Press "Enter" to skip to content

Posts tagged as “Lee “Scratch” Perry”

MUSIC MONDAY: “The Upsetter” – A Tribute to Reggae/Dub Legend Lee “Scratch” Perry (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Yesterday we lost the great Lee “Scratch” Perry, the monumental reggae singer, producer, and studio wizard who pushed the boundaries of Jamaican music.

He worked with and produced for many artists, including Bob Marley and the Wailers, the Congos, Adrian Sherwood, the Beastie Boys, and many others.

Perry also was a crucial figure in the development of the homegrown art form of dub, which involved the stripping of vocals from previously released recordings and treating the instrumental beds with a variety of otherworldly effects.

Perry serviced dozens of classic “dub plates” to Jamaican sound system dancehalls. Keith Richards told Rolling Stone back in 2010, “You could never put your finger on Lee Perry – he’s the Salvador Dali of music. He’s a mystery. The world is his instrument. You just have to listen. More than a producer, he knows how to inspire the artist’s soul. Like Phil Spector, he has a gift of not only hearing sounds that come from nowhere else but also translating those sounds to the musicians. Scratch is a shaman.”

Brotha had a healthy sense of his own impact, too. “I am the best record producer that Jamaica has seen. Many say that l am the best in the world!” he said in 1984.

Here’s a collection devoted to the best of one the greats. Stay sane, safe, and kind, y’all.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Dream Land” – A Tribute Playlist to Bunny Wailer and the Wailers Legacy (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Bunny Wailer, born Neville O’Riley Livingston, died on March 2nd. He was an original member of The Wailers along with Bob Marley and Peter Tosh, and a lifelong standard-bearer of reggae music.

“The Wailers are to reggae what the Beatles are to rock ‘n roll and pop music,” according to Jamaican music-business veteran Copeland Forbes.

This collection is devoted to the work of The Wailers, and the solo work of Rita Marley, Peter Tosh, and of Bunny Wailer himself.

[spotifyplaybutton play=”spotify:playlist:0mBxXxCdAMgcOvgwFSlefk”]

In the 1960s The Wailers hit their initial stride with Coxsone Dodd’s Studio One label, often called Jamaica’s Motown. They recorded for several producers, including Leslie Kong and, most notably, Lee “Scratch” Perry.

I’ve included several of those songs, and ones The Wailers went on to release on their own Wail ‘N Soul ‘M and Tuff Gong labels.

By 1974, Tosh and Wailer both would leave the group for solo careers. Bob Marley would use The Wailers name for his backup band.

Hope you enjoy this collection of music by greats artist done together and separately.

Stay stay, sane, and kind, you all. Until such time.

Marlon West (photo courtesy Marlon West)

R.I.P. Reggae Legend Bunny Wailer, 73, Founding Member of the Wailers with Bob Marley and Peter Tosh (VIDEO)

Bunny Wailer, a founding member of the Wailers and a reggae music titan whose career spanned seven decades, died today at the age of 73, according to the Jamaica Observer.

Wailer’s manager Maxine Stowe confirmed that Wailer died  at the Medical Associates Hospital in Kingston, Jamaica (via the Jamaica Observer). No cause of death has been named so far, but Wailer had been in and out of the hospital since suffering his second stroke, in 2020.

Wailer, born Neville Livingston — before adopting his famous moniker — was a member of the original Wailers trio with Bob Marley and Peter Tosh.

https://youtu.be/R2rmFRHhwoA

To quote from Rolling Stone:

While Marley and Livingston were being mentored by Joe Higgs, “the Godfather of Reggae,” they met Higgs’ fellow student Peter Tosh; the then-trio ventured to Kingston. Soon after, they were joined by singer Junior Braithwaite and backup vocalists Beverley Kelso and Cherry Smith. Following a string of name changes that included the Teenagers and the Wailing Wailers, the Wailers aligned with Coxsone Dodd’s sound system and Studio One label — which employed songwriters and producers like Lee “Scratch” Perry and Jackie Mittoo — and released the Marley-penned “Simmer Down,” a Number One hit in Jamaica.

Braithwaite, Kelso, and Smith soon departed the Wailers, leaving the nucleus of Marley, Livingston, and Tosh intact; that trio recorded the band’s debut LP, 1965’s The Wailing Wailers, a collection of tracks the band recorded during the mid-Sixties. The Wailers then went on hiatus as Marley married his wife Rita and joined his mother in Wilmington, Delaware; during this period, Livingston served a yearlong sentence for marijuana possession. However, the three principle Wailers reunited upon Marley’s return to Jamaica.

While Marley and Tosh served as the Wailers’ primary singers and songwriters, Livingston played an indispensable role in providing harmonies to the trio’s songs. The Wailers next teamed with Perry and his Upsetters for 1970’s Soul Rebels and 1971’s Soul Revolution; around that time, Livingston wrote and recorded one of his signature songs, “Dreamland,” a track he revisited when he released his solo LP Blackheart Man in 1976.

To read more:

MUSIC MONDAY: “Roots, Rock, Reggae” – a Bob Marley Collection in Honor of his 76th (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley.

It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality.

[spotifyplaybutton play=”spotify:playlist:6OsMQUWxzKzubeTmVwsSHr”]

He is still a global symbol of Jamaican music, culture, and Pan-Africanism. He co-founded The Wailers vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.

They created early ska and rocksteady in the studios of legendary producers Coxsone Dodd and Lee “Scratch” Perry.

Marley would go on to bring reggae music to an international audience, and was inducted into the Rock and Roll Hall of Fame in 1994.

Rolling Stone has ranked him No. 11 on its list of the 100 Greatest Artists of All Time.

Here’s a collection includes his many classics, early recordings, live performances, and remixes, and dub reworkings. This playlist is a testament to the lasting impact of Bob Marley.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Nothing Comes Easy” – A Celebration of Dub Reggae (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Dub has become its own genre of electronic music. Though it grew out of reggae in the late 1960s and early 1970s.

Dub reggae started as a “version” of an existing song. The cuts were achieved by significantly manipulating and reshaping the recordings, often through the removal of some or all of the vocals, with the emphasis on the drums and bass. They were usually pressed on the B-sides of 45 RPM records.

The dub version is often made for a DJ to “toast” over. That tradition continues to this day across many music genres.

[spotifyplaybutton play=”spotify:playlist:4boJM1E6ytVpdhSv5SMxs3″/]

Dub was pioneered by recording engineers and producers like Osbourne “King Tubby” Ruddock, Lee “Scratch” Perry, Errol Thompson, and others in the late 1960s. Augustus Pablo is credited as one of the pioneers and creators of the genre, and for bringing the melodica to dub.

The “Roland Space Echo” was widely used by dub producers in the 1970s to produce echoes and delay effects. These artists, especially King Tubby, Scientist, Lee Perry, and many that would follow, look upon the mixing console as an instrument itself.

This collection brings together early pioneers, and tracks by current artists. Enjoy! And as always, stay safe, sane, and kind.

(A note to the Spotify adherent: This collection will benefit from going to your “Advanced Preferences”, and setting your crossfade to its maximum of 12 seconds. Lean into that Dub-stylee.)

Marlon West (photo courtesy Marlon West)