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Posts tagged as “James Brown”

MUSIC MONDAY: “Ring of Fire” – Black Voices in Rock And Country Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday! In the weeks since Beyoncé’s recent Country releases, there’s been much debate on her Country bona fides, though the sista has never been shy about voicing her Texas pride.

From Beyoncé’s history with the genre, from the song “Daddy Lessons”, from her 2016 album Lemonade, to the Stetsons worn by Destiny’s Child, many Country devotees ignore her roots and those of other Black artists.

While talking to a good friend and colleague last week, he pointed out that it’s not musicians that draw designations often based on race, it’s the so-called fans. It is also music writers and editors who act as gatekeepers.

Ray Charles, James Brown, Jerry Lee Lewis, B.B. King, Elvis Presley, Aerosmith, Love, Brittany Howard, Lola, Valerie June and so many others can’t be bothered. Music is music.

It has been a long-running theme of my playlist and missives here on GBN, that the roots and current impact of Black artists on Country Music and Rock ’n Roll is deep and continuing.

Rhiannon Giddens is present playing the banjo (an instrument whose roots go back to Africa), on “Texas Hold ‘Em”, and with The Carolina Chocolate Drops. As is Lil Nas X, who was also soundly rebuffed by Country music gatekeepers initially.

I’ve included The Black Pumas, TV On The Radio, Clarence Clemons, Tracy Chapman and of course Lenny Kravitz, who all reject rock music being the domain of white artists.

So, please enjoy this collection of artists that aren’t inclined to be labeled and defy labels.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “AfroBowie” – A Soul-Filled David Bowie Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I’m back with another batch of tracks. AfroBowie” is a collection devoted to David Bowie, who,  in a 1976 Playboy interview, described his own album Young Americans as “the definitive plastic soul record. It’s the squashed remains of ethnic music as it survives in the age of Muzak, written and sung by a white limey.”

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Though those funky soulful tracks made Bowie one of the few white performers to be invited to perform on Soul Train.

He would also go on to call out MTV on not featuring Black artists: “I’m floored by the fact that there are so few Black artists featured on [MTV]. Why is that?” “The only few black artists one does see are on in about 2:30 in the morning until 6:00,” Bowie continued, “Very few are featured prominently during the day.”

Almost a decade before James Brown would become constantly sampled, the Godfather of Soul would borrow Carlos Alomar’s guitar riff from David Bowie’s crossover hit “Fame” to create his track “Hot”.

Bowie would later team up with Queen Latifah for a version “Fame” in 1990. This collection features Bowie covers from Black artists like Robert Glasper & Bilal, Durand Jones & The Indications, Rhonda Dakar and others.

There are Bowie tracks written with his longtime collaborator Alomar including: “D.J.”, “Fame”, “Never Let Me Down”, “Red Money” and “The Secret Life of Arabia”. And of course his team-up with young Luther Vandross on “Young Americans” is in the mix.

I’ve included David Bowie’s covers of “Almost Grown” by Chuck Berry, Nina Simone’s “Wild is the Wind” and versions of “Knock on Wood” (by Eddie Floyd) and “Here Today, Gone Tomorrow” (by Ohio Players) from DAVID LIVE.

There are a few tracks from Ziggy Stardub, a spectacular reggae recasting “Ziggy Stardust” by the Easy Star All-Stars.

There are also songs from the tribute record Modern Love. It features covers from across Bowie’s catalog by Helado Negro, Khruangbin, Jeff Parker, We Are KING, Meshell Ndegeocello, and more. P

lus, Seu Jorge’s beautiful set of Bowie covers from Wes Anderson’s The Life Aquatic with Steve Zissou. Hope you enjoy AfroBowie as much as I’ve enjoyed making it.

As always, stay safe, sane, and kind. See ya next month.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Summer Breeze” – a Summer Songs Playlist for 2022 (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

Today on #MusicMonday, we’re celebrating the beginning of Summer 2022, which officially kicks off tomorrow.

One of our most popular playlists of the last couple years was our Summer Breeze: Soulful Summer Songs playlist, which we created two years ago in the midst of the pandemic.

So this year, we’ve taken that original playlist and created the ‘new and improved’ version with about 50 more tracks (!) added to the lineup.

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Our playlist is slightly different than the typical summer mixtape – these are not just summer hits, or summer favorites. To qualify for our list, a song literally had to feature the word “summer” in its title.  It had to be literally “about” summer – the moods and feelings it evokes.

Fortunately, the season of BBQs, island vacations, swimming in the pool has provided inspiration to virtually every genre and generation of Black musicians, so we’ve got all the “summer”-titled popular hits spanning the ’30s to today from DJ Jazzy Jeff & Fresh Prince, Kool & The Gang, Carl Thomas, War, Sly & The Family Stone, Childish Gambino, Chic, Megan Thee Stallion and The Isley Brothers, mixed in with jazz, hip hop, dance, reggae, and plenty of vocal standards.

Nat “King” Cole is not only one of our top singers of Christmas standards, but also the leader in “summer” tunes, with five songs on our playlist.

And throughout, we’ve sprinkled multiple versions of the Porgy & Bess standard “Summertime,” performed here by everyone from Anita Baker to James Brown.

Among the new songs we’ve added are everything from Jhene Aiko to Joan Armatrading, Anderson.Paak to Prince, Jim Jones to Johnny Mathis, Leon Bridges to Labi Siffre to St. Lunatics.

So, fire up the grill, break out the water slide for the kids, and perhaps grab a mai-tai or piña colada.  Then relax to the sounds of Summer.  Happy Summer everyone!

GBN’s Daily Drop: George Washington, Clap to This: “Eric B. Is President” by Eric B. & Rakim (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop Podcast for Tuesday, February 22, 2022 — aka Washington’s Birthday — based on the  “A Year of Good Black News” Page-A-Day®️ Calendar for 2022.

In it we talk about legendary duo Eric B. & Rakim and the song that became their industry calling card and helped up the game in hip hop – 1986’s “Eric B. Is President.”

You can also follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, February 22nd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

With the 1986 release of their first single, “Eric. B is President,” Eric. B & Rakim shook up the proverbial hip-hop tree. Deploying complex rhymes, internal musings, and visual storytelling, Rakim revolutionized the MC game, referencing Greek mythology in one bar and Janet Jackson songs in the next.

Eric B., meanwhile, as the DJ scratched, mixed, and sampled the bassline from Fonda Rae’s 1982 single “Over Like a Fat Rat,” added in drums from James Brown’s “Funky President (People It’s Bad),” threw in bits of “The Champ” by the Mohawks, along with the Honey Drippers“Impeach the President,” a few more samples, and one of the all-time classic punch lines ever rapped, “Eric B. Is President” was just the ticket to land them a major record deal at RCA and solidify their place in hip hop history.

To learn more about “Eric B. Is President,” check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers.

Intro and outro beats provided by freebeats.io and produced by White Hot.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

  1. https://www.okayplayer.com/news/marley-marl-remakes-eric-b-is-president.html
  2. https://www.whosampled.com/sample/35392/Eric-B.-Rakim-Eric-B.-Is-President-(Original-Mix)-James-Brown-Get-Up,-Get-Into-It,-Get-Involved/
  3. https://www.songfacts.com/facts/eric-b-rakim/eric-b-is-president

Songs sampled in episode:

(paid links)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!

Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.

The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.

Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.

I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.

I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.

MUSIC MONDAY: “Get Down On It” – an Old School and New Funk Mix – (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sorry, not sorry for this more than a workday’s worth of rump-shaking tunes. Perhaps some of you are at stand-up desks and can get that groove on.

This week’s offering is devoted to Funk music. In the words of Parliament/Funkadelic, “Uncut funk, the bomb.” This mixture of soul, gospel, jazz, and rhythm, and blues was started in the mid-1960s by the “Godfather of Soul” James Brown.

Funk had its hey in the 1970s and ‘80s, though its impact is still felt around the world. Funk grooves have been sampled by hip-hop artists and rock bands alike.

If you’re like me, you’ll be thrilled to know there’s plenty of new funk music being created today. Lady Wray, Yola, Anderson.Paak, and others will make you a believer.

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This collection is devoted to funk masters like James Brown, Sly Stone, George Clinton and Lyn Collins, and new practitioners like Tank & The Bangas, Emily Wright, Thundercat, Los Coast and others.

Have a great week. And as ways stay safe, sane and kind. More soon.

Marlon West (photo courtesy Marlon West)

“Black Americana”: Traditional and Modern Takes on Patriotic Songs by African American Artists (LISTEN)

[Photos: Jimi Hendrix at Woodstock; Marian Anderson at Lincoln Memorial; Whitney Houston at Super Bowl XXV]

by Lori Lakin Hutcherson (@lakinhutcherson)

Yesterday was a good day. As Joe Biden and Kamala Harris became President-Elect and Vice President-Elect of the United States of America, in several cities across the nation literal dancing broke out in the streets. So many people from all stripes of life — Black, Brown, white, Asian, Indigenous — were together exhibiting their joy at the victory.

The massive turnout — in the middle of a surging pandemic, no less — to celebrate the repudiation of the path towards division and exclusion in favor of the path towards inclusivity and diversity was the most patriotic thing I’ve witnessed on a national level in a long time. And so many were carrying and waving American flags.

It’s being acknowledged in the media – as well as in President Elect Biden’s speech – how vital the African American community was in saving this nation’s democracy.  The visuals and the fireworks brought home for me just how much at heart Black people are patriots.

Even though from jump we have been treated unjustly, cruelly, unfairly — we have worked tirelessly to fight for the ideals America is supposed to stand for. Justice. Freedom. Equality. Perhaps we believe in democracy the most because we have always been the most vulnerable when it doesn’t exist.

Hearing Vice President-Elect Harris strut out to Mary J. Blige‘s “Work That” and President Elect Biden sprint out to Bruce Springsteen‘s “We Take Care of Our Own” before their respective speeches, then enjoy the crowd and fireworks to some Jackie Wilson, Coldplay, Hall & Oates and Tina Turner, made me think about some of my favorite takes on patriotic American songs by African American artists that could have been cool to play as well. (My most recent favorite from the past few years? Jon Batiste‘s inventive, unexpectedly moving version of “The Battle Hymn of the Republic.”)

When my sister Lesa texted me a song she’d been listening to all day — “This Land Is Our Land” by Sharon Jones and the Dap Kings — my thoughts turned to action and I started making the playlist below I call “Black Americana” for inspiration now and in the months to come:

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MUSIC MONDAY: “In The Heat of the Night” – A Celebration of Black Film Music (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Hello, again! Here’s a collection of Black composers of film music. There are a few iconic songs from films included here, but the playlist is mainly devoted to scores.

As usual, this is a varied group of artists. They come from Jazz (Herbie Hancock and Duke Ellington), popular music (James Brown, RZA and Pharrell Williams), Rock (Barry Adamson), and of course, Classical ( Michael Abels and Kathryn Bostic).

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This collection spans decades of work from the 1930s to very recent releases. Hope you enjoy the wide-ranging collection of film music.

“See” ya next week. And was want is always my wont, please stay safe sane, and kind And VOTE!

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Knock Me A Kiss” – A Tribute to Louis Jordan (LISTEN)

[Photo: Louis Jordan at the Paramount Theater in 1946. By William P. Gottlieb]

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Since the 1960s, especially when it came to emerging British rockers, the roots of Rock ’n Roll were a direct line to “authentic” Blues players. (Mainly men, but that’s the subject for another playlist.)

It’s mainly true, but it leaves out Country music, and in what Bullseye with Jesse Thorn host Jesse Thorn called “the race to find the most hard-scrabble weathered bluesman from the fields of Alabama or Mississippi or wherever” also ignores Jazz dance music.

Hugely popular in its day, it followed the big band era and was the springboard for Rhythm & Blues. Particularly the genre of “Jam Blues” and its trail-blazing, funny, and brash master of the game: Louis Jordan.

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When it became too expensive for big bands to tour in the 1940s, Jordan led a revolution by cutting his band in half. The Tympany Five was a horn section, drums, guitar, bass, and piano. Jordan played saxophone and sang lead vocals himself, which was a rare move at the time.

In Tribute to Chadwick Boseman, ’42’ to be Re-Released in Theaters

According to Variety.com, AMC Theatres will pay tribute to beloved actor and Black Panther star Chadwick Boseman, who died last week of colon cancer at 43, by screening 42, Boseman’s leading man debut as Major League Baseball barrier breaker and icon Jackie Robinson. (To read GBN’s review of 42, click here.)

Warner Bros. and Legendary, the studios behind the 2013 film, have teamed up with the theater chain to make “42” viewable in more than 300 locations. That’s nearly every AMC venue that’s open as coronavirus closures start to lift. Tickets for 42 will only be $5 and will go on sale by the end of Tuesday.