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Posts tagged as “Mavis Staples”

MUSIC MONDAY: “I’ll Take You There” – The Best of Mavis Staples (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Mavis Staples is eighty-four years old as I peck these words. She has been a gospel and soul singer longer than Elizabeth II wore the crown.

Many R&B vocalists started in gospel music, though she and her family have always kept a foot in both worlds. The Staple Singers have brought their spirituality, and devotion to civil rights to all of their studio and stage offerings.

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From the churches across the South Side of Chicago and the Rock ‘n Stages with artists a third her age, Mavis Staples has brought her unique smokey voice to audiences for decades.

This collection brings together her many works with The Staple Singers from 1948 until 1999, and her own solo offerings from 1969 to the present.

Mavis Staples is still an in-demand guest vocalist to boot. She has dueted or sung background with Mahalia Jackson, The Band, Gorillaz, Jon Batiste, Run the Jewels, Hozier, Benjamin Booker, Sheryl Crow, Abraham Alexander and so many others.

Mavis Staples is the only subject of one of these playlists that I have had the pleasure of spending any meaningful time with. Back in 2012 I was honored to be one of the Alumni Of The Year at Columbia College Chicago. She received an honorary doctorate from the college.

I was delighted to spend hours visiting with her that graduation weekend. She could not have been more warm, insightful, and kind.

Please enjoy this collection featuring decades of Doctor Mavis’ work with The Staple Singers, as a solo artist, and generous collaborator.

As always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Black Like Me” – Black Women of Country & Americana Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Mickey Guyton’s 2020 song “Black Like Me,” released amid the national racial justice protests, was nominated for a Grammy, making her the first Black solo female artist to be nominated in a country music category.

A recent study from the University of Ottawa found a mere .03 percent of all songs on country radio from 2002 to 2020 were by Black women. Less than 1 percent of the over 400 artists signed to the three major country music labels are people of color, according to that study.

Still, Black women artists are making a mark. Valerie June, Yola, Brittney Spencer, and Yasmin Williams are just a few sisters resonating with existing country music lovers, and with an entirely new group of fans.

Many historically turned off a genre that has almost exclusively been marketed to white audiences. They see the industry changing and say their music can resonate not only with existing country music lovers, but with an entirely new group of fans who have been turned off by a genre that has almost exclusively been marketed to white audiences.

There are many emerging artists on this playlist actively shifting conversations in country music around inclusion and diversity. I’ve also included to long-standing artists like Tina Turner and Mavis Staples that have made an impact on country music.

Hope you all enjoy my GBN contribution Women’s History Month. I’ll be back next month. And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

“How I Got Over”: Celebrating Aretha Franklin with Comprehensive Playlist of Her Cover Songs on Her Birthday (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

It’s always nice to have an excuse to celebrate the Queen of Soul and her music. Although this week in particular it’s been a somewhat fraught proposition, as the National Geographic Channel began airing its Genius: Aretha series starring Cynthia Erivo on Sunday, to which some of Franklin’s immediate family publicly objected.

But if, like me, you’re inclined to want to celebrate Aretha on what would have been her 79th birthday and can’t wait for the MGM feature Respect starring Jennifer Hudson (which, so far, the family does approve of) to come out, you can always rewatch the glorious Amazing Grace concert film released in 2019, or go right to the source and listen to all Aretha all day.

For my 2020 celebration, I compiled a collection of her original works in a Spotify playlist called  “Rock Steady”: Songs Aretha Franklin Wrotein honor of her ability to compose incredible music and lyrics that have stood the test of time, a talent which is often overshadowed by Aretha’s unparalleled singing mastery.

This year, I chose to celebrate Aretha Franklin’s lifelong love of all musical styles and her unmatched ability to turn any song from any genre from any time by anybody into her own unique moment. Below is the compilation playlist “How I Got Over”: Aretha Franklin’s Cover Songs

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In it, you’ll find the songs you already know were recorded by others that Aretha made her own signature songs (“Respect,” “Spanish Harlem,” “Until You Come Back to Me”), along with songs where her version became as famous as the original, if not more (“You’re All I Need To Get By,” “I Say A Little Prayer,” “Wholy Holy,” “Bridge Over Troubled Water,” “Don’t Play That Song,” “Son of A Preacher Man”).

Also included are songs you may not know she covered (many were deep cuts on LPs or only recently released) but as soon as you hear Aretha’s version you won’t be able to forget it (“At Last,” “A Change Is Gonna Come,” “A Song For You,” “What a Fool Believes,” “I Want to Be With You,” “My Kind of Town (Detroit Is)”).

Aretha also dips into her Detroit roots with her covers of Motown classics like “My Guy,” “Tracks of My Tears” and “You Keep Me Hangin’ On,” as well as her love of her British Invasion contemporaries with covers of The Beatles“Eleanor Rigby,” “Let It Be” and “The Long and Winding Road” and The Rolling Stones‘ “Satisfaction” and “Jumpin’ Jack Flash.”

Franklin effortlessly shows off her jazz chops on “Moody’s Mood,” “Skylark,” “How Glad I Am” and “Crazy He Calls Me” and her devastating blues acumen and feeling with “Today I Sing The Blues,” “The Thrill is Gone,” “Night Time Is The Right Time” and “Why I Sing The Blues.”

“Over The Rainbow,” “Somewhere” and “I Dreamed A Dream” let us all know a career on Broadway or movie musicals, should she have wanted it, would have been Aretha’s for the taking, and her takes on traditional gospel classics like “How I Got Over,” “What a Friend We Have In Jesus,” “Oh Happy Day” (with Mavis Staples), and, of course, “Amazing Grace” make it simple for anyone needing proof of God to listen and say, “Oh, okay. THAT.”

For those who love holiday fare, Aretha’s got that covered too, with undeniable versions of “Winter Wonderland,” “Silent Night” and “The Christmas Song.”

As late as 2014, at age 72, Aretha Franklin was still showing the world what she could do to a song she deigned to sing.

Franklin released an entire album of covers entitled Aretha Franklin Sings The Great Diva Classics, where she famously took on “Rolling In The Deep” by Adele, Alicia Keys“No One” and created must-listen mash-up versions of Chaka Khan’s “I’m Every Woman/Respect” where Aretha blends those two classics together, and Gloria Gaynor‘s “I Will Survive,” which she mixes with Destiny’s Child‘s “Survivor.” 

All the songs mentioned and more are on the 85-track playlist above. There are even more enticing covers in the Aretha Franklin catalogue worth exploring, but at five and a half hours, I definitely feel this playlist is a great place to start. 

Enjoy, and all hail the Queen!

Mavis Staples Tells Her Own Story in HBO Documentary "Mavis!"

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Mavis Staples attends the NY Premiere of HBO’s documentary film ‘MAVIS!’ at Florence Gould Hall on February 24, 2016 in New York City.  (MICHAEL LOCCISANO/GETTY IMAGES FOR HBO)

article by Nsenga K. Burton, Ph. D. via theroot.com
Legendary singer and civil rights activist Mavis Staples has been in the business of making music and changing lives for over 60 years. The Chicago-born singer with the signature raspy voice launched her career in 1950 as part of the family gospel group The Staple Singers, comprised of her father (Pops) and three older sisters (Cleotha, Pervis and Yvonne). The “skinny 15-year-old girl with the big voice” was often mistaken for a man or a big woman, surprising fans with her childlike appearance despite her full-bodied voice.
Like many family acts, the Staples honed their craft in the church before taking their show on the road. Having recorded a couple of singles, the Staples Singers hit their stride with the 1957 release of “Uncloudy Day,” on the renowned Vee-Jay Records, which became a mainstream hit. The rest as they say is music history. Staples’ life and times as a singer and activist are chronicled in the HBO documentary Mavis!, directed by Jessica Edwards, who made it her goal to capture the life of a living legend in her words on her terms, having realized that “No one had done the story of her.”
Mavis! chronicles the rise of the Staples Singers and their evolution from gospel to freedom songs to soul music. Staples leads viewers down memory lane recalling the group’s work with Dr. Martin Luther King, Jr. and the civil rights movement, her romance with the love of her life (musical giant Bob Dylan) and Staples desire to remain humble despite her staying power and overcoming the precariousness of the music business.
The 76-year-old, who still lives in Chicago, is still touring and picking up awards, having recently won a 2016 Grammy for Best Roots Performance for the song, “See That My Grave is Kept Clean.”  Staples is proud of her win. “It’s a wonderful feeling for an artist of my generation to be honored and recognized,” says Staples. “It’s very inspiring and it makes me feel like my decision not to retire and to keep making new music was the right one,” she adds.
To read more, go to: http://www.theroot.com/articles/culture/2016/03/mavis_staples_tells_her_own_story_in_mavis.html
Mavis! is currently airing on HBO. Check local listings