I hope 2021 is treating you all well, so far. Here is one more obligation to 2020. It is a companion piece to last week’s remembrance of the artists lost during that last year. This offering is a collection the music released during 2020.
Lockdown did not stop dozens of artists from creating great music. Long established artists and emerging ones all released music last year. As is my style, this is another free-wheeling collection of music, featuring jazz, soul, reggae, country music, and other genres.
This is certainly a trying and unique one. Most of us aren’t doing what we traditionally do. And many of us are missing people at the table in 2020.
As is my wont, here’s a Monday playlist to take you into this year’s day of thanks. This collection ranges from songs about food, to family, to longing, to of course giving thanks, and back again.
Soul, Hip-Hop, Jazz, Gospel, Reggae, and more are included in this playlist to celebrate this most special and taxing of Thanksgivings.
While this has been the worst year on record for many of us, it has not been without its bright spots and reasons to be thankful.
One such personal reason for the thanks of the request to contribute weekly playlists from my friend Lori Lakin Hutcherson. She is a sista that I have not seen in person in nearly decades, but has become a wonderful social media friend and the gig of making these collections for GOOD BLACK NEWS and been the brightest of Covid era silver linings.
I don’t know if these are enjoyed by dozens or thousands but it has been an honor and delight to compile them on the weekly.
Whether you are safely gathering or going it alone on Thursday, here’s hours of music to sustain and nourish your ears and soul.
Stay safe sane, and kind you all. “See” ya next week.
[A child holds a billboard for Memorial Day shows at the Howard Theatre, featuring Trouble Funk and Experience Unlimited. Photograph by Thomas Sayers Ellis, used with permission.]
I can not imagine Washington D.C. was is not awash in its funnest export these days: Go-go. This subgenre of funk originated in and around D.C., during the late 1960s and remains popular to this day as a uniquely regional music style.
Singer-guitarist Chuck Brown and several bands are credited with having developed the style including Young Senators, Black Heat, and Trouble Funk.
Chuck Brown playing at a block party (photo via Flickr)
Go-go is primarily a dance hall music with an emphasis on live audience call and response. It has endured to include hip-hop influences recently and been around long enough to have retro adherents.
In February 2020, go-go was named the “official music” of Washington D.C. in a unanimous vote by the District’s city council. Please enjoy this dose of D.C. funky stuff.
I know Halloween is all-but cancelled this year for so many of us. No trick or treating. No parties. No parades. Though Halloween is still a fine excuse for me to compile a free-wheeling seasonal playlist.
Here’s a nearly 9 hour “Afroclectic” collection of music featuring chills and horrors both real (“Strange Fruit” and “Goat Head’) and imagined (“Season Of The Witch” and “Wolf Like Me”).
From Michael Abels‘ “I Got 5 On It” remix from US to Blind Willie Johnson’s “Dark Was the Night, Cold Was the Ground” this is a wide ranging playlist of songs for this time of the year.
Blues, Soul, Jazz, Rock, Ska, Hip-Hop, and Reggae are all present here. In some cases the only thing that links some of these tracks to this spooky time of year is zombie, vampire, voodoo, monster, devil, ghost, or Dracula in the title.
Please enjoy this collection of spills and chills. Listen with the lights on. Or off, if you dare.
(Kevin Saunderson, Derrick May and Juan Atkins in Detroit / Photo credit: Unknown)
Techno has come to be associated with European club culture, but it was born from the Black community in Detroit. It was originally revolutionary protest music. Techno was born of African-American struggle.
Detroit DJs Robert Hood, Juan Atkins, Kevin Saunderson, and Derrick May are known as the originators of techno. They fused funk, disco, and gospel beyond recognition in the ‘80s.
To quote Robert Hood: “Techno is the struggle of black artists that came from nothing, had nothing—[I was] blessed to share this music.”
This collection celebrates the originators as well as current Black women and nonbinary DJs and producers, like Tati au Miel and Nonku Phiri, that have had to carve out space in the scene too.
The term “Afro-Latin” is used to describe types of music from Latin American countries that were influenced by the Black population that came from Africa and established themselves mostly in major port cities.
When these Africans were brought over, the only thing they really could bring with them was culture. Whether it was music, dance, or religious beliefs, they attempted to preserve as much of their rich cultural heritage as possible in their new country.
I could probably do several playlists, but this one as features cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, and tango. Afro-Latin artists have influenced many styles by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
Please enjoy this freewheeling collection of music from Latin America and the US.
This September 11th also marked the passing of one of the fathers of reggae music: Toots Hibbert.
Starting out with the rock steady pioneer Clement “Coxcome” Dodd, The Maytals emerged as one of the earliest reggae hit-makers. Hibbert holds a firm spot in Jamaica’s musical pantheon as the first artist to use the word reggae on a record, “Do The Reggay,” and to bring the music to the world at large.
Many likely first heard his songs covered by The Clash, The Specials, and other punk and ska artists. This collection features the Toots & The Maytals versions of “Monkey Man” and “Pressure Drop.”
I have also included some of his many covers including “Country Road” and collaborations with Willie Nelson, UB40, The Easy Star All-Stars, Los Pericos and others.
Hope you all enjoy this tribute to one reggae and ska music’s most enduring founders. Have a great week, and see you next Monday.
With the passing of the great Chadwick Boseman, I am inclined to hold the playlist I made to share today until next week. I thought instead I’d share this playlist I created in celebration of Black Panther two years ago.
I won’t say how many times I’ve seen the film, so far. Though I made this playlist by imagining what genius Princess Shuri would listen to in her lab.
It was made before the film grossed over $1.3 billion worldwide and broke numerous box office records, including the highest-grossing film by a Black director. Before it became the ninth-highest-grossing film of all time, the third-highest-grossing film in the U.S. and Canada, and the second-highest-grossing film of 2018.
I made before it received seven nominations at the 91st Academy Awards including Best Picture, with wins for Best Costume Design, Best Original Score, and Best Production Design. Black Panther is the first superhero film to receive a Best Picture nomination.
Director Ryan Coogler wrote of Boseman this weekend:
Dayton, Ohio was already a mecca of grooves, before Lakeside first dubbed it “The Land of Funk” in its swashbuckling cut “Fantastic Voyage.”
In the 1970s and 1980s, southwestern Ohio – particularly Dayton’s west side – was known for its collective of funk bands whose influence can still be heard in hip-hop, house, and other forms popular today.
The Ohio Players, the grandmasters of them all, have seen their songs sampled or remade by Snoop Dogg, Puff Daddy, Salt-N-Pepa, Soundgarden, and the Red Hot Chili Peppers to name but a few.
I’ve thrown in tracks by fellow Ohioans — Screamin’ Jay Hawkins, The Isley Brothers and Bobby Womack — to further show the disproportionate amount of funk Ohio has produced.
This will be another one that will make you move. Enjoy.
The Isley Brothers, all five of them, started as a gospel group in 1956. Twenty years later, they would create the funk classic Go For Your Guns.
The Isleys began their own record company, T-Neck Records, in 1964, shortly thereafter recruiting budding guitarist Jimi Hendrix for their band. They abandoned T-Neck and signed with Motown in 1965.
The list of Isley hits is long. It includes “It’s Your Thing,” “That Lady (Part 1),” “Fight the Power (Part 1),” and “For the Love of You (Part 1 and 2).”
More than any other band or artist, you can chart the changes in Black music via the Isley Brothers. Don’t take my word for it:
“With the possible exception of the Beatles, no band in the history of popular music, and certainly no African American act, has left a more substantial legacy on popular music than the Isley Brothers.” — Bob Gulla, Icons of R&B and Soul
“They’re the only group in the history of music to have a demonstrable influence on both the Beatles (who covered the Isleys’ take of “Twist And Shout” for one of their biggest early hits) and Ice Cube (who rapped over this album’s “Footsteps In The Dark, Pts. 1 & 2” on “It Was A Good Day”).” — Andrew Winistorfer
The Isleys have charted new music in every decade from the 1950s through the 2000s, without ever truly “crossing over” or betting any of the hyperbolic praise that other acts have received.
They have made the music they wanted to make for more than 50 years, and are arguably the most prolific and successful R&B /Rock group in the nation. Enjoy this playlist of their work.
