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Posts tagged as “Lorraine Hansberry”

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

By goodblacknews on January 31, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!

Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.

The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.

Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.

I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.

I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.

R.I.P. Sidney Poitier, 94, Legendary Actor, Director, Author and Ambassador

R.I.P. Sidney Poitier, 94, Legendary Actor, Director, Author and Ambassador

By goodblacknews on January 7, 2022

Sidney Poitier, whose portrayal of self-possessed, unapologetic and dignified characters in films such as To Sir With Love, In the Heat of the Night and Guess Who’s Coming to Dinner established him as Hollywood’s first Black box-office star and Academy Award winner for Best Actor (for Lilies in the Field), has died at 94.

Though born in Miami, FL ,Poitier grew up primarily in the Bahamas. As an adolescent he returned to the U.S., eventually making his way to New York, washing dishes as he struggled to become an actor. He soon landed theatre roles but broke through as an emerging talent primarily in film.

Breakout movie dramas like No Way Out, Blackboard Jungle and The Defiant Ones set the stage for Poitier’s superstardom. In 1959, Poitier returned to New York theater to star in the Broadway production of Lorraine Hansberry‘s A Raisin in the Sun and its 1961 film adaptation.

Movies especially beloved starring Poitier were the ones he also directed, such as the action comedies Uptown Saturday Night, Let’s Do It Again, and A Piece of the Action. Poitier also scored a massive hit as director of the classic Richard Pryor 1980 comedy Stir Crazy.

To see Poitier’s extensive filmography, click here. And to see one of the most iconic film moments ever delivered by Poitier, check out the clip from In The Heat of the Night below:

In April 1997, Poitier was appointed ambassador from the Bahamas to Japan, a position he held for a decade, until 2007.He was also the author of his highly-regarded 2000 autobiography, The Measure of a Man, 2009’s Life Beyond Measure: Letters to my Great-Granddaughter and his 2013 fiction foray Montaro Caine: A Novel.

Read more: https://www.nytimes.com/2022/01/07/movies/sidney-poitier-dead.html

https://www.cnn.com/2022/01/07/entertainment/sidney-poitier-death/index.html

(paid links)

U.K.'s Positive.News Publishes Good Black News Feature – "Black News Matters: the Website Dedicated to Positive News about People of Color"

By goodblacknews on August 2, 2017

Good Black News Founder and Editor-in-Chief Lori Lakin Hutcherson (photo: Atsushi Nishijima)

interview by Lucy Purdy via positive.news
Lori Lakin Hutcherson was shocked when she was unable to find a website dedicated to positive news about black people. So she started one 
Why did you start the Facebook page that became the website, Good Black News?
I actually started Good Black News by accident. It was 2010 and, in my work as a film and television writer and producer, I was collaborating with author Terry McMillan on the film adaptation of her new book. Before our writing session started one morning, she was telling me about a story she’d barely come across in the news: at an all-black academy in Chicago, 100 per cent of the seniors were accepted to college. Terry was wondering why there was no major news media coverage of this great achievement, and lamenting that the mainstream media primarily focused on negative news about African Americans. I figured that there must be a site dedicated solely to positive African American news, so searched the internet. To my shock, I couldn’t find one. In that moment I decided I had to create it, even if just a page on Facebook. So I did. And it slowly grew from there.
How do you think the mainstream media is biased towards people of colour? What damage can stereotypes do?
The media bias reflects the bias intrinsic in US culture and society. People of colour are often seen as threats or exceptions, but not commonly enough as typical human beings. More often than not, you’ll see adjectives or nouns that refer to someone’s ethnicity or skin colour rather than their name or age, or you will see images that are dour or intense instead of happy or light. The damage these micro-dehumanisations can do is reinforce prejudices about people of colour, as well as teach and perpetuate them. So every time I put up a positive story, I am conscious that I am combatting all of that, as well as offering a bit of uplift for anyone who comes across it.
What steps do you take with your stories; for example with headlines and photos, to make them more representative and balanced?
First of all, I make sure that they are accurate and informative, and properly credited and sourced. Secondly, I like to find the best image possible to represent the person or the subject of the story; if all anyone sees is the photo or the headline, I want to make sure either or both offer a story, as well as positive impact. Lastly, I like to put names in headlines. A person’s name offers individuality and acknowledgement that I think impresses on readers a level of humanity that descriptors just don’t. It may seem subtle, but to me, it’s not. Imagine, for example, the differing impact of The Autobiography of a Black Muslim v The Autobiography of Malcolm X or The Diary of a Jewish Girl v The Diary of Anne Frank.
What reactions have you had to Good Black News? Have any surprised you?
The majority have been positive, which isn’t surprising as much as it is heartwarming. It’s humbling knowing that what myself, my fellow editor Lesa Lakin and our volunteer contributors do is helping so many people access information and stories they might not otherwise have heard of. What has surprised me – even though, thankfully, it’s not a large number – is that there are people who spend their time trying to troll and mock and denigrate a site dedicated to sharing positive stories about people of colour. Each time I come across a wayward comment, reply or tweet and block it, I think ‘Who has time for this kind of vitriol in their life?
People of colour are often seen as threats or exceptions, but not commonly enough as typical human beings
Which sorts of stories are most popular?
Education stories. Whether it’s a boy or girl genius graduating college at 14, or a formerly homeless teen going to the Ivy League, or senior citizens finally getting their high school or college diplomas, education stories are always popular. Education has been the most accessible and democratic way people of colour have been able to improve their lives in the US. To go from it being a crime to learn to read and write, to earning PhDs and running universities – yeah, those stories always resonate.
To read rest of article, go to: Black news matters: the website dedicated to positive news about people of colour

Harlem Playwright Shaun Neblett to Honor Works of Malcolm X and Lorraine Hansberry at I, Too Arts Collective

By goodblacknews on May 17, 2017

Lorraine Hansberry and Malcolm X share a birthday on May 19 (photos via dnainfo.com)

by Dartunorro Clark via dnainfo.com
HARLEM — In an age of resistance and Black Lives Matter, a local writer is looking to the past to unpack present-day issues.In an ode to civil rights icon Malcolm X and playwright Lorraine Hansberry — both of whom share a May 19 birthday and a Harlem connection — writer Shaun Neblett is unveiling a play based on the pair’s works on Friday.
The play “Happy Birthday Malcolm and Lorraine!” will feature sets of vignettes performed by several up-and-coming playwrights who will discuss contemporary topics, such as gentrification. Since the two subjects share the same birthday, Neblett wanted to fold their ideas and words in with the work of current writers, whose “journeys have been paved by Malcolm and Lorraine’s spirit and relentless drive to sharpen the black psyche,” he said. “Beyond creating a great show, we are sending their spirits our gratitude and keeping their important teachings alive,” he added.
In doing research for the play, Neblett said he discovered a letter at Harlem’s Schomburg Center that Hansberry wrote to her local newspaper when she was living in Greenwich Village, saying that “people were coming into her community and trying to take over.” “It really speaks to the gentrification that people are dealing with today in Harlem,” said Neblett, who founded the Changing Perceptions Theater.  Another captivating draw for Neblett is the play’s location: the home of Langston Hughes, another historic Harlem figure.
The East 127th Street home was renovated and has been leased by a group of artists — called the I, Too Arts Collective — since last year to preserve Hughes’ legacy. “It’s just all a real sort of nucleus for this event and the meaning of it and the purpose,” Neblett explained. “They all fought in their own way to empower the black psyche.” Hansberry and Malcom X also have Harlem ties. He spent some of his most formidable years in the neighborhood, and she moved there in the 1950s, later writing “A Raisin in the Sun,” whose title was based on a poem by Hughes.
“They were both revolutionaries and they just went about the way they fought for liberation in different ways,” Neblett said, “but their ideas and thoughts were the same.”
“Happy Birthday Malcolm and Lorraine!” premieres Friday, May 19, at 8 p.m. Doors open at 7:30 p.m. Tickets are $10 and can be purchased at the door or online. The show will take place at the I, Too Arts Collective at the Langston Hughes House, 20 East 127th St.
Source: Harlem Playwright to Honor Work of Malcolm X and Lorraine Hansberry – Central Harlem – DNAinfo New York

Schomburg Center for Research in Black Culture Acquires James Baldwin Papers

By goodblacknews on April 17, 2017

Author and activist James Baldwin (photo via thegrio.com)

article via thegrio.com
The Schomburg Center for Research in Black Culture at The New York Public Library recently acquired James Baldwin’s personal archive. The archive includes 30 linear feet of letters and manuscripts, as well as drafts of essays, novels, and other works. It also includes galleys and screenplays with notes handwritten on them as well as photographs and other media forms documenting Baldwin’s life and creative output.
“We are more than excited to have James Baldwin return home to Harlem,” said Kevin Young, Director of the Schomburg Center of the new acquisition. “Baldwin’s amazing collection adds to our ever-growing holdings of writers, political figures, artists, and cultural icons across the African diaspora. With the current resurgence of interest in Baldwin’s works and words, and renovation of our own spaces from the main gallery to the Schomburg Shop, the timing couldn’t be better for Baldwin to join us at the Schomburg Center. As a writer myself, I am eager for students, scholars and other writers—I count myself among all three—to have the opportunity to see his profound writing process up close.”
“Malcolm X, Lorraine Hansberry, and Maya Angelou all have collections at the Schomburg Center and Baldwin was their colleague. His papers not only complement theirs, but offer researchers a fascinating look at the Civil Rights and the Black Power movements, through the works of these seminal figures,” said Steven G. Fullwood, Associate Curator of the Manuscripts, Archives and Rare Books Division.
Source: Schomburg Center for Research in Black Culture acquires James Baldwin papers | theGrio

"A Raisin In The Sun" Earns Three Tony Awards; Audra McDonald Makes History

By goodblacknews on June 8, 2014

Raisin_650
Although the Denzel Washington-headlined revival of Lorraine Hansberry’s classic play did not garner its lead an award tonight, “A Raisin in the Sun” fared quite well in several other categories, winning three Tonys overall, for Best Director (Kenny Leon), Best Featured Actress in a Play (Sophie Okonedo) and Best Revival of a Play.
Audra McDonaldAlso of major note was Audra McDonald‘s Best Lead Actress in a Play win for “Lady Day at Emerson’s Bar and Grill.” Not only did she earn her record sixth Tony (surpassing Angela Lansberry and Julie Harris at five each), she also became the only actor to ever win a Tony in all four acting categories.
To see a full list of winners, click here.
article by Lori Lakin Hutcherson (@lakinhutcherson)

THEATER REVIEW: "Raisin in the Sun" Brings Denzel Washington Back to Broadway

By goodblacknews on April 4, 2014
From left, Sophie Okonedo, Mr. Washington, LaTanya Richardson Jackson, Bryce Clyde Jenkins and Anika Noni Rose play members of a family pondering whether to move to a suburb. (Credit: Sara Krulwich/The New York Times)

The spark of rebellion, the kind that makes a man stand up and fight, has almost been extinguished in Walter Lee Younger. As portrayed by Denzel Washington in Kenny Leon’s disarmingly relaxed revival of Lorraine Hansberry’s A Raisin in the Sun — which opened on Thursday night at the Ethel Barrymore Theater — Walter appears worn down, worn out and about ready to crawl into bed for good. Frankly, he looks a whole lot older than you probably remember him.

That’s partly because, at 59, Mr. Washington, the much laureled movie star, is about a quarter of a century older than the character he is playing, at least as written. (This production bumps Walter’s age up to 40 from 35.) But it’s also because, as this production of Raisin makes clearer than any I’ve seen before, Walter inhabits a world that ages men like him fast.

Listen to how his mama, Lena (LaTanya Richardson Jackson), describes her late husband’s existence: “I seen him, night after night, come in, and look at that rug, and then look at me, the red showing in his eyes, the veins moving in his head. I seen him grow thin and old before he was 40, working and working like somebody’s horse.”

In this engrossingly acted version of Hansberry’s epochal 1959 portrait of an African-American family, Walter is all too clearly his father’s son. Lena may tell him, shaking her head, that he is “something new, boy.” But you know that her great fear is that he is not. Small wonder she shows such smothering protectiveness to Walter’s 11-year-old son, Travis (Bryce Clyde Jenkins).

A claustrophobic fatigue pervades the cramped, South Side Chicago apartment in which A Raisin in the Sun is set. And despite its often easygoing tone, a happy ending feels far from guaranteed. As designed by Mark Thompson, the Youngers’ living room cum kitchen is a narrow corridor that keeps its three generations of inhabitants in close, erosive proximity.

The production begins with a searing vision of bone-weariness. Ruth Younger (Sophie Okonedo), Walter’s wife, stands frozen center stage in a bathrobe, amid sallow morning light. Her face is harrowed, and her arms are braced against the kitchen counter in what is almost a crucifix position. She is trying to find the strength to get through another day.

Mr. Leon relaxes that initial tautness for the scene that follows, in which the Youngers — who also include Walter’s sister, Beneatha (a first-rate Anika Noni Rose), a pre-med student — go through their usual morning rituals. And the play as a whole has a genial, conversational quality; it always holds you, but without trying to shake you.

Still, that opening scene strikes a note that will resonate. Exhaustion is pulling at the Youngers like a dangerous force of gravity. As Hansberry puts it in her stage directions, “Weariness has, in fact, won in this room.”

UPDATE: Denzel Washington To Star on Broadway in "A Raisin In The Sun" with Diahann Carroll, Anika Noni Rose and Sophie Okonedo

By goodblacknews on August 2, 2013

Denzel Washington will star opposite Diahann Carroll in the Broadway revival of Lorraine Hansberry’s classic A Raisin In The Sun. Previews begin March 8, 2014, with opening night on April 3, 2014 at the Barrymore Theatre where the original production opened 55 years ago. Set on Chicago’s South Side, A Raisin In The Sun revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee (Washington), his wife Ruth (Sophie Okonedo), his sister Beneatha (Anika Noni Rose), his son Travis and matriarch Lena, called Mama (Carroll). Rounding out the cast are Stephen Tyrone Williams, Jason Dirden, and Stephen McKinley Henderson. Washington won a Best Actor Tony for his performance in 2010′s Fences. The Kenny Leon-directed A Raisin In The Sun is a limited engagement, running 14 weeks only through June 15, 2014. Washington currently can be seen in Universal’s action thriller 2 Guns with Mark Wahlberg which opens today.
article via deadline.com