Every year on March 18, Good Black News celebrates the day of its founding. We continue that tradition today, thirteen years after GBN’s inception.
Even though this past year has been particularly challenging (details here), and led to way fewer postings on the main goodblacknews.org site as well as the cessation of the GBN Daily Drop Podcast, we are still exceedingly proud of all we’ve offered and accomplished over the years, even as we continue to search for our new footing as we forge ahead into the future.
And although it’s no longer weekly, every month we are happy to offer new and/or updated Music Monday playlists from our incredible music contributors Marlon West and Jeff Meier.
I also want to acknowledge 2022’s other volunteer contributors in alphabetical order: Julie Bibb, Gina Fattore, Julie Fishman, Michael Giltz, Warren Hutcherson, Fred Johnson, Epiphany Jordan, Brenda Lakin,Joyce Lakin, John Levinson, Dena Loverde, Catherine Metcalf,Flynn Richardson,Maeve Richardson, Becky Schonbrun, and Teddy Tenenbaum.
You are all deeply, greatly appreciated.
But what truly keeps me, my co-editor Lesa Lakin and all of GBN’s wonderful volunteer contributors going is the appreciation you’ve shown us over the years and still show via follows, likes, comments, shares, reblogs, DMs and e-mails (even when we are overwhelmed and can’t respond to them all).
Your support means the world, and inspires me as Editor-in-Chief to keep working to find ways to improve GBN on the main page as well as on Pinterest,Tumblr,YouTube, RSS feed, LinkedIn and Flipboard, and yeah, our sometime-y GBN newsletter you can get via email.
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider following GBN on the main page, as well as wherever you are on social media.
Please also consider joining our e-mail list via our “Contact Us” tab on goodblacknews.org. We will only use this list to keep you updated on GBN and send you our e-newsletter from time to time. And, of course, you may opt out whenever you like.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming months and beyond!
With all that’s going on in the world, we thought we’d offer some comfort this Music Monday in the form of a playlist of remakes and covers called “Cover Me Softly: Soul-Filled Remakes and Covers.”
Sometimes the songs are reimagined, elevated and fully remade, and other times they are faithful covers by the right artist, offering just the right notes and voicing.
We’ve got “Killing Me Softly,” originally by Robert Flack and reimagined by Fugees, Maxwell’s soul stirring take on Kate Bush‘s “This Woman’s Work,”Rihanna’s hauntingly similar yet very much her own gorgeous version of Tame Impala’s “Same Ole Mistakes,”Luther Vandross’ famous redo of Dionne Warwick’s “A House Is Not a Home,”Mariah Carey’s version of Prince’s “Beautiful Ones” with Dru Hill and more.
One song on our list poses the question: Can you successfully remake/cover your own song? In the case of Lionel Richie, that’s exactly what happened with “Lady.” “Lady” was written and produced by Richie and first recorded by American country music artist Kenny Rogersin 1980.
“Lady” is the first record of the 1980s to chart on all four of Billboard magazine’s singles charts – country, Hot 100, adult contemporary and Top Soul Singles. Almost two decades later, Richie revisited the hit by recording the song himself in 1998.
NEW YORK, NY— The International Center of Photography (ICP) presents a powerful exhibition focusing on the work of five emerging Black artists who have turned the lens inward to explore and capture the “unseen” moments of their lives during a time of unprecedented change.
INWARD: Reflections on Interiority features newly commissioned photographs by Djeneba Aduayom, Arielle Bobb-Willis, Quil Lemons, Brad Ogbonna, and Isaac West.
On view through January 10, 2022, INWARD is curated by Isolde Brielmaier, Ph.D., ICP’s curator-at-large, and newly-appointed Deputy Director for the New Museum.
Although a number of these photographers have worked on assignment for major publications such as the New York Times, Vogue, Vanity Fair and Time, the exhibition offers a rare opportunity to see their artistic and personal work in their first museum exhibition.
The photographers showcased in INWARD use a range of manual and digital image-making tools in their individual practices—for this exhibition, they have created the photographs using iPhone.
The resulting images move beyond the endless scope of the constructed selfie to examine the intimate interactions and inner thoughts that make up their daily experiences as artists in a time of Covid-19, Black Lives Matter, and the 2020 U.S. election.
“The five artists featured in INWARD provide a thought-provoking window into their interior lives,” said curator Isolde Brielmaier. “The revealing new photographs explore intimate thoughts and personal relationships with great honesty, as the artists delve deep into the new reality and challenges of our contemporary lives at a time of global introspection.”
Exhibition Overview
Smartphones have often been used to generate images of public space and events in the broader outside world. iPhone has democratized image-making, and more recently, has been widely utilized as an impactful outward-facing tool to capture the human side of this particular moment of upheaval and turmoil. In INWARD, the artists reverse the focus to document their inner lives, and in the process show the full potential of iPhone in a fine art setting.
Revealing deep self-reflection, the work of Djeneba Aduayom explores her inner thoughts and subjectivity. As an introvert, she was at ease at home, sitting still, and being quiet in the company of herself during the pandemic. This quiet confidence can be seen in her self-portraits, in which she poses for the camera and directly gazes at the viewer. These images are punctuated by smaller, more abstract “studies” of objects and the human form of the artist’s own body.
Much of Arielle Bobb-Willis’s work is born out of her experience battling depression from an early age. She manipulates color, shape, form, and light, giving way to abstract images that reference ideas of the beautiful, the strange, isolation, and belonging. Influenced by painting, her use of bright colors speaks to the artist’s desire to claim power and joy in the face of confusion, sadness, and uncertainty.
Quil Lemons presents self-portraits from his series entitled Daydreams, 2021, which document his very personal journey, a process of self-exploration and self-validation: “As a Black queer man, there is no space for me, so I constantly carve one,” he states. He confidently defines his racial and gender identity in ways that allow for the intertwined, co-existence of both. His work visually articulates both self-assurance and the ongoing vulnerability with which he contends.
The work of Brad Ogbonna is comprised of a broad series of portraits of family, friends, and himself. In the style of some of the most important historical West African portrait photographers, such as Malick Sidibé, Meissa Gaye, Seydou Keïta and others, he has created, in collaboration with his friends and family members, a series of intimate portraits that underscore family history and relationships with a strong reference to the artist’s Nigerian culture as well as his late father. “I didn’t think much about the past until my Dad died,” said Ogbonna. “Shortly thereafter I inherited his first photo album filled with photos from his youth spent in Nigeria. At the time those images felt like a portal to the not-so-distant past and left me with many more questions than answers. I was enthralled by the mystery of it all.”
Isaac West is inspired by his girlfriend Naima in his series entitled Love, 2021. He focuses on the small ways in which human interactions, gestures, and expressions both encapsulate and demonstrate larger ideas about love, intimacy, and care. Through his strikingly bold colors and stark lines and use of light, as well as the strong articulation and centering of Blackness, he highlights everyday acts of kindness—grooming, eating, playing—in order to underscore these
About the Artists Djeneba Aduayom, @djeneba.aduayom
Informed by her career as a professional dancer, Djeneba Aduayom progressed into photography and brought her love of travel, movement and emotive performance into her imagery and subsequent directing work. Drawing inspiration from her cultural mix of French, Italian and African heritage, her concepts and artistic expression are rooted in her personal exploration of the inner worlds of her imagination. In 2020, Aduayom received The One Club for Creativity One Show gold award for her conceptual fashion series “A Pas de Deux” in collaboration with New York magazine’s The Cut. Her portraits for The New York Times Magazine’s “The 1619 Project” were honored by the International Center of Photography’s 2020 Infinity Awards in the Online Platform and New Media category. The American Society of Magazine Editors’ 2020 Awards also selected Aduayom’s Billboard portrait of St. Vincent as “Best Profile Photograph.” Aduayom is now based just outside of Los Angeles, CA.
Arielle Bobb-Willis, @ariellebobbwillis
Born and raised in New York City, with pit stops in South Carolina and New Orleans, photographer Arielle Bobb-Willis has been using the camera for nearly a decade as a tool of empowerment. Battling depression from an early age, Bobb-Willis found solace behind the lens and has developed a visual language that speaks to the complexities of life: the beautiful, the strange, belonging, isolation, and connection. Inspired by masters like Jacob Lawrence and Benny Andrews, Bobb-Willis applies a “painterly” touch to her photography by documenting people in compromising and disjointed positions as way to highlight these complexities. Her photographs are all captured in urban and rural cities, from the South to North, East to West. Bobb-Willis travels throughout the U.S. as a way of finding “home” in any grassy knoll, or city sidewalk, reminding us to stay connected and grounded during life’s transitional moments.
Quil Lemons, @quillemons
Quil Lemons is a New York-based photographer with a distinct visual language that interrogates ideas around masculinity, family, queerness, race, beauty, and popular culture. His inaugural series GLITTERBOY (2017) introduced Lemons to the world and started a dialogue that would act as a common thread through much of his work to come. In it, he dusted black men with glitter to combat the stereotypes and stigmas placed upon their bodies. This concept of challenging what is acceptable for the black male body developed even further in BOY PARTS (2020). Simultaneously, Lemons began an exploration of the black family portrait with his series PURPLE (2018) and project WELCOME HOME (2018). Images from both projects gave an intimate glimpse into his home life and the modern black American family structure in Philadelphia. Lemons has previously exhibited at Contact Festival, Toronto, 2018; Kuumba Festival, Toronto, 2019; and Aperture, NY 2019. His work has appeared on the cover of Vanity Fair, and publications including Variety, Vogue, and the New York Times.
Brad Ogbonna, @bradogbonna
Brad Ogbonna was born and raised in Saint Paul, MN, and currently lives and works in Brooklyn, NY. A first generation Nigerian-American and a self-taught photographer, his work focuses on the black experience: his own, as well as the many different iterations he has seen while traveling domestically and abroad as a member of the diaspora. His work has appeared in publications such as The New York Times, The Atlantic, Forbes, Bloomberg BusinessWeek, and New York magazine, and he frequently collaborates with the artist Kehinde Wiley. In 2019, Ogbonna’s work was featured at the Walker Art Center in Minneapolis.
Isaac West, @isaacwest
Isaac West is a Liberian-born, U.S.-based photographer, artist, and creative director who specializes in conceptual art and minimalism. West’s luminous portraits evoke a contemporary regality. In 2018, West photographed two issues for Paper magazine, “Higher Ground” (web issue) and “West’s World” (spring print issue). In 2019, West photographed the actress Zendaya for the cover of the Summer print “Extreme” issue of Paper, and West was also named one of Paper magazine’s “100 People Taking Over 2019.” West photographed Parker Kit Hill for the spring 2019 print issue cover of Funk Magazine, a magazine dedicated to the LGBT community. Vogue Italia featured West’s third-biggest photography project called “8Minutes & 46Seconds” as a full spread in their 2020 summer print issue. West’s work was featured in the Aperture Foundation’s 2020 exhibition The New Black Vanguard in New York, NY, which then traveled to Australia and Qatar in 2021.
Ticket information: Admission to ICP is by timed ticketed entry only to ensure limited capacity and other safety standards are met. Tickets can be reserved online at icp.org/tickets. updated Visitor Information and Accessibility guidelines and policies.
GOOD BLACK NEWS proudly celebrates its eleventh anniversary today, March 18, 2021. GBN initially launched in 2010 as a Facebook page (read the story behind GBN’s creation here), and in 2012, we created a dedicated website, goodblacknews.org, which has allowed us to provide archives, search functions and easy access to our most popular social media to you, our readers.
The outpouring of appreciation you’ve shown us over the years via follows, likes, comments, shares, reblogs, DMs and e-mails means the world (even when we are overwhelmed and can’t respond to them all), and inspires GBN to keep working to find ways to expand, improve, and offer more content on the main page as well as on Facebook, Twitter, Instagram, Pinterest, Tumblr, YouTube, RSS feed, LinkedInand Flipboard(new)!
In 2020, Lori also started a Q&A column entitled “Dear Lori”where she responds to questions about white privilege and race she’s been asked by readers that she intends to resume shortly, because the questions just don’t stop.
And after years of promising in these anniversary posts, we finally launched the GBN newsletter via email. The intention is for it to be weekly but for myriad reasons, it hasn’t been consistent. In the coming months, we aim to make it so.
GBN is super proud to announce that in Fall 2021 Workman Publishing will be offering our first physical product: a Page-A-Day® Calendarentitled A Year of Good Black News for 2022, chock full of history, trivia and fun Black facts to enjoy every day of the year. We will offer more information on the calendar and its availability in the coming months.
Good Black News remains a labor of love for Founder/Editor-In-Chief Lori Lakin Hutcherson and co-editor Lesa Lakin, and we must gratefully acknowledge 2020’s volunteer contributors: Susan Cartsonis, Julie Adelle Bibb, Beck Carpenter, Hanelle Culpepper Meier, Jessie Davis, Dan Evans, Gina Fattore, Julie Fishman, Michael Giltz, Eric Greene, Thaddeus Grimes-Gruczka, Ashanti Hutcherson, Warren Hutcherson, Fred Johnson, Epiphany Jordan,Brenda Lakin, Joyce Lakin, Ray Lancon, Lois Leveen, John Levinson,Rob Lowry,Catherine Metcalf, Lara Olsen,Flynn Richardson, Maeve Richardson, Rosanna Rossetto and Becky Schonbrun.
Special thanks to Zyda Culpepper Mellon for allowing GBN to share her powerful video testimony on how white friends and family can be allies, to TedX speaker and contributor Dena Crowder for creating and sharing her Power Shot video series on GBN, to incredible Tech JediSamer Shenouda for migrating and revamping the GBN website to make us bigger, stronger, faster, and to Jeff Meier, Teddy Tenenbaum and Marlon West for creating incredible Spotify playlists and posts covering a variety of genres, sub-genres and artists celebrating the musical diaspora, past and present. You are all deeply, greatly appreciated.
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider following GBN here on the main page, as well as wherever you are on social media.
Please also consider joining our e-mail list via our “Contact Us” tab. We will only use this list to keep you updated on GBN and send you our e-newsletter. And, of course, you may opt out at any time.
GBN believes in bringing you positive news, reviews and stories of interest about black people all over the world, and greatly value your participation in continuing to build our shared vision.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming year, and beyond!
We have been living through the 2020 pandemic, protests, economic crisis and all too real and recent attempts at voter suppression happening across the U.S.
And the last thing anyone needs right now is another long article on the importance of voting. So here it is as succinctly as we can put it:
VOTING the one thing we can do to help ourselves and to help others.
To create the opportunity for change that embraces and includes instead of divides and excludes.
GBN supports the Biden/Harris ticket, because they are about embracing, including, bettering.
The other is not.
So if you haven’t already, please, get to a voting center… and help! (IWillVote.com can tell you where if you don’t know)
Although we as a species are currently going through unprecedented times of hardship and uncertainty as we grapple with a global pandemic, I want to take a moment to acknowledge the creation of Good Black News a decade ago on March 18, 2010.
You can read the detailed story of GBN’s inception and creation here, because what I want to celebrate today more than anything else is you, GBN’s loyal readers and followers, who, in concert with the Good Black News Team, have slowly but steadily built a strong, respectful, and loving community that is willing to celebrate positivity, action, achievement, humor and humanity on a daily basis.
I will admit to having wanted to do more to celebrate ten years of GBN – offered a proper retrospective of our best stories, the times we’ve been news, big up our Top Fans, announce new plans for expansion, perhaps even throw a party! – but between personal and professional challenges this past year (sick family member, demanding day job), plus the current state of affairs due to coronavirus, these words I’m writing in this moment shall have to suffice.
Thank you for the appreciation you’ve shown GBN the past decade via follows, likes, comments, shares, reblogs, letters and e-mails, as they inspire me daily to keep GBN going.
Good Black News remains a labor of love for me and Lifestyle Editor Lesa Lakin, and we gratefully acknowledge the decade’s extraordinary volunteer contributors (in alphabetical order):
Rebecca Carpenter, Susan Cartsonis, Dena Crowder, Julie Bibb Davis, Alyss Dixson, Dan Evans, Gina Fattore, Julie Fishman, Michael Giltz, Eric Greene, Thaddeus Grimes-Gruczka, Skip Heller,Ashanti Hutcherson, Warren Hutcherson, Fred Johnson, Epiphany Jordan, Fabio Koelsch, Brenda Lakin, Joyce Lakin, Ray Lancon, John Levinson, Jason Lief,Neeta McCulloch, Hanelle Culpepper Meier, Jeff Meier, Catherine Metcalf, Minsun Park, Tajamika Paxton, Patrick-Ian Polk, Flynn Richardson, Rosanna Rossetto,Gabriel Ryder, Terry Samwick, Becky Schonbrun, Susan Shaffer, Kelly Spears, Callie Teitelbaum, Teddy Tenenbaum, Arro Verse, Marlon West,and Joshua A.S. Young.
And extra special thanks to friend and best-selling author Terry McMillan for being the inspiration behind it all. P.S. GBN Patron Saint Terry has a new book arriving March 31. Consider checking out It’s Not All Downhill From Here! (amazon link)
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider following GBN on the main page, as well as wherever you are on social media.
Please also consider joining our e-mail list via our “Contact Us” tab on goodblacknews.org. We will only use this list to keep you updated on GBN and send you our upcoming weekly e-newsletter (which may finally launch for real for real, as we will soon have a lot more time to focus on it!) — nothing else. And, of course, you may opt out at any time.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming decade, and beyond!
GOOD BLACK NEWS proudly celebrates its ninth anniversary today, March 18, 2019. Although initially launched on March 18, 2010 as a Facebook page (read the detailed story behind GBN’s creation here), in September 2012, GBN created this dedicated website, goodblacknews.org, which has allowed us to anchor our presence on the internet and provide archives and search functions to you, our loyal readers.
The outpouring of appreciation you’ve shown us over the years via follows, likes, comments, shares, reblogs and e-mails means the world to us, and only inspires GBN to keep working to find ways to expand, improve and create more original content.
Good Black News remains a labor of love for our Founder/Editor-In-Chief (Lori Lakin Hutcherson) and Lifestyle Editor (Lesa Lakin), and we must gratefully acknowledge this year’s volunteer contributors: Susan Cartsonis, Dena Crowder, Julie Bibb Davis, Alyss Dixson, Dan Evans, Gina Fattore, Julie Fishman, Michael Giltz, Eric Greene, Thaddeus Grimes-Gruczka, Skip Heller,Ashanti Hutcherson, Warren Hutcherson, Fred Johnson, Epiphany Jordan, Fabio Koelsch, Brenda Lakin, Joyce Lakin, Ray Lancon, John Levinson, Rebecca Mayer, Jeff Meier, Catherine Metcalf, Minsun Park, Flynn Richardson, Rosanna Rossetto,Terry Samwick, Becky Schonbrun, Susan Shaffer, Kelly Spears, Callie Teitelbaum, Teddy Tenenbaum, and Arro Verse. You are all deeply, greatly appreciated.
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider following GBN here on the main page, as well as wherever you are on social media. We are @goodblacknews on most venues, but here are all the links: Facebook, Twitter, Tumblr, Pinterest, Instagram, YouTube, RSS feed, and LinkedIn.
Please also consider joining our e-mail list via our “Contact Us” tab on goodblacknews.org. We will only use this list to keep you updated on GBN and send you our upcoming weekly e-newsletter (launching this year – for real this time!) — nothing else. And, of course, you may opt out at any time.
GBN believes in bringing you positive news, reviews and stories of interest about black people all over the world, and greatly value your participation in continuing to build our shared vision.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming year, and beyond!
Just a quick reminder if you haven’t found a moment yet to make it to the polls today, there’s still time! GBN Lifestyle/Sports Editor Lesa Lakin and I have hit our respective voting places already – fortunately we had good weather – we urge you to do the same if you haven’t already. We must never forget the sacrifices those who came before us have made – marching, protesting, even dying – to secure every citizen’s right to vote.
So let’s protect our rights and let the powers that be know when we demand change. If you don’t like your local, state or federal laws or officials, foster change by making your voice heard. If you’re not sure where your polling place is, click here to enter your address to find out. If you don’t have transportation, Lyft and Uberare offering free or discounted rides. If you get to the polls and there is some discrepancy, you have the right to demand a provisional ballot. Keegan-Michael Key and Chris Rock lay the facts out about this beautifully in the video below:
by Lesa Lakin (@lesalakin)
Black women wanting to enact positive change is nothing new. But “Grabbing Back” is a particularly inspiring project given the recent uptick in African-American women’s political ambitions. Black women are showing up — exemplified when the nation witnessed the astounding turnout and overwhelming support of 98 percent of black female voters for Democrat Doug Jones, turning Alabama’s senate seat blue for the first time in twenty five years. Inspired by this historic move, filmmakers Pamela French, Shareen Anderson and Wendy Missan have turned their lens toward the powerful movement of African American women across the nation wanting to make a difference and a run for office.
This documentary is timely given the recently reported record number of black women running for office in Alabama and Stacey Abrams‘ historic Georgia Democratic Primary win for governor.
According to the Washington Post, nineteen black women hold seats in Congress, including one in the Senate. An additional two black women are non-voting delegates in the House. Three black women hold statewide offices, including lieutenant governors in Kentucky and New Jersey. And in 2017, voters in New Orleans and Charlotte made history by electing black women as mayor. A film chronicling the journey of African American women seeking office is certain to inspire. “Grabbing Back” shadows Tanzie Youngblood, Tamara Harris and Rev. Dr. Stephany Rose Spaulding, three determined first-time congressional candidates from New Jersey and Colorado. Youngblood, a retired schoolteacher and widow, was motivated, like many women running today, by the present-day political climate and Hillary Clinton’s defeat. “With what’s going on now, I have to get involved,” Youngblood said. “People say things need to be done. I’m actually doing something.” Since she got off the sidelines and announced her congressional bid for New Jersey’s 2nd District, Youngblood has gained some serious recognition both from her constituents and the media; Tanzie was one of the “Avengers” on the Time Magazine’s January 2018 cover story. And in a recent Newsweek article, Youngblood explains one of her biggest challenges is getting her own party’s support, “I’ve been very loyal to this party, but I don’t feel the loyalty back. They don’t see the value in a candidate like me,” Youngblood said.
Like Youngblood, Tamara Harris who is running in New Jersey’s 11th district, says she “became severely concerned for our democracy. What I realized was that if I didn’t step up…the foundations that underpin the advocacy that I care about so much would be under attack and greatly at risk.” Harris brings a tremendous wealth of attributes to her candidacy as a children’s and family advocate and former businesswoman with international finance experience.
Rev. Dr. Stephany Rose Spaulding sees her run for office as yet another call to service. As an educator, a person of faith, and an active member of the community, Spaulding hopes to genuinely represent and serve her constituency to bring inclusion, innovation, and a voice to each person in Colorado’s Congressional District 5. The electrifying International Women’s March drew huge numbers of people and convinced her CO5 deserves a new, fresh representative who will be responsive to the unique needs and concerns of the people.
In addition to the three main candidates, “Grabbing Back” will season the film series with three other formidable women also seeking a seat at the table: Navy Veteran Pam Keith from Florida’s 18th District; Councilor Ayanna Pressley (who was first elected to the Boston City Council in 2009 and is the first woman of color ever elected to the Council) and Shion Fenty, a Republican from Virginia’s 4th District. The filmmakers feel that the story wouldn’t be fairly told without crossing the aisle to include a Republican candidate. Shion believes, “The 4th District deserves a representative in Washington who will fight to empower our communities and our families to chart their own path in achieving the lives they’ve envisioned for their families. That is why I am running for Congress.”
You don’t make progress by standing on the sidelines, whimpering and complaining. You make progress by implementing ideas. – Shirley Chisholm
It is fitting and not lost on the filmmakers that this year marks the 50th anniversary of Shirley Chisholm’s election to the House in 1968 as an “Unbought and Unbossed” reformer from Brooklyn. She was the first black woman elected to the United States Congress and she represented New York’s 12th Congressional District for seven terms from 1968 to 1983. In 1972, she announced her groundbreaking campaign for the Democratic presidential nomination. As the first black woman to run for president for a major political party, Chisholm was making history. While her bid for the top job at the White House was short-lived, the symbolism of her run is as powerful today as it was then. She was a pioneer for her generation, a woman of many firsts: the first African American Congresswoman, the first African American to run for President, and the first woman to run for the Democratic Party’s presidential nomination.
For more information about the project (and to see a great trailer for “Grabbing Back”) click here: https://www.kickstarter.com/projects/grabbingback/grabbing-back-a-feature-documentary-film
This is a meaningful and inspiring project. We are looking forward to seeing it.
Dear Good Black News readers – chances are most of you are unaware that earlier this month, our goodblacknews.org site was hacked and (temporarily) completely wiped off the internet. Luckily, we were able to recover our data and immediately begin work to re-secure GBN. We would have let this remain a behind-the-scenes matter, if not for one thing – the verbiage left on our profile page, the only page we could access while the site was down. Our screenshot of it is below:
In case that is hard to make out clearly, it says: Good Blackuski News Likely I K Kim KK J
We suspect the message above was tailored to target Good Black News and its content. Whether this was the work of a hate group, or of those posing as one to create disruption and stoke anger or fear, the bottom line is Good Black News is not and will not go down, will not be erased and will not alter our positive and pro-active vision one whit.
Over the years GBN has received several racist and/or hateful tweets, emails and comments – our typical response has been to delete, block and move on with little to no acknowledgement of the vitriol. But now, in the era of #TimesUp and #MeToo, it no longer feels right to ignore the ugliness that comes our way, even if pointing it out may invite more of it.
Regardless, we will continue to stay true to our mission and philosophy to be an unfailing and reliable source for all the good things black people do, give, and receive all over the world.
If you want to help us continue to grow as a force, please consider amplifying our site and its cause by encouraging your friends and loved ones to follow us so that we may all be well-informed, stronger and brighter together.
Onward and Upward,
Lori Lakin Hutcherson and Lesa Lakin
GBN Editors