Happy Music Monday, y’all. If you haven’t already, please dig Jamila Wignot’s new documentary “Stax: Soulsville U.S.A.”, currently streaming on Max.
The four-part film tells the story of Stax Records, the iconic R&B label, from its late-1950s beginnings to its 1975 demise.
In its prime the label featured stars like Rufus Thomas and Carla Thomas, Sam and Dave, and Otis Redding, as well as the ace house band of Booker T. and the MGs.
Stax was a colorblind oasis of racial harmony in an otherwise fiercely segregated South. Stax has been eclipsed by Motown, with many of their hits mistakenly thought to be output from that Detroit Mecca, even though the comparative grittier Memphis studio had a sound all its own.
Look no further than Carla Thomas and Otis Redding’s “Tramp” to hear just how much their most popular artist was unapologetically “straight from the Georgia woods.”
Stax Records is critical to American music history as one of the most popular music record labels of all time.
In 15 years, Stax put more than 160 songs in the Top 100 on the pop charts and a staggering 243 hits in the Top 100 R&B charts. Please enjoy this 4 hours of essential Stax music featuring Redding, Isaac Hayes, The Bar-Kays,Johnnie Taylor, Shirley Brown, The Staple Singers and so many more.
This is Ida B. Wells. Best known for being a late 19th/early 20th-century journalist, anti-lynching crusader and women’s rights advocate. In 2020, Wells received a posthumous Pulitzer Prize for journalism, and her face honored the centennial of the U.S. Suffragist Movement in a mosaic art installation in Washington D.C.’s Union Station.
Wells is a helluva historical figure who still far too few people know about. Her whole life is fascinating, so I’ll try to keep it short and focussed on her work. If you don’t have time for it now, right below is a great quote summing up Wells’ importance in the fight for equality and justice from the New York Times review of the 1999 biography on Wells:
“Linda O. McMurry‘s important new biography, To Keep the Waters Troubled, tells the story of an extraordinary American who would have been at the very summit of our national pantheon except for two things: her sex and her race. But then again, being born into a society that promised individual freedom and personal power — just not to blacks, not to women and above all not to black women — was the source of Ida B. Wells’s remarkable story.”
Wells was one of the first African-American female journalists to run her own newspaper, was an outspoken feminist, suffragist, an international figure and speaker, and early leader in the Civil Rights Movement who helped found the NAACP with W.E.B. DuBois and others, and helped women get and consolidate their power around voting in Illinois when they won the right.
But what fascinates me the most is her near one-woman crusade against lynching, and how she used her investigative, reporting, and oratory skills not only to document lynchings in the 1890s, but also to disprove the lie that Black men were raping white women or committing crimes that justified their mob hangings.
Wells offered real proof that lynching was being used in the South as a way to control or punish Black people who competed with whites. Even after the offices of her newspaper, Free Speech and Headlight, were burned down and she had to relocate from Memphis to Chicago to escape death threats, Wells persisted with her work.
Although there was major resistance in the U.S., Wells garnered support from the British, who after reading her work and hearing her speeches (they also witnessed her being dragged unfairly in the American press), offered monetary support and formed the British Anti-Lynching Committee, which included prominent members such as the Duke of Argyll, the Archbishop of Canterbury, members of Parliament, and the editors of The Manchester Guardian, who put international pressure on the U.S. to address these horrific crimes against Black Americans.
Wells’ crusade against lynching started in 1889, when her friend Thomas Moss opened the Peoples Grocery in the “Curve,” a Black neighborhood just outside Memphis city limits. It did well and competed with a white-owned grocery store across the street.
In 1892, while Wells was out of town, a white mob invaded her friends’ store. During the altercation, three white men were shot and injured. Moss and two other black men were arrested and jailed pending trial. A white lynch mob stormed the jail and killed the three men.
After the lynching of her friends, Wells wrote an editorial and became an ersatz civil rights leader and firebrand, urging Blacks to leave Memphis altogether. More than 6,000 black people did leave Memphis; others organized boycotts of white-owned businesses. After being threatened with violence, Wells bought a pistol. She later wrote, “They had made me an exile and threatened my life for hinting at the truth.”
Wells began her investigation by looking at the charges given for her friends’ murders, which officially started her anti-lynching campaign. She spoke at various Black women’s clubs, and raised more than $500 to investigate lynchings and publish her findings. Wells found that Blacks were lynched primarily for social control reasons such as failing to pay debts, not appearing to give way to whites, competing with whites economically, or being drunk in public.
She found little basis for the frequent claim that Black men were lynched because they had sexually abused or attacked white women. This alibi seemed to have partly accounted for white America’s collective acceptance or silence on lynching, as well as its acceptance by many in the educated African-American community.
Wells published her findings in a pamphlet called Southern Horrors: Lynch Law in All Its Phases. She followed it with an editorial that said, unlike the myth that white women were sexually at risk of attacks by Black men, most liaisons between Black men and white women were consensual.
Her editorial enraged white men in Memphis. On May 27, 1892, while she was away in Philadelphia, a white mob destroyed the offices of the Free Speech and Headlight.
To quote again from the 1999 New York Times Review:
“Wells exposed as false the most common justification for these lynchings: that they were necessitated by sexual ”outrages” committed by Black men against white women. Perhaps only a woman could have spoken out effectively against these charges, but doing so exposed Wells to attacks against her sexual character. Her willingness to talk openly about rape and interracial sex kept her from succeeding the aging Frederick Douglass as ”leader of the Afro-American race,” the most respected Negro in the United States among whites. This role went instead to a man and a nonmilitant, Booker T. Washington.”
In continued efforts to raise awareness and opposition to lynching, Wells spoke to groups in New York City, where her audiences included many leading African-American women.
On October 5, 1892, a testimonial dinner held at Lyric Hall, organized by political activists and clubwomen, Victoria Earle Matthews and Maritcha Remond Lyons, raised significant funds for Wells’ anti-lynching campaign. The Women’s Loyal Union of New York and Brooklyn was formed to organize Black women as an interest group who could act politically.
Wells toured Europe in her campaign for justice, but the first tour in 1893 didn’t go so well. Wells went to Great Britain at the invitation of Catherine Impey, a British Quaker. An opponent of imperialism and proponent of racial equality, Impey wanted to ensure that the British public learned about the problem of lynching in the U.S.
Wells accompanied her speeches with a photograph of a white mob and grinning white children posing near a hanged Black man; her talks created a sensation, but some in the audiences remained doubtful of her accounts. Wells intended to raise money and expose the U.S. lynching violence, but received so little funds that she had difficulty covering her travel expenses.
Before her second visit to Britain in 1894, the enterprising Wells worked to get some backing. Wells called on William Penn Nixon, editor of Daily Inter-Ocean, a Republican newspaper in Chicago, the only major white paper that persistently denounced lynching.
After Wells told Nixon about her planned tour, he asked her to write for the newspaper while in England, making her the first African-American woman to be a paid correspondent for a mainstream white newspaper. This time, Wells was highly effective in speaking to European audiences, who were shocked to learn about the rate of violence against Black people in the U.S.
Wells called for the formation of groups to formally protest the lynchings and helped catalyze anti-lynching groups in Europe, which tried to press the U.S. government to guarantee the safety of Black people in the South.
When she spoke at home to Black crowds, Wells was a one-woman precursor to the 1950s Deacons of Defense or the 1960s Black Panthers or even Malcolm X: she recommended that Black people arm themselves to defend against lynching:
“The lesson this teaches and which every Afro-American should ponder well, is that a Winchester rifle should have a place of honour in every black home, and it should be used for that protection which the law refuses to give. When the white man who is always the aggressor knows he runs as great a risk of biting the dust every time his Afro-American victim does, he will have greater respect for Afro-American life. The more the Afro-American yields and cringes and begs, the more he has to do so, the more he is insulted, outraged and lynched.”
Wells subsequently published The Red Record(1895), a 100-page pamphlet describing lynching in the U.S. since the Emancipation Proclamation of 1863. It also covered Black people’s struggles in the South since the Civil War. The Red Record explored the alarmingly high rates of lynching in the United States (which was at a peak from 1880 to 1930).
Wells gave 14 pages of statistics related to lynching cases committed from 1892 to 1895; she also included pages of graphic accounts detailing specific lynchings. She notes that her data was taken from articles by white correspondents, white press bureaus, and white newspapers.
The Red Record had far-reaching influence in the debate about lynching. Her accounts grabbed the attention of Northerners who knew little about lynching or accepted the common explanation that black men deserved this fate.
(Ida B. Wells in Chicago in 1909 with her children: Charles, Herman, Ida and Alfreda Archivio GBB/Redux)
During this time, Wells also had to deal with dust-ups with white women suffragists such as Susan B. Anthony and Frances Willard. Anthony was critical of Wells for getting “distracted” by her young son who she had to bring with her on occasion to speaking engagements.
Willard went out of her way to try to discredit Wells in the press after Wells called Willard out for being silent lynching and for making racist statements where she said Black people drank too much and threatened the safety of women. Wells clapped back at Willard in The Red Record with an entire chapter dedicated to discussing “Miss Willard’s Attitude.”
In 1896, Wells founded the National Association of Colored Women’s Clubs and the National Afro-American Council. In Chicago, Wells also worked to improve conditions for its rapidly growing African-American population due to the Great Migration to northern industrial cities.
Wells worked on urban reform in Chicago during the last thirty years of her life. Wells began writing her autobiography, Crusade for Justice, in 1928 but never finished it; she died of uremia (kidney failure) in Chicago on March 25, 1931, at the age of 68.
In her hometown of Holly Springs, Mississippi, the Ida B.Wells-Barnett Museum acts as a cultural center of African American history. Awards have been established in Wells’s name by the National Association of Black Journalists, the Medill School of Journalism at Northwestern University, and the New York County Lawyers Assn., among others.
Tiffany D. Jackson, author of “Monday’s Not Coming,” and Oge Mora, illustrator of “Thank You, Omu!” are the Coretta Scott King/John Steptoe Award for New Talent winners.
The awards were announced yesterday at the American Library Association (ALA) Midwinter Meeting & Exhibits in Seattle, Washington and will be presented in Washington, D.C. at the ALA Annual Conference & Exhibition in June.
This year marks the 50th anniversary of the Coretta Scott King Book Awards. Presented annually by the Coretta Scott King Book Awards Committee of the ALA’s Ethnic and Multicultural Information Exchange Round Table (EMIERT), the awards encourage the artistic expression of the African American experience via literature and the graphic arts; promote an understanding and appreciation of the Black culture and experience, and commemorate the life and legacy of Mrs. Coretta Scott King for her courage and determination in supporting the work of her husband, Dr. Martin Luther King Jr., for peace and world brotherhood.
“A Few Red Drops: The Chicago Race Riot of 1919,” is an exposition of the socio-economic landscape and racial tensions that led to the death of a black teen who wanted to swim, and the violent clash that resulted. In 20 chapters, Hartfield’s balanced, eye-opening account contextualizes a range of social justice issues that persist to this day.
“Hartfield’s nuanced account of unrest between African Americans and white European immigrants in early 20th century Chicago fills a much-needed gap in the children’s literature world,” said Coretta Scott King Book Awards Jury Chair Sam Bloom.
In “The Stuff of Stars,” written by Marion Dane Bauer, illustrator Holmes uses hand marbled paper and collage to create a lush explosion of color that brings to life the formation of the universe while distinctly reflecting the essence of the African diaspora.
“Using oceanic waves of color, Holmes employs her trademark aesthetic to carry this creation story to its stunning crescendo,” said Bloom.
The Coretta Scott King/John Steptoe Award for New Talent affirms new talent and offers visibility for excellence in writing and/or illustration at the beginning of a career as a published African American creator of children’s books. In the timely thriller “Monday’s Not Coming,” author Jackson examines friendship, child abuse, and family relationships.
“Thank You, Omu!” is a fresh take on a timeless tale of altruism and community-mindedness. Mora’s collage work is skillfully pieced together with acrylic, marker, pastels, patterned paper, and old book clippings, creating a visual smorgasbord. Mora brings to life an amalgamation of many grandmothers and captures the African spirit of generosity and community.
People hold signs resembling the signs carried by striking sanitation workers in 1968 as they join in events commemorating the 50th anniversary of the assassination of the Rev. Martin Luther King Jr. (photo via eurweb.com) by Errin Haines Whack, Adrian Sainz & Kate Brumback, Associated Press via blackamericaweb.com
MEMPHIS, Tenn. (AP) — The daughter of the Rev. Martin Luther King Jr. remembered him as “the apostle of nonviolence” as admirers marked the 50th anniversary of his assassination Wednesday with marches, speeches and quiet reflection.
The Rev. Bernice A. King recalled her father as a civil rights leader and great orator whose message of peaceful protest was still vital decades later. “We decided to start this day remembering the apostle of nonviolence,” she said during a ceremony to award the Martin Luther King Jr. Nonviolent Peace Prize held at the King Center in Atlanta.
In Memphis, where King died, hundreds of people bundled in hats and coats gathered early in for a march led by the same sanitation workers union whose low pay King had come to protest when he was shot. Dixie Spencer, president of the Bolivar Hardeman County, Tennessee, branch of the NAACP, said remembrances of King’s death should be a call to action. “We know what he worked hard for, we know what he died for, so we just want to keep the dream going,” Spencer said. “We just want to make sure that we don’t lose the gains that we have made.”
The Memphis events were scheduled to feature King’s contemporaries, including the Rev. Jesse Jackson, the Rev. Al Sharpton and U.S. Rep. John Lewis, along with celebrities such as the rapper Common. In the evening, the Atlanta events culminate with a bell-ringing and wreath-laying at his crypt to mark the moment when he was gunned down on the balcony of the old Lorraine Motel on April 4, 1968. He was 39.
Wednesday’s events followed a rousing celebration the night before of King’s “I’ve Been To the Mountaintop” speech at Memphis’ Mason Temple Church of God in Christ. He delivered this speech the night before he was assassinated.
Inside the church, Bernice King called her older brother, Martin Luther King III, to join her in the pulpit, and she discussed the difficulty of publicly mourning their father — a man hated during his lifetime, now beloved around the world.
“It’s important to see two of the children who lost their daddy 50 years ago to an assassin’s bullet,” said Bernice King, now 55. “But we kept going. Keep all of us in prayer as we continue the grieving process for a parent that we’ve had yet to bury.”
A gospel singer led a rousing rendition of “Lift Every Voice and Sing,” and the gathering took on the air of a mass meeting.
Lee Saunders, a national labor leader, recounted how on that night in 1968, King made an unplanned appearance to deliver the famous speech without notes after his aides saw how passionate the crowd was: “There was one man they wanted to hear from.”
But Saunders stressed that the purpose of the week’s commemorations was not just to look to the past.
“Dr. King’s work — our work — isn’t done. We must still struggle; we must still sacrifice. We must still educate and organize and mobilize. That’s why we’re here in Memphis. Not just to honor our history, but to seize our future,” he said.
Some of the sanitation workers who participated with King in a 1968 strike sat in the front row and were treated like celebrities, with audience members stopping to take photos with them before the event started. To read more: https://blackamericaweb.com/2018/04/04/many-march-in-honor-of-martin-luther-king-jr-s-death/
(L to R) Dillard University’s associate admissions director Christopher Stewart and Zariah Nolan, Whitehaven High School senior and future Dillard University Student, taken from Nolan’s Twitter on April 24, 2017. (photo via colorlines.com) article by Sameer Rao via colorlines.com
Seniors at an almost-exclusively Black high school in Memphis, Tennessee, earned more than $80 million in university scholarship offers.
ABC News reported Friday (April 21) that more than 40 Whitehaven High School students contributed to this number with at least $1 million in offers each. A call to determine the total number of students who earned scholarships was not immediately returned. Per the Tennessee Department of Education’s website, Whitehaven’s student body is more than 99 percent Black.
One student, 18-year-old Zariah Nolan, earned nearly $9.6 million in scholarships, including 17 full-ride packages. Nolan told ABC News that she applied to nearly 100 colleges across the country using application packages like the Common Black College Application, which allows prospective students to submit to 51 historically Black colleges and universities (HBCUs) with one set of materials.
She will attend one of those HBCUs, Dillard University in New Orleans, this fall. “My principal always told us you never know where life can take you so apply anywhere just to see,” Nolan said. Her principal, Vincent J. Hunter, added that the 1,765 student-strong high school stands out thanks to its all-alumni staff. “It’s important for us to be our brother’s keeper and we work hard to make sure our kids are prepared for life after graduation,” says Hunter, who also attended Whitehaven. Source: Memphis High School’s Graduating Class Earns $80 Million in Scholarships | Colorlines
Shirley Caesar (photo via defendernetwork.com) article by Bil Carpenter via blackenterprise.com
A couple of weeks ago, a friend of DJ Suede, also known as “the Remix God,” sent him a video clip of traditional gospel music legend Pastor Shirley Caesar’s 2007 remake of her 1988 classic “Hold My Mule.” Suede, an Atlanta-based mixer with an Instagram following of almost 100K, has said that he’ll remix anything. Since his mom was also a big fan of the 11 time Grammy Award-winning artist, he just remixed the song for fun, posting it online with the tag, “Grandma, what are you cooking for Thanksgiving?”
[youtube https://www.youtube.com/watch?v=sMwPboqZ-F8]
That intoxicating hip-hop music mashup has now become the viral success story of the season. It was even referenced during this year’s American Music Awards telecast, and pushed “Hold My Mule,” a song recorded long before Billboard started compiling gospel song charts, into the No. 1 spot on this week’s Gospel Streaming Songs chart, thanks to over 800,000 streams within the last week. It’s the song’s first time on any national chart.
[youtube https://www.youtube.com/watch?v=ZyutFBpelGE]
In the original song, Caesar tells the story of an 86-year-old man named Shouting John, who joined a church that didn’t believe in dancing and speaking in tongues. John was kicked put out of the church for shouting too loudly during the sermon.
He countered his ouster with a testimony that God had blessed him as a farmer.”Look!” he shouted. “I got beans, greens, potatoes, tomatoes, lambs, rams, hogs, dogs, chickens, turkeys, rabbits … you name it!” (See the 5:45 mark in the YouTube video above.) That line became the foundation for Suede’s “You Name It! ” remix.
[youtube https://www.youtube.com/watch?v=ZwIhtU9XtrE]
“It was just a song,” Suede told Big Tigger, on Atlanta’s V103 radio station. Then, on November 13, R&B star Chris Brown reposted the song with his signature choreography with the hastag #UNameItChallenge on his Instagram page. It has since racked up over 2.3 million views on Brown’s page, motivating thousands of people to share it and to answer the challenge with their own video dance responses.
Initially, some observers wondered if the 78-year-old Caesar, who was a hardliner in her younger days about the separation of gospel and mainstream music, would object to the viral video. However, she’s in nearly full support of this new incarnation of it.
article by Stephen A. Crockett Jr. via theroot.com
When 17-year-old Kevuntez King was just a preteen, he decided that not only was he going to college, but his mother, a single parent, wasn’t going to pay for it. “She just taught me how to be independent like she had it, [and] she just wanted me to go get it myself,” Kevuntez told Fox 13.
So, at the age of 12, Kevuntez got a job selling papers at a downtown Memphis, Tennessee intersection, and for five years he worked that job, saving the money he made. “When it came down to school, my mom didn’t have to come out of pocket to do anything or I didn’t have to take out any loans to go to school,” Kevuntez told Fox 13.
Making around $200 a week, Kevuntez reached his goal, earning enough money to pay all of his tuition at Tennessee State University, where he will study physical therapy.
Kevuntez says he knows that what he’s accomplished is just the tip of the iceberg, and he has advice for anyone who feels that life can be challenging: “Make sure you surround yourself with people that’s trying to go up in life and not trying to bring you down. Just stay positive and always believe in yourself and push for it.”
Read more at Fox 13.
A 15-year-old high school sophomore got a perfect score on the ACT (American College Testing) exam, reports Blavity.com. Dwight Moore, a student at Christian Brothers High School in Memphis scored a 36 out of 36 on the college entrance exam putting him in rare company—less than one percent of the 1.9 million test takers received a perfect score in 2015.
His school put out a statement this week congratulating him, reading in part: The ACT consists of tests in English, mathematics, reading and science. Each test is scored on a scale of 1–36, and a student’s composite score is the average of the four test scores. Some students also take the optional ACT writing test, but the score for that test is reported separately and is not included within the ACT Composite score.
“Please join me in congratulating sophomore Dwight Moore for his perfect composite score of 36 on the ACT,” said CBHS principal Chris Fay. “Dwight is an incredibly polite and humble young man, who is respected by both his peers and teachers. He is a model student at CBHS.”
Moore reportedly said that he thought the score was a mistake when he first saw it.
“I sat there in shock for a second. There is no way this is right,” he said. “It didn’t have the writing score so I thought this was just a placeholder for later so I am not getting my hopes up; when the writing score came out too, I actually got a 36.”
And he’s only in his second year! Bravo, young man, bravo! Read more at Blavity.com.
Maurice White, co-founder and leader of the groundbreaking ensemble Earth, Wind & Fire, died Thursday at his Los Angeles home. He was 74. His brother and bandmate, Verdine White, confirmed the news with the Associated Press.
The source for a wealth of euphoric hits in the 1970s and early ’80s, including “Shining Star,” “September” “Reasons” and “Boogie Wonderland,” Earth, Wind & Fire borrowed elements from funk, soul, gospel and pop for a distinctive sound that yielded six double-platinum albums and six Grammy Awards.
The group was inducted into the Rock and Roll Hall of Fame in 2000, and although White had ceased touring with the group since a diagnosis of Parkinson’s disease in the ’90s, he remained behind the scenes as the act continued to tour, including a run of sold-out shows at the Hollywood Bowl in 2013.
“[Maurice White’s] unerring instincts as a musician and showman helped propel the band to international stardom, influencing countless fellow musicians in the process,” Recording Academy President Neil Portnow wrote in a statement. Earth, Wind & Fire are slated to receive lifetime achievement honors from the Grammys this year.
Born in Memphis, Tenn. on Dec. 19, 1941, Maurice White sang in his church’s gospel choir at an early age, but his interest quickly gravitated to the drums. He earned his first gig backing Booker T. Jones before the organist founded the MGs. He moved to Chicago in the early ’60s and studied composition at the Chicago Conservatory of Music and eventually found work as a session drummer for the Chess and OKeh labels, where he played behind Muddy Waters and John Lee Hooker.
“That’s where I learned about the roots of music,” White told the Chicago Tribune in 1990. “I learned about playing with feeling.”
After also backing jazz pianist Ramsey Lewis in the ’60s, White moved to Los Angeles in 1969 with a band called the Salty Peppers. The group failed to gain much traction, and White changed the group’s name in 1971 to Earth, Wind and Fire, a name rooted in astrology that reflected White’s spiritual approach to music.
“In the beginning,” White told the Tribune in 1988, “My message was basically trying to relate to the community. From that it grew into more of a universal consciousness; the idea was to give the people something that was useful.”
The group’s lineup evolved through the ’70s and eventually included vocalist Phillip Bailey and White’s brother Verdine, both of whom toured with the band into this decade. The band’s reach extended into movies as well in recording the soundtrack album for Melvin Van Peebles’ landmark 1971 film “Sweet Sweetback’s Badasss Song” and appearing in the 1978 film “Sgt. Pepper’s Lonely Hearts Club Band,” which yielded the band’s hit cover of the Beatles’ “Got to Get You Into My Life.”
White’s hits with Earth, Wind & Fire spanned a particularly influential space between R&B, rock and disco that remains current. His music with Earth, Wind & Fire was prominently sampled by scores of hip-hop and pop acts in recent years, including Jay-Z and 2Pac. His mix of incandescent soulfulness and suave, funky arrangements informed recent bestselling albums by Daft Punk and Kendrick Lamar.
Remembrances of White came from all corners of the music world. On Twitter, Nile Rodgers, the Chic founder and record producer who was White’s peer in the ‘70s disco scene, wrote “RIP my soulful brother — You’re one of the most amazing innovators of all time.” Bootsy Collins, bassist of the funk mainstays Parliament-Funkadelic, wrote that White was a “legend, pioneer life long friend.” To read more, go to: http://www.latimes.com/entertainment/music/posts/la-et-ms-maurice-white-earth-wind-fire-dies-20160204-story.html Times staff writer August Brown contributed to this report.
Civil Rights activist Frances Hooks (photo via thehistorymakers.com) Frances Dancy Hooks, the civil rights activist and widow of Dr. Benjamin Hooks, died Thursday, reports WREG TV. The prominent educator and philanthropist was 88.
As co-founder of the Memphis Volunteer Placement Program, she helped draw Black students to some of the nation’s best private boarding schools, notes the report.
Dr. Hooks died in 2010. He was the first African-American commissioner of the Federal Communications Commission, and served as executive director of the NAACP from 1977-1992.
From The Commercial Appeal: Mrs. Hooks, 88, leaves behind a legacy of activism devoted to improving education, race relations and women’s rights in Memphis and across the nation. A graduate of Booker T. Washington High School, Mrs. Hooks earned a bachelor’s degree from Fisk University in Nashville and a master’s degree from Tennessee State University. Mrs. Hooks began her 24-year career as an educator in Memphis but later served as secretary and adviser to her husband Ben, whom she called “the Catch of Memphis.” “So many people think of her husband, Dr. Ben Hooks, but she was such a person of incredible competence in her own right,” said Jean Varnell, a friend of nearly 50 years. “They were such a team together.”