Tag: Howard University

HISTORY: Library Science Pioneer Dorothy Porter Wesley Created Archive at Howard University that Structured New Field of Africana Collections

Dorothy B. Porter (photographed by Carl Van Vechten, 1951)

by Kara Bledsoe via daily.jstor.org

For more than 150 years, Howard University has been associated with the highest caliber of scholarship on the African diaspora. Howard’s legacy as a hub for the intellectual exploration of Blackness is widely appreciated in the Africana subset of academia. Lesser known is the woman who conceived and facilitated the development of Howard’s wealth of archival resources into one of the primary centers for the study of people of African descent. The story of Dorothy Porter Wesley, a pioneer in the field of library and information science, is also the story of the triumphant beginnings of a new discipline. As a result of Porter’s vision and dedication, Black special collections began to occupy more prominent roles in their institutions, allowing engagement with historically marginalized narratives through the palpable past.

The Moorland-Spingarn Research Center, an administrative unit containing the libraries, university archives, museum, and additional special collections at Howard University is the realization of a vision from centuries past. During Reconstruction, former Union general Otis Howard and his supporters in Washington D.C., founded the university that bears his name. From its inception, the school was to have a library. The first board members, many of whom were prominent figures in the local Black community or wealthy northern abolitionists, donated swaths of manuscript material, mostly concerning Africa and abolitionism.

These contributions reflected a wave of interest in studying Black history that coincided with the introduction of Black historical societies across the country in the late nineteenth and early twentieth centuries. In significant numbers, the Emancipated were reclaiming a history that white supremacy attempted to erase. After hundreds of years of white people in the United States denying Black people their agencies, histories, languages, and cultures, the very act of consolidating materials for study was radical, and the undercurrent of this practice is the genesis of a dedicated examination of Blackness.

Growing in an ebb and flow of major donations and smaller, continuous gifts, the Moorland-Spingarn Research Center evolved from a one-room study in 1917 to a large-scale Foundation by the turn of the century. The University accepted donations of personal libraries and papers, including first editions and other rare texts and writings from Howard and his contemporaries. The generosity of donors was not unique to the University. Wherever freedmen settled, one of the first institutions in their communities was a school, and teachers were highly regarded. Additionally, wealthy, white, northern philanthropists felt strongly that contributing to the education of the formerly enslaved would partially atone for the “earthly torment” of the Atlantic Slave Trade. In these respects, the origins of Howard’s collections are comparable to those of peer institutions, although the school’s Du Boisian ethos differentiated it from its primarily vocational contemporaries.

By the 1930s, Howard University was one of the premier academic establishments for Black elites and their progeny. Sixty-five years removed from enslavement, the first generation of Howard graduates made way for a new crop. Among this number was Dorothy Porter.

Born on May 25, 1904, to a middle-class family in Virginia, Dorothy Louise enjoyed a comfortable lifestyle, supported by her parents, the Burnetts. Her father Hayes Joseph Burnett, was a physician, and her mother Bertha (née Ball) was a tennis pro-turned-homemaker. As a girl, Porter’s family moved to suburban Montclair, New Jersey, where she and her three younger siblings grew up. In 1923, Porter moved to Washington, D.C., to attend Miner Normal School, receiving a diploma two years later.

An avid bibliophile and writer, Porter earned a bachelor’s degree from Howard, then made her way to New York at the height of the Harlem Renaissance, where she became acquainted with some of the movement’s biggest names. Throughout her education, she coupled her passion for Africana with her interest in cataloguing and preservation. She persevered through discouragement and discrimination, becoming the first Black woman to receive a library science degree from Columbia. Continue reading “HISTORY: Library Science Pioneer Dorothy Porter Wesley Created Archive at Howard University that Structured New Field of Africana Collections”

Howard University Alumni Damon Lawrence and Marcus Carey Open The Moor, a Hotel Dedicated to Black Culture

Marcus Carey and Damon Lawrence of Homage Hospitality (Photo credit: Kim Davalos)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to blavity.com, while attending Howard University, Damon Lawrence worked in the hotel industry as a front desk agent, and decided he would own his own hotels one day with one exception–his business would cater exclusively to blackness. “Black culture leads American culture and American culture leads global culture, so [we] think it’s time a hotel property reflected the best of black culture,” Lawrence.

The young entrepreneur, along with his business partner and co-founder of Homage Hospitality, Marcus Carey (also a Howard alum), opened the doors to The Moor in New Orleans, Louisiana, this week. The upscale 10-room hotel pays homage to the Moors of North Africa  through its architecture aesthetic. (You can use the promo code “Launch” through July 4th for 60% off your stay.)

Lawrence and Carey plan to open locations where black “culture is thriving;” such as Washington, D.C., Brooklyn and Detroit. The duo plans to open a 102-room property called The Town Hotel in Downtown Oakland by 2019. Even sooner, they plan to launch another property in the Treme section of New Orleans called The Freeman; it is known as the first place in the U.S. black people could purchase property.

“We want to go everywhere that culture exists and thrives, so there’s plenty on the plate”, Lawrence says.

To learn more about these men and their mission, check out their recent interview with Rolling Out.

R.I.P. Dovey Johnson Roundtree, 104, Army Captain, Minister and Trailblazing Civil Rights Lawyer

Dovey Johnson Roundtree outside the United States District Court in Washington, about 1985. “As a woman, and as a woman of color in an age when black lawyers had to leave the courthouse to use the bathrooms, she dared to practice before the bar of justice and was unflinching,” the co-author of her memoir said. (Credit: via Dovey Johnson Roundtree)

by Margalit Fox via nytimes.com

The jurors were looking at her when they filed into court. That, Dovey Johnson Roundtree knew, could have immense significance for her client, a feebleminded day laborer accused of one of the most sensational murders of the mid-20th century.

Little had augured well for that client, Raymond Crump Jr., during his eight-day trial in United States District Court in Washington: Mr. Crump, who had been found near the crime scene, was black and poor. The victim was white, glamorous and supremely well connected. The country, in the summer of 1965, seethed with racial tension amid the surging civil rights movement.

Federal prosecutors had amassed a welter of circumstantial evidence — including 27 witnesses and more than 50 exhibits — to argue that on Oct. 12, 1964, Mr. Crump had carried out the execution-style shooting of Mary Pinchot Meyer, a Washington socialite said to have been a former lover of President John F. Kennedy.

By contrast, Ms. Roundtree, who died on Monday at 104, had chosen to present just three witnesses and a single exhibit to the jury, which comprised men and women, blacks and whites. Her closing argument was only 20 minutes long.

Now, on July 30, 1965, the jury, having deliberated, was back. The court clerk handed the verdict slip to the judge, Howard F. Corcoran. For most observers, inside the courtroom and out, conviction — and an accompanying death sentence — was a foregone conclusion.

“Members of the jury,” Judge Corcoran said. “We have your verdict, which states that you find the defendant, Ray Crump Jr., not guilty.”

Ms. Roundtree’s defense, which hinged partly on two forensic masterstrokes, made her reputation as a litigator of acuity, concision and steel who could win even the most hopeless trials. And this in a case for which she had received a fee of one dollar.

“As a woman, and as a woman of color in an age when black lawyers had to leave the courthouse to use the bathrooms, she dared to practice before the bar of justice and was unflinching,” Katie McCabe, the co-author of Ms. Roundtree’s memoir, “Justice Older Than the Law,” said in an interview for this obituary in 2016. “She was a one-woman Legal Aid Society before people used that term.”

Officer, Lawyer, Minister

Ms. Roundtree’s victory in the Crump case was not her first noteworthy accomplishment, and it was by no means her last. Born to a family of slender means in the Jim Crow South, Ms. Roundtree — or the Rev. Dovey Johnson Roundtree, as she was long formally known — was instrumental in winning a spate of advances for blacks and women in midcentury America, blazing trails in the military, the legal profession and the ministry.

As an inaugural member of the Women’s Army Auxiliary Corps (later the Women’s Army Corps), she became, in 1942, one of the first women of any race to be commissioned an Army officer. Attaining the rank of captain, she personally recruited scores of African-American women for wartime Army service.

Ms. Roundtree in Washington about 1963, not long before she took on the greatest criminal case of her career, the United States v. Raymond Crump Jr., in which she won acquittal for a black man accused of the murder of a white Washington socialite. (Credit: via Dovey Johnson Roundtree)

As a Washington lawyer, she helped secure a landmark ban on racial segregation in interstate bus travel in a case that originated in 1952 — three years before Rosa Parks refused to yield her seat in Montgomery, Ala.

As a cleric, Ms. Roundtree was one of the first women to be ordained a minister in the African Methodist Episcopal Church.

In 2009, in a statement honoring the publication of “Justice Older Than the Law,” the first lady, Michelle Obama, said, “As an Army veteran, lawyer and minister, Ms. Roundtree set a new path for the many women who have followed her and proved once again that the vision and perseverance of a single individual can help to turn the tides of history.”

Yet for all her perseverance, and all her prowess, Ms. Roundtree remained, by temperament, choice and political circumstance, comparatively unknown.

“One has to start with the fact — and I think it’s an acknowledged fact — that the civil rights movement was notoriously sexist,” Ms. McCabe said in 2016. “There were many men who did not appreciate being ground up into hamburger meat by Dovey Roundtree. There are many, many white lawyers — male — in Washington who were humiliated by having been beaten by a black woman. And I think that played out in a number of ways. And one of those ways has been a diminution in the recognition that I think her accomplishments merit.”

Continue reading “R.I.P. Dovey Johnson Roundtree, 104, Army Captain, Minister and Trailblazing Civil Rights Lawyer”

Denzel Washington Paid for ‘Black Panther’ star Chadwick Boseman to Study at Oxford

"Black Panther" star Chadwick Boseman
“Black Panther” star Chadwick Boseman (Albert L. Ortega | Getty Images)

by  via cnbc.com

Chadwick Boseman, the 41-year-old star of Black Panther, may have Oscar-winner and 2018 nominee Denzel Washington to thank for some of his success. While studying at Howard University in the late ’90s, Boseman and some of his peers applied to a prestigious summer theater program at The University of Oxford. The group of students got in, but they couldn’t afford to go.

One of their acting teachers at Howard, actress Phylicia Rashad from The Cosby Show, “pushed for us,” Boseman told Rolling Stone. “She essentially got some celebrity friends to pay for us to go.” It wasn’t until after the program when he got a beneficiary letter and found out who funded the program: “Denzel paid for me. I’m sure he has no idea. … I’ve been waiting to meet him, so I can tell him.”

Boseman wrote Washington a thank-you letter, but he didn’t tell anyone else about it for two decades. “I’ve basically been holding this secret my whole career,” he told Jimmy Fallon on The Tonight Show, explaining that he didn’t want Washington to feel like he owed him anything else.

Boseman wanted to meet Washington in person before saying anything. He hadn’t met him before the Rolling Stone interview but, after 20 years, he figured it was OK to reveal the detail. As Boseman told Fallon: “I think I’ve made it to the point where he’s not going to think I’m trying to get something from him by saying it.”

Coincidentally, just before the Rolling Stone feature came out, Boseman got to meet his benefactor. Washington came to the New York premiere of “Black Panther,” and, “I met him, before the article came out,” Boseman told Fallon. “So I actually lived up to what I originally wanted to do. It was amazing.”

When Fallon asked how the introduction went, Boseman recalled how he thanked him for paying for Oxford a while back, to which Washington jokingly replied: “Oh, so that’s why I’m here. You owe me money! I came to collect!”

Source: https://www.cnbc.com/2018/03/02/denzel-washington-paid-for-chadwick-boseman-to-study-at-oxford.html

Anok Yai Becomes 1st Black Model since Naomi Campbell to Open the Prada Show at Milan Fashion Week

Model Anok Yai (Getty Images)

by Lauren Alexis Fisher via harpersbazaar.com

Last week, model Anok Yai made history at Prada‘s Fall 2018 show during Milan Fashion Week.

The 19-year-old became the second black model to ever open a Prada show. The first was Naomi Campbell back in 1997. Yes, it’s been over two decades since a woman of color opened a Prada runway.

Anok took to Instagram to thank Miuccia Prada, along with her team, for the opportunity, writing, “Can’t believe I’m the first black woman to open for Prada since queen @iamnaomicampbell, forever grateful.”

The model’s monumental runway walk is especially incredible as she was just discovered last fall while attending Howard University’s homecoming. Weeks later, she signed with Next Models. And just one month ago, she made her runway debut at Prada’s Menswear Fall 2018 show.

Of course, the fact that Prada hasn’t cast a woman of color to open its show in over two decades is problematic in itself. In the past, the brand has come under scrutiny for its lack of diversity both on the runway and in its campaigns. Hopefully, Anok opening the Fall 2018 show is an indication the Italian fashion house is headed in the right direction when it comes to diversity.

Extremely slowly, but surely, more and more brands are recognizing the importance of casting diverse runways. This season’s Fall 2018 shows at New York Fashion Week marked the most racially diverse of all time—with women of color accounting for 37.3% of all castings. Still, there’s a lot of work to be done.

Source: https://www.harpersbazaar.com/fashion/models/a18696458/anok-yai-black-model-prada-show/

Dr. David Blackwell, UC Berkeley’s 1st Tenured Black Scholar, Has a Building Named in His Honor

David Blackwell (photo via nytimes.com)

via jbhe.com

The University of California Berkeley is naming its newest residence hall in honor of David Blackwell. Dr. Blackwell, an accomplished statistician, was the first African American to be grant tenured at the university. He joined the mathematics department at Berkeley in 1954 and stayed on the faculty there until retiring in 1988. Dr. Blackwell died in 2010.

The new residence hall will house 750 undergraduate students and is expected to be ready to open this fall. Chancellor Carol Christ said that Professor Blackwell is “an exemplar of what Berkeley stands for: scholarly excellence of the highest caliber tied to a mission of social justice and inclusion.”

A native of Illinois, in 1935 Blackwell entered the University of Illinois at the age of 16. By 1941 he had earned bachelor’s, master’s, and Ph.D. degrees in mathematics. He then joined the Institute of Advanced Study in Princeton but left after one year. Professor Blackwell taught at Southern University and Atlanta University before joining the faculty at Howard University in 1944. At Howard, he became a full professor and chaired the department of mathematics. In 1965 Dr. Blackwell was the first African American to be inducted into the National Academy of Sciences.

Source: https://www.jbhe.com/2018/02/berkeleys-first-tenured-black-scholar-has-a-building-named-in-his-honor/?utm_campaign=20180215wb

 

National Museum of Women in the Arts in D.C. to Host “Magnetic Fields” Exhibition on October 13; 1st in U.S. of Abstract Art by Intergenerational Black Women Artists

Mildred Thompson, Magnetic Fields, 1991; Oil on canvas, triptych, 70 1/2 x 150 in.; Courtesy of the Mildred Thompson Estate, Atlanta, Georgia

by Lori Lakin Hutcherson (@lakinhutcherson)

A landmark exhibition of abstract paintings, sculptures and works on paper by 21 black women artists will be on view at the National Museum of Women in the Arts (NMWA) from Oct. 13, 2017–Jan. 21, 2018. Magnetic Fields: Expanding American Abstraction, 1960s to Today places the visual vocabularies of these artists in context with one another and within the larger history of abstraction. This exhibition celebrates those under-recognized artists who have been marginalized, and argues for their continuing contribution to the history and iconography of abstraction in the United States. Magnetic Fields is the first exhibition dedicated exclusively to the formal and historical dialogue of abstraction by black women artists.

Chakaia Booker, El Gato, 2001; Rubber tire and wood, 48 x 42 x 42 in.; Collection of the Kemper Museum of Contemporary Art, Bebe and Crosby Kemper Collection,; (Photo by E. G. Schempf)

From the brilliant colors and energetic brushwork of Alma Woodsey Thomas’s paintings to shredded tire sculptures by Chakaia Booker, works featured in this exhibition testify to the enduring ability of abstraction to convey both personal iconography and universal themes. The exhibition underscores the diversity of abstract art, which lies in its material construction and conceptual underpinnings, as well as in its practitioners.

Magnetic Fields features a range of works, including early and later career examples, several exhibited for the first time, and the long-awaited reappearance of iconic works such as Mavis Pusey’s large-scale painting Dejyqea (1970), featured in the Whitney Museum of American Art’s landmark 1971 exhibition Contemporary Black Artists in America.

“By highlighting each artist’s individual approach to materials, composition, color and content, Magnetic Fields creates a context for a lively and visual conversation among these artists,” said NMWA Director Susan Fisher Sterling. “The project also vigorously expands the art-historical narrative on post-war American abstract art. This exhibition shifts our attention to key practitioners who have not received their due, fostering a deeper appreciation of their accomplishments and asserting a new parity of value for their work.”

Magnetic Fields also pays tribute to the lived experience of each of the featured artists who have come individually to pursue abstraction, disrupting the presumption that only figurative works can convey personal experience. Collectively, work by the select group of prolific creators, born between 1891 and 1981, represents a range of approaches rooted in Abstract Expressionism, Color Field painting and Minimalism, with emphasis on process, materiality, innovation and experimentation. The artists in the exhibition are:

  • Alma Woodsey Thomas, Orion, 1973; Acrylic on canvas, 59 3/4 x 54 in.; Courtesy of the National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay (Photo by Lee Stalsworth)

    Candida Alvarez (b. 1955)

  • Chakaia Booker (b. 1953)
  • Betty Blayton (b. 1937, d. 2016)
  • Lilian Thomas Burwell (b. 1927)
  • Nanette Carter (b. 1954)
  • Barbara Chase-Riboud (b. 1939)
  • Deborah Dancy (b. 1949)
  • Abigail DeVille (b. 1981)
  • Maren Hassinger (b. 1947)
  • Jennie C. Jones (b. 1968)
  • Evangeline “EJ” Montgomery (b. 1930)
  • Mary Lovelace O’Neal (b. 1942)
  • Howardena Pindell (b. 1943)
  • Mavis Pusey (b. 1928)
  • Shinique Smith (b. 1971)
  • Gilda Snowden (b. 1954, d. 2014)
  • Sylvia Snowden (b. 1942)
  • Kianja Strobert (b. 1980)
  • Alma Woodsey Thomas (b. 1891, d. 1978)
  • Mildred Thompson (b. 1936, d. 2003)
  • Brenna Youngblood (b. 1979)

“As curators, we are honored to present this incredible, intergenerational group of artists,” stated co-curators Erin Dziedzic and Melissa Messina. “This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.” Continue reading “National Museum of Women in the Arts in D.C. to Host “Magnetic Fields” Exhibition on October 13; 1st in U.S. of Abstract Art by Intergenerational Black Women Artists”

These Black Graduates Swag Surfing are the Epitome of Black Joy

(photo via twitter.com)

by Jenna Amatulli via huffpost.com

You may think your graduation was lit, but did you and every one you know swag surf? No?Well, sit down and read on. Graduates at Howard University and Langston University decided to dance themselves into post-grad life by celebrating with a group swag surfin’ session. And the videos are truly glorious. Take a look at these from a Howard U ceremony that appears to have gone down on May 12:

To read more, go to: These Black Graduates Swag Surfing Are The Epitome Of Black Joy | HuffPost

Eight African Americans Earn Truman Scholarships for Graduate Study in 2017

Dontae Bell, Taylor Cofield, Lexis Ivers, Chelsea Jackson, Thomas Mitchell, Kathleen Nganga, Shyheim Snead, and Soreti Teshome (photos via jbhe.com)

article via jbhe.com

The Harry S. Truman Scholarship Foundation has announced the selection of the 2017 Truman Scholars. Each Truman Scholar is awarded up to $30,000 for graduate study. They also receive priority admission to several top-tier graduate schools, have career and graduate school counseling opportunities, and are fast-tracked for internships within the federal government.

Truman Scholars must be U.S. citizens and be in the top 25 percent of their college class. They must express a commitment to government service or the nonprofit sector. Since the establishment of the program in 1975, 3,139 students have been named Truman Scholars.

This year, 62 Truman scholars were selected from 768 candidates nominated by 315 colleges and universities. While the foundation does not release data on the racial and ethnic make up of Truman Scholars, a JBHE analysis of this year’s class of 62 Truman Scholars, concludes that it appears that 8, or 12.9 percent, are African Americans. Here are brief biographies of the African Americans named Truman Scholars this year:

Dontae Bell is a junior at Howard University in Washington, D.C., studying economics and military science. He is a member of the Air Force Reserve Officer Training Corps and was selected as a pilot candidate this spring. After graduation, Dontae will commission as a second lieutenant in the United States Air Force. Eventually, he hopes to earn a master of public administration degree before pursuing a career in public service.

Taylor Cofield is a junior political science and international studies major with a minor in Middle East studies at the University of Missouri. She also is studying Arabic. Cofield is a member of the university’s track team and is current legislative intern with the Missouri State Senate. Upon graduation, she hopes to fulfill a two-year assignment in the Peace Corps and then pursue a dual master’s and law degree program in contemporary Arab studies and national security law.

Lexis Ivers is a third-year student at American University in Washington, D.C., where she studies law and policy. She is the founder and director of Junior Youth Action DC, a mentorship program focused on the academic and personal development of foster youth. She plans to pursue a career in child welfare law, which will allow her to advocate for children when foster care systems fail.
Continue reading “Eight African Americans Earn Truman Scholarships for Graduate Study in 2017”

Ta-Nehisi Coates’s ‘Between the World and Me’ to be Staged at the Apollo Theater in April 2018

Ta-Nehisi Coates (photo via nytimes.com)

article by Andrew R. Chow via nytimes.com

“Between the World and Me,” Ta-Nehisi Coates’s award-winning book exploring racial injustice in America, will be brought to the Apollo stage next April.

Mr. Coates’s fiery work — which made him the National Book Award winner and a Pulitzer Prize finalist — will be adapted into a multimedia performance, with excerpted monologues, video projections, and a score by the jazz musician Jason Moran.

Portions of Mr. Coates’s letters to his son would be read aloud, while narratives of his experiences at Howard University and in New York City could be performed by actors. Kamilah Forbes, the Apollo’s executive producer, will direct the production.

The coming Apollo season will be Ms. Forbes’s first full season in the role; she previously was the associate director of “Raisin in the Sun” on Broadway.

To read more, go to: Ta-Nehisi Coates’s ‘Between the World and Me’ Is Coming to the Apollo – NYTimes.com