Jody-Anne Maxwell of Jamaica, who won the bee in 1998, was the competition’s first Black champion.
This was the first Bee held since the COVID-19 pandemic forced its cancellation in 2020.
Jody-Anne Maxwell of Jamaica, who won the bee in 1998, was the competition’s first Black champion.
This was the first Bee held since the COVID-19 pandemic forced its cancellation in 2020.
[Photo: Zaila Avant-Garde via Instagram | @basketballasart)]
According to wafb.com, 13 year-old Zaila Avant-Garde, a 7th grader from Harvey, LA, beat out 88 of the best young spellers in the country to win the first-ever Kaplan Online Spelling Bee, hosted in association with Hexco Academic.
Garde, who was the 2019 New Orleans regional spelling champion, won with the word “Qashqai” (definition: a migratory Turkic-speaking people of the Zagros mountains), after a hard-fought back-and-forth with runner-up Harini Logan, a 6th grader from San Antonio, TX. Chaitra Thummala, a 5th grader from San Ramon, CA, placed third.
As Good Black News continues to celebrate African-American Music Appreciation Month, today we get regional. In GBN contributor Marlon West‘s words:
“This collection of New Orleans Funk features acknowledged masters next to some of the earlier artists who shaped the meaning of funk. It covers the period from the emergence of New Orleans Funk in the early 1960s through to the present day.
My third #AAMAM mix offers The Meters, Queen Ida, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and many more.
New Orleans is a port town. Originally owned by the French. Many of the Africans who ended up there came from Haiti and brought with them the religion of Voodoo and its drums and music.
The Crescent City became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz.
This playlist offers the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries.
Enjoy. Stay safe, sane, and kind, you all.”
[spotifyplaybutton play=”spotify:playlist:3LmULvnXA8bfhxtSrhhGoP”/]
(FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)
According to The Journal of Blacks in Higher Education, a new report from the Graduate School of Education at Rutgers University in New Jersey has found that Historically Black Colleges and Universities are doing a terrific job fostering the upward mobility of their students, especially considering a significant share of their students that come from lower-income backgrounds.
The study also found that HBCUs are furthering upward mobility of their student population, which is drawn from the lower economic rungs, than the general college-going population at predominately White institutions.
A key finding of the report is that despite the fact that nearly 70 percent of students at HBCUs attain at least middle-class incomes after graduation. Two-thirds of low-income students at HBCUs end up in at least the middle class.
The report also identified HBCUs that are doing a particularly good job of having their graduates move up the ladder of economic success. For instance, 16.7 percent of the student body at Xavier University of Louisiana is low-income and almost one-third of these students move into the top fifth of income earners.
Tuskegee University, Bennett College, Florida A&M University, Dillard University, and Clark Atlanta University also do a particularly good job fostering upward mobility for their large share of low-income students.
The full report, Income Mobility at Historically Black Colleges and Universities, can be downloaded here.
To read more: https://www.jbhe.com/2019/10/report-finds-hbcus-do-a-great-job-in-aiding-the-upward-economic-mobility-of-their-graduates/
According to jbhe.com, professor and writer John Warner Smith has been appointed by the Louisiana Endowment for the Humanities and the state’s Governor, John Bel Edwards, to serve as the next Poet Laureate of Louisiana. This appointment makes Smith the first African American man to hold the position.
“John Warner Smith’s writing captures the human experience through meaningful, passionate poetry that moves your emotions. John is not only a talented and gifted poet, he is a trailblazer who devotes himself to education and the greater good of the community,” Gov. Edwards said.
“He is making history today as the first African American male appointed as Louisiana Poet Laureate, and I’m confident that John will serve our great state well. I want to thank the LEH for leading this search, and I congratulate all of the nominees whose writings tell the unique stories of Louisiana, the place we call home.”
Currently, Smith teaches English at Southern University and A&M College in Baton Rouge, Louisiana. He has published four collections of poetry: Muhammad’s Mountain (Lavender Ink, 2018), Spirits of the Gods (University of Louisiana Lafayette Press, 2017), Soul Be A Witness (MadHat Press, 2016), and A Mandala of Hands (Kelsay Books-Aldrich Press, 2015). His fifth collection, Out Shut Eyes: New & Selected Poems on Race in America, is forthcoming this year from MadHat Press.
by John Simerman via theadvocate.com
Everyone who owes fines and fees from criminal convictions in Orleans Parish must have the chance to plead poverty in a “neutral forum” before landing in jail for failing to pay, a federal judge ruled Friday.
Barring an appeal, the ruling from U.S. District Judge Sarah Vance marks the end of a three-year legal battle over the so-called “debtors’ prison” lawsuit brought by a handful of criminal convicts who were jailed for days or longer in Orleans Parish without a chance to prove they couldn’t afford to pay the fines and fees they owed.
Vance broadened the scope of the case Thursday with a 35-page order granting class-action status to anyone who owes court-issued fines and fees now or in the future.
On Friday, Vance declared that “undisputed evidence” shows the 13 judges of Orleans Parish Criminal District Court have “a policy or practice of not inquiring into criminal defendants’ ability to pay before those individuals are imprisoned for nonpayment of court debts.”
She also declared that the judges have an “institutional conflict of interest” in making such poverty determinations themselves. That’s because the proceeds from fines and fees go directly to the court’s Judicial Expense Fund, a kitty controlled by the judges that can be used for a broad range of judicial expenses. Fines and fees have contributed about $1 million a year to the court’s coffers.
Vance ruled that the court’s failure to “provide a neutral forum for determination of such persons’ ability to pay is unconstitutional.” The decision appears to leave it up to the court to decide how to set up a mechanism for such decisions.
Vance telegraphed her final ruling with a preliminary decision on key issues in the case in December.
On Friday, she cited a 1983 U.S. Supreme Court decision that found the 14th Amendment to the U.S. Constitution bars states from arresting or detaining a defendant solely for failing to pay court costs, without determining if that failure was willful.
For years, the Orleans Parish court’s collections department — and individual judges — routinely issued arrest warrants for people who failed to pay fines and fees assessed after a conviction. Civil rights groups claimed that practice created an “unconstitutional and unjust modern debtors’ prison.”
In response to the legal attack, court officials recalled thousands of arrest warrants issued solely on the basis of unpaid fines or fees, writing off about $1 million in debts in the process.
Other warrants remain in place, such as those involving failure to appear in court or lapsed restitution payments to victims. Vance settled most of the issues from the federal lawsuit in December. But on Thursday, she ruled that her decision applies to a broad class of people: everyone who now owes money from fines and fees, and everyone who will incur those debts in the future.
However, she threw out a separate claim by the plaintiffs, who argued that it is unconstitutional to jail people who fail to pay criminal fines when those who owe fines from civil judgments don’t face the same threat.
Regardless, attorneys for the plaintiffs claimed a big win Friday.
“This is a victory for the people of New Orleans and for those committed to fixing the breaks in the criminal justice system,” said Kristen Clarke, president and executive director of the Lawyers’ Committee for Civil Rights Under Law.
“America treats being poor as a crime, disproportionately victimizing people of color. This ruling ensures that people can no longer be thrown in jail in Orleans Parish for their poverty alone.”
by Lori Lakin Hutcherson (@lakinhutcherson)
According to blavity.com, while attending Howard University, Damon Lawrence worked in the hotel industry as a front desk agent, and decided he would own his own hotels one day with one exception–his business would cater exclusively to blackness. “Black culture leads American culture and American culture leads global culture, so [we] think it’s time a hotel property reflected the best of black culture,” Lawrence.
The young entrepreneur, along with his business partner and co-founder of Homage Hospitality, Marcus Carey (also a Howard alum), opened the doors to The Moor in New Orleans, Louisiana, this week. The upscale 10-room hotel pays homage to the Moors of North Africa through its architecture aesthetic. (You can use the promo code “Launch” through July 4th for 60% off your stay.)
https://www.instagram.com/p/BktbVPoHK8o/
Lawrence and Carey plan to open locations where black “culture is thriving;” such as Washington, D.C., Brooklyn and Detroit. The duo plans to open a 102-room property called The Town Hotel in Downtown Oakland by 2019. Even sooner, they plan to launch another property in the Treme section of New Orleans called The Freeman; it is known as the first place in the U.S. black people could purchase property.
“We want to go everywhere that culture exists and thrives, so there’s plenty on the plate”, Lawrence says.
To learn more about these men and their mission, check out their recent interview with Rolling Out.
via blavity.com
Nearly a year after protesters in Baton Rouge were arrested during marches for 37-year-old resident Alton Sterling – who was killed by police while selling CDs outside of a store – a federal judge approved a class-action settlement Friday, Oct. 27 that awards up to $1,000 to dozens. One of the most high-profile activists to be involved with the settlement was DeRay Mckesson, who was arrested along with 69 others. Besides cash payments, the victims will have their records expunged free of charge, the Associated Press reports.
U.S. District Judge John W. deGravelles gave the final approval regarding the settlement after a hearing with McKesson and other plaintiffs. The 69 plaintiffs will ultimately be rewarded amounts ranging from $500 to $1,000 out of the total value of the settlement estimated at $136,000. “It obviously is a matter that touches on a lot of sensitive issues and had the potential for being very contentious and destructive,” deGravelles said.
Kira Marrero, a 24-year-old plaintiff from New Orleans, was arrested while protesting the police-involved shooting of Sterling. “I’m definitely glad that we’re getting some justice, though at the same time it’s a really painful memory to dig up,” she said. “I’m still pretty heartbroken, I guess, by everything that happened. I think everyone who knew me trusted that I wasn’t out there breaking the law and that clearly something was wrong.”
To read more, go to: Baton Rouge Protesters Will Be Awarded Up To $1,000 In Class-Action Settlement | BLAVITY
Jon Pareles and William Grimes via nytimes.com
Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, has died in Louisiana. He was 89.
His death was confirmed by his brother-in-law and former road manager Reggie Hall, who said he had no other details. Mr. Domino lived in Harvey, La., across the Mississippi River from New Orleans. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,” “Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue Monday” and “Walkin’ to New Orleans.”
https://youtu.be/xbfMlk1PwGU
Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide.He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that.”
Rotund and standing 5 feet 5 inches — he would joke that he was as wide as he was tall — Mr. Domino had a big, infectious grin, a fondness for ornate, jewel-encrusted rings and an easygoing manner in performance; even in plaintive songs his voice had a smile in it. And he was a master of the wordless vocal, making hits out of songs full of “woo-woos” and “la-las.”Working with the songwriter, producer and arranger David Bartholomew, Mr. Domino and his band carried New Orleans parade rhythms into rock ’n’ roll and put a local stamp on nearly everything they touched, even country tunes like “Jambalaya” or big-band songs like “My Blue Heaven” and “When My Dreamboat Comes Home.”
Antoine Dominique Domino Jr. was born on Feb. 26, 1928, the youngest of eight children in a family with Creole roots. He grew up in the Ninth Ward of New Orleans, where he spent most of his life.Music filled his life from the age of 10, when his family inherited an old piano. After his brother-in-law Harrison Verrett, a traditional-jazz musician, wrote down the notes on the keys and taught him a few chords, Antoine threw himself at the instrument — so enthusiastically that his parents moved it to the garage.
He was almost entirely self-taught, picking up ideas from boogie-woogie masters like Meade Lux Lewis, Pinetop Smith and Amos Milburn. “Back then I used to play everybody’s records; everybody’s records who made records,” he told the New Orleans music magazine Offbeat in 2004. “I used to hear ’em, listen at ’em five, six, seven, eight times and I could play it just like the record because I had a good ear for catchin’ notes and different things.” He attended the Louis B. Macarty School but dropped out in the fourth grade to work as an iceman’s helper. “In the houses where people had a piano in their rooms, I’d stop and play,” he told USA Today in 2007. “That’s how I practiced.”
In his teens, he started working at a club called the Hideaway with a band led by the bassist Billy Diamond, who nicknamed him Fats. Mr. Domino soon became the band’s frontman and a local draw.“Fats was breaking up the place, man,” Mr. Bartholomew told The Cleveland Plain Dealer in 2010. “He was singing and playing the piano and carrying on. Everyone was having a good time. When you saw Fats Domino, it was ‘Let’s have a party!’ ”He added: “My first impression was a lasting impression. He was a great singer. He was a great artist. And whatever he was doing, nobody could beat him.”
In 1947 Mr. Domino married Rosemary Hall, and they had eight children, Antoine III, Anatole, Andre, Anonio, Antoinette, Andrea, Anola and Adonica. His wife died in 2008. A complete list of survivors was not immediately available.
To read more, go to: https://www.nytimes.com/2017/10/25/obituaries/fats-domino-89-one-of-rock-n-rolls-first-stars-is-dead.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=second-column-region®ion=top-news&WT.nav=top-news&_r=0