Chris Tucker’s first stand-up comedy special Chris Tucker Live will premiere exclusively on Netflix on Friday, July 10. Tucker produces through his banner, Chris Tucker Entertainment with Phil Joanou set to direct.
Filmed at the Historic Fox Theatre in Tucker’s hometown of Atlanta, GA, the special will showcase Tucker’s comedic chops, including impersonations, as he shares his experiences from childhood to the big time.
“Chris Tucker is a true global movie star and a one-of-a-kind talent whose remarkable energy, delivery and original style make him one of the funniest comedians of our time,” said Ted Sarandos, Netflix Chief Content Officer. “We cannot wait to share his distinct and hilarious voice with our members across the globe.”
Tucker is possibly best known for playing Detective James Carter in the Rush Hour films. He appeared on Russell Simmons’ HBO Def Comedy Jam in the 1990s and landed his first starring role in the 1995 film cult classic Friday opposite Ice Cube. Chris Tucker Live joins Netflix’s other comedy stand-up specials including Aziz Ansari, Craig Ferguson, Nick Offerman, Chelse Peretti and Chelsea Handler among others. article by Denise Petski via deadline.com
HBO is developing a drama series from rapper-actor Snoop Dogg and director-producer Allen Hughes (Broken City, Gang Related). Written by Rodney Barnes (The Boondocks, Everybody Hates Chris) and directed by Hughes, the untitled drama is set in early 1980s Los Angeles and centers on a family whose seemingly idyllic life is turned upside down by the collision of their community and American politics. Snoop Dogg (real name Cordozar Calvin Broadus Jr.)was born in Long Beach and grew up in the port city just south of Los Angeles in the 1970s and 1980s. He executive produces the potential series with his longtime manager, Ted Chung of Stampede Management, Hughes and Barnes. Snoop Dogg and Barnes previously worked together on the animated family comedy The Boondocks, which Barnes executive produced and on which Snoop Dogg voiced a recurring character.
HBO is moving forward with Steve McQueen‘s drama pilot Codes Of Conduct, giving the project a six-episode limited series order. The 12 Years A Slave helmer will direct all six episodes of Codes Of Conduct, on which he had teamed with World War Z co-writer Matthew Michael Carnahan; hip-hop mogul/producer Russell Simmons, who has a deal at HBO; Oscar-winning producers Iain Canning and Emile Sherman (The King’s Speech); and HBO veteran Alan Poul (The Newsroom, Six Feet Under). All six will executive produce.
Co-written by McQueen and Carnahan, Codes Of Conduct is carrying McQueen’s signature style of provocative filmmaking and is described as an exploration of a young African-American man’s experience entering New York high society, with a past that might not be what it seems. It centers on Beverly Snow (newcomer Devon Terrell), a young man from Queens as talented as he is ambiguous. His self-confidence will enable him to break into the social circles of Manhattan’s elite, testing the boundaries of access and social mobility. Paul Dano, Helena Bonham Carter and Rebecca Hall co-star. Codes Of Conduct follows the model employed by HBO’s buzzy drama True Detective, which also started as a limited series. The cable network also has upcoming miniseries True Justice. HBO’s 2015 drama series slate includes new entries Westworld, from JJ Abrams, Jonah Nolan and Jerry Weintraub; Untitled Rock ‘n’ Roll project, from Martin Scorsese, Mick Jagger and Terence Winter; and Ballers, from Dwayne Johnson, Mark Wahlberg and Steve Levinson. article by Nellie Andreeva via deadline.com
Kerry Washington, the star of Shonda Rhimes’ wildly popular Thursday-night show Scandal, is about to get even bigger with a new project on HBO.
Washingtonhas been announced as the star of an upcoming TV movie about Anita Hill, according to The Hollywood Reporter. The telepic, which is being developed by HBO Films and has a tentative title of Confirmation, will chronicle the nomination hearings held for Supreme Court justice Clarence Thomas in 1991.
Thomas’ nomination that year by the first President Bush shook up the country after Hill accused the judge of sexual harassment in a leaked FBI interview. Hill was grilled by Senators about the allegations at Thomas’ confirmation hearing and lambasted by the judge himself.
Washington will play the part of Anita Hill and writer Susannah Grant will be responsible for the script and executive producing the project. Washington herself will also work as an executive producer alongside the CEO of Groundswell Productions, Michael London, and the company’s production president, Janice Williams. Hollywood Reporter claims that the HBO project could take precedence over Washington’s role in a feature film called Unforgettable while she’s currently away from the Scandal set.
The news comes as HBO readies the rollout of its internet-streaming service HBO Go and plans for the next season of the sprawling fantasy show Game of Thrones. article by Jay Balfour via theurbandaily.com
HBO has greenlight a pilot from “The Nightly Show” host Larry Wilmore and YouTube star Issa Rae, Variety has confirmed.
“Insecure,” starring Rae, is a half-hour comedy about the awkward experiences and racy tribulations of a modern-day African-American.
The project was previously in development at HBO back in 2013, before Wilmore landed “The Nightly Show” gig with Comedy Central.
Wilmore and Rae wrote the pilot. Wilmore is set to serve as executive producer, with Rae co-executive producing.
Rae has garnered over 180,000 subscribers and 20 million views on YouTube with the success of her award-winning hit Web series “The Misadventures of Awkward Black Girl.” article by Elizabeth Wagmeister via Variety.com
Following the success of Sony’s “Jump Street” franchise, New Line plans to investigate its own buddy action-comedy, enlisting two of Hollywood’s hottest stars: Dwayne Johnson and Kevin Hart. The duo will star in “Central Intelligence,” with “We’re the Millers” filmmaker Rawson Marshall Thurber directing the movie.
Scott Stuber will produce through his Bluegrass Films banner, along with Peter Principato and Paul Young of Principato-Young Entertainment. “The Hangover” star Ed Helms is executive producing.
The story begins with a class reunion approaching, as a former high school sports star turned accountant (Hart) is contacted by a classmate (Johnson) who was bullied and humiliated back in the day. The “loser” that the accountant remembers is now a CIA contract killer who ropes him into helping foil a plot to sell classified military secrets.
The original “Central Intelligence” writers are Ike Barinholtz and Dave Stassen, with Sean Anders and John Morris writing a subsequent draft and Thurber taking another pass on the latest script.
New Line plans to begin shooting in the spring with Sam Brown and Michael Disco overseeing. Beau Bauman is managing for Bluegrass.
New Line, based at Warner Bros., has enjoyed success through previous projects with both Thurber and Johnson, and Johnson has a number of jobs lined up at the studio — he is currently attached to return for two more “Journey to the Center of the Earth” sequels and will play Black Adam in superhero pic “Shazam.” He is also set to star in disaster film “San Andreas,” which bows next summer.
The movie gives New Line the opportunity to team two of the biggest names in their respective genres in one film. Hart has enjoyed a lucrative year with both “Ride Along” and “Think Like a Man Too” striking box office gold. Hart recently finished filming the “Ride Along” sequel and has “The Wedding Ringer” for Screen Gems set to open on Jan. 16, followed by “Get Hard” with Will Ferrell for Warner Bros., which will open March 27.
Johnson has shown his versatility in his ability to move from action-heavy movies to comedies with ease, and “Central Intelligence” looks set to combine both genres. The star’s most recent pic was “Hercules,” which has grossed $242 million at the worldwide box office, and he can next be seen in “Fast and Furious 7,” which bows in April. On the small screen, Johnson will executive produce and star in “Ballers,” a half-hour comedy that HBO recently picked up to series. article by Justin Kroll via Variety.com
There is one interview I remember from my early days as a reporter, and I often recite a line from it because it’s the best answer I’ve ever gotten and ever will get. Naturally, it came from James Brown.
It was in 1989, when he was in prison for, among other things, capping a long bout of partying with a high-speed chase through Georgia and South Carolina that ended only after police officers shot out his tires.
I was a Time magazine reporter, and he was working in the prison cafeteria. The warden let me wave through a window at Brown as he wiped down tables in a cook’s white coat and cap, embellished by purple wraparound sunglasses and matching scarf. Brown was allowed to speak by phone.
I didn’t even know where to begin, so I asked how he was feeling. “I’m well rested now,” he said, and waited a beat. “But I miss being tired.”
That reply is almost reason enough for watching “Mr. Dynamite: The Rise of James Brown,” an HBO documentary directed by Alex Gibney. But there are plenty of others. This is a smart, informative and compassionate look at the artist known as the Godfather of Soul, whose music changed America.
Brown, who died in 2006, was a fascinating figure. Just this year, he inspired a biographical movie, “Get On Up,” with Chadwick Boseman as Brown, and there have been a steady stream of biographies, including two memoirs that he wrote with co-authors.
He was a magnetic, kinetic master of R&B, soul and funk, with roots in gospel and big-band music. He was a beloved performer and an often terrible boss and violent husband. (His third wife, Adrienne Lois Rodriguez, told me he once laid out her mink coat on the bed and then shot it.) He played an important role at critical moments in the civil rights movement and also shocked his fans by supporting Richard M. Nixon in 1972.
Of course, there is also the music. The film opens with Brown sweating through a muscle T-shirt and chanting the opening words of “Soul Power” to a frenzied audience at the Olympia in Paris in 1971.
The narrative threads his scratch-poor boyhood dancing for nickels in the segregated South to his lasting influence on rock, hip-hop and rap. The film doesn’t dwell on his sad last days, but it does address his many contradictions — personal, musical and political. All of it is set to the beat of his music, which gets the last word.
“A Sucker Emcee”: Craig Grant, also known as muMs, in his show at the Bank Street Theater. (Credit: Ruby Washington/The New York Times)
Like Jean-Jacques Rousseau set to a hip-hop beat, Craig Grant offers his confessions in “A Sucker Emcee,” produced by the Labyrinth Theater Company. While a D.J. (Rich Medina) moves between two turntables, scratching and spinning, Mr. Grant tells the story of his life in rhymed couplets.
Mr. Grant, also known as muMs, speaks in a gentle growl with just a trace of a native Bronx drawl, though he can send his voice swooping up and down the social register. Dressed in Nikes and a T-shirt proclaiming “The Truth,” he spends most of the show near the front of the bare stage, lips pressed close to a microphone.
Though he’ll occasionally speak as his mother, his father, a friend or a teacher, he spends most of the piece as simply himself, narrating youthful screw-ups with fondness and exasperation.
In some ways his story is standard bullet-point autobiography. He begins with his volatile Bronx childhood, darts through some dissolute college years, chronicles his subsequent ups and down as a rapper and actor (best known for his role in the HBO prison drama “Oz”) and finally returns, with hard-won maturity and grace, to the borough of his birth. So far, so familiar. But what adds urgency and fierce pleasure to the monologue, directed by Jenny Koons, is his debt to music. D.J.’s, it seems, saved Mr. Grant’s life. “Before hip-hop, I couldn’t speak,” Mr. Grant recalls. The music gave him a voice, a place, a future, helping him to “turn all that hate into a dance and a chant.”
Mr. Medina provides backing beats to Mr. Grant’s chants and sometimes helps him pay more direct homage to the heroes of his youth — KRS-One, Rakim, the Sugarhill Gang. Even when the show threatens to turn into some sort of lecture demonstration, it’s still pretty good fun, with Mr. Medina illustrating each style and technique while Mr. Grant narrates and occasionally threatens some B-boy moves.
Even when the story ends with Mr. Grant’s returning to the Bronx and caring compassionately for his aging mother, the beat and the applause don’t stop.
Amma Asante on set of “Belle” (Photo Courtesy Fox Searchlight)
If you asked most people in Hollywood who Amma Asante was just a few months ago, you’d probably get a blank stare. Now, after the release of her critically acclaimed film “Belle,” the British writer-director is a certified Hollywood player.
Asante’s life and career took a dramatic turn in May, when “Belle” hit theaters in North America. TheWrap spoke with her this past weekend in Boston at the National Association of Black Journalists (NABJ) Convention, where Asante introduced clips of the film during a presentation by Fox Home Entertainment.
“You make a movie essentially in a bubble, I think, especially when it’s your second movie,” Asante said. “So, I was certainly making this movie in a bubble, and wondering whether my concept of the world, and my concept of the world back then as well, would connect to an audience today.”
It seems Asante had no reason to worry. “Belle” received an impressive 83 percent positive rating on review aggregation site Rotten Tomatoes and the independent film earned a respectable $10 million at the box office via Fox Searchlight. RELATED:“Belle” Does Well in Limited Release; Expands to 10 More Cities Next Weekend
The movie is based on the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw) – the illegitimate, mixed-race daughter of Royal Navy Captain, Sir John Lindsay (Matthew Goode). Lindsay leaves Belle to be raised by her aristocratic great uncle, Lord Mansfield, in 18th century England. Mansfield (Tom Wilkinson) and his wife (Emily Watson) are already taking care of another niece, and the two girls become inseparable. But while Belle’s lineage allows her certain privileges, her skin color prevents her from having the traditional noble social status. Amma Asante speaks at NABJ in Boston, Friday, Aug. 1, 2014 (Credit: Brett E. Chambers)
“Initially this project had started off with my producer and the writer who’s credited on the film, with HBO in America. Then HBO dropped the project,” Asante said. After the script passed through several different hands, Asante decided to give it a more personal touch.
“What I did was, I put my experiences into Dido’s life. That was the easiest way of connecting the historical facts and to try and make it personal … There are many lines in it that are quotes from my father and quotes from my sister,” Asante said, referring to the fact that she grew up in England, but felt like an outsider because she is black and of Ghanaian descent.
“We lived in an area where we were one of only two black families on the street,” Asante explained as she opened up about her personal experiences with racism. “We went through that period of having feces through the letterbox (mailbox) … and graffiti on our walls.”
Jay Z and Beyonce perform during opening night of the “On The Run Tour: Beyonce And Jay-Z” at Sun Life Stadium on June 25, 2014 in Miami Gardens, Florida.Kevin Mazur—WireImage/Getty Images
Missed Bey and Jay in concert? Not to worry, you can watch them on HBO. Beyoncé and Jay Z will perform over 40 songs for their first HBO concert event, the premium cable network announced Thursday. HBO will tape the pair’s September 12 and 13 performances in Paris, the only international stop on their “On the Run” Tour.
The event builds on the power couple’s extensive partnership with HBO. The 17-time Grammy winner is currently appearing on HBO in Beyoncé: X10, a ten-episode miniseries featuring 2-minute clips from concert performances every sunday night. In February 2013, HBO aired the Beyoncé documentary, Life Is But a Dream. Jay Z’s Picasso Baby: A Performance Art Film also premiered on the cable network in August 2013.