Happy Music Monday, you all. It’s your pal and selector, Marlon.
I’m back with “The Essential Quincy Jones”, a comprehensive tribute collection devoted to the legendary Quincy Jones. The tributes and celebrations of this giant have been rolling in from all corners, and I am here to offer this humble tribute to the brotha.
Next Sunday Jones was to receive an Honorary Oscar, for his decades of impactful work in motion pictures. He was nominated in 1967 for his score for “In Cold Blood” and “In the Heat of the Night.”
Quincy Jones would go on to write iconic themes for “The Pawnbroker”, “The Italian Job”, “The Wiz” and others. He was nominated for seven Academy Awards. The Governors Awards will be the first of many star-studded celebrations of the life of one of the most influential figures of the 20th century.
Quincy Jones worked with some of the greatest stars in music history, including Duke Ellington, Lionel Hampton, Nat King Cole, Sarah Vaughn, Dinah Washington, Frank Sinatra, Count Basie, Betty Carter and countless others.
He produced tracks for Lesley Gore, including “It’s My Party”. He produced the huge albums by Michael Jackson: Off the Wall, Thriller, and Bad.
Jones produced and conducted the charity single “We Are the World” to raise funds for victims of famine in Ethiopia.
On the small screen, he’d create memorable themes for “Sanford and Son,” “Ironside,” “The Bill Cosby Show” and “Roots”.
It is nearly impossible to overstate the impact of Quincy Jones on popular culture for six decades. Here are hours of his music across various genres including jazz, film scores, TV show themes, and pop songs.
At yesterday’s Grammy Awards, power group Silk Sonic (featuring Anderson .Paak and Bruno Mars) and its signature song “Leave The Door Open” had a huge night, winning in both major categories for singles — Song of the Year and Record of the Year.
FYI, Silk Sonic was not nominated for Album of the Year — that Grammy went to Jon Batiste for We Are.
Black artists weren’t always so frequently celebrated in the key main categories. As recently as 2015, there were no songs performed by Black artists in the Song of the Year or Record of the Year categories. And wins for Black artists in the main categories have been infrequent through many of the past 6 decades+ of the Awards.
The Grammys, of course, have honored Black artists in the R&B and Hip Hop categories. And they did it with Silk Sonic and “Leave The Door Open” last night too, as it tied with Jazmine Sullivan for Best R&B Performance and won in one more singles category that wasn’t televised — Best R&B Song.
It’s a favorite sport of music fans to second guess whether the Grammys got it right or not, but, as you’ll hear in today’s list, almost all the winners have ended up being — like “Leave The Door Open” is already — truly classic jams.
If you’ve been watching the Grammys for years, you know by now that the Academy of Recording Arts and Sciences gives awards in Performance and Record categories (which go to the artists) and in the Song category (going to the songwriters – but not the artist, unless they also wrote the song).
In the twists and turns of the Grammy Awards, a single R&B Performance of the Year honor has actually not been given out consistently through the years.
Although it was awarded up through most of the ’60s (completely ignoring Motown and Stax, by the way, in favor of Ray Charles), it was then discontinued in favor of separate performance categories for Male R&B Performance, Female R&B Performance and Duo or Group R&B Performance – three categories that awarded artists up until 2011, when they were combined once again into a collective R&B Performance of the Year Award.
So R&B Song of the Year essentially became a unique declaration of the Grammys’ top choice in R&B music, starting in 1969 with Otis Redding‘s “Sittin’ on the Dock of the Bay” and continuing to today.
It’s clear that the Grammys favored some trends and artists more than others. After ignoring Motown in the 1960s, Grammy jumped into Motown fandom in the 1970s with Stevie Wonder and The Temptations – but in the process managed to almost completely ignore Philly Soul.
The Academy began to embrace Disco, but while awarding a Donna Summer song one year, the Grammy voters managed to relegate all the biggest Nile Rodgers & Bernard Edwards compositions to runner-up status through the years, yet somehow ended up awarding the R&B Song of the Year in 1978 to Leo Sayer‘s “You Make Me Feel Like Dancing” over The Commodores’“Easy” and “Brick House,”Thelma Houston‘s “Don’t Leave Me This Way” and The Emotions’“Best of My Love.”
By the 1980s, the Grammys favored slick adult soul in the vein of Luther Vandross, Stephanie Mills, Earth, Wind & Fire’s “After the Love Has Gone” and George Benson over more funky fare.
In fact, Prince won the R&B Song Grammy for penning “I Feel For You” when it was a hit for Chaka Khan. But his first R&B Song of the Year nomination for one of his own recordings – for “Kiss” in 1987 – was defeated by Anita Baker‘s breakthrough “Sweet Love.”
The 1990s brought multiple wins for Babyface compositions for Boyz II Men and Whitney Houston, a win for Jimmy Jam & Terry Lewis for their work with Janet Jackson, and yes, a win for R. Kelly.
And, if you wanted to win a R&B Song Grammy in the 2000s, you should have been writing songs for female performers, because the decade’s honorees were dominated by Alicia Keys, Mariah Carey, Mary J. Blige, Destiny’s Child and Beyoncé tunes.
In the past decade, as hip hop has continued to dominate the story of Black artists crossing over to the mainstream, R&B crossover success on the charts has declined, along with the reach of R&B radio.
The Grammys have begun awarding more rootsy and alternative R&B fare. While the vast majority of all the winning songs for decades had been major R&B and often major pop hits, multiple winners in the past decade have not even hit the Top 10 on Billboard R&B charts, including songs from Robert Glasper, P.J. Morton, D’Angelo and John Legend with the Roots.
Grammy finally seems to be putting musical achievement over sales figures. We hope you’ll enjoy this chronological journey through R&B history.
As she won her 28th Grammy Award for R&B performance for Black Parade, Beyoncé made history as she surpassed country-bluegrass artist Alison Krauss’ former record of 27 Grammys and became the most honored singing artist of all time.
Beyoncé has also tied legendary producer and musician Quincy Jones for second-most Grammy wins ever.
Jones, who turned 88 on Sunday, has won 28 Grammys during his career. The late Hungarian-British conductor Georg Solti holds the all-time record with 31 Grammy Awards.
Today Good Black News celebrates a milestone birthday for soul diva Melba Moore with a Spotify playlist entitled “This Is It! The Ultimate Melba Moore Playlist” that spans her 50+ year career from a rare mid-‘60s recording now popular on Britain’s Northern Soul scene to her latest song – a house music infused dance track from this past summer.
We’ve got all the necessary hits in-between as well, from Broadway showcases to her huge ‘70s disco singles to her mid ‘80s soul duets to her gospel turn in the new millennium. Here is the playlist:
In fact, for Melba’s 75th, we’ve got 75 great songs. And because some sources suggest a different birth year, we’ve actually thrown in some bonus tracks just in case – any excuse to include a few added songs, because in this case, the more Melba Moore, the merrier!
Born into a family of musicians, Melba’s mother was Gertrude Melba Smith, a singer who performed under the name Bonnie Davis – and actually hit #1 on the Harlem Hit Parade chart in 1943 with the song “Don’t Stop Now.” Her father was saxophonist Teddy Hill who had his own prominent big band. And Melba’s stepfather, Clem Moorman, whose last name she later adapted for her own stage name, was a pianist who ultimately performed with her mother.
Ever since this writer was elementary school age and first becoming aware of music, I’ve been obsessed with the artistic connections created by “cover” versions (“remakes,” in layman’s terms).
My father and I would routinely spend a Saturday night pairing together interesting playlists for each other comprised of original versions and their remakes, usually trying to find versions as far apart musically from the originals as possible.
Several decades ago, this was very labor intensive – we had to go ‘digging in the crates’ through our own vinyl, and we had to actually know and remember that the cover version had been done. Piecing it all together was half the fun.
Today, with Spotify and the internet, it’s much much easier to uncover covers. Just type in the song name and often you’ll find hundreds of options to pick from, especially when we’re talking about Stevie Wonder, who has literally had thousands of remakes done of his songs.
So many versions, in fact, that it’s impossible to weed through them all. (According to SecondHandSongs.com, a website devoted to ‘cover’ songs, Stevie is the most covered R&B artist of all time.)
So with today’s Stevie Wonder playlist from GBN, I’ve limited myself to covers of songs from his landmark 1976 double album “Songs in the Key of Life.” “Songs in the Key of Life” capped a prolific mid-1970s golden era for Stevie Wonder, winning him a remarkable third Grammy for Album of the Year – all three of his wins coming in just four years! Many lists feature “Songs” as one of the best albums of all-time.
You may ask – why should I listen to cover versions when the originals are so perfect? I certainly won’t argue with the originals’ perfection. And I don’t think that any of the artists here would argue either that their version supersedes Stevie’s own.
What I would say is that cover versions can do several things. First, they evoke the true songwriting abilities underlying the original song – a great ‘song’ should be able to stand up to multiple interpretations.
Second, when the cover version is in a different genre (and these are the most interesting ones, usually) – they can bring the listener to new places musically that they may not have ventured before. Third, after hearing an iconic album so many times that it becomes almost second nature, it can be refreshing to hear it again in a new way.
In this playlist, we’ve got the entire ‘Songs in the Key of Life’ song list, in the same order as the original – with the four ‘bonus tracks’ from the extra single included in the original release added to the end.
Each song has only one extra version – and each covering artist is limited to just one track. The mix spans jazz, folk, rock, Latin, soul, dance music and many more, including Luther Vandross, Thelma Houston, Najee, Mary J. Blige and James Taylor‘s brother Livingston Taylor. There’s even a Spice Girl in there if you look for her!
Prince will receive an all-star Grammy tribute featuring Alicia Keys, Beck and H.E.R. along with Sheila E., The Time and The Revolution.
— Read on variety.com/2020/music/news/prince-all-star-grammy-tribute-alicia-keys-beck-sheila-e-the-time-1203461660/
article by AP via blackamericaweb.com
NEW YORK (AP) — Fresh off his Grammy triumph, Kendrick Lamar has released a new batch of old music. The eight-song collection titled “untitled unmastered.” was made available Friday on iTunes, Apple Music, Tidal, Spotify and GooglePlay. None of the songs has a title, just what seem to be dates, ranging from 2013 to 2016. Top Dawg Entertainment, the independent hip-hop label Lamar is signed to, said the collection “features studio versions of the untitled songs” that Lamar performed on “The Colbert Report,” ”The Tonight Show with Jimmy Fallon” and last month’s Grammy Awards.
Many of the songs have a spacy, groovy feel and sound highly produced, including the standout funky “untitled 08 09.06.2014.” But “untitled 07 2014-2016” is a meandering, eight-minute song that ends with artists collaborating in a studio, complete with jokes and laughing.
The collection, which totals 34 minutes of music, was publicized around midnight from Lamar’s Twitter account.
Lamar won best rap album for “To Pimp a Butterfly” as well as rap performance, rap song, rap/sung performance and music video. Along with his wins, Lamar also had a show-stopping moment when he took the stage to perform “The Blacker the Berry” and “Alright.” To read more, go to: http://blackamericaweb.com/2016/03/05/new-collection-of-kendrick-lamar-music-appears-online/
Michael Jackson is still setting records years after his death. The King of Pop’s Thriller album has become the first album to go platinum 30 times in the U.S., with sales of more than 30 million albums here and 100 million albums worldwide.
“RIAA has awarded gold and platinum records on behalf of the music business for nearly 60 years, but this is the first time an artist has crossed the 30-times, multiplatinum plateau,” said Recording Industry Association of America chief Cary Sherman in a statement. “We are honored to celebrate the unique status of Thriller in gold and platinum history.”
Thriller was released Nov. 30, 1982, and spent nearly two-and-a-half years on the Billboard album charts, with 37 weeks at No. 1. The album was produced by Quincy Jones and won eight Grammys. Included on the album were such hits as “Billie Jean,” “Beat It” and its title song, “Thriller.”
“It is crystal clear that Michael Jackson is simply the greatest and biggest artist of all time,” Epic Records Chairman and CEO L.A. Reid said in a statement. “Not only are his charts hits, and sales stats staggering, but his pure musicality was otherworldly. Thriller was groundbreaking and electrifying … it was perfection. I am extremely proud that Michael is the heart and soul of Epic Records, and he will forever remain the one-and-only King of Pop.” article by Yesha Callahan via theroot.com
The Recording Academy announced the Grammy Award nominations this morning. Kendrick Lamar leads the field with 11 nods. The Weeknd and Taylor Swift both received seven Grammy nominations. Other top nominees include Drake, John Legend, and Kanye West.
The Academy is committed to celebrating a diverse blend of talented entertainers, musicians, and producers, and this commitment is evident in the nominees for the Album of the Year category. According to Grammy.com. Lamar has been nominated for his “jazz-infused rap,” Alabama Shakes for their “alternative and soulful rock,” Swift for her pop, Chris Stapleton for his “classic country sounds,” and The Weeknd for his “genre-bending R&B style.”
D’Angelo and The Vanguard are nominated for Record of the Year, along with Mark Ronson featuring Bruno Mars, Ed Sheeran, The Weeknd, and Swift.
The Grammy ceremony will be held Feburary 15, 2016 in Los Angeles. A list of nominees follows below:
Before the show even started, a handful of winners have been announced for this year’s 57th Annual Grammy Awards. Beyonce, who has had a record-breaking 52 nominations,took home an early award in the Best Surround Sound Album category for her self-titled 2013 release. Beyonce has now won 18 Grammy’s but has yet to take home the Album of the Year title, an award she’s up for later tonight.
Meanwhile, Pharrell won another Grammy for himself in the form of Best Music Video with his wildly popular “Happy” visuals.
Ahead of the ceremony and performances, check out an early list of the winners and nominees below: Album of the Year
Beck, Morning Phase
Beyonce, Beyonce
Ed Sheeran, x
Sam Smith, In the Lonely Hour
Pharrell Williams, G I R L Best New Artist
Bastille
Iggy Azalea
Brandy Clark
Haim
Sam Smith Record of the Year
“Fancy,” Iggy Azalea ft. Charli XCX
“Chandelier,” Sia
“Stay With Me (Darkchild Version),” Sam Smith
“Shake It Off,” Taylor Swift
“All About That Bass,” Meghan Trainor Song of the Year
“Chandelier,” Sia
“All About That Bass,” Meghan Trainor
“Shake It Off,” Taylor Swift
“Stay With Me (Darkchild Version),” Sam Smith
“Take Me to Church,” Hozier Best Rap Album The New Classic, Iggy Azalea Because the Internet, Childish Gambino Nobody’s Smiling, Common The Marshall Mathers LP2, Eminem Oxymoron, ScHoolboy Q Blacc Hollywood, Wiz Khalifa Best Pop Duo/Group Performance
“Fancy,” Iggy Azalea ft. Charli XCX
“A Sky Full of Stars,” Coldplay
“Say Something,” A Great Big World ft. Christina Aguilera
“Bang Bang,” Ariana Grande, Jessie J & Nicki Minaj
“Dark Horse,” Katy Perry ft. Juicy J Best Rap Performance
“3005,” Childish Gambino
“0 to 100/The Catch Up,” Drake
“Rap God,” Eminem
“i,” Kendrick Lamar
“All I Need Is You,” Lecrae Best Alternative Music Album This Is All Yours, alt-J Reflektor, Arcade Fire Melophobia, Cage the Elephant St. Vincent, St. Vincent Lazaretto, Jack White
article by AP via blackamericaweb.com
NEW YORK (AP) — Fresh off his Grammy triumph, Kendrick Lamar has released a new batch of old music. The eight-song collection titled “untitled unmastered.” was made available Friday on iTunes, Apple Music, Tidal, Spotify and GooglePlay. None of the songs has a title, just what seem to be dates, ranging from 2013 to 2016.
Top Dawg Entertainment, the independent hip-hop label Lamar is signed to, said the collection “features studio versions of the untitled songs” that Lamar performed on “The Colbert Report,” ”The Tonight Show with Jimmy Fallon” and last month’s Grammy Awards.
Many of the songs have a spacy, groovy feel and sound highly produced, including the standout funky “untitled 08 09.06.2014.” But “untitled 07 2014-2016” is a meandering, eight-minute song that ends with artists collaborating in a studio, complete with jokes and laughing.
The collection, which totals 34 minutes of music, was publicized around midnight from Lamar’s Twitter account.
Lamar won best rap album for “To Pimp a Butterfly” as well as rap performance, rap song, rap/sung performance and music video. Along with his wins, Lamar also had a show-stopping moment when he took the stage to perform “The Blacker the Berry” and “Alright.”
To read more, go to: http://blackamericaweb.com/2016/03/05/new-collection-of-kendrick-lamar-music-appears-online/