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Posts tagged as “Fugees”

MUSIC MONDAY: “Cover Me Softly” – Soul-Filled Remakes and Covers Playlist (LISTEN)

by Lesa Lakin (@lesalakin) and Lori Lakin Hutcherson (@lakinhutcherson)

With all that’s going on in the world, we thought we’d offer some comfort this Music Monday in the form of a playlist of remakes and covers called Cover Me Softly: Soul-Filled Remakes and Covers.”

Sometimes the songs are reimagined, elevated and fully remade, and other times they are faithful covers by the right artist, offering just the right notes and voicing.

We’ve got “Killing Me Softly,” originally by Robert Flack and reimagined by Fugees, Maxwell’s soul stirring take on Kate Bush‘s “This Woman’s Work,” Rihanna’s hauntingly similar yet very much her own gorgeous version of Tame Impala’s “Same Ole Mistakes,” Luther Vandross’ famous redo of Dionne Warwick’s “A House Is Not a Home,” Mariah Carey’s version of Prince’s “Beautiful Ones” with Dru Hill and more.

One song on our list poses the question: Can you successfully remake/cover your own song?   In the case of Lionel Richie, that’s exactly what happened with “Lady.” “Lady” was written and produced by Richie and first recorded by American country music artist Kenny Rogers in 1980.

“Lady” is the first record of the 1980s to chart on all four of Billboard magazine’s singles charts – country, Hot 100, adult contemporary and Top Soul Singles. Almost two decades later, Richie revisited the hit by recording the song himself in 1998.

Rogers and Richie would eventually preform the song as a duet on Richie’s 2012 release Tuskegee. If you’re interested in reading even more about it, here’s a fun story about the history of “Lady”: https://people.com/country/kenny-rogers-lionel-richie-friendship-history/

So, sit back and relax to some old familiar hits and maybe a few reimagined new finds. Have a listen… and always,  always celebrate music!

Lauryn Hill's New Album: Singer To Release First Studio Effort Since 1998's 'Miseducation'

Lauryn HillLauryn Hill posted a statement to her official Tumblr account, announcing that she’s back in the studio for the first time since 1998’s iconic “The Miseducation of Lauryn Hill.” The singer’s only album since “Miseducation” has been 2002’s “MTV Unplugged No. 2.0,” recorded live at the MTV Studios in Times Square the previous year. This will mark her first studio material in 15 years, and fans will surely be anxious to lay down a welcome mat for the former Fugees singer, who has steadily grown more eccentric over the past decade.
Hill revealed on Tumblr that she is launching a new record label in conjunction with Sony Worldwide Entertainment as an effort to pay the $504,000 she owes immediately in taxes.
Here’s an excerpt of her post:

I’ve remained silent, after an extensive healing process. This has been a 10+ year battle, for a long time played out behind closed doors, but now in front of the public eye. This is an old conflict between art and commerce… free minds, and minds that are perhaps overly tethered to structure. This is about inequity, and the resulting disenfranchisement caused by it. I’ve been fighting for existential and economic freedom, which means the freedom to create and live without someone threatening, controlling, and/or manipulating the art and the artist, by tying the purse strings. 
It took years for me to get out of the ‘parasitic’ dynamic of my youth, and into a deal that better reflects my true contribution as an artist, and (purportedly) gives me the control necessary to create a paradigm suitable for my needs. I have been working towards this for a long time, not just because of my current legal situation, but because I am an artist, I love to create, and I need the proper platform to do so.

Legal issues aside, Hill hasn’t been totally out of the spotlight since “Miseducation” stormed through the music scene. Her “MTV Unplugged” effort divided the critics who so unanimously praised her debut solo album, with Rolling Stone calling “Unplugged” a “public breakdown,” and she has sometimes left her passionate legion of fans disappointed by her public persona.