Congratulations to Ora Chamberlin and Diedra Lipscomb! We will be contacting you each shortly via email to arrange delivery of your free calendars.
Thank you to all who have entered so far – and you are still in the running as we will announce one more winner in January 2022. To those who have yet to enter – it’s not too late!
For a chance to win, send your first name, last name and email address with the subject heading “A Year of Good Black News Giveaway” to goodblacknewsgiveaways@yahoo.com from now until December 31. One entry per email, and we will continue to choose at random one winner per month and announce their names here.
Already a Top 5 release in Multicultural Calendars on Amazon, A Year of Good Black News is filled with facts, history, bios, quotes, jokes and trivia in easy-to-read entries delivered on the daily.
If you want to buy copies as gifts for family, friends, teachers or loved ones, use the code: GOODBLACKNEWS at Workman.comto receive 20% OFF site-wide, plus Free Shipping on orders over $45.
Or, if you prefer, you can also order from the retailers below:
Congratulations to Daphne Gervais! We will be contacting you shortly via email to arrange delivery of your free calendar.
Thank you to all who have entered so far – and you are still in the running as we will continue to announce one winner a month until January 2022. To those who have yet to enter – it’s not too late!
For a chance to win, send your name and email address with the subject heading “A Year of Good Black News Giveaway” to goodblacknewsgiveaways@yahoo.com from now until December 31. One entry per email, and we will continue to choose at random one winner per month and announce their names here.
Already the #1 new release in Multicultural Calendars on Amazon, A Year of Good Black News is filled with facts, history, bios, quotes, jokes and trivia in easy-to-read entries delivered on the daily.
If you want to buy copies for gifts to family, friends, teachers or loved ones, you can order using code: GOODBLACKNEWS at Workman.comfrom now until December 31 and receive 20% off.
Or, if you prefer, you can also order from the retailers below:
A Year of Good Black News, written by yours truly, is filled with facts, history, bios, quotes, jokes and trivia in easy-to-read entries delivered on the daily.
The calendar’s official drop date is Tuesday, October 12, and if you pre-order at Workman.com using the code: GOODBLACKNEWS from now until December 31, you will receive 20% off.
A Year of Good Black Newsoffers fun Black facts about inventors, entrepreneurs, musicians, comedians, historians, educators, athletes and entertainers, as well as info shared in fun fact categories like “Lemme Break It Down: Black Lexicon,” “We Got Game: Black Trivia,” “Get The Knowledge: Black Museums and Landmarks” and “You Know We Did That, Right?: Black Inventors.”
Here’s a sneak peek inside:
Although I’m biased because I wrote it, the A Year of Good Black News Page-A-Day 2022 calendar is an awesome way to get inspired every day by the good things Black people do (and have done) for centuries, but haven’t always been widely known or shared.
Well, no more! If this site is for you, this calendar is, too!
It’s also a great gift for family members, friends, teachers, kids and loved ones. Did I mention if you use the code: GOODBLACKNEWS at Workman.com, you get 20% off?
Or, if you prefer, you can also order from the retailers below:
Well, Aretha stans, the movie moment we’ve long been waiting for is finally –FINALLY– here. Today, just three days shy of the third anniversary of her passing, the MGM feature film about the one and only Queen of Soul, Respect, hits theaters nationwide.
As Editor-in-Chief of Good Black News (and not-so-undercover Aretha Franklin freak), I was able to attend a press screening of the movie a few weeks ago, as well as interview its writer Tracey Scott Wilson (The Americans) and original score composer Kris Bowers (The United States vs. Billie Holiday, Space Jam: A New Legacy, King Richard).
Directed by Tony Award nominee Liesl Tommy from a screenplay by Emmy Award nominee Wilson and starring Academy Award-winning vocal powerhouse Jennifer Hudson (who also executive produced), Respect is a treasure not only because it is a film about a Black woman made by Black women, but also because it satisfies on every level — visually, musically, and dramatically.
“Liesl wanted this to be a movie about and for and with and celebrating Black women because that’s what Aretha did her entire life,” writer Wilson said. “That was one of her missions in life, to honor Black women and put them front and center.”
The biopic covers a span of approximately 20 years in Franklin’s life, from her youthful choir solo singing in her father’s church to recording and producing Amazing Grace, a live double album of gospel music in the church of early teacher and friend Rev. James Cleveland (warmly and lovingly portrayed by Tituss Burgess).
Jennifer Hudson stars as Aretha Franklin and Forest Whitaker as her father C.L. Franklin in RESPECT (Photo credit: Quantrell D. Colbert)
Performances across the board are top notch – Hudson not only understood the assignment, she embodied it and transcended it by capturing Aretha’s quiet and graceful exterior while navigating how to express the caldron of explosive feeling and creativity within.
Forest Whitaker‘s note-perfect performance as Aretha’s formidable, flawed, savvy and controlling preacher father C.L. Franklin again proves why he is a lauded master of the craft.
As Aretha’s first husband and manager Ted White, Marlon Wayans charms with his nuanced combination of sexiness, intelligence and manipulation that make the dynamic of White and Franklin’s relationship live so well in the gray areas of both real and fatal attraction, especially when it gets violent.
Although they had limited screen time, Audra McDonald has so much gravity and grace as Aretha’s mother Barbara Franklin, she is broken spirit personified and Mary J. Blige pops off the screen as Aretha’s mentor/menace/musical motivator Dinah Washington.
Actor Jennifer Hudson and director Liesl Tommy on the set of RESPECT (Photo credit: Quantrell D. Colbert)
Tommy’s direction is as subtle as it is rich and powerful — the movie doesn’t feel like a movie if you know what I mean — but like an inside look into a lived experience. Franklin remains a mystery in many ways, which I found to be an insightful nod to Aretha’s own choice and agency to fiercely protect and guard her interior life.
Tommy and Wilson take what is known about the relationships and traumas in Franklin’s life and, like Franklin, let their fullest expression explode like dynamite through the music.
The way the music is presented within the storytelling (not to mention Hudson’s astounding vocals), from the expected highs like “Respect” or the emotional, fractured rehearsal of “Precious Memories,” is ambrosia for the ears, heart and soul.
The creation of “Ain’t No Way” in the movie plays as a grand glimpse into Aretha’s musicality and artistry as well as her connection with her sisters Erma and Carolyn (younger sister Carolyn Franklin wrote the song and is teaching it to Aretha in the scene) and this pivotal moment is a stand out.
According to Wilson, not only is that song a favorite of director Tommy, it also pays homage to rarely seen ABC news documentary footage of the same:
“It’s just them in rehearsal, and it’s Carolyn teaching her the song that she wrote. I must have watched that video like 100 times. Just seeing the dynamic between them — Ted White is standing there, the Muscle Shoals guys are standing there — and she’s just teaching her this song,” Wilson said.
“And Carolyn could read music and Aretha couldn’t, so she’s speaking to her not only in a way musically that Aretha can understand but she’s also speaking to her as a sister. And just seeing that I knew it had to be in the movie because it so encapsulates their relationship so well, it captures Carolyn’s brilliance, it captures their sisterly camaraderie and love, and also the dynamic of Ted who’s there who is clearly becoming just an appendage and not the main attraction anymore.”
“Liesl had in mind that the score was going to handle a lot of her trauma in the story and that was going to be the focal point of the score. And the other thing that I started to feel was revealing itself in the story… is how much she’s finding her way back to God and her faith and church and also in a lot of ways this pure connection she had with her mother.”
The score itself, Bowers said, was loosely inspired by the sound of the church, which, as Aretha’s life and career highs and lows unfold, is calling her back to it.
“A lot of the textures are organ sounds… and I just kind of stretched them out and did different things to them to create more of a texture and layers on top of the score.”
“The theme itself not only was meant to feel somewhat like a hymn but her trauma theme is actually her mother’s theme in reverse. A lot of [the score] is trying to find ways to create some sort of throughline to that so it can continue to pull her toward that calling of God and her faith.”
As a bonus, the film’s final moments close with the actual footage of Aretha’s unparalleled Kennedy Center Honors performance of “Natural Woman” from 2015. It’s such an outstanding narrative choice, it brought tears to the eyes of this Aretha devotee.
Although the film passes quickly through Aretha’s Columbia records output and ends well before her transition to her Clive Davis and Arista years, it’s an impressive exploration of, to paraphrase Wilson, “the woman with the greatest voice in the world finding her own voice.”
Well, it is always African American Music Appreciation Month (aka Black Music Month) around these parts! We celebrate Black music every week here at Good Black News.
It’s been more than a year since I started making weekly playlists honoring African American music in its many forms.
If you’ve been tuning in with any regularity, you know I am no stranger to a free-wheeling and hours-long playlist.
When it comes to a collection that tracks Gospel, Blues, Jazz, R&B, Rock, Hip-Hop, and everything in between, this one was bound to be a long one:
Have a great week.
Marlon West (photo courtesy Marlon West)
[Editor’s Note: ICYMI, below are links to some of Marlon’s most popular playlists from 2020. Enjoy!]
GOOD BLACK NEWS proudly celebrates its eleventh anniversary today, March 18, 2021. GBN initially launched in 2010 as a Facebook page (read the story behind GBN’s creation here), and in 2012, we created a dedicated website, goodblacknews.org, which has allowed us to provide archives, search functions and easy access to our most popular social media to you, our readers.
The outpouring of appreciation you’ve shown us over the years via follows, likes, comments, shares, reblogs, DMs and e-mails means the world (even when we are overwhelmed and can’t respond to them all), and inspires GBN to keep working to find ways to expand, improve, and offer more content on the main page as well as on Facebook, Twitter, Instagram, Pinterest, Tumblr, YouTube, RSS feed, LinkedInand Flipboard(new)!
In 2020, Lori also started a Q&A column entitled “Dear Lori”where she responds to questions about white privilege and race she’s been asked by readers that she intends to resume shortly, because the questions just don’t stop.
And after years of promising in these anniversary posts, we finally launched the GBN newsletter via email. The intention is for it to be weekly but for myriad reasons, it hasn’t been consistent. In the coming months, we aim to make it so.
GBN is super proud to announce that in Fall 2021 Workman Publishing will be offering our first physical product: a Page-A-Day® Calendarentitled A Year of Good Black News for 2022, chock full of history, trivia and fun Black facts to enjoy every day of the year. We will offer more information on the calendar and its availability in the coming months.
Good Black News remains a labor of love for Founder/Editor-In-Chief Lori Lakin Hutcherson and co-editor Lesa Lakin, and we must gratefully acknowledge 2020’s volunteer contributors: Susan Cartsonis, Julie Adelle Bibb, Beck Carpenter, Hanelle Culpepper Meier, Jessie Davis, Dan Evans, Gina Fattore, Julie Fishman, Michael Giltz, Eric Greene, Thaddeus Grimes-Gruczka, Ashanti Hutcherson, Warren Hutcherson, Fred Johnson, Epiphany Jordan,Brenda Lakin, Joyce Lakin, Ray Lancon, Lois Leveen, John Levinson,Rob Lowry,Catherine Metcalf, Lara Olsen,Flynn Richardson, Maeve Richardson, Rosanna Rossetto and Becky Schonbrun.
Special thanks to Zyda Culpepper Mellon for allowing GBN to share her powerful video testimony on how white friends and family can be allies, to TedX speaker and contributor Dena Crowder for creating and sharing her Power Shot video series on GBN, to incredible Tech JediSamer Shenouda for migrating and revamping the GBN website to make us bigger, stronger, faster, and to Jeff Meier, Teddy Tenenbaum and Marlon West for creating incredible Spotify playlists and posts covering a variety of genres, sub-genres and artists celebrating the musical diaspora, past and present. You are all deeply, greatly appreciated.
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider following GBN here on the main page, as well as wherever you are on social media.
Please also consider joining our e-mail list via our “Contact Us” tab. We will only use this list to keep you updated on GBN and send you our e-newsletter. And, of course, you may opt out at any time.
GBN believes in bringing you positive news, reviews and stories of interest about black people all over the world, and greatly value your participation in continuing to build our shared vision.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming year, and beyond!
Last week our fearless leader here at GBN, Lori Lakin Hutcherson, suggested a playlist celebrating Black History Month. I joked that every Music Monday at Good Black News is celebrating Black history.
Though a free-wheeling offer celebrating a century of Black music is definitely the thing to do. Here is a collection of African American music ranging from Mamie Smith to Marvin Gaye to J. Cole – from gospel, to hip hop, to jazz, to blues – and all points in between.
This month, as part of African American Music Appreciation Month, Good Black News will offer a set of playlists rediscovering some pioneering musical talents who should no longer be allowed to slip through the cracks of history.
It is in that spirit that today’s playlist honors the late Ronnie Dyson, who would have turned 70 this past week.
“When the moon is in the Seventh House, and Jupiter aligns with Mars…” – in 1968 at the age of just 18 years old, Ronnie Dyson sang the words that captured a generation when, as an original cast member of the the Broadway musical “Hair,” he was picked to solo on “Aquarius,” the hippie anthem that opens and sets the tone for the whole show.
Following his introduction to the world in “Hair” (which also featured such original Broadway cast members as Melba Moore, Diane Keaton and ‘Last Dance’ disco songwriter Paul Jabara), Dyson was immediately propelled onto a career trajectory designed to turn him into a soul star.Dyson signed to Columbia Records in the Clive Davis era and started putting out records – and by 1970, he had his first modest R&B hit, “Why Can’t I Touch You?,” from an off-Broadway show called “Salvation.”
Over the next dozen or so years, though, while he managed to hit the R&B Top 40 eight times, Dyson never really struck chart gold. Most writers discussing Dyson talk about him as an artist coming of age potentially in the wrong era.
With a boyish face and lanky frame – and a gospel-infused, higher register tenor voice that sometimes made you wonder whether a man or a woman was singing, perhaps Dyson (and his penchant for standards and big ballads) was out of place during a time of sexy, more traditionally masculine vocalists like Marvin Gaye, Isaac Hayes, Barry White and Teddy Pendergrass.
Nevertheless, in trying to find that elusive smash, Columbia teamed Dyson up with some very skilled producers, including Thom Bell & Linda Creed (The Stylistics, The Spinners and more) and later, Chuck Jackson & Marvin Yancy (who had launched Natalie Cole‘s career). And in the process, they created some unsung classics.
Today, the Bell & Creed produced “One Man Band“ album feels like a true lost Philly Soul masterpiece. It generated Dyson’s dramatic original version of “Just Don’t Want to Be Lonely,” later a hit for The Main Ingredient, as well as the beautiful ballad “Give In To Love,” later covered by such artists as Dee Dee Bridgewater and Sister Sledge.
Listening to the two albums Jackson & Yancy produced for Dyson, you’ll note similarities between songs like “Close to You” and the hits that Natalie Cole had that same year. (Late in her career, Natalie actually covered a Dyson tune from this era, ‘The More You Do It.’)
Across all his records, Dyson proves to have almost Luther Vandross-like interpretive skills in covering great songs of the era, from stunning versions of “A Song For You,” “Bridge Over Troubled Water,” “Love Won’t Let Me Wait,” and Beatles standard “Something” – to more esoteric covers of Laura Nyro‘s “Emmie,” “Jesus Is Just Alright” (the Doobie Brothers song), and a soulful take on Hall & Oates“Sara Smile.”
Ultimately, after waning career fortunes, Dyson’s last major label release arrived in 1983 (though, ironically, this underperforming “Brand New Day“ LP did manage to yield a prominent club hit, “All Over Your Face,” that is by far Dyson’s most streamed Spotify song today). Unfortunately, reported drug issues sent Dyson’s health on a downward spiral – he passed away of heart failure in 1990 at the age of 40.
In 1986, several years before he passed away, then rising young filmmaker Spike Lee recognized Dyson’s stellar talents, hiring him to sing the vocal version of the composition “Nola” for Lee’s debut movie ‘She’s Gotta Have It’. Unfortunately, this song is unavailable on Spotify (seek it out on youtube.com).
But fortunately, most of Dyson’s other recorded work is available for you to rediscover now during the 70th anniversary of his birth. We’ve populated this playlist with all his hits, plus many other highlights that will have you reliving that nostalgic mid-70s sound, by way of a spectacular and unique voice that shouldn’t be forgotten.
You are not likely to find these songs on your local oldies radio station. But they should be. Enjoy!
Music Supervisor Rob Lowry (Twitter: @robertlowry) was recently inspired by Han Martin‘s (Twitter: @hnicolemartin) “Resources for White Family” post to create his own version of a letter and resources to White friends and family and tweet it to anyone who wanted them.
Good Black News requested and was given permission by Lowry to share his document in its entirety, as especially now Black people are being asked for resources from White colleagues, friends and family, and already have way too much to handle. So why not just shortcut it for everybody?
Lowry’s intro, letter and resources below:
** To everyone reading this: Thank you for taking the time and making the effort to begin having necessary conversations. Please note that this is by no means exhaustive, nor is it “One Size Fits All,” and should be used as a template to revise and repurpose as you see fit.
This particular version is in many ways meant as a very simple spoon-fed entry way into this conversation. This was compiled from several templates and resources across the web.
You’ll see that I’ve started my resources with documentaries and movies as that is the easiest and most efficient media that someone is most likely to consume, especially if they can simply click Netflix and the documentary is waiting for them to stream. Please feel free to share, and I hope this proves to be a useful resource for you and your family and friends. **
Hello Family & Friends,
First and foremost, I hope everyone is healthy and safe. As our country goes through this difficult period, I have taken much time to reflect on my own privilege, racism (conscious or unconscious), and my education and evolution on those issues over the years. The last few days and weeks have understandably intensified those thoughts. This reflection has led me to reach out to my loved ones to engage and discuss how we can be better allies to Black and Brown people (especially those in the LGTBQ+ community) moving forward.
These conversations can be difficult. My hope is that by sending this message and opening up a dialogue among close family members, we can listen and learn together and figure out how each of us can play a role in supporting these communities who need our support now more than ever.
These unprecedented times are amplified in communities who directly suffer from racism, police brutality, and oppression on a day to day basis. We know the system is broken and the recent murders of George Floyd , Breonna Taylor, Ahmaud Arbery, Sean Reed, and Tony McDade are a direct result of the system that inherently promotes white supremacy. Below is a graphic to further illustrate how white supremacy expresses itself in our world and how, whether or not we are aware, we contribute to it:
As we all know, these murders are not an isolated incident but, rather, the results that come from a flawed system designed and built to oppress minorities. While protests rage on across the country, it is an opportunity for people with privilege (like our family) to listen, read, and educate ourselves so that we can play a role in promoting anti-racism. It is easy during times like this to look away and wait for things to settle back down and revert to how they were. But we can no longer do that. We have a responsibility to educate ourselves and be proactive in defending and supporting our fellow human beings. We have the ability to take action, invest in anti-racism, support minority communities, condemn racism and oppression and create a better country – for everyone.
It is not the burden of these communities to educate us; we must educate ourselves. We are lucky enough to live in a time where we have access to a wealth of information that we can use at the click of a button. Below is a list of documentaries, books, and other items readily accessible that we could spend a few hours reading or listening to and thinking about. My hope is that this can lead to a further discussion, as a family, of what we can do to be more supportive of these communities.
DOCUMENTARIES & FILMS
Here is a list of Social Justice Films & Documentaries to watch. Start with 13th. I would also recommend watching GET OUT, BLINDSPOTTING, DO THE RIGHT THING, 42, THE LAST BLACK MAN IN SAN FRANCISCO, OJ: MADE IN AMERICA, A RAISIN IN THE SUN, DID YOU WONDER WHO FIRED THE GUN?, HALE COUNTY THIS MORNING, THIS EVENING
BOOKS
There is a plethora of literature on this topic – as a quick read and powerful introduction, I recommend Ta-Nehisi Coates “Between The World and Me” (BONUS POINTS FOR ORDERING FROM A LOCAL AND/OR BLACK OWNED BUSINESS RATHER THAN AMAZON). Here are some BLACK OWNED BOOK STORES across the country that could use your help
WHERE TO DONATE:
*Along with these charities, please google local organizations as well as victims’ families GoFundMe accounts that you can donate to and have a huge impact on their lives*
The Ida B. Wells Society – news trade organization dedicated to increasing and retaining reporters and editors of color in the field of investigative reporting
Black Lives Matter – mission is to eradicate white supremacy and build local power to intervene in violence inflicted on Black communities by the state and vigilantes
Reclaim The Block – organizes Minneapolis community and city council members to move money from the police department into other areas of the city’s budget
Black Visions Collective – Black, queer, and trans-led Minnesota nonprofit organizes campaigns to cut police budgets, invest in community-driven safety strategies, train activists, and celebrate Black joy
Campaign Zero – calls on lawmakers on every level to end police violence by implementing comprehensive research-based policy solutions
Know Your Rights Camp – aims to advance Black and Brown youth education and self-empowerment through events and campaigns
Black Youth Project 100 – dedicated to advancing the Black community’s economic, social, political, and educational freedoms, through a Black queer feminist lens
NAACP Legal Fund – legal organization fighting for racial justice
So many generations have grown up listening to Stevie Wonder that people often refer to his music as “the soundtrack” to their lives.
Though his songs have appeared in countless movies over the decades, Stevie has also done literal soundtrack work during his career, contributing tracks and sometimes full albums worth of original music to over half a dozen movies.
Wonder even won an Original Song Academy Award for “I Just Called To Say I Love You,” his chart-topping hit from the 1984 movie “The Woman in Red.”
As Good Black News continues its month-long tribute to Stevie Wonder as he turns 70, Marlon West has compiled a new Spotify playlist celebrating Wonder’s unique contributions to cinema.
In Marlon’s words:
“STEVIE AT THE MOVIES is another playlist devoted to the talent and impact of Stevie Wonder his birthday month of May.
My love of moviemaking and Stevie Wonder’s music resulted in the playlist of his work for films. He’s written and contributed to songs for many movies including “The Outsiders,” “The Last Dragon,” “The Adventures Of Pinocchio” and “Rent.”
He has written and produced motion picture soundtracks for “The Secret Life of Plants,” (the full album title is “Stevie Wonder’s Journey Through The Secret Life of Plants”) “The Woman in Red” and “Jungle Fever.”
I have included a few Stevie Wonder “needle drops” from films like “Glory Road,” “Poetic Justice,” “The Thing,” “Dead Presidents,” “Almost Famous,” “High Fidelity,” and others.
I couldn’t resist including “Gangsta’s Paradise” from the Michelle Pfeiffer-starring film “Dangerous Minds,” which of course contains a sample of “Pastime Paradise” from 1976’s “Songs In The Key Of Life.”
As always, stay, sane, safe, and kind. Take care.”
Last week our fearless leader here at GBN, Lori Lakin Hutcherson, suggested a playlist celebrating Black History Month. I joked that every Music Monday at Good Black News is celebrating Black history.
Dyson signed to Columbia Records in the Clive Davis era and started putting out records – and by 1970, he had his first modest R&B hit, “
Listening to the two albums Jackson & Yancy produced for Dyson, you’ll note similarities between songs like “Close to You” and the hits that Natalie Cole had that same year. (Late in her career, Natalie actually covered a Dyson tune from this era, ‘The More You Do It.’)
