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Posts tagged as “Malcolm X”

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

In honor of Academy Award-winning filmmaker Spike Lee‘s 65th birthday yesterday, we’re celebrating the music from his movies in today’s Music Monday playlist, Mo’ Better Music: Spike Lee’s Greatest Hits:

Lee first made his mark on the Hollywood scene in the summer of 1986 with his independently-financed debut feature, She’s Gotta Have It.  From that start, it was clear that not only was Lee an original filmmaking voice, but also that he valued the role of music in his movies.

The body of musical work he has enabled through his movies spans the history of Black music, including Blues, Hip Hop, traditional R&B. His early career bloomed in the heyday of new jack swing, but he’s also served us gospel, jazz, and plenty of Stevie Wonder.

Lee’s  usual composer of choice, Terence Blanchard, has earned two Oscar nominations for his work on BlacKkKlansman and Da Five Bloods.

There also have been Number One Billboard R&B/Hip-Hop Hits, E.U.‘s “Da Butt” from School Daze and Teddy Riley & Guy‘s “My Fantasy” from Do the Right Thing.

Working with his father, jazz musician Bill Lee (still alive at age 93) through his first four movies, Spike’s soundtrack choices displayed a musical depth of knowledge from the start.

“Nola” – the song about Nola Darling, the central character in She’s Gotta Have It – was sung on the original soundtrack by legendarily unsung vocalist Ronnie Dyson (the subject of a previous GBN playlist and profile – https://goodblacknews.org/?s=ronnie+dyson).

Though that soundtrack is one of the few Spike Lee soundtracks unavailable on Spotify, we’ve included a fairly faithful rendition of the song from contemporary jazz vocalist Jose James on our playlist.

To celebrate his 65 years, the playlist is comprised of 65 original songs and score selections from all of Spike Lee’s scripted features films with tracks were available for streaming (all the rest of his movies are included except Summer of Sam and the recent made-for-streaming Pass Over).

We’ve focused on titles that were either newly released or recorded for Spike’s movies, not on classic hits that just made their way onto the soundtrack.

And there’s plenty of great material to choose from, including multiple tracks from Prince, backup singer turned indie soul darling Judith Hill, Public Enemy, Terence Blanchard, and Stevie Wonder.

The Spike Lee soundtrack for Bamboozled introduced the first major song ever released by India.Arie — “Always In My Head.”

Though the soundtracks to Girl 6 and Get on the Bus are also unavailable on Spotify in album form, we’ve located the original Prince track “She Spoke 2 Me” from Girl 6 as well as a number of songs from the Get on the Bus soundtrack from God’s Property, Stevie Wonder, and Curtis Mayfield.

While Lee has mostly worked with Black composers and musicians, rootsy White rock musician Bruce Hornsby has worked on multiple Spike Lee movies, including songs for Bamboozled and Chi-raq, and a full score for Red Hook Summer.  He was also the composer for the lovely ballad “Love Me Still,” sung by Chaka Khan for the soundtrack to Clockers.

For his soundtrack to Da Sweet Blood Of Jesus, a 2014 horror film that Lee funded through Kickstarter, he issued a social media call for unsigned artists to submit songs and picked through over 800 submissions to find the songs he used – which included “As We May Dream,” another beautiful ballad from singer/songwriter Siedah Garrett of Michael Jackson duet fame.

Spike’s movies have also yielded some smooth new remakes of R&B standards – and we’re happy to include Stevie Wonder’s take on Bob Marley‘s “Redemption Song,” Erykah Badu‘s cover of Rufus featuring Chaka Khan’s “Hollywood,” Marc Dorsey‘s version of The Stylistics“People Make the World Go Round,” and of course, Aretha Franklin‘s beautiful contribution to the Malcolm X soundtrack – her epic 8 minute rendition of Donny Hathaway‘s “Someday We’ll All Be Free.”

Most recently, Spike introduced his BlacKkKlansman‘audiences to a Prince rendition of the gospel classic “Mary Don’t You Weep” that had been originally recorded in 1983, but left in the vaults until its appearance in the closing credits of Lee’s movie.

In addition to all the above, you’re sure to uncover plenty of great but lesser-known material from Spike’s movies. With 24 scripted feature films under his belt, a Spike Lee film festival might take you a week of evenings to complete – but with our GBN playlist, you can cover all the musical memories from Spike’s movies in an afternoon.

Happy 65th birthday to Spike Lee! Though for many that’s retirement age, we hope to be updating this playlist with more great music from many more movies in the years to come.

GBN’s Daily Drop: “We Got Game” – For Which Movie Did Denzel Washington Win His Best Actor Oscar? (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is based on the Friday, February 25 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 and is the year’s first foray into our Black Trivia category called “We Got Game”:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, AmazonSpotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, February 25th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Trivia we call “We Got Game”:

Okay, so today’s daily drop episode is going to be a little unique, as it’s the first time presenting the Trivia category, which is a multiple choice question that we want to give you time to answer. So, what I’m going to do is read the question, I’ll read the choices, and then I’ll prompt you to pause the episode if you want to take longer than the 10 seconds that I’m going to let pass before I share the answer. Sound good? Ready to see if you got game? All right, here we go:

For which movie did Denzel Washington win the Academy Award for Best Actor? Was it…

A. Malcolm X?  B.Training Day  C. Glory… or D. Fences?

Now go ahead and pause the episode now if you want to take more than 10 seconds before you hear the answer. Otherwise, I’ll be back in 10… Okay, time’s up. The answer is… B. Training Day.

Including his recent nod for The Tragedy of MacBeth, Washington has been nominated by the Academy for his acting ten times, and so far, he’s won twice, once in 1989 as Best Supporting Actor for Glory and then for Best Actor in 2001’s Training Day.

Washington was nominated for his role in Fences in 2017 but lost the Best Actor gold guy to Gary Oldman, star of The Darkest Hour. Still, a win might have felt like déjà vu to Washington that year – he won the Best Actor Tony Award for the same part in 2010.

To learn more about Denzel Washington and his award-winning career, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

Sources:

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon, Bookshop and other online retailers.

Beats provided by freebeats.io and produced by White Hot.

If you like our Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. You could give us a positive rating or review, share your favorite episodes on social media, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

GBN Daily Drop Podcast: Professor John Henrik Clarke, Pioneer of Pan African Studies (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Here is GBN’s Daily Drop for Friday, February 4th on John Henrik Clarke, professor and advocate of Pan African Studies.

You can also follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of GoodBlackNews.org, here to share with you a daily drop of Good Black News for Friday, February 4th, 2022, based on the A Year of Good Black News Page-A-Day Calendar published by Workman Publishing.

Author Ilyasah Shabazz to Executive Produce Series on her Father Malcolm X’s Life at Sony Television’s TriStar

According to Variety.com, author Ilyasah Shabazz, daughter of El-Hajj Malik El- Shabazz (aka Malcolm X), will executive produce a series at Sony Pictures Television’s Tristar on her father’s life.

The series will be based on the novels X: A Novel and The Awakening of Malcolm X, which were co-written by Shabazz. X: A Novel was co-written by Kekla Magoon while The Awakening of Malcolm X was co-written by Tiffany D. Jackson.

To quote Variety.com:

X: A Novel follows Malcolm’s life from his childhood — including his father being lynched and his mother being institutionalized against her will — up to his imprisonment at age twenty.

The Awakening of Malcolm X picks up during his time in prison when he decided to join the Nation of Islam, ultimately emerging from incarceration as Malcolm X.

State Street PicturesBob Teitel and George Tillman will executive produce with Shabazz, as well as 3 Arts Entertainment’s Jermaine Johnson and Molly Madden.

In addition the two books the Sony series will be based on, Shabazz has also written Growing Up Xthe children’s book Malcolm Little: The Boy Who Grew Up to Become Malcolm X, and Betty Before X.

Shabazz is also the co-chair of The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center located at the Audubon Ballroom in Harlem, the site of her father’s assassination in 1965.

Read more: https://variety.com/2021/tv/news/malcolm-x-tv-series-ilyasah-shabazz-sony-pictures-tv-1235023008/

[Photos: El-Hajj Malik El-Shabazz (l); Ilyasah Shabazz (r) via ilyasahshabazz.com]

(paid links)

BHM: Good Black News Celebrates Ida B. Wells – Journalist, Anti-Lynching Activist, Women’s Rights Advocate

by Lori Lakin Hutcherson (@lakinhutcherson)

This is Ida B. Wells. Best known for being a late 19th/early 20th-century journalist, anti-lynching crusader and women’s rights advocate. In 2020, Wells received a posthumous Pulitzer Prize for journalism, and her face honored the centennial of the U.S. Suffragist Movement in a mosaic art installation in Washington D.C.’s Union Station.

Wells is a helluva historical figure who still far too few people know about. Her whole life is fascinating, so I’ll try to keep it short and focussed on her work. If you don’t have time for it now, right below is a great quote summing up Wells’ importance in the fight for equality and justice from the New York Times review of the 1999 biography on Wells:

Linda O. McMurry‘s important new biography, To Keep the Waters Troubled, tells the story of an extraordinary American who would have been at the very summit of our national pantheon except for two things: her sex and her race. But then again, being born into a society that promised individual freedom and personal power — just not to blacks, not to women and above all not to black women — was the source of Ida B. Wells’s remarkable story.”

Wells was one of the first African-American female journalists to run her own newspaper, was an outspoken feminist, suffragist, an international figure and speaker, and early leader in the Civil Rights Movement who helped found the NAACP with W.E.B. DuBois and others, and helped women get and consolidate their power around voting in Illinois when they won the right.

But what fascinates me the most is her near one-woman crusade against lynching, and how she used her investigative, reporting, and oratory skills not only to document lynchings in the 1890s, but also to disprove the lie that Black men were raping white women or committing crimes that justified their mob hangings.

Wells offered real proof that lynching was being used in the South as a way to control or punish Black people who competed with whites. Even after the offices of her newspaper, Free Speech and Headlight, were burned down and she had to relocate from Memphis to Chicago to escape death threats, Wells persisted with her work.

Although there was major resistance in the U.S., Wells garnered support from the British, who after reading her work and hearing her speeches (they also witnessed her being dragged unfairly in the American press), offered monetary support and formed the British Anti-Lynching Committee, which included prominent members such as the Duke of Argyll, the Archbishop of Canterbury, members of Parliament, and the editors of The Manchester Guardian, who put international pressure on the U.S. to address these horrific crimes against Black Americans.

Wells’ crusade against lynching started in 1889, when her friend Thomas Moss opened the Peoples Grocery in the “Curve,” a Black neighborhood just outside Memphis city limits. It did well and competed with a white-owned grocery store across the street.

In 1892, while Wells was out of town, a white mob invaded her friends’ store. During the altercation, three white men were shot and injured. Moss and two other black men were arrested and jailed pending trial. A white lynch mob stormed the jail and killed the three men.

After the lynching of her friends, Wells wrote an editorial and became an ersatz civil rights leader and firebrand, urging Blacks to leave Memphis altogether. More than 6,000 black people did leave Memphis; others organized boycotts of white-owned businesses. After being threatened with violence, Wells bought a pistol. She later wrote, “They had made me an exile and threatened my life for hinting at the truth.”

Wells began her investigation by looking at the charges given for her friends’ murders, which officially started her anti-lynching campaign. She spoke at various Black women’s clubs, and raised more than $500 to investigate lynchings and publish her findings. Wells found that Blacks were lynched primarily for social control reasons such as failing to pay debts, not appearing to give way to whites, competing with whites economically, or being drunk in public.

She found little basis for the frequent claim that Black men were lynched because they had sexually abused or attacked white women. This alibi seemed to have partly accounted for white America’s collective acceptance or silence on lynching, as well as its acceptance by many in the educated African-American community.

Wells published her findings in a pamphlet called Southern Horrors: Lynch Law in All Its Phases. She followed it with an editorial that said, unlike the myth that white women were sexually at risk of attacks by Black men, most liaisons between Black men and white women were consensual.

Her editorial enraged white men in Memphis. On May 27, 1892, while she was away in Philadelphia, a white mob destroyed the offices of the Free Speech and Headlight.

To quote again from the 1999 New York Times Review:

“Wells exposed as false the most common justification for these lynchings: that they were necessitated by sexual ”outrages” committed by Black men against white women. Perhaps only a woman could have spoken out effectively against these charges, but doing so exposed Wells to attacks against her sexual character. Her willingness to talk openly about rape and interracial sex kept her from succeeding the aging Frederick Douglass as ”leader of the Afro-American race,” the most respected Negro in the United States among whites. This role went instead to a man and a nonmilitant, Booker T. Washington.”

In continued efforts to raise awareness and opposition to lynching, Wells spoke to groups in New York City, where her audiences included many leading African-American women.

On October 5, 1892, a testimonial dinner held at Lyric Hall, organized by political activists and clubwomen, Victoria Earle Matthews and Maritcha Remond Lyons, raised significant funds for Wells’ anti-lynching campaign. The Women’s Loyal Union of New York and Brooklyn was formed to organize Black women as an interest group who could act politically.

Wells toured Europe in her campaign for justice, but the first tour in 1893 didn’t go so well. Wells went to Great Britain at the invitation of Catherine Impey, a British Quaker. An opponent of imperialism and proponent of racial equality, Impey wanted to ensure that the British public learned about the problem of lynching in the U.S.

Wells accompanied her speeches with a photograph of a white mob and grinning white children posing near a hanged Black man; her talks created a sensation, but some in the audiences remained doubtful of her accounts. Wells intended to raise money and expose the U.S. lynching violence, but received so little funds that she had difficulty covering her travel expenses.

Before her second visit to Britain in 1894, the enterprising Wells worked to get some backing. Wells called on William Penn Nixon, editor of Daily Inter-Ocean, a Republican newspaper in Chicago, the only major white paper that persistently denounced lynching.

After Wells told Nixon about her planned tour, he asked her to write for the newspaper while in England, making her the first African-American woman to be a paid correspondent for a mainstream white newspaper. This time, Wells was highly effective in speaking to European audiences, who were shocked to learn about the rate of violence against Black people in the U.S.

Wells called for the formation of groups to formally protest the lynchings and helped catalyze anti-lynching groups in Europe, which tried to press the U.S. government to guarantee the safety of Black people in the South.

When she spoke at home to Black crowds, Wells was a one-woman precursor to the 1950s Deacons of Defense or the 1960s Black Panthers or even Malcolm X: she recommended that Black people arm themselves to defend against lynching:

“The lesson this teaches and which every Afro-American should ponder well, is that a Winchester rifle should have a place of honour in every black home, and it should be used for that protection which the law refuses to give. When the white man who is always the aggressor knows he runs as great a risk of biting the dust every time his Afro-American victim does, he will have greater respect for Afro-American life. The more the Afro-American yields and cringes and begs, the more he has to do so, the more he is insulted, outraged and lynched.”

Wells subsequently published The Red Record (1895), a 100-page pamphlet describing lynching in the U.S. since the Emancipation Proclamation of 1863. It also covered Black people’s struggles in the South since the Civil War. The Red Record explored the alarmingly high rates of lynching in the United States (which was at a peak from 1880 to 1930).

Wells gave 14 pages of statistics related to lynching cases committed from 1892 to 1895; she also included pages of graphic accounts detailing specific lynchings. She notes that her data was taken from articles by white correspondents, white press bureaus, and white newspapers.

The Red Record had far-reaching influence in the debate about lynching. Her accounts grabbed the attention of Northerners who knew little about lynching or accepted the common explanation that black men deserved this fate.

(Ida B. Wells in Chicago in 1909 with her children: Charles, Herman, Ida and Alfreda Archivio GBB/Redux)

During this time, Wells also had to deal with dust-ups with white women suffragists such as Susan B. Anthony and Frances Willard. Anthony was critical of Wells for getting “distracted” by her young son who she had to bring with her on occasion to speaking engagements.

Willard went out of her way to try to discredit Wells in the press after Wells called Willard out for being silent lynching and for making racist statements where she said Black people drank too much and threatened the safety of women. Wells clapped back at Willard in The Red Record with an entire chapter dedicated to discussing “Miss Willard’s Attitude.”

In 1896, Wells founded the National Association of Colored Women’s Clubs and the National Afro-American Council. In Chicago, Wells also worked to improve conditions for its rapidly growing African-American population due to the Great Migration to northern industrial cities.

Wells worked on urban reform in Chicago during the last thirty years of her life. Wells began writing her autobiography, Crusade for Justice, in 1928 but never finished it; she died of uremia (kidney failure) in Chicago on March 25, 1931, at the age of 68.

In her hometown of Holly Springs, Mississippi, the Ida B.Wells-Barnett Museum acts as a cultural center of African American history. Awards have been established in Wells’s name by the National Association of Black Journalists, the Medill School of Journalism at Northwestern University, and the New York County Lawyers Assn., among others.

To learn more about Wells, consider reading her autobiography (which her youngest daughter worked for 40 years to get into print), Ida: A Sword Among Lions from 2009 by Paula J. Giddings, To Keep the Waters Troubled: The Life of Ida B. Wells by Linda O. McMurry from 2000 and To Tell the Truth Freely: The Life of Ida B. Wells by Mia Bay from 2010.

Also consider clicking on the Southern Horrors and Red Record links to download her original works via Project Gutenberg, reading this npr.org piece https://www.npr.org/…/ida-b-wells-lasting-impact-on… or watching below:

https://youtu.be/8f7TUBvbgrI

#blackhistorymonth #gettheknowledge

(paid links)

Teyana Taylor Directs Powerful Protest Video of Her New Single “Still” (WATCH)

Teyana Taylor dropped a stunning and powerful music video today for “Still” from her third LP, THE ALBUM, which came out on Juneteenth of this year via G.O.O.D. Music/Def Jam Recordings.

The video, produced by Teyana’s all-female led production company “The Aunties” and directed by Taylor under her pseudonym Spike Tey, highlights footage of important moments in America’s ongoing fight for social justice, with Teyana blending herself  into the iconic imagery of Malcolm X (see photo above),  Huey P. Newton and Breonna Taylor by donning their clothes and assuming their poses.

The video also includes words and footage of Malcolm X, footage of Martin Luther King Jr., John Lewis, Angela Davis, the Black Panthers, Civil Rights Movement protesters, Black Lives Matter protesters and several victims of hate crimes and police brutality including Emmett Till, Trayvon Martin, Eric Garner, Breonna Taylor, Tamir Rice and George Floyd, to name a few. It is, in a word, gripping. Watch below:

GirlTrek Brings #DaughtersOf Coretta Scott King and Betty Shabazz Together for 1st-Ever Public Conversation this Friday

On Friday, May 15th, GirlTrek’s #DaughtersOf LIVE discussions continue with Dr. Bernice A. King and Ilyasah Shabazz uniting for a first-ever public conversation on their families’ legacies, debunking the myths that have followed them and sharing the lessons they learned from their legendary mothers Coretta Scott King and Betty Shabazz.

The conversation, starting at 7 p.m. EST via FB LIVE, will be centered around the radical lessons King and Shabazz’s mothers passed down and the generational healing they each experienced that molded them into the fearless women they’ve become.

#DaughtersOf is a multifaceted-initiative to examine the immediate and critical importance of self-care and healing for Black women through the lens of their matrilineal traditions. ​

It is a call for a mass rejuvenation through the sharing of our stories on hope, healing and happiness. Daughters Of will include a gorgeous feature film and videos where Black women call their mothers’ names and share everything from self-care secrets to recipes and stories of healing and thriving. View the trailer below:

“Among the definitions that GirlTrek shares for its name and work is ‘To heal our bodies, inspire our daughters, and reclaim the streets of our neighborhoods.’ I believe that the three-fold purpose within this definition is critical to our holistic health, from our consciences to our communities,” said Dr. Bernice A. King, the daughter of Martin Luther King Jr. and Coretta Scott King.

“I join with GirlTrek in fulfilling this purpose by engaging in a #DaughtersOf conversation with my sister-friend, Ilyasah Shabazz. It is my hope that the conversation honors our foremothers, inspires our daughters and encourages those who experience the moment to commit to building the Beloved Community.”

“Black women have turned pain into purpose for generations in this country, and now more than ever we need to look to the past for the lessons that can be applied right now to help us navigate trying times,” said GirlTrek cofounder Vanessa Garrison.

“Our goal with these #DaughtersOf livestreams is to pass on the knowledge and wisdom of the women who came before us and to teach us all how to persevere through trying times, because it is what Black women have always done.”

With more than 650,000 active members and counting, GirlTrek as profiled on CNN, is the largest health movement and nonprofit for Black women and girls in the country.

GirlTrek encourages Black women to use radical self-care and walking as the first practical step to leading healthier, more fulfilled lives. GirlTrek is on a mission to inspire one million Black women to walk in the direction of their healthiest, most fulfilled lives by the end of 2020 and it all starts with taking the pledge at GirlTrek.org.

Turkey Renames Street Where New U.S. Embassy Will Reside to ‘Malcolm X Avenue’

Malcolm X thegrio.com
Portrait of American political activist and radical civil rights leader Malcolm X, July 9, 1964. (Photo by Express Newspapers/Getty Images)

by Blue Telusma via thegrio.com

City authorities in Ankara, the capital of Turkey, have officially renamed the street where the new U.S. Embassy is being built to Malcolm X Avenue after the famed Black Muslim civil rights leader, CNN reported this week.

According to state-run media agency Anadolu, Turkish leaders announced that the city assembly had accepted the name change unanimously.

The move comes at a time when relations between Turkey and the United States have been tense because of the Trump administration’s decision to supply Kurdish group that support the Syrian opposition with weapons.

This change coincides with other politically-charged name changes to streets in Ankara. The new signs are likely meant to be seen as an olive branch to American diplomats, but is both a symbolic and controversial move. Malcolm X is still seen as a polarizing figure in U.S. history; with many applauding the Black Muslim civil rights leader as an activist while others continue to regard him as divisive and responsible for inciting racial tension, violence and anti-American rhetoric.

“The street was given the name of U.S. Muslim politician and human rights defender Malcolm X, about whom President Recep Tayyip Erdogan said ‘we will make his name live on in Ankara,” Ankara’s municipality said in a statement published over the weekend.

Erdogan met Malcolm X’s daughters during a visit to New York last month and his spokesman Ibrahim Kalin shared the story about the name change on his Twitter account on Sunday.

The U.S. State Department reports that construction of the new American Embassy, which will sit three miles from the current embassy, is expected to be completed by June 2020.

Read more: https://thegrio.com/2018/10/16/turkey-renames-street-of-their-new-us-embassy-to-malcolm-x-avenue/

Missing Writings from “The Autobiography of Malcolm X”, Long a Mystery, are Sold to Schomburg Center in NY

Malcolm X in 1964. (Credit: Associated Press)

by Jennifer Schuessler via nytimes.com

For a quarter century, they have been the stuff of myth among scholars: three missing chapters from “The Autobiography of Malcolm X,” reputedly cut from the manuscript after his assassination in 1965 because they were deemed too incendiary.

Their possible existence was first teased at in 1992, when a private collector at an estate sale scooped up material belonging to Alex Haley, Malcolm X’s collaborator on the book. Years later, one biographer was allowed a 15-minute look at some of the papers, but otherwise they have been mostly locked away, surrounded by a haze of cultivated mystery.

But now the unpublished material, or at least some of it, has suddenly emerged and was offered for sale Thursday at a Manhattan auction house, along with another artifact that scholars have never seen: the manuscript for the published book, which bears dense traces of Mr. Haley’s and Malcolm X’s complex negotiations over the finished text.

At the auction, an unpublished chapter called “The Negro” was picked up by the New York Public Library’s Schomburg Center for Research in Black Culture for $7,000. There were no offers on the manuscript for the published version, which had an opening minimum bid of $40,000.

But after some hushed conversations in side rooms, it was announced that the Schomburg — located on Malcolm X Boulevard in Harlem, and already home to a large collection of material that had been held by Malcolm X’s family — had acquired the manuscript for an undisclosed sum, along with nearly a dozen unpublished fragments that had also gone unsold.

“‘The Autobiography’ is one of the most important books of the 20th century,” Kevin Young, the director of the Schomburg, said after the auction. “To have the version with Malcolm X’s corrections, and to be able to see his thoughts taking shape, is incredibly powerful.”

The manuscripts were included in a sale of African-American historical artifacts by Guernsey’s auction house. The sale also included an item that had attracted considerable media interest in recent years: a Detroit house associated with Rosa Parks that had been bought by an artist, disassembled and shipped to Germany, then shipped back again for sale. (The house, which had a minimum price of $1 million, received no bids.)

But it was the appearance, with little advance fanfare, of the Malcolm X material that caused a stir among scholars, some of whom expressed alarm before the auction that manuscripts that had been locked away by one private collector might disappear into the hands of another.

The manuscript and unpublished pages were sold to settle debts as part of a bankruptcy case. (Credit: Jeenah Moon for The New York Times)

Komozi Woodard, a professor of history at Sarah Lawrence College who is writing a book about the final year of Malcolm X’s life, said he was “shocked” when he learned about the auction earlier this week. “If we’re trying to figure out where Malcolm would have taken us, some of those papers have clues to that puzzle,” he said.

Since Malcolm X’s assassination there have been battles over the meaning of his life, in particular its tumultuous last year, when he broke with the Nation of Islam, traveled to the Middle East and renounced his philosophy of racial separatism.

There have been equally fierce battles over his literary remains. Papers removed from his family’s home by one of his daughters and later seized by owners of a storage facility were nearly auctioned in 2002, before scholars and family members organized an effort to have the collection placed intact at the Schomburg Center.

Born On This Day: Legendary Activist and Community Leader El Hajj Malik El-Shabazz (aka Malcolm X)


by Princess Gabbara via thegrio.com
To celebrate what would have been the 93rd birthday of black nationalist and leader ElHajj Malik El-Shabazz – better known as Malcolm X – activists, comrades and relatives are coming together to salute the Civil Rights leader’s contributions to the Black community on a global level. Malcolm X’s birthday still isn’t recognized as a national holiday in the U.S., but that hasn’t stopped New York City grassroots activists from recognizing May 19 as Malcolm X Day for the past 53 years.
This morning, a caravan of vehicles gathered at the corner of 126thStreet and Adam Clayton Powell Jr. Boulevard, and then made their way to Ferncliff Cemetery in Hartsdale, New York, where Malcolm X and his beloved wife, Betty Shabazz, are buried. Malcolm X’s sister and Organization of Afro-American Unity President Ella Collins started the 53-year-old tradition.
Later in the evening, Malcolm X’s daughters Ilyasah and Malaak Shabazz are expected to take the stage and reflect on the legacy of their parents at the Malcolm X & Dr. Betty Shabazz Educational and Memorial Center on Broadway, according to the Amsterdam News. Malcolm X was assassinated at age 39 on February 21, 1965, having been struck 16 times by a hail of bullets.
The King Center, the official living memorial dedicated to Martin Luther King Jr., commemorated Malcolm X’s birthday in a heartfelt tweet imploring revelers to celebrate the real icon, who, it says, was so much more than the villain the media and government tried to portray.


Source: Happy Birthday, Malcolm X: our shining Black prince would have been 93