Today, Good Black News celebrates the milestone 60th birthday of gospel music icon Karen Clark-Sheard, famous as the youngest member of the legendary Clark Sisters, as well as for her dynamic solo recordings.
Amidst the craziness of the coronavirus pandemic, lockdowns and quarantines, 2020 has nevertheless been a milestone year for Karen and her sisters, as they issued the acclaimed The Return in March, their first group release in over a decade.
Following the album drop was the April broadcast of The Clark Sisters: First Ladies of Gospel, a Lifetime movie about their lives that was seen by millions of people across numerous airings in its first few weeks, becoming Lifetime’s highest original rated movie in 4 years – and one of the top cable telecasts of the year across all cable channels.
After 25 years recording with her sisters (since she was just an early teenager) as the group’s dedicated soprano, a break in the sisters’ group activities allowed Karen to release her debut solo album, appropriately titled Finally Karen in 1998.
She stepped out solo in a big way – on a major label (Island Records), with multiple producers and a guest appearance from Faith Evans. The results – a gospel bestseller that was nominated for a Grammy and won a Lady of Soul Award.
The album also included a duet with her daughter, Kierra ‘Kiki’ Sheard, ultimately kicking off the successful recording career for yet another generation of the Clark gospel dynasty (The Clark Sisters themselves are the daughters of gospel choir pioneer Dr. Mattie Moss Clark.)
Not long after the release and promotion of her first album, Clark-Sheard was hit with a major health crisis, when complications from a minor operation put her in a coma for multiple weeks.
This is the last week of African-American Music Appreciation Month. And what a month it has been. 2020 is shaping up to be Black History Year.
I am honored to offer one more playlist for this final week of June. I hope you enjoy this freewheeling and eclectic collection of Black woman vocalists.
Here is almost a century of recordings spanning Blues, Gospel, Jazz, Soul, and Hip-Hop. Yes. You’ll find Beyoncé,Missy Elliott, Mahaila Jackson, Tina Turner, Chaka Khan, Erykah Badu, Big Mama Thornton, Sister Rosetta Tharpe,Brittany Howard and more all on this playlist.
Coming in at over 9 hours, it is barely the tip of the iceberg of the musical offering and impact of African-American women.
We’ve been keeping it American musicians here in June, though next week I plan to sling some reggae music. Sistas and brothas from Jamaica, UK, and Africa have had a thing or two to say about protest and conscious music as well.
Of course, it would take a superstar group of powerful Black women to sell and make a movie about The Clark Sisters, the pioneering Detroit siblings who are now in their fifth decade of rocking the gospel music world.
Tonight’s “The Clark Sisters: First Ladies of Gospel” (airing on Lifetime at 8PM) comes from executive producers Queen Latifah, Mary J. Blige and Missy Elliott, co-executive producer Holly Davis Carter, writer Camille Tucker and director Christine Swanson.
I had my own Clark Sisters experience while working as an executive at TV One back in 2007-08, where The Clark Sisters were the subjects of one of the very first episodes of network’s successful biography series “UnSung,” a show I developed and initially oversaw.
At the time, I generally knew enough about The Clark Sisters to recognize their breakthroughs in transforming the gospel music sound – and I felt that the world had not generally afforded them enough credit for that. But I didn’t know much else about their personal story and ended up fascinated by the conflicts and struggle, and of course, all the music. It’s not a surprise to me that producer Carter said she’s been trying to make this movie for 15 years – it is a worthy story to tell.
In honor of this movie accomplishment, Good Black News offers a career-spanning Spotify playlist below to allow you to keep enjoying the patented Clark Sister Sound all weekend long.
The Clark Sisters Playlist was crafted to include most of the key hits from The Clark Sisters – as well as highlights from the solo careers of Karen Clark Sheard, Dorinda Clark-Cole, Twinkie Clark, and even from next generation Clark family gospel superstar Kierra Sheard (who plays her mom Karen in the movie). For good measure, there’s also a rare solo track from Jacky Clark-Chisholm (a duet with movie exec producer Blige), and a coda from Dr. Mattie Moss Clark herself.
Jacky, Denise, Elbernita (Twinkie), Dorinda, and Karen were the five daughters of Mattie Moss Clark, a pioneering gospel music figure herself, who while raising her daughters also served as a minister of music for the Church of God In Christ, first at the local level in Michigan, but eventually at the national level.
According to Variety.com, Sony Music Entertainment announced today the promotion of Sylvia Rhone to Chairman and CEO of Epic Records. In this role, Rhone will lead the overall creative direction and management of Epic Records, overseeing Epic’s roster of hit-making artists such as Travis Scott, Future, Camila Cabello, 21 Savage, Meghan Trainor, DJ Khaled, and French Montana.
Rhone has been President of Epic Records since 2014, and since then has overseen projects including Scott’s 2018 best-selling album “Astroworld”; Camila Cabello’s debut album “Camila” and the smash single “Havana,” as well as music from Future, 21 Savage and others.
“I am excited to continue my amazing journey at Epic Records supported by Rob Stringer’s vision and leadership,” stated Rhone. “Everything we do is a testament to our incredible artists who set the bar of the entire Epic culture, inspiring our dedicated executive team every day and enriching the legacy of this great label.”
Before joining Sony Music, Rhone was President of Universal Motown Records and Executive Vice President at Universal Records from 2004. From 1994-2004, Rhone was Chairman and CEO of Warner Music Group’s Elektra Entertainment Group, the first African American woman to be named Chairman of a major record company, where she oversaw releases from artists such as Missy Elliott, Busta Rhymes, Metallica, Staind, Third Eye Blind, Tracy Chapman, and Natalie Merchant. Rhone began her career at Buddah Records in 1974, a label best-known for its Gladys Knight and the Pips albums.
Rhone is a graduate of the University of Pennsylvania‘s well-regarded Wharton Business School. She received an honorary doctorate from the Berklee College of Music on April 5, 2019, in recognition of her achievements as a leading female music executive who has headed labels multiple times during her career.
Since becoming the creative director for American Express Platinum in December 2016, Pharrell Williams has worked closely with the financial services company to bring awareness to the importance of arts education and advocacy. Nearly two years later, the “Happy” singer is taking his efforts one step further with the inaugural Yellow Ball gala.
The event will take place on Monday, Sept. 10 at the Brooklyn Museum and will benefit the Young Audiences Arts for Learning, the nation’s largest arts-in-education network. The Yellow Ball title was chosen by Pharrell himself, as the color has many meanings — and ties in with the purpose of the event.
“Pharrell views the color and event as helping to shine a light on the need for arts education and its ability to pave the way for a brighter future,” Elizabeth Rutledge, chief marketing officer of American Express, says. Pharrell adds, “That’s what this is about — bringing light to this cause.”
The Yellow Ball will feature musical performances, including a special set from Missy Elliott. Along with music, the event will also include multi-room art experiences from American Express Platinum Collective member Daniel Arsham, and a multi-course dinner experience by American Express Global Dining Collection Chef Dominique Crenn.
Ahead of the announcement, Billboard chatted with Pharrell about his latest initiative, his thoughts on today’s young generation of artists, and why the arts (and the color yellow) are so important for all ages.
When you were named creative director of AmEx Platinum, what were your goals and where does the yellow ball kind of fit into all of that?
My goals were to work with a company that I felt like had the means to make a difference, but just maybe needed a nudging, or maybe needed some direction. But then when I started working with them and got an education on all the things that they’ve done — from the Tribeca Film Festival to the sales program they have for small businesses on Saturdays — I realized that they had been doing this the entire time. When we talked about doing the Yellow Ball and I told them I wanted it to be about arts and education, they didn’t blink. What I wanted to do with them was just going to be just yet another great thing that they do in the world.
Why did you decide on the name the Yellow Ball, and what does the color yellow mean to you?
Not to get all esoteric, but yellow is like the color of the solar plexus. Yellow is the color for creativity, yellow is the color for curiosity. Art is largely diminishing throughout the curriculum throughout this country, and we need to protect the creative mind.
Everything around you right now versus everything you’re using, it’s just not organic, it was someone’s epiphany. That’s creativity, that needs to be protected. If we don’t have that, I don’t know what kind of future we have. We have to protect the artist community at all costs, across all artistic disciplines.
Why do you think it’s so important for people to be exposed to the arts and learn from it at a young age?
On a more paramount level, everyone is a creative. Everyone that makes a move or does anything in life is a co-creator, but the ones who actually create things that we use and things that we need, that needs to be protected. There is a future that will have corporations that will have more say. You see all the things happening with lobbyists now, you just can never doubt that. In the artistic community, it’s the educational portion of it is eroding, what kind of future is that for us? So we need to talk to all the corporations that we can — that care — now.
Did the controversy surrounding the funding cuts for the NEA change the course of action for you in your involvement with AmEx platinum in any way?
A lot of decisions that are being made are having a domino effect on programs like the [NEA]. And while we might not like that, the powers that be are the powers that be, but we are still the people and we can do things to help the people with the resources that we have access to. That’s literally all we’re doing, there’s no political stance, it’s more of a people’s stance.
Has becoming a father had an impact on the way you think about how art can affect lives?
I want all children to have access to that kind of creative growth, access and support. All kids, not just my own. There’s a lot of variables in a situation as to why something falls apart, but there’s only one scenario where it holds together, and that’s when all the variables are there. The environment, the family, the school, the system — there’s so many things. We just want to do what we can to balance the odds so that as many kids as we can afford, or help and assist in whatever ways, get this access and support.
What do you think the younger generation of today’s musical artists are bringing to the table?
I love what they do and how they express themselves. It’s like these amazing pockets of lyrics or melodies that feel good to them. The music just takes on a direction of its own, it’s not so formatted. I love that this generation is just grabbing the instruments and using them in whatever way feels good to them. That’s just like a sign of how the times have changed.
It’s kind of like the fourth time that I’ve seen music and the spirit of it change — like drastically change. It’s been amazing to see it. You see certain things that feel familiar, then you see things that you’ve never seen or thought of in your entire life. As a musician I can feel connected to it.
(via youtube.com) by Alanna Vagianos via huffingtonpost.com
Rep. Hakeem Jeffries (D-N.Y.) brought down the House on Tuesday with a loving tribute to female hip-hop and rap artists.
“Throughout the years, artists such as Elvis Presley, Frank Sinatra and Bruce Springsteen have been recognized on the floor of the House of Representatives,” Jeffries said. “Today, I rise to honor the top 10 female MC hip-hop collaborations of all time.”
Jeffries’ top 10 includes Eve’s “My Chick Bad,” Lauryn Hill’s “Ready Or Not” and, of course, Lil’ Kim’s “Quiet Storm” remix. He also shouted out the legendary Queen Latifah, MC Lyte and Salt-N-Pepa.
“As we celebrate Women’s History Month here in the United States’ Congress, these dynamic women are worthy to be praised,” Jeffries said.
This isn’t the first time the Brooklyn-native congressman has honored rap artists on the House floor. Last year, Jeffries paid tribute to New York rapper The Notorious B.I.G. on the 20th anniversary of his death.
To watchJeffries’ speech, click below:
Sandra ‘Pepa’ Denton, DJ Spinderella and Cheryl ‘Salt’ James of Salt-N-Pepa attend the 2016 MTV Movie Awards at Warner Bros. Studios on April 9, 2016 in Burbank, Calif. (CHRISTOPHER POLK/GETTY IMAGES FOR MTV)
article by Adelle Platon via billboard.com VH1 is pushing out another stellar tribute for Salt-N-Pepa at this year’s Hip Hop Honors. The network announced on Friday (July 8) that Ashanti, Amber Rose, Keke Palmer and Dreezy will be paying homage to the first all-female rap crew, comprised of Cheryl “Salt” James, Sandy “Pepa” Denton and DJ Spinderella.
The ladies will be shaking their thang (SNP pun intended) alongside other surprise guests for the evening’s tributes to fellow honorees Missy Elliott, Queen Latifah and Lil’ Kim. As previously announced, Pharrell, Timbaland and Nelly Furtado among others will salute Elliot while Common, Da Brat, Naughty By Nature and more will be on-hand to hail Queen Latifah. Pharrell, Timbaland, Nelly Furtado & More to Honor Missy Elliott at VH1 Hip Hop Honors VH1 Hip Hop Honors will land at New York’s David Geffen Hall at Lincoln Center tonight, July 11, making its comeback after six years.
Sandra ‘Pepa’ Denton, DJ Spinderella and Cheryl ‘Salt’ James of Salt-N-Pepa at Warner Bros. Studios on April 9, 2016 in Burbank, Calif. (FRAZER HARRISON/GETTY IMAGES)
article by Adelle Platon via billboard.com Salt-N-Pepa featuring Spinderella will be in effect at VH1’s Hip Hop Honors: All Hail The Queens. The ceremony’s ladies-only lineup will feature a tribute to the legendary female rap group alongside previously announced honorees Queen Latifah and Missy Elliott. VH1 Hip Hop Honors to Pay Tribute to Queen Latifah: Exclusive
Salt-N-Pepa — comprised of Cheryl “Salt” James and Sandy “Pepa” Denton alongside Spinderella — have been known for their timeless hits including 1988’s “Push It,” 1994’s En Vogue-assisted “Whatta Man” and 1993’s “Shoop.” The Queens-bred trio were also the first female rap group to achieve platinum status and have gone on to sell over 12 million albums. Salt-N-Pepa was also honored at the 2005 Hip Hop Honors. Missy Elliott Named Honoree at VH1 Hip Hop Honors: Exclusive
Watch VH1 Hip Hop Honors return after its six-year hiatus when it airs live from New York on July 11 at 9 p.m. ET.
Nas and Rakim are part of the NY Met’s Hip Hop Project (photo via ambrosiaforheads.com)
Hip-Hop and art have once again merged in an exciting way, thanks to the inventive mind of a graduate student. Regina Flores Mir is the brains behind the Hip-Hop Project, a program being implemented at the Metropolitan Museum of Art that allows visitors to navigate the various collections with guiding narration from MCs. Lyrics from songs by artist including Missy Elliott, Notorious B.I.G., Eric B. & Rakim, Kendrick Lamar, Nas, Queen Latifah, and more are used as keywords and then cross-referenced with the Met’s massive archive of art, providing listeners with a Hip-Hop-centric blueprint by which to examine and understand the museum’s collections.
According to the Hip-Hop Project’s website, “although the rap lyric may not be directly correlated to the art work in meaning, it allows visitors to see work that they may not have otherwise known existed,” allowing for the kind of accidental discovery that could inspire Heads to establish bridges between music and art in uniquely individualized ways.
As Kari Paul wrote for Vice’s Motherboard channel, the relationship between the lyrics and pieces of art in question aren’t necessarily straightforward, but are nevertheless engaging. “For example, in ‘Juicy’ when the Notorious B.I.G. says ‘fuck all y’all hoes,’ the Hip-Hop Project pulls up an ancient hoe artifact. Users can click on it and explore this work and others,” she explains. The Hip-Hop Project’s site allows users to experience the museum tour without a trip to the Met, simply by picking a rapper and delving into the lyrical matches to items available for viewing. Heads will also appreciate the website’s domain (www.rappersdelight.nyc). article by Bonita via ambrosiaforheads.com
(photo via gossiponthis.com)
Although season 9 of The Voice will not debut until September, already there are leaks about the new mentor teams this season.
It looks like Missy Elliott will be joining forces with Pharrell, while Selena Gomez will team up with Gwen Stefani to help with the mentoring. Creedence Clearwater Revival’s John Fogerty will team with Adam Levine, and Brad Paisley will join forces with Blake Shelton.
If this news doesn’t get you excited for the season 9 debut on September 21, we don’t know what will. article via thegrio.com
