Theatre‘s 75-year history, based on the Tuesday, March 15 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, March 15th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Misty Copeland changed the face of ballet… with her feet. Raised in San Pedro, California, Copeland began taking ballet lessons at her local Boys & Girls Club at the “late” age of thirteen. By fifteen she was dancing professionally.

Misty joined American Ballet Theatre in April 2001 and made history in 2014 as the first Black woman to perform the lead role of Odette/Odile in ABT’s Swan Lake. In June 2015, Misty was promoted to principal dancer, the first African American woman to hold the position in the company’s 75-year history.To learn more about Misty Copeland, check out her 2014 New York Times best-selling memoir Life in Motion: An Unlikely Ballerina, 2017’s Ballerina Body: Dancing and Eating Your Way to a Leaner, Stronger, and More Graceful You, and 2021’s Black Ballerinas: My Journey to Our Legacy, an illustrated nonfiction collection in which Copeland celebrates dancers of color who came before her, the odds they faced, and how they have influenced her on and off the stage.

Copeland has also authored the picture books Firebird from 2014 and 2015’s Bunheads. You can also check out her official website, mistycopeland.com, her biography and performance photos on the American Ballet Theatre site, abt.com, and her online MasterClass on Ballet Technique and Artistry at masterclass.com.

Also worth checking out is the WBUR CitySpace-hosted conversation Tell Me More! Misty Copeland And The Ballerinas Of The 152nd Street Black Ballet Legacy from 2021 on YouTube and the 2015 documentary A Ballerina’s Tale directed by Nelson George and available to rent or buy on Amazon or AppleTV.

Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, Intro and outro beats provided by freebeats.io and produced by White Hot.

Music from Swan Lake composed by Tchaikovsky was used in today’s episode under Public Domain license.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Additional sources:

(paid links)

GBN’s Daily Drop: Raven Wilkinson – the 1st Black Ballerina to Dance with a Major Company in the U.S. (LISTEN)

GBN’s Daily Drop: Raven Wilkinson – the 1st Black Ballerina to Dance with a Major Company in the U.S. (LISTEN)

By goodblacknews on February 20, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop Podcast is a bonus episode for Sunday, February 20, 2022 based on the  “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 format. It’s about Raven Wilkinson, who, when she joined the Ballet Russe de Monte Carlo, became the first African American ballerina to dance with a major company in the U.S:

You can also follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, February 20th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Born in 1935, New York native Raven Wilkinson attended her first ballet when she was five years old, a performance of Coppélia, danced by the esteemed Ballet Russe de Monte Carlo. From that moment on, Wilkinson wanted to be a ballerina. Fortunately, her parents were able to find her a teacher, and Wilkinson trained with Russian instructor Maria Swoboda, who was a former member of the Bolshoi Ballet.

Wilkinson eventually got the opportunity to audition for Ballet Russe, the same high-profile company which inspired her to dance. Ballet Russe was reluctant to hire Wilkinson, however, for fear of backlash when performing in the South.

Wilkinson nevertheless persisted, and by her fourth audition, Ballet Russe could no longer deny her talent and hired her, making Wilkinson the first African American woman to dance with a major ballet company in the U.S.

Her appearances in the South though, they did incur hostility and threats. Wilkinson was encouraged to wear pale makeup while dancing to “pass,” but she always refused to hide her race. The racism she did encounter did take its toll however, and Wilkinson stopped touring in the South and eventually everywhere.

A few years later in 1967, encouraged by Sylvester Campbell, another African-American dancer, Wilkinson auditioned with the Dutch National Ballet, got in, and stayed with the Netherlands-based troupe for seven years. Wilkinson then returned to New York and at nearly 40 joined the New York City Opera, serving first as a member of its ballet ensemble and then in other roles until she retired from performing altogether.

A mentor and friend to Misty Copeland, in 2015 Wilkinson attended Copeland’s debut in the lead role of Swan Lake, as she became the first African American principal dancer at an elite company, the American Ballet Theater in New York.

Wilkinson brought Copeland flowers onstage, and in 2019, Copeland paid tribute to Wilkinson in a video produced by The Root:

“Every black person that’s accomplished something incredible has had to endure some really awful things. I think that Raven is a very special case. Because I think that she was so good at making the worst situations into a learning experience or something that she made into a good situation. It’s amazing that we found each other and, and that it kind of just came full circle, you know, for her to be able to witness my promotion to principal dancer, to be able to have her come on to the stage during my curtain calls of my New York debut of Swan Lake was, was really overwhelming.

She told me she didn’t think she’d ever see a Black woman become a principal dancer in an elite company. To have her walk into events and walk into the ballet and for people to like, recognize her, and, and give her the due credit that she deserved all of these years. I think, again, it’s just kind of part of what I think my purpose was to be here. To tell the stories of all of these Black ballerinas, especially Raven’s. There’s just no real record of our existence through history. And the more stories we tell of Black dancers, the more that we can make it our history and make ballet our own.”

To learn even more about Raven Wilkinson, check out the 2016 documentary Black Ballerina in which Wilkinson is featured, Stillness Broken, the Columbia University School of Journalism student film about Wilkinson, the 2018 picture book based on her life titled Trailblazer: The Story of Ballerina Raven Wilkinson that includes a forward by Copeland, as well as several other sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com,Amazon, Bookshop and other online retailers.

Beats provided by freebeats.io and produced by White Hot.  Additional songs permitted under Public Domain license included were “The Festival Dance” from Coppelia composed by Delibes, and “Dance of the Sugar Plum Fairy” from The Nutcracker composed by Tchaikovsky.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)

Under Armour Star Endorsers Dwayne Johnson, Misty Copeland and Stephen Curry Speak Out Against CEO’s Pro-Trump Statements

By goodblacknews on February 9, 2017

Under Armour spokespeople The Rock, Misty Copeland, Stephen Curry (photo via abcnews.com)
Under Armour star endorsers Dwayne Johnson, Misty Copeland and Stephen Curry (photo via abcnews.com)

article by Katie Richards via adweek.com
Some of Under Armour’s biggest celebrity endorsers – ballet dancer Misty Copeland, NBA star Stephen Curry and Hollywood icon Dwayne “The Rock” Johnson—are speaking out against the apparel brand’s CEO for referring to Donald Trump as “a real asset” to American businesses.
In an interview earlier this week with CNBC, Under Armour CEO Kevin Plank shared several positive thoughts about Trump as a leader and supporter of corporations: “He’s highly passionate. To have such a pro-business president is something that’s a real asset to this country,” Plank said on Halftime Report. “I think people should really grab that opportunity. … He wants to build things. He wants to make bold decisions, and he wants to be decisive. I’m a big fan of people who operate in the world of ‘publish and iterate’ versus ‘think, think, think, think.’ so there’s a lot that I respect there.”
His comments led to a flurry of criticisms on Twitter and have now percolated to some of the brand’s top star athletes and performers.  Copeland, star of the brand’s iconic “I Will What I Want” ad, uploaded a lengthy post to Instagram today. While she praises the brand for supporting her over the years, Copeland did not mince words about Trump. “I strongly disagree with Kevin Plank’s recent comments in support of Trump as recently reported,” she wrote in the Instagram post. “Those of you who have supported and followed my career know that the one topic I’ve never backed away from speaking openly about is the importance of diversity and inclusion. It is imperative to me that my partners and sponsors share this belief.”
She said she has spoken with Plank privately about his opinions in great detail but that, “as someone who takes my responsibility as a role model very seriously, it is important to me that he, and UA, take public action to clearly communicate and reflect our common values in order for us to effectively continue to work towards our shared goal of trying to motivate ALL people to be their best selves.”
With more than 10 million views, Copeland’s Under Armour ad from 2014 was a huge hit for the brand and resonated across the industry as an example of how marketing could celebrate strong women. Since the ad debuted, Copeland developed her own Under Armour clothing line, appeared on the cover of Time magazine and was named by the American Ballet Theater as its first African-American principal dancer. She hasn’t been alone in criticizing the brand’s founder and top executive.
Another major endorser for the brand, Golden State Warriors point guard Curry, also spoke out against Plank, although less directly than Copeland. When asked by The Mercury News about Plank’s description of Trump as “a real asset,” Curry responded by saying, “I agree with that description, if you remove the ‘et’ from asset.”
Dwayne “The Rock” Johnson also posted his response to Plank on Instagram. “These are neither my words, nor my beliefs,” Johnson writes. “His words were divisive and lacking in perspective. Inadvertently creating a situation where the personal political opinions of UA’s partners and its employees were overshadowed by the comments of its CEO.”
To read more, go to: Under Armour’s Star Endorsers Are Coming Out Against the CEO’s Pro-Trump Statements – Adweek

Misty Copeland Leaps into Role in Disney's "Nutcracker" Movie

By goodblacknews on July 15, 2016

Misty Copeland attends the American Ballet 75th Anniversary Fall Gala on October 21, 2015 in New York City.
Misty Copeland attends the American Ballet 75th Anniversary Fall Gala on October 21, 2015 in New York City. (photo via cnn.com)

article by Lisa Respers France via cnn.com

Misty Copeland is making the leap — or maybe a grand jeté — to the big screen.  The prima ballerina has nabbed a role in Disney‘s forthcoming “The Nutcracker and the Four Realms” movie.  Copeland posted a picture of the script on her Instagram account with the caption: “I’m thrilled to be a part of this amazing project with Disney and the wonderful Lasse Hallstrom. #TheNutcracker #MoreToCome.”

The studio announced the live-action film back in March and Hallstrom is set to direct.

Copeland has been lauded for breaking down barriers as an African-American dancer and is the subject of Nelson George‘s 2015 documentary “A Ballerina’s Tale.”  For the upcoming film, she reportedly will appear as the lead ballerina in the “Nutcracker’s” only dance scene.

Prima Ballerina Misty Copeland Gets Her Own Barbie Doll

By goodblacknews on May 2, 2016
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Misty Copeland and her doll (photo courtesy MATTEL INC.)
article by Yesha Callahan via theroot.com
Misty Copeland has been immortalized by Mattel. The Barbie creator debuted its Misty Copeland doll today and, like Ava DuVernay’s doll, it’ll likely fly off the shelves.
The doll that honors Copeland, who made history when she became the first African-American woman to be named principal dancer at the world-renowned American Ballet Theatre, is just another step in Mattel’s commitment to diversity and inclusion and part of its Sheroes Collection.
“I always dreamed of becoming an ABT ballerina, and through Barbie, I was able to play out those dreams early on,” Copeland said in a press release. “It’s an honor to be able to inspire the next generation of kids with my very own Barbie doll.”
The Misty Copeland doll will is available for preorder on Amazon.com and Mattel’s site.

Black Girls Do Ballet to Publish "The Ballerina's Little Black Book" on June 6

By goodblacknews on April 13, 2016

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article via clutchmagonline.com
In 2013, TaKiyah Wallace started Brown Girls Do Ballet as a photography project aimed at highlighting women of color in the dance world. As a mom of a tiny dancer and a fan of the art form herself, Wallace was aware of the lack of coverage dancers of color received.
Three years later Wallace runs a popular Instagram account with more than 80,000 followers that features brown ballerinas, and her organization supports young dancers by not only giving them a platform to shine, but also providing scholarships to help young girls continue their studies. Now, Brown Girls Do Ballet is releasing a book.
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Titled The Ballerina’s Little Black Book, the new project by former dancer and Brown Girls Do Ballet co-founder Brittani Marie features interviews with dancers like Misty Copeland, Aesha Ash, and Alicia Graf Mack as well as gorgeous pictures of dancers of color.

FEATURE: Misty Copeland Channels Degas' Ballerinas for Photo Shoot, Opens Up about Making History

By goodblacknews on February 10, 2016
Copeland re-creates Degas’s The Star; Valentino dress, $15,500, 212-355-5811; Wilhelm headpiece, $495, and corsages, $135, wilhelm-nyc.com; Mokuba ribbon, $11 per yard, 212-869-8900. Photos by Ken Browar & Deborah Ory (via harpersbazaar.com)

Ballet dancers, Misty Copeland tells me, like to be in control. It’s something about ballet itself—the painstaking quest to achieve the appearance of a kind of effortless athleticism, fluidity, and grace—that makes it hard to let go. “I think all dancers are control freaks a bit,” she explains. “We just want to be in control of ourselves and our bodies. That’s just what the ballet structure, I think, kind of puts inside of you. If I’m put in a situation where I am not really sure what’s going to happen, it can be overwhelming. I get a bit anxious.”

Copeland says that’s part of the reason she found posing for the images that accompany this story—which were inspired by Edgar Degas‘s paintings and sculptures of dancers at the Paris Opéra Ballet—a challenge. “It was interesting to be on a shoot and to not have the freedom to just create like I normally do with my body,” she says. “Trying to re-create what Degas did was really difficult. It was amazing just to notice all of the small details but also how he still allows you to feel like there’s movement. That’s what I think is so beautiful and difficult about dance too. You’re trying to strive for this perfection, but you still want people to get that illusion that your line never ends and that you never stop moving.”

It should probably come as no surprise that Copeland would have trouble conforming to someone else’s idea of what a ballerina should look like; she gave that up a long time ago. At 33, she’s in the midst of the most illuminating pas de deux with pop culture for a classical dancer since Mikhail Baryshnikov went toe-to-toe with Gregory Hines in White Nights. Last June, she was named a principal dancer at American Ballet Theatre, the first African-American woman to hold that distinction.

Copeland as Swaying Dancer (Dancer in Green); Oscar de la Renta dress, $5,490, 212-288-5810; Mokuba ribbon, $11 per yard; Hatmaker by Jonathan Howard headpiece corsage, $70, hatmaker.com.au. (photo by Ken Browar & Deborah Ory)

She was also the subject of a documentary, Nelson George’s A Ballerina’s Tale, which chronicled her triumph over depression and body-image issues, as well as her comeback from a career-threatening leg injury in 2012. The story of her rise from living in a single room in a welfare motel with her mother and five siblings to the uppermost reaches of the dance world has become a sort of 21st-century parable: the unlikely ballerina, as Copeland referred to herself in the subtitle of her 2014 memoir, Life in Motion, who may be on her way to becoming the quintessential ballerina of her time.

Degas’s ballet works, which the artist began creating in the 1860s and continued making until the years before his death, in 1917, were infused with a very modern sensibility. Instead of idealized vis -ions of delicate creatures pirouetting onstage, he offered images of young girls congregating, practicing, laboring, dancing, training, and hanging around studios and the backstage areas of the theater. Occasionally, portly men or dark figures appear, directing or otherwise coloring the proceedings. “People call me the painter of dancing girls,” Degas is said to have once told his Paris art dealer Ambroise Vollard, the Larry Gagosian of the day. “It has never occurred to them that my chief interest in dancers lies in rendering movement and painting pretty clothes.” It’s an unsentimental place, Degas’s ballet, and his representation of the dancers is far from sympathetic. But it’s a space where he discovered not only a freedom for himself as an artist but also a kind of beauty that existed behind all the beauty of the performance and in the struggle of his subjects to become something.

Copeland as Degas’s Dancer; Carolina Herrera top, $1,490, skirt, $4,990, 212-249-6552; Hatmaker by Jonathan Howard headpiece, $750, hatmaker.com.au; Mokuba ribbon, $11 per yard, 212-869-8900; Mood Fabrics fabric (worn as a belt), 212-230-5003. (photo by Ken Browar & Deborah Ory)

“Degas’s focus on dance is part of his engagement with depicting the subjects, spaces, rhythms, and sensations of modern life,” says Jodi Hauptman, senior curator in the department of drawings and prints at New York’s Museum of Modern Art, where an exhibition that explores Degas’s extensive work in monotype, “Edgar Degas: A Strange New Beauty,” opens this month. “His vision wanders and focuses, taking note of what usually is overlooked and homing in on what best reflects the conditions of his time.”

In her own way, Copeland is now forcing people to look at ballet through a more contemporary lens. “I see a great affinity between Degas’s dancers and Misty,” says Thelma Golden, director and chief curator of the Studio Museum in Harlem. “She has knocked aside a long-standing music-box stereotype of the ballerina and replaced it with a thoroughly modern, multicultural image of presence and power,” Golden says. “Misty reminds us that even the greatest artists are humans living real lives.”

“I definitely feel like I can see myself in that sculpture…Ballet was just the one thing that brought me to life.”

The first blush with ballet for Copeland was famously unromantic. Her mother, Sylvia DelaCerna, was a cheerleader for the Kansas City Chiefs, and her older sister had been a member of the drill team at their middle school in Hawthorne, near their home in San Pedro, California. So, at the age of 13, Copeland decided to try out for the drill squad herself, choreographing her own routine—to George Michael’s “I Want Your Sex.” “An odd choice of song,” she says. “I chose ‘I Want Your Sex’ not really knowing anything about what that meant. But that’s how my whole dance career took off.”

Copeland as Degas’s Little Dancer Aged Fourteen; Alexander McQueen dress, $4,655, and corset, $4,525, 212-645-1797; Mood Fabrics ribbon (in hair), 212-230-5003. (photo by Ken Browar & Deborah Ory)

Copeland didn’t just make the team; she was named captain. Her drill coach, Elizabeth Cantine, had a background in classical dance and suggested that Copeland try taking a ballet class at the local Boys & Girls Club. “The class was given on a basketball court, and I was wearing my gym clothes and socks—pretty far from a Degas painting,” Copeland recalls. But she was hooked. Within three months, she was dancing en pointe. “Before dance came into my life, I don’t really remember having any major goals or dreams of wanting to be anything. In the environment I grew up in, we were constantly in survival mode,” Copeland says. “I went to school, and I was really just trying to fit in and not be seen. But ballet was this thing that just felt so innate in me, like I was meant to be doing this.”

To read more go to: http://www.harpersbazaar.com/culture/art-books-music/a14055/misty-copeland-degas-0316/?mag=har&list=nl_hnl_news&src=nl&date=021016

Hometown Hero: Misty Copeland Gets a Street Named After Her in San Pedro, CA

By goodblacknews on December 24, 2015

Misty Copeland And Cindi Levine Light The Empire State Building Pink In Celebration Of Glamour's Girl Project
Misty Copeland (Source: Noam Galai / Getty)

San Pedro honored their hometown hero Misty Copeland by naming a street after her.
Copeland was greeted by hundreds of fans after an amazing year of breaking barriers and dancing with grace, poise, and expertise.
Misty became the first African-American principle dancer at American Ballet Theatre in June. Now her entire town is celebrating her groundbreaking acheivements.
The 33-year-old gave a heart-touching speech to a crowd of 500, saying:
“Growing up in the atmospheres that I grew up in, San Pedro was the only place I ever considered home,” Copeland said, tearing up. “There really hasn’t been a place that’s replaced that in my heart since I lived here and I’m so proud, and I never forget San Pedro.”
Misty is a perfect example of where hard work, perseverance, and pursuing your dreams full throttle can take you. Like so many other black women, the odds were stacked against her racially and economically. She almost had to quit her craft because her parents didn’t have a car to take her to and from practice. But she didn’t give up, and now she’s a legend…and a street!
The ballerina celebrated by posting on her IG page:


You make us so proud, Misty!
article by Keyaira Kelly via hellobeautiful.com

Misty Copeland Lands Deal to Write "Ballerina Body", a Health-And-Fitness Book

By goodblacknews on November 22, 2015

misty copeland
ABT Principal Dancer Misty Copeland

NEW YORK (AP) — Dancer Misty Copeland is working on a health-and-fitness book.
Grand Central Life & Style, an imprint of Grand Central Publishing, announced Thursday that Copeland’s “Ballerina Body” is scheduled for 2017. Copeland, the first African-American woman to become the American Ballet Theatre’s principal dancer, is a member of President Barack Obama’s Council on Fitness, Sports & Nutrition.
Copeland said in a statement issued by her publisher that she wanted to show “all athletes have to take care of themselves from the inside out.”
Her previous books include the memoir “Life in Motion” and the picture book “Firebird.”
article via blackamericaweb.com

LIFESTYLE: GBN Picks for September 2015

LIFESTYLE: GBN Picks for September 2015

By goodblacknews on September 1, 2015
Screen Shot 2015-09-01 at 9.51.22 AM (1)
by Lesa Lakin GBN Lifestyle Editor
Lesa Lakin, GBN Lifestyle

I’ve always had this sort of love/hate relationship with the month of September. Part of me feels like September is just a pushy month with attitude. It represents the end of summer fun with a blaring nudge toward back to business, back to school… back to get up and get stuff done!
But if I’m going to keep it positive, September also represents the beginning of beautiful, new and exciting things… and hopefully if you’re in a hot state – some cooler weather. Here are few fun, interesting things happening this month.  Enjoy!

CINEMA

the-perfect-guy

THE PERFECT GUY
September 14; PG-13
Sanaa Lathan, Michael Ealy & Morris Chestnut star in “The Perfect Guy”
Picking the right partner is tough and when a budding relationship ends the “perfect guy” becomes enraged with the woman that ended it – setting his sights on the perfect revenge.
Watch the trailer here: https://www.youtube.com/watch?v=CikoxQ4ytI4
Captive
THE CAPTIVE
September 18; PG-13
David Oyelowo and Kate Mara star in “The Captive” based on an inspiring true story.
A hostage (Kate Mara) uses Rick Warren’s “The Purpose Driven Life” to convince her desperate captor (David Oyelowo) to put his life on the path to redemption. Watch the trailer here: http://www.captivethemovie.com

MUSIC/PERFORMANCES/EVENTS

audra-950
AUDRA MCDONALD & AMERICAN BALLET THEATRE
September 1 & September 3
Hollywood Bowl
Los Angeles, CA
http://www.hollywoodbowl.com/tickets/american-classics-audra-mcdonald- american-ballet-theatre/2015-09-03
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KEVIN HART
September 17
Honda Center, Anaheim , CA
September 18
L.A. Forum, Inglewood, CA
Check here for more cities and dates available: http://www.ticketmaster.com/Kevin-Hart-tickets/artist/1057637
lenny-kravitz
LENNY KRAVITZ
September 11
Los Angeles, CA
Greek Theater
For more tour dates and cities check here: http://www.lennykravitz.com/tour/

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ICE CUBE & Friends
September 4
Queen Mary Events Park, Long Beach, CA
http://www.ticketmaster.com/ice-cube-friends-long-beach-california-09-12- 2015/event/09004F05C1A12C03