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Posts tagged as “McCoy Tyner”

MUSIC MONDAY: “Lean on Me” – Playlist Honoring Artists Who Passed in 2020 (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Here’s a playlist of music artists who died this year. Although their beautiful voices and talents were lost in 2020, we can enjoy them for years to come.

[spotifyplaybutton play=”spotify:playlist:60iICEwa7tcL2qIaCIdF2a”]

Musicians are often our collective voices, sharing ideas and feelings through their lyrics and melodies that the rest of us struggle to express. It’s why the deaths of musicians are often difficult to process.

It’s hard to say goodbye to the people who made the art and culture that define our times and speak so directly to us. This collection features soul, hip-hop, country, jazz, and other artists that have been taken by COVID-19, long illness, natural causes, gun violence, and overdoses.

There’s only one way into this world, yet they keep making up new ones to take us out. But I digress. Please enjoy this collection of music that will resonate for eons by folks we’ve lost on this trying trip around the sun.

An early Happy New Year to you all. I can’t scrape 2020 off the bottom of my proverbial shoe fast enough.

Stay safe, sane, and kind you all.

Marlon West (photo courtesy Marlon West)

R.I.P. Jazz Piano Legend McCoy Tyner, 81

McCoy Tyner, a cornerstone of John Coltrane’s groundbreaking 1960s quartet and one of the most influential pianists in jazz history, died on Friday at his home in New Jersey at age 81, according to the New York Times.

His death was announced by a spokesman for the Tyner family. No other details were provided. Mr. Tyner’s survivors include his wife, Aisha; his son, Nurudeen, who is known as Deen; and his brother, Jarvis.

To quote from the article:

Along with Bill Evans, Herbie Hancock, Chick Corea and only a few others, Mr. Tyner was one of the main expressways of modern jazz piano. Nearly every jazz pianist since Mr. Tyner’s years with Coltrane has had to learn his lessons, whether they ultimately discarded them or not.

Mr. Tyner’s manner was modest, but his sound was rich, percussive and serious, his lyrical improvisations centered by powerful left-hand chords marking the first beat of the bar and the tonal center of the music.

That sound helped create the atmosphere of Coltrane’s music and, to some extent, all jazz in the 1960s. (When you are thinking of Coltrane playing “My Favorite Things” or “A Love Supreme,” you may be thinking of the sound of Mr. Tyner almost as much as that of Coltrane’s saxophone.)

Mr. Tyner did not find immediate success after leaving Coltrane in 1965. But within a decade his fame had caught up with his influence, and he remained one of the leading bandleaders in jazz as well as one of the most revered pianists for the rest of his life.

Alfred McCoy Tyner was born in Philadelphia on Dec. 11, 1938, to Jarvis and Beatrice Tyner, both natives of North Carolina. His father sang in a church quartet and worked for a company that made medicated cream; his mother was a beautician. Mr. Tyner started taking piano lessons at 13, and a year later his mother bought him his first piano, setting it up in her beauty shop.

He grew up during a spectacular period for jazz in Philadelphia. Among the local musicians who would go on to national prominence were the organist Jimmy Smith, the trumpeter Lee Morgan and the pianists Red Garland, Kenny Barron, Ray Bryant and Richie Powell, who lived in an apartment around the corner from the Tyner family house, and whose brother was the pianist Bud Powell, Mr. Tyner’s idol. (Mr. Tyner recalled that once, as a teenager, while practicing in the beauty shop, he looked out the window and saw Powell listening; he eventually invited the master inside to play.)

Just before Coltrane’s death in 1967, Mr. Tyner signed to Blue Note. He quickly delivered “The Real McCoy,” one of his strongest albums, which included his compositions “Passion Dance,” “Search for Peace” and “Blues on the Corner,” all of which he later revisited on record and kept in his live repertoire.