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GBN Daily Drop Podcast: #JanetJacksonAppreciationDay (LISTEN)

GBN Daily Drop Podcast: #JanetJacksonAppreciationDay (LISTEN)

By goodblacknews on February 13, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Even though most Americans think of today as Super Bowl Sunday, on GBN’s Daily Drop podcast bonus episode we instead celebrate what’s been the day’s other moniker since 2018 — #JanetJacksonAppreciationDay.

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, February 13th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Although today is known by most Americans as Super Bowl Sunday, for the past four years, thanks to Academy Award-winning filmmaker Matthew A. Cherry, it’s known among millions on Twitter and beyond as #JanetJacksonAppreciationDay.

#JanetJacksonAppreciationDay is where fans of Janet Jackson (aka “#JanFam”) flood their social media timelines with loving GIFs, memes, and videos of the legendary “Rhythm Nation” performer.

This annual trend began in 2018 in reaction to Justin Timberlake being invited to headline that year’s Super Bowl halftime. In 2004, when Jackson and Timberlake performed together at halftime, Jackson alone bore the blame for the “wardrobe malfunction” that occurred when Timberlake ripped a revealing part of her costume.

The moment that came to be called “Nipplegate” sparked controversy and damaged Jackson’s career for years while Timberlake’s soared.

Today’s #JanetJacksonAppreciationDay is particularly special because just a few weeks ago, the four-part documentary Janet Jackson and brother Randy Jackson executive produced on her life and career aired in the U.S. on Lifetime and A&E. In it, Janet shared footage and information from her life and career that had never seen or heard before by the public.

The widely watched doc set off a current surge of appreciation for Jackson’s contributions to popular culture in the following ways:

  1. top ratings in the U.S. and airings across the globe
  2. soaring iTunes sales and streams of her singles and albums, with Control hitting the #1 spot on the iTunes pop album charts 36 years after its release.
  3. Twitter and IG filled with fan and celebrity tributes alike.

As a #JanFam member myself since childhood – from Good Times, Diff’rent Strokes, the early albums and on – well, today I personally would like to appreciate Janet Jackson who, since 1989, has used her music to tackle and highlight issues such as racism, sexism, illiteracy, domestic violence and homophobia.

I wrote a piece on Good Black News about it last year and created a playlist to which I’ve included links in this episode’s show notes.

But I also appreciate Janet’s decades-long contributions to charities and causes such as the NAACP, the United Negro College Fund, Feeding America, and the American Foundation for AIDS Research, among so many others.

Currently, Janet is selling her vintage tour swag on The Real Real to support the non-profit organization Girls Leadership, which teaches girls to exercise the power of their voices through programs grounded in social emotional learning.

Some other sources that can help you get your Janet Jackson appreciation on are the incredible book in the 33 and 1/3 series dedicated to Velvet Rope by Ayanna Dozier, and Janet’s own 2011 part memoir, part health and lifestyle bestseller True You: A Journey to Finding and Loving Yourself written with David Ritz.

There’s also an awesome podcast called Janet Today, Janet Tomorrow, Janet Forever where cousins Courtney and Kam discuss Janet’s music and videos song by song, as well as conduct fun and informative interviews with musicians, dancers, stylists and the like who have worked with Janet throughout her career.

There’s also Janet Jackson’s own Instagram, her IG stories and Twitter, the hashtag #janfam to see posts from her devoted fan base and the hashtag #JanetsLegacyMatters, whose creators helped organize the grassroots push for Janet’s induction into the Rock and Roll Hall of Fame, which happened in 2019.

And of course, you can always jump on social yourself and add to or check out the #JanetJacksonAppreciationDay tributes that are all for her! Links to everything I mentioned and more are provided in today’s show notes.

Additional sources:

This has been an extra-long bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon, Bookshop and other online retailers.

Music used in today’s episode includes “The Knowledge” off Janet Jackson’s Rhythm Nation: 1814 album, “Control (The Video Mix)” from the Control: The Remixes album, “All For You” from the 2001 album of the same name, and “The Pleasure Principle (Dub Edit – The Shep Pettibone Mix)” from Control: The Remixes.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Btw, GBN’s Page-A-Day®️ Calendar for 2022 is 50% off at workman.com with code:50CAL until 2/28/22!

(paid links)

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

By goodblacknews on March 4, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

Finally!

Internationally renowned, Grammy Award-winning, Rock N Roll Hall of Fame inductee Janet Jackson will be the focus of an upcoming documentary on Lifetime and A&E Networks in 2022.

The two-night, four-hour documentary will coincide with the 40th anniversary of Jackson’s first album – no, not Control – that 1986 juggernaut was her third LP and first collaboration with producers Jimmy Jam and Terry Lewis – but rather 1982’s eponymous Janet Jackson, which was released on the A&M records label and offered her early R&B hits “Say You Do” and “Young Love.”

Jackson is an executive producer with Randy Jackson, and according to Variety.com, producing teams from Workerbee and Associated Entertainment Corporation already have been working on the project with Janet for over three years.

To quote Variety.com:

The doc follows Janet as her family is going through the loss of her father, Joseph, the patriarch of the Jackson dynasty who passed in 2018. Producers were granted exclusive access to archival footage and never-before-seen home videos while developing the documentary for the past three years.

“JANET” will also detail the most talked-about moments of her life, including her 2004 Super Bowl appearance with Justin Timberlake in which she inadvertently exposed a portion of her breast, sparking controversy that would hover for more than a decade. The docu will also explore Jackson’s reaction to the death of her brother, the legendary and also controversial Michael Jackson, and her process of becoming a mother.

It’s about time the impact of Janet Jackson and her legacy on popular music and culture will be realized in-depth and, as a major Janet stan since even before her first LP – I’m talking Good Times and Fame days, people – I can’t wait! And I’m sure I’m not alone.

But until then, we’ll always have THIS:

Happy 60th Birthday, Karen Clark-Sheard!

Happy 60th Birthday, Karen Clark-Sheard!

By goodblacknews on November 15, 2020

by Jeff Meier (FB: Jeff.Meier.90)

Today, Good Black News celebrates the milestone 60th birthday of gospel music icon Karen Clark-Sheard, famous as the youngest member of the legendary Clark Sisters, as well as for her dynamic solo recordings.

Amidst the craziness of the coronavirus pandemic, lockdowns and quarantines, 2020 has nevertheless been a milestone year for Karen and her sisters, as they issued the acclaimed The Return in March, their first group release in over a decade.

Following the album drop was the April broadcast of The Clark Sisters: First Ladies of Gospel, a Lifetime movie about their lives that was seen by millions of people across numerous airings in its first few weeks, becoming Lifetime’s highest original rated movie in 4 years – and one of the top cable telecasts of the year across all cable channels.

We wrote about the movie and the history of The Clark Sisters, at that time: (https://goodblacknews.org/2020/04/11/bringing-the-sunshine-gbn-offers-clark-sisters-playlist-to-celebrate-lifetime-biopic-airing-tonight-listen/).

After 25 years recording with her sisters (since she was just an early teenager) as the group’s dedicated soprano, a break in the sisters’ group activities allowed Karen to release her debut solo album, appropriately titled Finally Karen in 1998.

She stepped out solo in a big way – on a major label (Island Records), with multiple producers and a guest appearance from Faith Evans.  The results – a gospel bestseller that was nominated for a Grammy and won a Lady of Soul Award.

The album also included a duet with her daughter, Kierra ‘Kiki’ Sheard, ultimately kicking off the successful recording career for yet another generation of the Clark gospel dynasty (The Clark Sisters themselves are the daughters of gospel choir pioneer Dr. Mattie Moss Clark.)

Not long after the release and promotion of her first album, Clark-Sheard was hit with a major health crisis, when complications from a minor operation put her in a coma for multiple weeks.

Bringing The Sunshine: GBN Offers Clark Sisters Playlist to Celebrate Lifetime Biopic Airing Tonight (LISTEN)

Bringing The Sunshine: GBN Offers Clark Sisters Playlist to Celebrate Lifetime Biopic Airing Tonight (LISTEN)

By goodblacknews on April 11, 2020

by Jeff Meier (FB: Jeff.Meier.90)

Of course, it would take a superstar group of powerful Black women to sell and make a movie about The Clark Sisters, the pioneering Detroit siblings who are now in their fifth decade of rocking the gospel music world.

Tonight’s “The Clark Sisters: First Ladies of Gospel” (airing on Lifetime at 8PM) comes from executive producers Queen Latifah, Mary J. Blige and Missy Elliott, co-executive producer Holly Davis Carter, writer Camille Tucker and director Christine Swanson.

I had my own Clark Sisters experience while working as an executive at TV One back in 2007-08, where The Clark Sisters were the subjects of one of the very first episodes of network’s successful biography series “UnSung,” a show I developed and initially oversaw.

At the time, I generally knew enough about The Clark Sisters to recognize their breakthroughs in transforming the gospel music sound – and I felt that the world had not generally afforded them enough credit for that. But I didn’t know much else about their personal story and ended up fascinated by the conflicts and struggle, and of course, all the music.  It’s not a surprise to me that producer Carter said she’s been trying to make this movie for 15 years – it is a worthy story to tell.

In honor of this movie accomplishment, Good Black News offers a career-spanning Spotify playlist below to allow you to keep enjoying the patented Clark Sister Sound all weekend long.

The Clark Sisters Playlist was crafted to include most of the key hits from The Clark Sisters – as well as highlights from the solo careers of Karen Clark Sheard, Dorinda Clark-Cole, Twinkie Clark, and even from next generation Clark family gospel superstar Kierra Sheard (who plays her mom Karen in the movie). For good measure, there’s also a rare solo track from Jacky Clark-Chisholm (a duet with movie exec producer Blige), and a coda from Dr. Mattie Moss Clark herself.

Jacky, Denise, Elbernita (Twinkie), Dorinda, and Karen were the five daughters of Mattie Moss Clark, a pioneering gospel music figure herself, who while raising her daughters also served as a minister of music for the Church of God In Christ, first at the local level in Michigan, but eventually at the national level.

Queen Latifah and Jill Scott to Star in Lifetime’s Flint Water Crisis Movie "Flint"

By goodblacknews on April 14, 2017

Queen Latifah / Jill Scott (photo via madamenoire.com)

article by Lori Lakin Hutcherson (@lakinhutcherson)
According to Deadline.com, Queen Latifah and Jill Scott have signed on to the Lifetime TV movie about the Flint Water crisis.
Latifah will executive produce the project, reuniting with “The Wiz Live” and “Steel Magnolias” producers Craig Zadan and Neil Meron. “Steel Magnolias” was the network’s third-most-watched original telecast ever. Latifah will also portray a resident of Flint fighting to expose the poisoning of the community.
The script is inspired by the Time magazine cover story, “The Toxic Tap,” which “follows the story of three women from Flint who sought justice following the wrongdoing committed against the residents of the city who were unknowingly drinking and using lead-laden water.  Their actions inspired a national movement for safe drinking…”
Jill Scott is to play a real-life activist.
To read more, go to: https://deadline.com/2017/04/queen-latifah-betsy-brandt-jill-scott-marin-ireland-star-flint-lifetime-water-crisis-movie-1202069713/

Viola Davis’ JuVee Productions Raising $250M for Content Development, Production & Distribution

By goodblacknews on March 14, 2017

Viola Davis and Julius Tennon (photo via shadowandact.com)

article via shadowandact.com
JuVee Productions – the integrated film, television and digital production company created by Viola Davis and her husband, Julius Tennon, is embarking on an effort to raise $250,000,000 in a global expansion plan for the development, production and distribution of diverse and inclusive film and digital content.
The fund will be used to develop, finance, produce and distribute a slate of multiple feature films and branded digital content that will see the relatively young production company expand its footprint globally. “The shift in storytelling should be inclusive and we aim to make it a reality,” says Julius Tennon in a press statement.
Launched in 2012 by Davis and Tennon, JuVee Productions is a Los Angeles-based artist driven production company that develops and produces independent film, television, theater, and digital content across all platforms. JuVee Productions aims to become the go-to creative hub where the next generation of filmmakers and artists have the space to craft dynamic stories spanning the broad spectrum of humanity.
The company’s most recent project is the courtroom drama “Custody” which premiered at the Tribeca Film Festival in 2016, and aired on the Lifetime network last week. The short film “Night Shift” premiered at the Sundance Film Festival in January of this year and continues to tour the film festival circuit.
Upcoming the production company has the film adaptation of “The Personal History of Rachel DuPree” which Davis is starring in; a biopic on Barbara Jordan (the first Southern African American woman elected to the United States House of Representatives), also with Davis starring; and a TV period series set up at ABC titled “The Zipcoders,” set in 1968, about a group of black teenagers form a rock ‘n’ roll band who aspire to be like The Beatles; and there’s also Davis’ Harriet Tubman film with HBO.
To read full article, go to: Viola Davis’ JuVee Productions Raising $250M for Content Development, Production & Distribution – Shadow and Act

‘Roots’ Ratings: Reboot Clocks Cable’s Biggest Miniseries Opening Crowd In 3 Years | Deadline

By goodblacknews on May 31, 2016


The premiere of A+E Networks’ four-night Roots reboot logged 5.3 million viewers across History, A&E and Lifetime on Memorial Day. The first installment, which aired simultaneously on the three networks, also got repeated two more times over the course of the evening, to cume a total of 8.5M viewers.
Source: ‘Roots’ Ratings: Reboot Clocks Cable’s Biggest Miniseries Opening Crowd In 3 Years | Deadline

TV REVIEW: "Roots", airing Memorial Day on History Channel, A&E and Lifetime, Resonates in a Black Lives Matter Era

By goodblacknews on May 29, 2016
Malachi Kirby, center, as Kunta Kinte in “Roots.” (Credit: Casey Crafford/A+E Networks)

article by James Poniewozik via nytimes.com

The original mini-series “Roots” was about history, and it was history itself. Airing on ABC in January 1977, this generational saga of slavery was a kind of answer song to the 1976 Bicentennial celebration of the (white, often slave-owning) founding fathers. It reopened the books and wrote slaves and their descendants into the national narrative.

But as an event, it was also a chapter in that story. It shaped and was shaped by the racial consciousness of its era. It was a prime-time national reckoning for more than 100 million viewers. As a television drama, it was excellent. But as a television broadcast, it was epochal.

The four-night, eight-hour remake of “Roots,” beginning Memorial Day on History, A&E and Lifetime, is largely the same story, compressed in some places and expanded in others, with a lavish production and strong performances. It is every bit as worthy of attention and conversation. But it is also landing, inevitably, in a very different time.

Viewers who watched “Roots” four decades ago have since lived with racial narratives of moving forward and stepping back. They’ve seen America’s first black president elected and a presidential candidate hesitate to disavow the Ku Klux Klan.

So in timing and spirit, this is a Black Lives Matter “Roots,” optimistic in focusing on its characters’ strength, sober in recognizing that we may never stop needing reminders of whose lives matter.

The first new episode, much of it shot in South Africa, looks stunning, another sign of the cultural times. Kunta Kinte (Malachi Kirby, in the role made famous by LeVar Burton) is now not a humble villager but the scion of an important clan, and his home — Juffure, in Gambia — a prosperous settlement. Kunta is captured by a rival family and sold into slavery to a Virginian (James Purefoy), by way of a harrowing Middle Passage.

Mr. Kirby’s Kunta is a more regal and immediately defiant character than Mr. Burton’s. But his tragedy is the same: He rebels but fails and is beaten into accepting his slave name, Toby. The name — the loss of identity — is as much a weapon as the whip. As the overseer who beats him puts it: “You can’t buy a slave. You have to make a slave.”

Kunta stops running, but he preserves his traditions, including the practice of presenting a newborn baby to the night sky with the words, “Behold, the only thing that is greater than you.”

That theme of belonging to something larger, of the ancestral family as a character in itself, is essential to “Roots.” Although Alex Haley fictionalized the events of his novel on which the mini-series is based, his story offered black Americans what slavery was machine-tooled to erase: places, dates, names, memories. And that focus keeps the ugliness — the racial slurs, the gruesome violence — from rendering this series without hope. A person may live and die in this system, but a people can survive it.

Still, the individual stories remain heartbreaking, even in small moments, as when the slave musician Fiddler (a soulful Forest Whitaker) recognizes a Mandinka tune he overhears Kunta singing. He’s moved — and, it seems, a little frightened by what the recognition stirs in him. As much as he’s worked to efface his heritage as a survival strategy, it lingers, a few notes haunting the outskirts of his memory.

Kunta’s daughter, Kizzy (E’myri Lee Crutchfield as a child, Anika Noni Rose as an adult), is teased with the possibility of a better life; she grows up friends with the master’s daughter and learns to read. But she’s sold to Tom Lea (Jonathan Rhys Meyers), a struggling farmer who rapes and impregnates her. Rape — there are several assaults in this series — is another weapon against identity, another way you make a slave. Ms. Rose burns with Kizzy’s determination to hang on to her sense of self.

Lifetime Sets Movie about NBA Star Kevin Durant’s Mom Wanda "The Real MVP" Pratt; Queen Latifah Produces, Cassandra Freeman Stars

By goodblacknews on February 3, 2016
Cassandra Freeman Traci Thoms
Cassandra Freeman, Traci Thoms (Photo via deadline.com)
Cassandra Freeman (Inside Man, Single Ladies), Tracie Thoms (Cold Case, Rent), Pauletta Washington (Wilma), Daniel Bellomy, Nic Few (Major Crimes, The Exes), and Demarius Mack (Real Husbands Of Hollywood) have been cast in Lifetime original movie with the working title of The Real MVP: The Wanda Pratt Story, based on the life of NBA star Kevin Durant’s mom. Queen Latifah and Shakim Compere’s Flavor Unit are executive producers. Production is currently underway in Vancouver on the film, which will bow on Mother’s Day, Sunday May 8, on Lifetime. A&E Studios is producing.
Nic Few 2Daniel Bellomy 2The film tells the true story of Pratt, a single mom who struggled and sacrificed to raise her two sons, Tony and Kevin. When he was named 2014’s NBA Most Valuable Player, Kevin Durant dedicated his speech to Wanda, naming her “the real MVP” for all of her sacrifices that allowed him to pursue his dreams. It was a moving moment (see it by clicking here).
Pratt and Shelby Stone (Bessie) also executive produce the movie, and Gina Ford and Brynee Baylor are co-executive producers.
Freeman stars as Wanda, Thoms as her best friend and confidante, and Washington will play her mother Barbara. The adult Kevin and Tony will be played by Bellomy and Few, respectively, and Mack plays young Tony. The film is directed by Nelson George (Life Support, A Ballerina’s Tale) and written by Yolonda Lawrence (Witches Of East End) and Ligiah Villalobos (Ed).
article by Denise Petski via deadline.com

Queen Latifah, Jermaine Dupri Team up for New Hip-Hop Lifetime Series "The Rap Game"

By goodblacknews on November 9, 2015
Queen Latifah and Jermaine Dupri (photo via thegrio.com)
Queen Latifah and Jermaine Dupri (photo via thegrio.com)

Queen Latifah and Jermaine Dupri are on the hunt for the next big hip hop sound in the industry.

According to the Hollywood Reporter, the duo is putting in work on a new unscripted series called The Rap Game.  The eight-episode series will follow five aspiring young artists navigating the vast Atlanta hip hop scene and mentored by some of the greatest names in the game.
Dupri, who acts as producer on the show, has tapped the likes of Usher, Ludacris, Da Brat, T.I. and Silento to help guide the pupils each week, showing them how to better hone their crafts.
The goal for the young hopefuls is to secure a record contract with So So Def.
article by Matthew Wright via thegrio.com