I’m back with another collection in my “Afro” playlist series — “AfroBeatles.”
Earlier this month the first new Beatles song “Now And Then” dropped with the help of master filmmaker, Peter Jackson, and the surviving members. It is the first new release from the group in 45 years.
The Beatles are rightly known for the unmatched songwriting partnership of John Lennon and Paul McCartney. Towards their later years, George Harrison and Ringo Starr also pitched in with originals. Together, the group created a body of work that inspired no shortage of covers.
Few songwriters have been so thoroughly covered as Lennon/McCartney, and the diversity of Beatles covers is a tribute to their indelible mark on pop music. Here at Good Black News, we are going to focus on the covers by Black artists around the world.
The Beatles (and The Rolling Stones) cut their teeth opening for Little Richard; both bands came away forever altered by his singing style and stage presence.
Paul McCartney and Mick Jagger have made no secret of biting his vocal stylings and dance moves. When it came to doing covers they overt about acknowledging it.
On their first five albums of 1963-1965, almost all of the covers were originally recorded by Black soul artists, including Arthur Alexander’s “Anna (Go To Him)”, The Cookies’ “Chains”, The Shirelles’ “Boys” & “Baby It’s You”, The Top Notes’ “Twist & Shout”, The Marvelettes’ “Please Mr. Postman”, The Miracles’ “You Really Got A Hold On Me”, The Donays’ “Devil In Her Heart”, Barrett Strong’s “Money (That’s What I Want)” and Larry Williams’ “Dizzy Miss Lizzy.”
They are all included here, including their versions of Chuck Berry, Little Richard, and other greats of Soul giants, though the lion’s share of the collection is devoted to R&B, reggae, ska, and jazz covers of Beatles songs.
Here are hours of Beatles music by Stevie Wonder, Bill Withers, Nina Simone, Marica Griffiths, Gary Clark, Jr., and so many others. Please enjoy AfroBeatles!!
by Lori Lakin Hutcherson, GBN founder and Editor-in-Chief
Well, here we are, once again. Forty seven years after February was officially recognized by the U.S. government as Black History Month, and ninety seven years after Negro History Weekwas founded by Carter G. Woodson, “The Father of Black History.”
We are also, once again, deeply distressed by the murder of a young Black person (Tyre Nichols) at the hands of police officers. The fact that the officers and the police chief are Black this time around doesn’t complicate but instead amplifies the grotesque, stark, ironically colorblind reality of systemic racism — it is a pernicious construct of power and oppression that can be upheld or enforced by anyone of any color or gender or creed.
So, how do we reconcile the two — the celebration of Black people and their achievements while constantly experiencing injustice, inequity and increasingly, erasure?
As Editor-in-Chief of Good Black News, a site which for over a decade has literally been dedicated year-round to the celebration of Black people and their achievements, I have been wrestling with this question for a while, particularly in the last eight months.
After the murder of 10 Black people at a supermarket in Buffalo, NY by a white supremacist in May 2022 and the continued downplaying of racially-based domestic terrorism, I felt depleted and bereft. Of hope, of faith, of purpose. It didn’t seem to matter how much Black people achieved or prospered or protested or suffered in America — we couldn’t even buy our groceries in peace.
And once again, the narrative of the “lone, mentally unstable shooter” was trotted out. One person was (rightfully) punished, but the racist political and economic system he embraced in its most violent extreme? It remained (and remains) steadfastly in place. As did the onus remain on the shoulders of Black people to be seen as worthy of basic human rights.
America quickly got back to the business of forgetting and moving on, even after experiencing only two years before what seemed like a watershed moment of racial reckoning after the police murder of George Floyd.
But here were are again today, literally TODAY, with civil rights attorney Benjamin Crump saying during his call to action during Tyre Nichols’ funeral: “Why couldn’t they see the humanity in Tyre?… We have to make sure they see us as human beings worthy of respect and justice!”
We do?
I’ll admit in many ways, I understand where Crump is coming from. “Show the humanity” has essentially been the GBN operating philosophy since 2010 — to create a site and space where we can see and celebrate our humanity, while offering access to anyone else who wants to take a gander.
But now, in 2023, I must push myself to dig deeper and firmly challenge why it should it ever be the responsibility of any human being to convince any other human being of their humanity. To state the obvious, once, and for all:
BLACK PEOPLE ARE HUMAN BEINGS.
If the words above are not inherently understood to be true, why is that? Why does this have to be shown? Proven? Over and over and over again?
My answer, also obvious, is that they don’t. Not ever.
So, while I absolutely respect and still intend to celebrate the legacies of people such as Frederick Douglass, Harriet Tubman, Dr. Martin Luther King, Jr., Rosa Parks, Jackie Robinson, Sidney Poitier and the like, going forward I also need for GBN’s Black History Month and GBN in general to engage more actively in the interrogation and disempowering any systems, institutions or public policies that do not recognize or uphold this truth and all the basic rights that should flow from it (e.g. respect, freedom, safety, equality).
Maybe I’m not giving enough credit to GBN in its past and present form — I acknowledge that GBN has been helpful and appreciated by many for the way we offer information via the lens of celebration and positivity.
What I’m aiming to add to our existing ethos is more critical thinking and opinion about cultural topics and cultural content, boosting political, economic and social policies that are truly about protecting, serving and uplifting Black people, and working to upend those that don’t.
The College Board creates and administers the AP program. Join us in demanding that they:
Reject the narrow interpretation of Florida law that contradicts principles of academic freedom and autonomy in determining what to teach in classrooms.
Take swift action to make sure Florida does not modify the curriculum of the proposed AP African-American Studies course designed with the help of respected Black scholars, but rather, maintains the integrity of the proposed curriculum.
Florida’s current agenda of political interference in the AP African American studies curriculum directly conflicts with the values of equity, fairness, and justice. Our students deserve better.
Additionally, I want to highlight Nikole Hannah-Jones’ The 1619 Projectseries now streaming on Hulu as well as promote the excellent “Intersectionality Matters” podcast by law professor Dr. Kimberlé Crenshaw whose name is among the writers expunged from the AP African American studies curriculum.
I also want to give props to Beyoncéfor officially announcing her 2023 Renaissance World Tour! A definite bright spot on this first day of Black History Month, the efforts Beyoncé and her team are making via the Verified Fan system and its tiers of engagement (first priority given to the BeyHive!) to ensure real fans get access to tickets over usurious resale entities is for sure worth a shout out.
Frankly, I am tired of us being caught out there, and I want GBN to do more, offer more, share more and speak out more. In our tweets, reels, stories, posts, playlists, comments — however.
Maybe I’ll get it wrong sometimes, but with deep love for this community as my true north, may my faith, purpose and hope never again be broken.
This week’s Music Monday share is in tribute to the one and only Harry Belafonte, who turned 95 on March 1st. We celebrate the renowned singer, actor and activist by sharing refreshed and updated list of Calypso music, a genre that Belafonte popularized worldwide with his recordings (his Calypso album from 1956 became the first by a solo performer to sell a million copies) and contributions to the style.
Not only is the refreshed playlist the creation of GBN contributor Marlon West (his original post on calypso can be read here), but he also created the artwork that honors Belafonte as the superhero and champion for civil rights and human rights that he has been for decades (which includes marching on Washington with Dr. Martin Luther King, Jr., funding the Student Nonviolent Coordinating Committee, fighting against apartheid, organizing USA for Africa for famine relief and acting as a UNICEF Goodwill Ambassador) and still is.
Luminaries such as Spike Lee, Alicia Keys, Laurence Fishburne, Whoopi Goldberg and Cornel Westturned out to celebrate Belafonte’s milestone last week at The Town Hall Theater in Manhattan for the first Harry Belafonte Social Justice Awards given by Sankofa.org, a social justice organization founded 10 years ago by Belafonte, his daughter Gina Belafonte and the music executive Raoul Roach.
You can celebrate Belafonte by listening to his own words about his life and activism by checking out the unabridged audiobook of his autobiography, My Song: A Memoir:
Also included in today’s post is a conversation with Belafonte from 2012 at the John F. Kennedy Presidential Library and Museum.
OWN: Oprah Winfrey Network recently announced a month-long celebration in January honoring civil rights legends who paved the way as we approach the 50th anniversary of the historic Selma to Montgomery marches led by Dr. Martin Luther King, Jr.
The network will air the star-studded television event Oprah Winfrey Presents: Legends Who Paved The Way (Sunday, January 18 at 9 p.m. ET/PT) where Oprah Winfrey hosts a gala of events honoring some of the legendary men and extraordinary women of the civil rights movement, the arts and entertainment who made history and redefined what was possible for us all. Honorees include Ambassador Andrew Young, Berry Gordy, Rev. C.T. Vivian, Diane Nash, Dick Gregory, Rev. Jesse Jackson Sr., Congressman John Lewis, Rev. Joseph Lowery, Juanita Jones Abernathy, Julian Bond, Marian Wright Edelman, Myrlie Evers-Williams, Quincy Jones, Sidney Poitier and Harry Belafonte.
On January 4 at 9 p.m. ET/PT, Oprah sits down for a special episode of her popular series Oprah Prime celebrating the life of Dr. King and the Selma marches 50 years later. The episode features an in-depth conversation with the star of the upcoming film Selma, acclaimed actor David Oyelowo who portrays Dr. Martin Luther King, Jr., along with the film’s award-winning director Ava DuVernay. The episode will also feature stories of those who were impacted by the march and their reflections today on that time in American history.
The month of special programming begins on New Year’s Day as NBC News correspondent Tamron Hall hosts Race on The Oprah Winfrey Show with Tamron Hall (Thursday, January 1 at 10 p.m. ET/PT) which highlights those trailblazing Oprah show episodes that elicited shocking audience responses and sparked opportunities for growth towards greater connection, empathy and healing.
Other special programming airing throughout the month include special episodes of Oprah: Where Are They Now? (Thursday, January 1 at 9 p.m. ET/PT) which spotlights memorable civil rights newsmakers and Oprah’s Master Class (Sunday, January 4 at 10 p.m. ET/PT) featuring powerful firsthand accounts from iconic “masters” such as Berry Gordy, Cicely Tyson, Dr. Maya Angelou, Diahann Carroll and many more.
In addition, the world television premiere of the OWN original documentary Light Girls will air on Monday, January 19 at 9 p.m. ET/PT featuring an in-depth look into colorism and the untold stories of lighter-skinned women around the globe. The documentary features interviews with notable celebrities including Russell Simmons, Soledad O’Brien, Diahann Carroll, india.arie, Iyanla Vanzant, Michaela Angela Davis, Kym Whitley, Salli Richardson-Whitfield and more.
WASHINGTON (AP) — Tourists and Washingtonians were about to get their first up-close look Monday at the memorial to the Rev. Martin Luther King Jr.
The site was set to open without fanfare around 11 a.m. to kick off a week of celebrations ahead of Sunday’s official dedication. About 20 people had lined up outside the site by late morning on what was a warm and sunny day.
Pamela M. Cross, 53, a cybersecurity professional from Washington, said she usually passes by the memorial on her morning walk around the National Mall and was excited to be able to see it up close.
Cross said her father, a postal worker, attended the march on Washington in 1963. She said King’s message continues to resonate.
“The way the country is right now, it’s good to remember his principles,” Cross said. “We are in need of jobs, we’re in need of equality, we’re in need of an economic vision that’s inclusive.”
The memorial sits on the National Mall near the Tidal Basin, between memorials honoring Presidents Abraham Lincoln and Thomas Jefferson. It includes a 30-foot-tall sculpture of King and a 450-foot-long granite wall inscribed with 14 quotations from the civil rights leader.
The sheer size of the sculpture of King sets it apart from nearby statues of Jefferson and Lincoln, which are both about 20 feet tall, though inside larger monuments.
A panel of scholars chose the engraved quotations from speeches by King in Atlanta, New York, Washington, Los Angeles and Montgomery, Ala., as well as from King’s books and his letter from a Birmingham, Ala., jail.
One of the stone engravings reads: “We shall overcome because the arc of the moral universe is long, but it bends toward justice.”
The sculptor, Lei Yixin, said he wanted the memorial to be a visual representation of the ideals King spoke of in his “I Have a Dream” speech.
“His dream is very universal. It’s a dream of equality,” Lei said through his son, who translated from Mandarin. “He went to jail. He had been beaten, and he sacrificed his life for his dream. And now his dream comes true.”
The 30-foot sculpture depicts King with a stern expression, wearing a jacket and tie, his arms folded and clutching papers in his left hand. Lei said through his son that “you can see the hope” in King’s face, but that his serious demeanor also indicates that “he’s thinking.”
The statue depicts King emerging from a stone. The concept for the memorial was taken from a line in the “I Have a Dream” speech, which is carved into the stone: “Out of the mountain of despair, a stone of hope.” Visitors to the memorial pass through a sculpture of the mountain of despair and come upon the stone of hope.
The National Mall site will be surrounded with cherry trees that will blossom in pink and white in the spring.
Sunday’s dedication ceremony will mark the 48th anniversary of the March on Washington and King’s famous “I Have a Dream” speech. President Barack Obama is scheduled to speak at the dedication.
via thegrio.com
