‘Hidden Figures’ Inspiration Katherine Johnson Will Deliver Hampton University Commencement Address in May

NASA Mathematician Katherine Johnson (photo via essence.com)

article by Danielle Kwateng-Clark via essence.com

Hampton University is welcoming a living legend for their 147th Commencement this May. The historically Black university announced that Katherine G. Johnson, the physicist and mathematician who worked for NASA and was an inspiration behind “Hidden Figures,” would join them as their commencement speaker this year.

As an African-American woman, job options were limited —but she was eventually hired as one of several female mathematicians for the agency that would become NASA,” President Barack Obama said during her Presidential Medal of Freedom honor.

To read more, go to: Katherine Johnson Will Deliver Hampton University Commencement Address| Essence.com

‘Hidden Figures’ Author Margot Lee Shetterly Signs Two-Book Deal with Viking

Margot Lee Shetterly (photo by Nicholas Hunt/Getty Images)

article by Sameer Rao via colorlines.com

Following the literary and film success of “Hidden Figures,” author Margot Lee Shetterly will turn her attention to two little-known but prominent Black families in Baltimore. Viking Books announced today (April 10) that it has acquired the rights to Shetterly’s next two books.

The first will focus on the mid 20th-century achievements of the Murphys, a publishing family, and the entrepreneurial Adams family. As described by PBS, formerly enslaved patriarch John Henry Murphy founded the The Afro-American newspaper and turned it, with his children, into one of the country’s most widely-read Black titles.

The paper tackled Jim Crow, the lack of Black representation in Baltimore government and other racial justice issues throughout its existence. The Murphys used this influence to successfully advocate local change, including desegregating the University of Maryland‘s law school.

A 2011 Baltimore Sun obituary for Adams family leader William “Little Willie” Adams notes that he and his schoolteacher-turned-politician wife Victorine spun wealth generated in the Great Depression-era underground economy into systematic venture capital and philanthropy. Their investments and donations sustained Black business development, employment and political clout for decades in Baltimore.

According to a Viking press statement about the not-yet titled book, “Shetterly will bring the history of Baltimore to life through the success stories of the Adamses and the Murphys, also showing the contrasting challenges faced by those left behind by redlining, lack of economic opportunity, and urban decay.”

The second book lacks a fixed topic but will also uncover the history of hidden Black figures.

Source: Hidden Figures’ Author to Introduce Readers to Unsung Black Families In Baltimore | Colorlines

International Hits “Moonlight,” “Hidden Figures,” and “Straight Outta Compton” Disprove Hollywood Myth That “Black Films Don’t Travel”

(image via latimes.com)

article by Tre’vell Anderson via latimes.com

On his way to winning a best picture Oscar for “Moonlight,” a film made for a minuscule $1.5 million, writer-director Barry Jenkins took time between awards-season red carpet appearances for a six-city European promotion tour. It was time well spent.

“Moonlight,” about a poor black boy living in the projects of Miami and struggling with his sexuality, wasn’t supposed to be the kind of movie that wins the best picture Oscar. Its modest coming-of-age narrative, unconventional story structure and outsider characters with no mega stars made it, as filmmaker Mark Duplass said recently with admiration, “a bit of a miracle” that it even reached U.S. theaters. Certainly, it’s not the kind of movie that was expected to make money overseas. After all, says a longstanding Hollywood myth, black films don’t travel.

Yet as of Tuesday, “Moonlight” has made $28.6 million at the international box office — more than its $27.5 million domestic take — for a worldwide total of $56.1 million. With the film still in theaters, even more is expected.“This black film is definitely selling overseas,” Jenkins said to The Times on the red carpet for the Screen Actors Guild Awards, just after he’d returned from Europe.

“Every time there’s a success, it gets swept under the rug,” says Jeff Clanagan, president of Lionsgate’s Codeblack Films, which primarily produces films with African American casts. “It’s almost like there’s an asterisk on it. They chalk it off as an anomaly.”

For 1988’s “Coming to America,” the anomaly was the comedic genius of Eddie Murphy, who “transcended race” when the film grossed $160.6 million internationally for a $288.8 million worldwide take. (Samuel L. Jackson, Morgan Freeman, Will Smith, Kevin Hart, Denzel Washington and Don Cheadle are other box office champs for whom the “transcended race” label has been applied.)

For 1995’s “Bad Boys” and its 2003 sequel — which together pulled in a combined $210.3 million internationally and $414.7 million worldwide — it was the fact that the film was an action flick, never mind leads Smith, Martin Lawrence and Gabrielle Union. For 2015’s “Straight Outta Compton,” a $40.4 million payoff internationally (and $201.6 million worldwide), it was the popular music of rap group N.W.A.

Even as three-time Oscar nominee “Hidden Figures,” with its predominantly black cast, has so far made $48.8 million internationally — helping to push its $166 million domestic sales to nearly $215 million worldwide and counting — the myth persists.

When asked about the myth, Octavia Spencer, Oscar-nominated for her “Hidden Figures” role, responded simply: “I have two words for you: Will Smith.”

“He was told the same thing [at the beginning of his career] — that he wasn’t going to be taken to promote his film,” she said at the annual pre-Oscars Sistahs Soiree honoring women of color in the industry. “Had he not paid for himself to fly all over the world that very first time, he would not be an international box office star. So they have to start investing and taking black actresses and actors across the world just like they do with unknown white actors. They need to do the same thing for black actors. If you don’t know ’em, why would you go support the film?”

To read full article, go to: Disproving the ‘black films don’t travel’ Hollywood myth – LA Times

Sidney Keys III, 11, Founds Books N Bros to Help Other Boys Fall in Love with Reading

Sidney Keys III founded Books N Bros, a reading club that emphasizes making reading fun while lifting up works of African American literature and culture. (KELLY MOFFITT | ST. LOUIS PUBLIC RADIO)

article by Kelly Moffitt via news.stlpublicradio.org

Six months ago, 11-year-old St. Louisan Sidney Keys III started a reading club for boys his age to band together in their love of books. He calls it Books N Bros, and the club has an emphasis on making reading fun while lifting up African American literature and culture.

“Books N Bros is a book club for boys and we read books and African American literature because every time I go to the library at my school, there aren’t many African American literature books there,” said Keys in an interview on St. Louis on the Air. “I already love to read and since we don’t get that much time to read in school, we just discuss in groups. I wanted to read a book but I also wanted to discuss it with other people.”

Keys’ mom, Winnie Caldwell, said she knew Sidney had always loved to read because he’d often come to her wanting to talk about books.

About six months ago, they went to visit EyeSeeMe, a bookstore in University City focusing on African American children’s literature. While there, Winnie shot a video of Sidney reading in the store and it went viral on Facebook. Some 62,000 people have viewed the video and it has been shared 1,700 times.

Books N Bros card (KELLY MOFFITT | ST. LOUIS PUBLIC RADIO)

“He hadn’t seen [a bookstore] like that before and I certainly never had, so he was making himself comfortable on the floor, reading a book,” Caldwell said. “… When you get to a point when he is 11 years old and it was so shocking for him to relate to someone on the cover in a positive aspect rather than it be some negative urban story we see a lot. I would like to make sure he sees himself in being whatever he can be.”

After the video went viral, she and Sidney sat down to think about what he wanted to do next. A book club immediately jumped to mind.

“We specifically reach out to boys around ages 8-10 because that is statistically the age they stop reading — we wanted to combat that,” Caldwell said.

Keys added: “My motivation is I already love to read but it would be awesome, even better, to read with other people. I want to keep doing it because I don’t know what will make me stop reading because I love to read.”

The club meets once a month, discussing one book the club has voted on. While their numbers are still small, the book club has grown each month. Last month, two new members joined bringing the group to 7-10 members each month. The group is welcoming to boys of all backgrounds and races, but the club does focus on stories with African American protagonists.

Keys and Caldwell have also struck a deal with the Microsoft Store at the Galleria, where the book club meets. The boys discuss their books for an hour before each gets 30 minutes to play video games on a personal console at the store. A group called Serving with the Badge also donated 200 books to the book club so boys can take books home with them for their personal collection.

Some of the book club favorites so far have been “Danny Dollar,” “Hidden Figures” and “Supah Dupah Kid.” In February, for Black History Month, the group read “A Song for Harlem: Scraps of Time,” by Patricia McKissack, a St. Louis-based children’s book author.

For now, the book club has plans to stay boys-only, but Caldwell said there’s another book club called Nerdy Girls, which is aimed at girls between ages 6-12 and has over 75 members. Caldwell and Keys plan on partnering with Nerdy Girls in the future.

Caldwell said that if there are boys who are interested in joining the club, which costs $20 per month, they can find more information on the website https://www.booksnbros.com/ or email info@booksnbros.com.

To read full article, go to: Books N Bros’ 11-year-old founder wants to help boys love reading at an age when they often don’t | St. Louis Public Radio

‘Hidden Figures’ Inspires LEGO to Honor Women of NASA in New Playset

article via vibe.com

Because of Hidden Figures, the film about a group of African-American women who contributed to NASA’s space program in the 1960s, are hidden no more. To continue to honor the Women of NASA’s legacy and inspire other young women, Lego is launching a new toy set of mini-figures.

The collection, which was brought to life by Maia Weinstock, will include NASA trajectory expert Katherine Johnson, whom Taraji P. Henson played in the film, as well as MIT computer scientist Margaret HamiltonFortune reports. The mini-figures will also include Mae Jemison, first African American woman in space; Sally Ride, first American woman in space, and physicist Nancy Grace Roman. In addition to its many characters, the set will include mini versions of computer programming machines, and the historic Hubble Space telescope.

“We’re really excited to be able to introduce Maia’s Women of NASA set for its inspirational value as well as build and play experience,” a Lego representative said in an official statement. The toy company’s goal is that the new figure will inspire girls to pursue careers in STEM, technology, and engineering.

(image via notable.ca)

(image via notable.ca)

To read more, go to: http://www.vibe.com/2017/03/hidden-figures-lego-toy-set-nasa/

“Moonlight” Triumphs at Oscars, Wins Best Picture, Adapted Screenplay and Supporting Actor

Barry Jenkins accepts Best Picture Oscar for "Moonlight" (Patrick T. Fallon via nytimes.com)

Barry Jenkins accepts Best Picture Oscar for “Moonlight” (Patrick T. Fallon via nytimes.com)

article by Lori Lakin Hutcherson (@lakinhutcherson)

Moonlight topped off its amazing awards-season run by earning the Best Picture Oscar at the 89th Academy Awards. Moonlight director/writer/producer Barry Jenkins accepted the award at the end of the night after a shocking turn of events where La La Land was mistakenly called to stage to receive the Academy’s highest honor. Jenkins also won with co-writer Tarell Alvin McCraney for Best Adapted Screenplay, and Mahershala Ali became the first Muslim actor in Oscar history to win the Best Supporting Actor Award.

The star-studded evening also saw an energizing opening performance of “Can’t Stop The Feeling” by Original Song nominee Justin Timberlake, a medley of two songs from “La La Land” by its co-star John Legend (“City of Stars” went on to win the Original Song award) and a standing ovation for Best Feature Documentary presenter, Presidential Medal of Freedom honoree and NASA mathematician Katherine Johnson, who was introduced by “Hidden Figures” stars Taraji P. Henson, Octavia Spencer and Janelle Monae (and wheeled out on stage by current NASA astronaut Yvonne Cagle).

There were also Oscar presentations from Samuel L. Jackson, Halle Berry and Academy President Cheryl Boone Isaacs, but one of the biggest highlights of the evening was the speech delivered by three-time nominee and Best Supporting Actress winner Viola Davis:

Viola Davis (photo via Parade.com)

Viola Davis (photo via Parade.com)

People ask me all the time, what kind of stories do you want to tell, Viola? And I say, exhume those bodies, exhume those stories, the stories of the people who dreamed.  I became an artist, and thank God I did, because we are the only profession that celebrates what it means to live a life. So here’s to August Wilson, who exhumed and exalted the ordinary people.

Davis went on to thank her co-stars and Best Director/Best Actor nominee Denzel Washington, her family and her parents.

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BLACK HISTORY MONTH: The Best New Films to Watch this February

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Movies to see this Black History Month (photo collage via theguardian.com)

article by Rebecca Carroll via theguardian.com

Fences

If you’ve ever seen or read an August Wilson play, you know that writing is how the late playwright processed the world around him – a magnificently black world filled with funk and nuance in which language plays a central role. For Wilson, though, learning how to work with that language as a writer didn’t happen overnight. “For the longest time I couldn’t make my characters talk,” Wilson told me several years ago before his death in 2005. “I thought in order to incorporate the black vernacular into literature, the language had to be changed or altered in some way to sound more clear … until I realized that it’s no less romantic and meaningful to say, ‘It’s cold outside.’” As a play, Wilson’s Fences, which tells the story of a working-class black man – who was denied a baseball career in the major leagues – trying to raise his family in mid-century Pittsburgh, gives us that blunt romance and powerful meaning. As a movie, it gives us Denzel Washington and Viola Davis. Enough said.

Fences is on nationwide release now

Get Out

I don’t go in for horror films at all – not even horror film parodies – but I also can’t think of a brighter, more innovative voice in film right now than Jordan Peele, one half of the masterful sketch comedy series Key and Peele, which he co-created with Keegan-Michael Key. And while the potentially great Keanu, co-written by Peele and Alex Rubin, was a disappointing failure, Get Out, which Peele both wrote and directed, looks legitimately genius. The premise is a pretty straightforward Guess Who’s Coming to Dinner setup – rich white girlfriend brings her smart, learned black boyfriend upstate for a weekend to meet the parents – what could go wrong? It’ll be awkward, parents will remark more than once on how articulate the black boyfriend is, lecture them both on how hard it will be to maintain an interracial relationship in this day and age, and then finally concede that love is all that matters. Or will it?

Get Out will be in theaters February 24

Hidden Figures

In America, when it comes to the mainstream celebration of black historical figures, we primarily see the spotlight shined on our athletes, entertainers and a handful of activists who generally get depoliticized posthumously. Seldom do we hear about engineers, innovators and mathematicians, much less our black women in those positions. It’s thrilling and really quite long overdue for a film like Hidden Figures, which tells the story of “colored computers” Katherine Johnson, Dorothy Vaughan and Mary Jackson, who worked at NASA in the early 1960s and played a vital role in getting John Glenn and the Friendship 7 into space. As Katherine Johnson, Taraji P. Henson is on career-best form – pushing her glasses up on her nose, hustling to the coloreds bathroom carrying a stack of data research, doing mathematical equations on a chalkboard – creating a truly revelatory performance. Octavia Spencer as Dorothy and Janelle Monáe as Mary are icing on the cake. An added bonus comes in the form of Pharrell Williams, who is a producer on the film and wrote original songs for the soundtrack that give the movie a beautiful sense of joy.

Hidden Figures is in nationwide release now

I Am Not Your Negro

The thing about James Baldwin, beyond his utter brilliance and undeniable prescience as a writer and public intellectual, is that he was like the blackest man who ever lived. And he wore it like a badge of honor. In the newly Oscar-nominated documentary I Am Not Your Negro, Haitian-born film-maker Raoul Peck mines Baldwin’s unpublished writing about the assassinations of Medgar Evers, Martin Luther King Jr. and Malcolm X to create an intellectual and visual mosaic that somehow captures Baldwin’s own very personal and stubborn sense of blackness. It hits hard, and the film will make you long for the leadership and integrity of Evers, King and Malcolm in these increasingly divisive times. But it will also, if only temporarily, let you sit in the glory that is James Baldwin’s company.

I Am Not Your Negro is out on Friday

To read full article, go to: The best new releases to watch during Black History Month | Film | The Guardian