article by Nick McCarvel via usatoday.com
PARIS – Is the world No. 1 – winner of 21 Grand Slam singles title and arguably the best women’s tennis player to ever play the game – the underdog in the French Open final?
In a way, yes.
Serena Williams has dug, scraped and fought her way back into the championship match here on Saturday – far from her best – and is set to take on No. 4 seed Garbiñe Muguruza, a big-hitting Spaniard who has picked up steam this fortnight in her quest for a maiden major trophy.
When the two clash on Court Philippe Chatrier Saturday for the Roland Garros title, it’s the 34-year-old Williams who will have to play catch up.
“If she plays like this, she’s not going to win,” Serena’s coach, Patrick Mouratoglou said Friday after another shaky Williams win. “But I don’t expect her to play that level tomorrow. The mental approach has to change. She has to show it.”
That’s the book on Williams: She rises to the occasion, time after time. She did it last year, winning five three-set matches en route to the French Open crown while suffering from the flu. She has done it this week, triumphing in three sets over Yulia Putintseva on Thursday in the quarterfinals and saving a pair of set points against Kiki Bertens on Friday. She’s a convincing 21-5 in major finals in her career.
Posts tagged as “Grand Slam”
Award-winning poet, playwright and professor Claudia Rankine has authored a cover article for the New York Times Magazine on tennis great Serena Williams. “The Meaning of Serena Williams: On Tennis and Black Excellence” was digitally published yesterday, a week before the start of the U.S. Open and Williams’ opportunity to not only achieve a Grand Slam (winning all four major tennis tournaments in one calendar year) but also tie Steffi Graf‘s record of most Grand Slam titles won in the modern era (22) by a female.
It seems with this article the New York Times is accomplishing two things – finally hiring a black female writer to write about a prominent black female (remember the Shonda Rhimes “Angry Black Woman” debacle authored by Alessandra Stanley last September?) and attempting to make up for the poorly-received article written in July of this year by Ben Rothberg that was considered to be “body shaming” of muscular female athletes and Serena Williams specifically.
But whatever the intentions, we are happy for the existence of Rankine’s piece, the thoughtful analysis of racism, black excellence, and Serena’s career that it makes, and mostly, because we are rooting HARD for Serena to take the title and make even more history. Check out an excerpt from the article below:
There is a belief among some African-Americans that to defeat racism, they have to work harder, be smarter, be better. Only after they give 150 percent will white Americans recognize black excellence for what it is. But of course, once recognized, black excellence is then supposed to perform with good manners and forgiveness in the face of any racist slights or attacks. Black excellence is not supposed to be emotional as it pulls itself together to win after questionable calls. And in winning, it’s not supposed to swagger, to leap and pump its fist, to state boldly, in the words of Kanye West, ‘‘That’s what it is, black excellence, baby.’’
Imagine you have won 21 Grand Slam singles titles, with only four losses in your 25 appearances in the finals. Imagine that you’ve achieved two ‘‘Serena Slams’’ (four consecutive Slams in a row), the first more than 10 years ago and the second this year. A win at this year’s U.S. Open would be your fifth and your first calendar-year Grand Slam — a feat last achieved by Steffi Graf in 1988, when you were just 6 years old. This win would also break your tie for the most U.S. Open titles in the Open era, surpassing the legendary Chris Evert, who herself has called you ‘‘a phenomenon that once every hundred years comes around.’’ Imagine that you’re the player John McEnroe recently described as ‘‘the greatest player, I think, that ever lived.’’ Imagine that, despite all this, there were so many bad calls against you, you were given as one reason video replay needed to be used on the courts. Imagine that you have to contend with critiques of your body that perpetuate racist notions that black women are hypermasculine and unattractive. Imagine being asked to comment at a news conference before a tournament because the president of the Russian Tennis Federation, Shamil Tarpischev, has described you and your sister as ‘‘brothers’’ who are ‘‘scary’’ to look at. Imagine.
The word ‘‘win’’ finds its roots in both joy and grace. Serena’s grace comes because she won’t be forced into stillness; she won’t accept those racist projections onto her body without speaking back; she won’t go gently into the white light of victory. Her excellence doesn’t mask the struggle it takes to achieve each win. For black people, there is an unspoken script that demands the humble absorption of racist assaults, no matter the scale, because whites need to believe that it’s no big deal. But Serena refuses to keep to that script. Somehow, along the way, she made a decision to be excellent while still being Serena. She would feel what she feels in front of everyone, in response to anyone. At Wimbledon this year, for example, in a match against the home favorite Heather Watson, Serena, interrupted during play by the deafening support of Watson, wagged her index finger at the crowd and said, ‘‘Don’t try me.’’ She will tell an audience or an official that they are disrespectful or unjust, whether she says, simply, ‘‘No, no, no’’ or something much more forceful, as happened at the U.S. Open in 2009, when she told the lineswoman, ‘‘I swear to God I am [expletive] going to take this [expletive] ball and shove it down your [expletive] throat.’’ And in doing so, we actually see her. She shows us her joy, her humor and, yes, her rage. She gives us the whole range of what it is to be human, and there are those who can’t bear it, who can’t tolerate the humanity of an ordinary extraordinary person.
In the essay ‘‘Everybody’s Protest Novel,’’ James Baldwin wrote, ‘‘our humanity is our burden, our life; we need not battle for it; we need only to do what is infinitely more difficult — that is, accept it.’’ To accept the self, its humanity, is to discard the white racist gaze. Serena has freed herself from it. But that doesn’t mean she won’t be emotional or hurt by challenges to her humanity. It doesn’t mean she won’t battle for the right to be excellent. There is nothing wrong with Serena, but surely there is something wrong with the expectation that she be ‘‘good’’ while she is achieving greatness. Why should Serena not respond to racism? In whose world should it be answered with good manners? The notable difference between black excellence and white excellence is white excellence is achieved without having to battle racism. Imagine.
To read the rest of Rankine’s feature on Williams, click nytimes.com.
They will start preparing the red carpet in New York City soon for Serena Williams.
She won the Wimbledon tennis title Saturday, her sixth and her 21st Grand Slam title, by beating a young Spaniard, Garbiñe Muguruza, 6-4, 6-4.
That meant that Williams had completed her second “Serena Slam” — four major titles in a row — and also meant she would be gunning for a rare calendar-year Grand Slam at the U.S. Open in New York, starting in late August.
Only one other player in the modern era of tennis has achieved that, Steffi Graf in 1988, when she also won an Olympic gold medal. Mo Connolly in 1953 and Margaret Court in 1970 are the only women who have previously won calendar-year Grand Slams.
Williams, typically, started slowly against the 20-year-old, 20th-ranked Muguruza, falling behind in the first set, 1-3 and 2-4. But she roared back for a 6-4 victory and kept rolling to a 5-2 lead in the second set.
Usually, at this point on the women’s tour against the No. 1 and always dominant Williams, the other player packs it in.
Not Muguruza. To the delight of the packed Centre Court crowd of 15,000, she broke Williams’ serve twice to get back on serve, but then yielded at love in her 4-5 service game.
article by Bill Dwyre via latimes.com
Ah, but when Williams plays her best, no one is better. Putting aside a lingering illness, a mid-match lull and a feisty opponent, Williams won her third title at Roland Garros and 20th Grand Slam singles trophy by beating 13th-seeded Lucie Safarova of the Czech Republic 6-3, 6-7 (2), 6-2 on Saturday.
The No. 1-seeded Williams took the last six games and added to her 2002 and 2013 championships on the French Open’s red clay. Those go alongside six each from the U.S. Open and Australian Open, and five from Wimbledon.
“When I was a little girl, in California, my father and my mother wanted me to play tennis. And now I’m here, with 20 Grand Slam titles,” the 33-year-old American said in French. “This is very special for me. I haven’t always played very well here, but I’m really happy to win the 20th here.”
Only two players in the century-plus history of Grand Slam tennis have won more majors: Margaret Smith Court with 24, and Steffi Graf with 22.
Williams also stretched her Grand Slam winning streak to 21 matches, following titles at the U.S. Open last September and Australian Open in January. She is the first woman since Jennifer Capriati in 2001 to win the Australian Open and French Open back-to-back and heads to Wimbledon’s grass with a chance to extend a bid to accomplish just about the only thing she hasn’t: win a calendar-year Grand Slam.
“Why not?” said her coach, Patrick Mouratoglou. “That’s probably the most difficult thing to do in tennis. But it’s possible.”
Saturday’s victory did not come easily for Williams, who skipped practice Friday because she was sick, preferring to rest in her Paris apartment. Owner of the most feared serve in women’s tennis, she double-faulted 11 times. She made 25 unforced errors in the second set alone, and 42 in all, 25 more than Safarova, a 28-year-old lefty with a whip-like forehand appearing in her first major final.
Williams got broken serving for the match at 6-5 in the second set, then was down 2-0 in the third. But she kept aiming shots for lines and getting them to go where she wanted, improving to 32-1 in 2015, including 12-0 in three-setters.
“When she was on, she was just serving amazing and going for the returns, pressuring me right away,” said Safarova, who will play in the women’s doubles final Sunday with American Bethanie Mattek-Sands. “It’s just hard to do anything with that.”
When it was over, Williams dropped her racket, threw her head back and lifted her arms into a “V.” In the stands, Mouratoglou held aloft two fingers on his right hand and made a fist with his left, to symbolize “20.”
And to think: Four times in this tournament, Williams dropped the opening set before coming back to win, including in Thursday’s semifinals, when she was lethargic and bothered by the flu. So the question leading into the final was: How healthy would Williams be? She began providing answers from the get-go.
Williams closed the first game with a 120 mph (194 kph) ace. She went up 3-1 by breaking with a cross-court forehand return winner. The first set flew by and even Safarova acknowledged afterward, “It was looking like it will be an easy match.”
At 4-1 for Williams in the second, seemingly all but over, she began to falter. A dull contest, and the Court Philippe Chatrier crowd, came to life. “I just had goose bumps,” Safarova said, “hearing those people cheering.”
Coughing between points, Williams double-faulted twice in a row to get broken for the first time, then double-faulted again to make it 4-all. When Safarova, growing ever more confident, held moments later, she had taken four consecutive games. She stood strong in the tiebreaker and at the outset of the third set, too, displaying the strokes that beat past champions Maria Sharapova and Ana Ivanovic during what Safarova called an “amazing two weeks for me.”
As soon as Safarova made things interesting enough Saturday to perhaps begin thinking about clutching the silver trophy, Williams quickly regained control, as she so often does.
article by Associated Press via latimes.com
Then the national anthem played for the first American singles champion at Roland Garros since Williams’ previous title. Williams whacked 10 aces, including three in the final game, and the last came on match point at 123 mph — her hardest serve of the day. She then sank to her knees, screamed at the sky and buried her face in the clay.
The victory completed her rebound from a shocking loss to 111th-ranked Virginie Razzano in the first round at the French Open a year ago. Since that defeat she’s 74-3, including titles at Wimbledon, the U.S. Open, the London Olympics and the season-ending WTA Championships.