Four-time Grammy-winning singer-songwriter Lionel Richiewas honored on Feb. 3 with the City of Los Angeles’s Hall of Fame Award for “Outstanding Achievement in Education” at its kick off of African American Heritage month in the city. Richie was also honored during the celebration with the “Living Legend Award.”
L.A. Mayor Eric Garcetti, who provided opening remarks for the ceremony that took place in council chambers, said the celebration not only recognizes the countless contributions of the awardees and all African Americans in the city, but the “collective history” of all Angelenos.
“We are honoring a musician, a philanthropist, a leader in education, a brilliant legal mind, and an outstanding official. And every single one of them is an Angeleno,” said Garcetti. “These people represent the best of who we are. They are angels here in the city, visionaries who follow their own paths, but are devoted to a common goal.”
(LtoR) Recording artist Lionel Richie, California Court of Appeal Justice Audrey Collins, DOE Chair Jerome Horton, and CSUDH President Willie J. Hagan. (photo via csudhnews.com)
Other inductees into the Hall of Fame were California State University, Dominguez Hills’ (CSUDH) President Willie J. Hagan, California Board of Equalization Chairman and CSUDH alumnus Jerome Horton (’79, B.S., business administration), and California Court of Appeal Justice Audrey Collins.
Garcetti, who introduced Richie, not only praised him as a distinguished musician, but as a philanthropist who is low-key about his giving, which is often done “when no one’s around, and no one’s looking.”
Richie, who has sold over 100 million albums worldwide, joined the Commodores in 1968, which became one of Motown’s most successful groups. He launched his solo career in 1981 and wrote some of the most “beloved” songs in the world, such as “All Night Long,” “Hello,” and “Endless Love,” a ballad he wrote and sang with Diana Ross.
“Who knew the power of how far one Afro can go,” Richie joked. “There was one great point of view that was prominent [throughout my college career], and that was that failure is not an option. … I was raised by a fabulous village, and one thing that I have carried throughout my life is that we have to give back. Around the world I tell kids, gang members—you name it—that parenting is probably one of the hardest jobs in the world. And if you don’t have a full set of parents, find someone who you can fall in love with and mirror.”
Maurice White, co-founder and leader of the groundbreaking ensemble Earth, Wind & Fire, died Thursday at his Los Angeles home. He was 74. His brother and bandmate, Verdine White, confirmed the news with the Associated Press.
The source for a wealth of euphoric hits in the 1970s and early ’80s, including “Shining Star,” “September” “Reasons” and “Boogie Wonderland,” Earth, Wind & Fire borrowed elements from funk, soul, gospel and pop for a distinctive sound that yielded six double-platinum albums and six Grammy Awards.
The group was inducted into the Rock and Roll Hall of Fame in 2000, and although White had ceased touring with the group since a diagnosis of Parkinson’s disease in the ’90s, he remained behind the scenes as the act continued to tour, including a run of sold-out shows at the Hollywood Bowl in 2013.
“[Maurice White’s] unerring instincts as a musician and showman helped propel the band to international stardom, influencing countless fellow musicians in the process,” Recording Academy President Neil Portnow wrote in a statement. Earth, Wind & Fire are slated to receive lifetime achievement honors from the Grammys this year.
Born in Memphis, Tenn. on Dec. 19, 1941, Maurice White sang in his church’s gospel choir at an early age, but his interest quickly gravitated to the drums. He earned his first gig backing Booker T. Jones before the organist founded the MGs. He moved to Chicago in the early ’60s and studied composition at the Chicago Conservatory of Music and eventually found work as a session drummer for the Chess and OKeh labels, where he played behind Muddy Waters and John Lee Hooker.
“That’s where I learned about the roots of music,” White told the Chicago Tribune in 1990. “I learned about playing with feeling.”
After also backing jazz pianist Ramsey Lewis in the ’60s, White moved to Los Angeles in 1969 with a band called the Salty Peppers. The group failed to gain much traction, and White changed the group’s name in 1971 to Earth, Wind and Fire, a name rooted in astrology that reflected White’s spiritual approach to music.
“In the beginning,” White told the Tribune in 1988, “My message was basically trying to relate to the community. From that it grew into more of a universal consciousness; the idea was to give the people something that was useful.”
The group’s lineup evolved through the ’70s and eventually included vocalist Phillip Bailey and White’s brother Verdine, both of whom toured with the band into this decade. The band’s reach extended into movies as well in recording the soundtrack album for Melvin Van Peebles’ landmark 1971 film “Sweet Sweetback’s Badasss Song” and appearing in the 1978 film “Sgt. Pepper’s Lonely Hearts Club Band,” which yielded the band’s hit cover of the Beatles’ “Got to Get You Into My Life.”
White’s hits with Earth, Wind & Fire spanned a particularly influential space between R&B, rock and disco that remains current. His music with Earth, Wind & Fire was prominently sampled by scores of hip-hop and pop acts in recent years, including Jay-Z and 2Pac. His mix of incandescent soulfulness and suave, funky arrangements informed recent bestselling albums by Daft Punk and Kendrick Lamar.
Remembrances of White came from all corners of the music world. On Twitter, Nile Rodgers, the Chic founder and record producer who was White’s peer in the ‘70s disco scene, wrote “RIP my soulful brother — You’re one of the most amazing innovators of all time.” Bootsy Collins, bassist of the funk mainstays Parliament-Funkadelic, wrote that White was a “legend, pioneer life long friend.” To read more, go to: http://www.latimes.com/entertainment/music/posts/la-et-ms-maurice-white-earth-wind-fire-dies-20160204-story.html Times staff writer August Brown contributed to this report.
The Los Angeles City Council agreed Tuesday to pay more than $24 million to settle lawsuits from two men who alleged that investigations by dishonest Los Angeles Police Department (LAPD) detectives led to their wrongful murder convictions and caused them to spend decades behind bars. Kash Delano Register, who won his freedom in 2013 after lawyers and students from Loyola Law School cast doubt on the testimony of a key prosecution witness, will receive $16.7 million — the largest settlement in an individual civil rights case in the city’s history, his attorneys said. Bruce Lisker, who was released from prison in 2009 after a Times investigation into his conviction, will get $7.6 million.
Though the cases were unrelated, both men contended that detectives ignored evidence of their innocence and fabricated evidence of their guilt.
City lawyers concerned about the police misconduct allegations recommended the settlements, saying in confidential memos to the City Council obtained by The Times that taking the cases to trial could be even more financially devastating.
“This is an extremely dangerous case,” city attorneys wrote of the Lisker case. And Register’s case was even “more problematic,” they said.
“Today’s action helps make amends for the many years these men will never get back, and for lives that will never be the same,” said Rob Wilcox, a spokesman for City Atty. Mike Feuer.
City Councilman Paul Krekorian, who heads the budget committee that weighs settlement payments, said the two cases were the “very unfortunate” result of police misconduct in the past, but did not reflect how the department operates today. “It’s just regrettable that these two individuals spent the better part of their lives in prison as a result of the inadequacy of the investigations that happened back then,” Krekorian said.
Register, who has always maintained his innocence, spent 34 years in custody after being convicted of the 1979 armed robbery and murder of Jack Sasson, 78. The case against Register was based on eyewitness testimony. No murder weapon was recovered and none of the fingerprints lifted at the West Los Angeles crime scene matched Register’s. Police seized a pair of his pants that had a speck of blood on them, but the blood type matched both Sasson’s and Register’s. Register’s girlfriend testified that he was with her at the time of the shooting.
A key prosecution witness in the case was Brenda Anderson, who told police she heard gunshots and saw Register sprinting away from the scene. She picked him out of a photo lineup, police said. But Anderson’s sisters said they told police that her account wasn’t true.
As tech companies continue to share diversity statistics with the public, it’s clear there is still a lot of work to do to boost inclusion in tech. Yet, people of color are working at some of the largest companies in technology even though their numbers are few.
Google’s latest diversity stats from January 2015 show that 2% of its workforce is black. Meet three successful Google engineers: Clennita Justice, Senior Engineering Program Manager, Google (Image: Google) Clennita Justice is a Social Engineering program manager. She’s been at Google more than half a decade.
She was hired to launch Google e-books, which became Google Play Books. Now, she does user research and Product Excellence—a focus on making the right product for the right user—part of Google’s shift in culture from launching to adopting. Justice’s particular area of focus is infrastructure.
Originally from Los Angeles, Justice has a Master’s degree in Computer Science from Howard University. She pursued a degree in Computer Science before the Internet was ubiquitous and before the big push to get women and girls interested in STEM, and despite the insistence of her uncle (who worked for IBM) that she study business.
She actually studied business for a year at Denver University as a business major. When she took a course in DOS programming and received an “A”, she was hooked and switched her major to Computer Science. She eventually taught herself HTML and JavaScript as the Internet took off.
A pivotal moment in her life was when someone in the Computer Science department at her university said he didn’t think she would stay in Computer Science. Not only did she stay and complete her degree, but she received the best job offer of anyone in her class.
Justice is a strong believer in self-educating. She also advises, “Anyone who gets into tech has to be a constant learner. That’s how you stay relevant.” Aggress Jacobs, Software Engineer on Google Play, Google; (Image: Google) Aggrey Jacobs is a software engineer for Google Play; specifically, he works on Google Play Books for iPhone and iPad applications. His typical day is spent mostly coding, although he also engages in general problem solving for iOS at Google and also helps bring more users on board.
Prior to Google, Jacobs worked as an iOS developer at Western Digital. How the 28-year-old ended up working for two of the most prestigious technology companies is interesting. Jacobs says he never really knew what he wanted to do, and that his father was the one who suggested he study computer engineering. Jacobs’ father’s own computer experience is limited to playing Solitaire on the computer, according to Jacobs, who says, “Who knows?” how his father had the knowledge to direct him to that career.
During his first semester in school, Jacobs learned Java programming. He ended up double-majoring in both computer and electrical engineering.
The Brooklyn native says a pivotal point in his life was when he was contemplating graduate school. He went, but dropped out, because he was “trying to figure out what to do.”
Jacobs relocated to California to search for a job. It was there that Google reached out to him and he was hired, although he didn’t see himself getting through the interview process.
He now encourages other people of color to apply at Google. He says lack of exposure and intimidation can prevent some from applying at the company. By the way, he still speaks often with his father. Travis McPhail, Software Engineer, Tech Lead within Geo (Image: Google) Travis McPhail is a software engineer and tech lead who works with Google Maps.
He is currently leading an effort to create one library that performs all of Google’s renderings across Maps, Google Earth, and Google Street View data.
McPhail believes the future of Google is through geospatial rendering applications that will allow people to be informed of the world around them.
He credits his career in software engineering to being “a bad kid” who “used to break a lot of things at home.” Fortunately, instead of “strangling him,” his father bought him a Commodore 64 computer when he was just five years old.
He had a natural affinity for technology from the start. His father challenged him to learn to use the computer, and McPhail says he started to “bang away on it.” article by Samara Lynn via blackenterprise.com
ENVIROAg Science, Inc. founders and leaders, The Lynn Family
One of the nation’s largest black-owned companies, ENVIRO AgScience, Inc., is celebrating 30 years of business. The family-owned business has grown from a mom-and-pop landscaping business into a $29 million-dollar construction management and commercial landscaping firm.
In addition to its Columbia, South Carolina, headquarters, ENVIRO has offices in Atlanta, Las Vegas, and Los Angeles and is looking to expand its offerings globally. The company is ranked No. 92 on the 2015 BE 100s Industrial/Services List.
ENVIRO is best known for building schools and community centers in the Columbia area, but has also been involved in military structures, jails, mess halls, warehouses, and historic, municipal and airport renovations throughout Georgia and North and South Carolina. Currently, ENVIRO is part of the team helping to build a new minor league baseball stadium, Spirit Communications Park, completing bond referendum projects with the Richland County Recreation Commission and annual grounds maintenance for Richland Two School District. ENVIRO began as a commercial lawn care business that has grown into a full-service construction and landscape company servicing government, military, schools and universities, along with private sector firms. It was founded by Louis B. Lynn in 1985 after a successful career at one of the nation’s largest agrichemical companies. With a legacy of business excellence and ownership, including his grandfather, who owned a grocery store and his father, who ran a butcher shop, Lynn also chose the path of entrepreneurship. Lynn has parlayed a ‘golden handshake’ from Monsanto Corporation into a multi-generational, black-owned business.
Earlier this year, ENVIRO executed its succession plan and Lynn assumed the role of chairman, leaving his children to manage daily operations and strategy of the family’s construction management and commercial landscape firm. Now it is the next generation, Lynn’s children, who are spearheading plans to make ENVIRO a multinational company. His daughters Adrienne Lynn Sienkowski, 41 and an engineer, is chief operating officer, and Krystal Conner, 38 and a pharmacist, is CEO. His son, Bryan Lynn, 30, is a facilities manager.
Shamell Bell, left, Melina Abdullah and Povi-Tamu Bryant are key leaders of “leaderless” Black Lives Matter. (Photo by Shane Lopes)
There was a time when Melina Abdullah wanted to be the next Maxine Waters.
A year or two ago, I recognized that those middle-class aspirations are done,” Abdullah says now, in the soothing voice of a therapist or guidance counselor. “You can’t go in and yell at people or camp in front of the mayor’s house and go, ‘Now I’m running for office.’ I had to make peace with that.”
Abdullah lives in a three-bedroom house in the Crenshaw district of Los Angeles with her three children. She drives a Volvo. She’s a tenured professor and chairs the Pan-African Studies department at Cal State Los Angeles. She’s a member of Alpha Kappa Alpha, the first black sorority. She was appointed by Los Angeles County Supervisor Mark Ridley-Thomas to the county’s Human Relations Commission. Abdullah, in other words, has more than a toe in the American middle class.
But Abdullah, who was born in East Oakland and whose dad was a union organizer and self-proclaimed Trotskyist, has chosen to immerse herself in the black working class and its struggles.
She’s not unlike most of the Black Lives Matter leaders — college-educated, middle-class black women who felt compelled to fight against police violence directed at the black community. “Our degrees won’t save us, our middle-class status won’t save us,” she says. “Who’s being killed? Andrew Joseph in Tampa, Florida. His parents are college-educated, middle-class people. Trayvon Martin was killed in a gated community. Aiyana Jones, 7 years old, sleeping on her grandmother’s couch. I have two little girls. How can you sit back? That’s how a lot of us feel. We’re really facing wartime conditions.”
Black Lives Matter co-founder Melina Abdullah is a tenured professor and chairs the Pan-African Studies department at Cal State L.A. (Photo by Shane Lopes)
In a nation where black women are still stuck at the bottom of the power structure, Black Lives Matter is the only major national protest movement to be led by them in modern times. It has in the past two years become the most prominent left-wing movement in the country, a persistent topic on the national news and in both Democratic and Republican presidential debates.
The Black Lives Matter movement also could end up having a significant impact on local, state and national elections — which might be cause for concern among politicians like, say, Mayor Eric Garcetti.
The national organization founded by three black women — Alicia Garza, Patrisse Cullors and Opal Tometi — takes its cue from the local chapters; the L.A. chapter, in which Abdullah is a key figure, was among the first.
The elements of Black Lives Matters’s DNA — young, female, gay-friendly, artsy — set it apart from every previous civil rights movement.
Although the group prides itself on its leaderlessness, Abdullah is one of five or so black women who, having helped start the L.A. chapter, now serve as its chief organizers. Nearly all are rooted in academia or performance art — or both. Their rhetoric leans toward the highbrow, their tactics toward the theatrical.
“We’re fighting against white supremacist patriarchal society,” says Shamell Bell. “That’s why you need black women to fight it.”
Bell, who’s been involved in Black Lives Matter from the beginning, is perhaps its prototypical organizer. A 31-year-old former professional dancer and former student of Abdullah’s, she’s currently a Ph.D. candidate at UCLA. In a movement that draws on each of its members’ gifts and abilities, Bell often leads street protest dances. While occupying the mayor’s front lawn, she taught a group of activists Jerkin’.
Cullors, 32, who coined the now-global hashtag #blacklivesmatter, is a performance artist who studied religion and philosophy at UCLA. When she was just 17, she joined the Bus Riders Union, a somewhat iconoclastic advocacy group in L.A. that pushes for more funding for the bus system and less funding for light rail.
A distinctly working-class nonprofit, the Bus Riders Union was Cullors’ entry into political organizing. She later started Dignity and Power Now, a coalition that fought brutality by sheriff’s deputies who work inside the county jails.
Cullors grew up in 1990s Pacoima, a low-income northeast San Fernando Valley neighborhood, during the height of the federal war on drugs that disproportionately imprisoned thousands of minorities. Cullors’ father and brother were in and out of prison for most of her adult life.
Black Live Matter co-founder Patrisse Cullors coined the #BlackLivesMatter hashtag. (photo via laweekly.com)
“That really shaped my understanding of what it meant to be black in this city,” Cullors says. “I had a lot of anger. And I was clear that I wanted to do something about it.” In Los Angeles, Black Lives Matter has emerged as Mayor Eric Garcetti’s fiercest antagonist. Garcetti was elected without much support in the black community, which backed Wendy Greuel. But Garcetti will almost surely need the backing of black voters should he run for higher office, as is widely assumed.
“Whether he’s running for governor or U.S. senator, the political calculus that his consultants are going to use is that the black vote in Los Angeles can put him over the top,” says Dermot Givens, a political consultant. “Which is why he has to do everything he can to solve this situation.”
Garcetti, who appears galled by this vocal new opposition from the left, has dealt with Black Lives Matter rather clumsily.
After 25-year-old Ezell Ford, who’d been diagnosed with bipolar disorder and schizophrenia, was shot to death in August 2014 by LAPD officers in South L.A., the group camped out on the front lawn of the mayoral mansion in Hancock Park. Garcetti made the news, along with Black Lives Matter, when he was caught on video trying to sneak away in a black Suburban SUV.
Bizarrely, when the well-to-do, Encino-raised Garcetti finally met with these black leaders in July, he at one point started speaking to them in Spanish. In the eyes of the organizers, it was as if he saw all minorities as the same and dealt with them accordingly.
“[Garcetti] does a really good job at tokenizing people,” says Black Lives Matter co-founder Cullors. “He does a really good job placating. But he doesn’t actually do the work that it takes to change the culture and change policies that are anti-black.”
“There’s been a shift in politics in the black community,” says Givens, who argues that Black Lives Matter has not so much caused this shift as it has reacted to it. “And the mayor is playing old-school politics. He’s surrounding himself with old-school black people who have no idea what’s going on.”
The origin of Black Lives Matter dates to July 13, 2013, when George Zimmerman was acquitted of the murder of Trayvon Martin in Florida.
Black culture is found all across the country. Whether you’re in the rolling fields of the Midwest or the quiet back roads of the South, here are five inexpensive (or free) museums that feature art, music, and culture from the African diaspora. California African American Museum (photo via experiencela.com) WEST What:California African American Museum Where: Los Angeles, CA How much: Free
This museum is home to some of the most fascinating exhibits of African and African American culture. Check out Toward Freedom: A Photo Exhibition of the Beta Israel Community in Israel and the Ethiopian Community in Los Angeles, photojournalist Irene Fertik’s images of Ethiopian communities establishing themselves in Israel and Los Angeles. Or, view The African American Journey West: Permanent Collection, which features art and artifacts that show the African American journey from the shores of Africa to America’s western frontier. Wherever your interests are, this museum is sure to have something that’ll satisfy your intellectual craving. DuSable Museum of African American History (Photo: wttw.com)
MIDWEST
What:DuSable Museum of African American History Where: Chicago, IL How much: $10
This museum is a crux in Chicago’s black community. Home to several after-school programs, the museum has a history of engaging with the community on current topics. Current popular exhibits include Freedom, Resistance, and the Journey Towards Equality, Red, White, Blue & Black: A History of Blacks in the Armed Services, and The Freedom Now Mural. Buffalo Soldiers Museum (Photo: wikipedia.com)
SOUTHWEST
What: Buffalo Soldiers Museum Where: Houston, TX How much: $10
The Buffalo Soldiers Museum has one of the most highly-curated museum collections of black soldier life. Founded in 2000 by a Vietnam veteran and African-American military historian, it’s currently the only museum primarily dedicated to the African-American veteran experience. Check out the memorabilia, fine arts collection and videos here. Tubman African-American Museum (Photo: grouptravelleader.com)
SOUTHEAST
What:Tubman African American Museum Where: Macon, GA How much: $10
This museum, which calls itself an “educational adventure through time,” houses one of the most diverse collections of African-American historical artifacts in the country. Currently, visitors can see areas such as Folk Art, the Inventors Gallery, and a special area for Black Artists of Georgia. Museum of African American History (Photo: timeinc.net)
NORTHEAST
What:Museum of African American History Where: Boston, MA How much: $3
This museum — which is the 1834 African American Meeting House — has both rotating and permanent exhibits on local African-American history. The Black Books exhibit examines the historical and cultural implications of forbidding enslaved Africans to read or write. It also traces the evolution and recovery of their written voices. You can also see the Abiel Smith School, the first public school built to educate black children. article by Kayla Stewart via blavity.com
Zendaya Coleman at 2014 Oscars; sketch of Barbie doll inspired by her (source: twitter.com) ZendayaColeman, the nineteen year-old star of Disney series “KC Undercover”, singer and former finalist on ABC’s “Dancing With The Stars” will now, according to Billboard.com, be immortalized as a one-of-a-kind Barbie doll. Manufacturing company Mattel announced on Twitter that Barbie will commemorate Zendaya’s elegance and poise from the iconic 2015 Oscars moment when she responded to critics about her dreadlocks.
During a recent visit to the Mattel offices, Zendaya discussed her relationship with Barbie growing up:
“When I was little, I didn’t have one that looked like me, so I couldn’t connect with her in that way. But getting to visit the Mattel offices and see Barbie’s vision for the future…I was able to see how they plan to diversify, broadening the horizons and the image of Barbie, and make it more, you know, open. I left the office feeling it was definitely something I wanted to be a part of.”
Z will host an upcoming VH1’s Save The Music benefit entitled “Barbie Rock ‘N Royals Concert Experience” on Sept. 26 in Los Angeles, during which the doll will be on display. article by Lori Lakin Hutcherson (follow @lakinhutcherson)
The Television Academy has announced the first group of presenters for the 67th Primetime Emmy Awards. Empire stars Taraji P. Henson and Terrence Howard along with Jimmy Kimmel, Amy Poehler, Maggie Gyllenhaal and LL Cool J have been confirmed to hand out the statuettes at the September 20 ceremony.
Produced by Don Mischer Productions, the Emmys will be hosted by Andy Samberg and air live at 8 PM ET/5 PM PT from the Microsoft Theater in Los Angeles. article by Denise Petski via deadline.com
Lesa Lakin, GBN Lifestyle
This Labor Day (September 7, 2015) Working Californians will hold Los Angeles’ fourth annual Nightshift concert featuring Godfather of Funk and Rock & Roll Hall of Fame legend George Clinton with Parliament Funkadelic, Grammy-nominated singer and percussionist Sheila E., Jamaican reggae stars The Wailers, and the James Andrews New Orleans All Star Band.
Over 20 Southern California labor organizations, including IATSE, SEIU and Teamsters, will gather at L.A. Coliseum’s Exposition Park to celebrate and commemorate both the history and future of Labor Day. This concert will celebrate working families and labor victories made in the past year in the city of Los Angeles.
Concert performances will benefit Working Californians’ non-profit, which fosters social innovation and invests in improving low-income communities in Southern California.
Nightshift Labor Day Music Festival 2015
Exposition Park (Doors Open at 12:30pm) 700 Exposition Park Dr.
Los Angeles, CA 90037
Tickets on-sale here: http://www.axs.com/events/280744/labor-day-music-festival-tickets
For more information about WCA : workingcalifornians.org.
