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Posts tagged as “Frederick Douglass”

EDITORIAL: What Black History Month Means to GBN in 2023 and Beyond

by Lori Lakin Hutcherson, GBN founder and Editor-in-Chief

Well, here we are, once again. Forty seven years after February was officially recognized by the U.S. government as Black History Month, and ninety seven years after Negro History Week was founded by Carter G. Woodson, “The Father of Black History.”

We are also, once again, deeply distressed by the murder of a young Black person (Tyre Nichols) at the hands of police officers. The fact that the officers and the police chief are Black this time around doesn’t complicate but instead amplifies the grotesque, stark, ironically colorblind reality of systemic racism — it is a pernicious construct of power and oppression that can be upheld or enforced by anyone of any color or gender or creed.

So, how do we reconcile the two — the celebration of Black people and their achievements while constantly experiencing injustice, inequity and increasingly, erasure?

If you think “erasure” is a hyperbolic, overused buzzword, please check out this PBS piece, this ACLU podcast or get your up-to-date Critical Race Theory ban statuses state by state on World Population Review. You can also Google what the governor of Florida is up to these days in regards to one particular course offered in the AP curriculum. and the AP’s seeming capitulatory response.

As Editor-in-Chief of Good Black News, a site which for over a decade has literally been dedicated year-round to the celebration of Black people and their achievements, I have been wrestling with this question for a while, particularly in the last eight months.

After the murder of 10 Black people at a supermarket in Buffalo, NY by a white supremacist in May 2022 and the continued downplaying of racially-based domestic terrorism, I felt depleted and bereft. Of hope, of faith, of purpose. It didn’t seem to matter how much Black people achieved or prospered or protested or suffered in America — we couldn’t even buy our groceries in peace.

And once again, the narrative of the “lone, mentally unstable shooter” was trotted out. One person was (rightfully) punished, but the racist political and economic system he embraced in its most violent extreme? It remained (and remains) steadfastly in place. As did the onus remain on the shoulders of Black people to be seen as worthy of basic human rights.

America quickly got back to the business of forgetting and moving on, even after experiencing only two years before what seemed like a watershed moment of racial reckoning after the police murder of George Floyd.

But here were are again today, literally TODAY, with civil rights attorney Benjamin Crump saying during his call to action during Tyre Nichols’ funeral: “Why couldn’t they see the humanity in Tyre?… We have to make sure they see us as human beings worthy of respect and justice!”

We do?

I’ll admit in many ways, I understand where Crump is coming from. “Show the humanity” has essentially been the GBN operating philosophy since 2010 — to create a site and space where we can see and celebrate our humanity, while offering access to anyone else who wants to take a gander.

But now, in 2023, I must push myself to dig deeper and firmly challenge why it should it ever be the responsibility of any human being to convince any other human being of their humanity. To state the obvious, once, and for all:

BLACK PEOPLE ARE HUMAN BEINGS.

If the words above are not inherently understood to be true, why is that? Why does this have to be shown? Proven? Over and over and over again?

My answer, also obvious, is that they don’t. Not ever.

So, while I absolutely respect and still intend to celebrate the legacies of people such as Frederick Douglass, Harriet Tubman, Dr. Martin Luther King, Jr., Rosa Parks, Jackie Robinson, Sidney Poitier and the like, going forward I also need for GBN’s Black History Month and GBN in general to engage more actively in the interrogation and disempowering any systems, institutions or public policies that do not recognize or uphold this truth and all the basic rights that should flow from it (e.g. respect, freedom, safety, equality).

Maybe I’m not giving enough credit to GBN in its past and present form — I acknowledge that GBN has been helpful and appreciated by many for the way we offer information via the lens of celebration and positivity.

What I’m aiming to add to our existing ethos is more critical thinking and opinion about cultural topics and cultural content, boosting political, economic and social policies that are truly about protecting, serving and uplifting Black people, and working to upend those that don’t.

What will this “new GBN” look like, you might ask? Well, today it’s looking like me sharing this link to the NAACP Petition to Demand Educational Freedom in Florida. To quote the petition:

The College Board creates and administers the AP program. Join us in demanding that they:

  • Reject the narrow interpretation of Florida law that contradicts principles of academic freedom and autonomy in determining what to teach in classrooms.
  • Take swift action to make sure Florida does not modify the curriculum of the proposed AP African-American Studies course designed with the help of respected Black scholars, but rather, maintains the integrity of the proposed curriculum.

Florida’s current agenda of political interference in the AP African American studies curriculum directly conflicts with the values of equity, fairness, and justice. Our students deserve better.

To sign it, click here.

Additionally, I want to highlight Nikole Hannah-Jones’ The 1619 Project series now streaming on Hulu as well as promote the excellent “Intersectionality Matters” podcast by law professor Dr. Kimberlé Crenshaw whose name is among the writers expunged from the AP African American studies curriculum.

[spotifyplaybutton play=”https://open.spotify.com/show/5CEVNLkyQ1kAx2MTSJZJLP?si=1d7be514acc241f1″]

I also want to give props to Beyoncé for officially announcing her 2023 Renaissance World Tour!  A definite bright spot on this first day of Black History Month, the efforts Beyoncé and her team are making via the Verified Fan system and its tiers of engagement (first priority given to the BeyHive!) to ensure real fans get access to tickets over usurious resale entities is for sure worth a shout out.

Frankly, I am tired of us being caught out there, and I want GBN to do more, offer more, share more and speak out more. In our tweets, reels, stories, posts, playlists, comments — however.

Maybe I’ll get it wrong sometimes, but with deep love for this community as my true north, may my faith, purpose and hope never again be broken.

“We Got Game”: Who Was the 1st African American Person to Appear on a U.S. Postage Stamp? (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s Daily Drop is based on the Thursday, April 7 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 and is the year’s third foray into our Black Trivia category called “We Got Game.” 

All due respect to Chuck D, some of our heroes actually did appear on stamps, the first doing so 82 years ago #onthisday. Question is, who was the first one? To read the choices, read on. To hear them, press PLAY:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, AmazonSpotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 7th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Trivia we call “We Got Game”:

Okay, so I’m going to read a multiple-choice question that you will get time to think about and answer.

What I’m going to do is read the question, read the choices — and they’ll be four of them — and then I’ll prompt you to pause the episode if you want to take longer than the 10 seconds that will pass before I share the answer.

Sound good? Ready to see if you got game? All right, here we go:

Who was the first African American to be featured on a U.S. Postage Stamp? Was it…

  1. W.E.B. DuBois
  2. Frederick Douglass
  3. Harriet Tubman, or
  4. Booker T. Washington

Now go ahead and pause the episode if you want to take more than 10 seconds before you hear the answer. Otherwise, I’ll be back in 10… Okay, time’s up.

The answer is… D: Booker T. Washington.

Although the other three have since been featured on USPS stamps — 1992 for DuBois, 1967 for Douglas and 1978 for Tubman — Booker T. Washington was the first Black person to be honored in this way 82 years ago on April 7, 1940.

After several petitions from African American supporters, President Franklin D. Roosevelt pushed to make Washington’s stamp happen.

Issued at a cost of 10 cents and celebrated with a ceremony at the Tuskegee Institute, Washington’s stamp was part of the U.S. Postal Service’s Famous Americans Series.

The most recent African American person celebrated on a postage stamp is sculptor Edmonia Lewis, who is the 45th subject of the USPS Black Heritage stamp series, issued in January of this year.

To learn more about the history of African Americans on U.S. postage stamps, check out the links provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

GBN Daily Drop Podcast: Drs. Joanna and Elmer Martin and the National Great Blacks in Wax Museum (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Here is GBN’s Daily Drop for Thursday, February 3rd, 2022, about the creation of The National Great Blacks in Wax Museum in Baltimore, MD, the first all African-American wax museum in the U.S.

(Also available for streaming and download at Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed.)

Transcript below:

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of GoodBlackNews.org, here to share with you a daily drop of Good Black News for Thursday, February 3rd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Museums and Landmarks we call “Get the Knowledge”:

Sociologist Dr. Elmer Martin and his wife, Dr. Joanna Martin, wanted to teach Black history in a way that would grab kids’ attention—so they did it with wax. The Martins had wax heads made in the likenesses of Harriet Tubman, Frederick Douglass, Mary McLeod Bethune, and Nat Turner, then used department store mannequins for the bodies.

They originally presented the figures at schools and community centers in Baltimore, Maryland but after garnering donations and grants, the figures were upgraded, expanded in number, and permanently installed at the Great Blacks in Wax Museum in 1983.

Just over two decades later, in 2004, the Great Blacks in Wax Museum was recognized by the United States Congress and designated The National Great Blacks in Wax Museum. If you want to learn more about the Martins and the Great Blacks in Wax Museum, check out the links provided in today’s show notes.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers. Beats provided by freebeats.io and produced by White Hot. For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

BHM: Celebrating Baltimore’s National Great Blacks in Wax Museum

by Lori Lakin Hutcherson (@lakinhutcherson)

Most museums with a national profile are created and built by cities, states or institutions that work with curators and major funding.

There are also, however, a select few museums of renown that are built up from a grassroots level by community members determined to inform and educate future generations about history and culture from an authentic and engaging perspective.

Sociologist Dr. Elmer Martin and his wife, Dr. Joanna Martin, were most definitely among those select few.

Drs. Joanna and Elmer Martin, co-founders of The National Great Blacks in Wax Museum (photo: wernercoach.com)

The Martins wanted to teach Black history in a way that would grab the attention of school children —so they did it with wax.

The Martins had wax heads made in the likenesses of Harriet Tubman, Frederick Douglass, Mary McLeod Bethune and Nat Turner, then used department store mannequins for the bodies.

They originally presented the figures at schools and community centers in Baltimore, Maryland, but after garnering donations and grants, the figures were permanently installed at the Great Blacks in Wax Museum in 1983.

Just over two decades later, in 2004, the Great Blacks in Wax Museum was recognized by the United States Congress and was designated The National Great Blacks in Wax Museum.

Visit the site: http://www.greatblacksinwax.org/index.html

Harriet Tubman and Frederick Douglass Statues Installed in Maryland State House

Bronze Statues of Frederick Douglass and Harriet Tubman (via Kingsport Times-News)

During a ceremony Monday night in the Maryland State House, bronze statues of famed abolitionists Harriet Tubman and Frederick Douglass  (sculpted by Ivan Schwartz of StudioEIS) were unveiled, according to ABC News.

To quote abcnews.go.com:

The life-sized statues were dedicated during a special joint session of the Maryland General Assembly in the Old House Chamber, the room where slavery finally was abolished in the state in 1864.

“A mark of true greatness is shining light on a system of oppression and having the courage to change it,” House Speaker Adrienne Jones, the state’s first Black and first female House speaker, said in prepared remarks. “The statues are a reminder that our laws aren’t always right or just. But there’s always room for improvement.”

While the commissioning of the statues was put in motion more than three years ago, their arrival coincides with new leadership in the state legislature. This is Jones’ first session as speaker, and the first new Senate president in more than three decades was elected by senators last month.

The statues, dedicated during Black History Month, were made to show Tubman and Douglass as they would have appeared in age and dress in 1864.

Both Tubman and Douglass were born on Maryland’s Eastern Shore. Tubman escaped from slavery to become a leading abolitionist who helped scores of enslaved people through the Underground Railroad.

Douglass also escaped slavery, and he went on to become an author, speaker, abolitionist and supporter of women’s rights. His autobiography, published in 1845, was a bestseller that helped fuel the abolitionist movement.

The statues aren’t the only recent examples of the state taking steps to reflect its rich Black history.

Last month, a portrait of Verda Welcome, who was elected to the state Senate in 1962, is the first portrait of a black person to adorn the Maryland’s Senate walls. The painting of Welcome replaced one of a white governor who had been on the wall for 115 years.

Maryland also has removed several painful reminders of its past in recent years.

In 2017, the state removed a statue of Roger B. Taney, the U.S. Supreme Court justice and Maryland native who wrote the 1857 Dred Scott decision that upheld slavery and denied citizenship to African Americans.

State officials voted to remove the Taney statue days after a woman was killed in Charlottesville, Virginia. Heather Heyer, 32, was killed when a man rammed his car through the crowd of people who were there to condemn hundreds of white nationalists who were protesting the planned removal of a statue of Confederate Gen. Robert E. Lee.

Read more: https://abcnews.go.com/Politics/wireStory/maryland-unveil-statues-tubman-douglass-capitol-68878494

BHM: “Ain’t I A Woman?” The Life and Legacy of Abolitionist and Activist Sojourner Truth

by Lori Lakin Hutcherson (@lakinhutcherson)

It’s February 1st, which means it is now officially Black History Month! Although we here at Good Black News celebrate the achievements of Black people every day of the year, it is always lovely when the rest of the U.S. joins in to do the same for at least 28 of them. So, for #BHM2019, GBN will be highlighting the achievements of black women, past and present, who have and are paving the way to a better future.

Sojourner Truth Google Doodle (via google.com)

And what better person to start with than today’s Google Doogle, abolitionist and women’s rights activist Sojourner Truth, who, with “Ain’t I A Woman?” gave one of the most powerful and unforgettable American speeches of all time on what we now call intersectionality?

In 2014, Sojourner Truth was included in Smithsonian Magazine’s list of the “100 Most Significant Americans of All Time” – yet the majority of Americans don’t know who she was, what she did, or they confuse her with Harriett Tubman.

Born Isabella (“Bell”) Baumfree circa 1797, Truth was born into slavery in Swartekill, Ulster County, New York, but escaped with her infant daughter to freedom in 1826. After going to court to recover her son, in 1828 she became the first black woman to win such a case against a white man.

She gave herself the name Sojourner Truth in 1843 after she became convinced that God had called her to leave the city and go into the countryside “testifying the hope that was in her.” Her best-known speech was delivered extemporaneously, in 1851, at the Ohio Women’s Rights Convention in Akron, Ohio.

The speech became widely known during the Civil War by the title Ain’t I a Woman?,” a variation of the original speech re-written by someone else using a stereotypical Southern dialect. Truth was from New York and grew up speaking Dutch as her first language, and had a Dutch accent. During the Civil War, Truth helped recruit black troops for the Union Army; after the war, she tried unsuccessfully to secure land grants from the federal government for former slaves.  (https://en.wikipedia.org/wiki/Sojourner_Truth)

There are a lot of other events and details in Truth’s life, of course, including collaboration with Frederick Douglass, William Lloyd Garrison, President Abraham Lincoln and varied suffragists and women’s groups – Truth was known for her persuasive speeches against slavery as well as sexism – she even once defiantly opened her top and showed her breasts during a speech when she was accused of being a man.  

But what is remarkable and often not mentioned is that she is likely the first black woman in the U.S. to attain national fame (she sold photos and autographs of herself at events to make money “I sell the shadow to support the substance”) and the first to have her voice heard in America. It is also rather ironic that many of the records of her speeches were written by white men, and thus often altered to their perception of a black, female, former slave.

Some would quote that she had 13 children who were sold away from her (she had 5 and raised most of them) or say she was raving when she was calm. Truth’s was a 19th-century case of what is all too familiar today – media distortion by the dominant culture trying to make sense of “the other”- and in her instance, white men trying to process the experiences and truths of black women.

However, Truth was self-possessed – she claimed her ownership of herself by renaming herself and writing her own Narrative in 1850. Truth traveled and spoke to hostile, indifferent and embracing crowds, fought for women’s rights and black women’s right to vote, fought for land grants and reparations for former slaves, prison reform and the end of capital punishment.

Truth was in her 80s when she died at her home in Battle Creek, Michigan. In 1999, a 12-foot high monument was built in Battle Creek to honor her. The calendar of saints of the Episcopal Church remembers Truth annually, and the Lutheran Church calendar of saints remembers her on the same day as Harriet Tubman. 

In 2009, Truth became the first black woman honored with a bust in the U.S. Capitol.

Nancy Pelosi, Michelle Obama and Hillary Clinton honoring Sojourner Truth as her likeness is added to U.S. Capitol (photo via sfgate.com)

To learn more about Truth, you can read her autobiography The Narrative of Sojourner Truth, the biography Sojourner Truth: A Life, A Symbol by Nell Irvin Painter, and for children, Who Was Sojourner Truth?  or My Name is Truth: The Life of Sojourner Truth written by Ann Turner and illustrated by James Ransome.

To watch a mini-biography on Truth on biography.com, go to: http://www.biography.com/video/sojourner-truth-mini-biography-11191875531

Bronze Statues of American Heroes Harriet Tubman and Frederick Douglass to Be Erected in Maryland State House

Harriet Tubman (National Park Service); Frederick Douglass (George K. Warren)

aryland voted 3-0 to approved a contract to put bronze statues of American heroes and freedom fighters Harriet Tubman and Frederick Douglass in the Maryland State House. The statues will stand in the Old House of Delegates Chamber.

Maryland-born abolitionists Tubman and Douglass both escaped enslavement in their home state and worked in the North to secure freedom for others via speeches, protests and journalism. Tubman, known by many as “Black Moses,” went back down South personally several times to rescue and guide enslaved people to freedom via the Underground Railroad.

House delegate R. Julian Ivey asked to delay the contract, citing a lack of minority business participation in the deal. “If the state of Maryland is going to honor Ms. Tubman and Mr. Douglass, we need to do it the right way,” Ivey wrote in a letter to the board.

The contract with The Christmas Company, of Sterling, Virginia, calls for completing the work within 390 days.

Source: https://wjla.com/news/local/maryland-board-contract-harriet-tubman-frederick-douglass-statues

BOOKS: New Biography “Frederick Douglass: Prophet of Freedom” Focuses on the Man and his Voice

by Jennifer Szalai via nytimes.com

Time has a way of sanding off the rough edges of historical memory, turning even the most convulsive, contentious lives into opportunities for national triumphalism and self-congratulation. With “Frederick Douglass: Prophet of Freedom,” the historian David W. Blight wants to enrich our understanding of an American in full who, for more than half his life, wasn’t even legally recognized as such. Now that Douglass is enshrined on his pedestal, shorn of what made him “thoroughly and beautifully human,” Blight notes how the “old fugitive slave” has been “adopted by all elements in the political spectrum,” eager to claim him as their own.

Plenty has been written about Douglass in the 200 years since he was born, not least by Douglass himself, who recounted his life story in three autobiographies — a paper trail of memoirs that Blight deems “both a pleasure and peril” for the biographer. In tracing an arc from bondage to freedom, Douglass cast himself as a “self-made hero,” Blight writes, while leaving “a great deal unsaid.” A number of other books have filled in the gaps — exploring Douglass’s relationships with the women in his life, for instance, as well as his fraught and transformative friendship with Abraham Lincoln — but Blight’s is the first major biography of Douglass in nearly three decades, making ample use of materials in the private collection of a retired doctor named Walter O. Evans to illuminate Douglass’s later years, after the Civil War.

Blight, who has edited and annotated volumes of Douglass’s autobiographies, undertakes this project with the requisite authority and gravity. The result is comprehensive, scholarly, sober; Blight is careful to tell us what cannot be known, including the persistent mystery of Douglass’s father (who was most likely white, and may have been Frederick’s mother’s owner). On the stuff that’s known, Blight is an attentive if sometimes fastidious guide, poring over speeches and texts with the critical equivalent of a magnifying glass. Douglass, Blight says, was a “man of words,” making this book “the biography of a voice.”

That voice took shape and sharpened over time, but it would return again and again to the banks of the Tuckahoe River on Maryland’s Eastern Shore, where Frederick Augustus Washington Bailey was born in 1818. Twenty years a slave, then almost nine years a fugitive; as Douglass himself described it in his autobiographies (having adopted his new surname from a Sir Walter Scott poem), the first decades of his life were both thrilling and terrifying. Until his abolitionist allies helped to purchase his freedom in 1846, everything he did felt provisional; he lived with the incessant fear of someone who could be plunged back into captivity at any moment.

Read more: https://www.nytimes.com/2018/10/17/books/review-frederick-douglass-prophet-of-freedom-david-blight.html

Interactive Maps Chronicle Frederick Douglass in Maryland

Originally posted on #ADPhD: Lawrence Jackson’s course on Frederick Douglass covered by Hopkins Hub: “For Jackson’s class, the time in Maryland before that escape commanded the most interest—Douglass’ formative years, before he became the world-famous abolitionist, orator, and writer. Students in the graduate English seminar “Mapping Frederick Douglass” researched and visited regional sites of significance…

via DIGITAL/BLOGROLL: Interactive Maps Chronicle Frederick Douglass in Maryland — goodandblack

2017 Frederick Douglass Quarters Officially in Circulation from U.S. Mint

The newest quarter portrays Douglass at a writing desk in the foreground and an outline of his home in Washington, D.C. in the background. Inscriptions include “FREDERICK DOUGLASS,” “DISTRICT OF COLUMBIA,” “2017,” and “E PLURIBUS UNUM.” (image via coinnews.net)

article by Lori Lakin Hutcherson (@lakinhutcherson)
According to coinnews.net, famed abolitionist and activist Frederick Douglass has become the latest historic icon to land on U.S. currency. Designed by Thomas Hipschen and engraved by U.S. Mint Sculptor-Engraver Phebe Hemphill, Douglass is now on the U.S. quarter, which was released by the U.S. Mint on Tuesday.
400 million Douglass quarters will be in circulation and are also available to order online, in 40-coin rolls and 100-coin bags. Buyers have the option of quarters produced at the U.S. Mint’s facilities in Philadelphia, Denver and San Francisco.
The design — which features Douglass writing in the front of his Southeast, Washington, D.C. home where he lived from 1877 until his death in 1895 — was selected by the U.S. Secretary of the Treasury as part of the America the Beautiful Quarters Program.
The program issues quarters that honor national park sites, and the place of Douglass’ former home on W Street SE in Anacostia, was named the Frederick Douglass National Historic Site.
To learn about the development of this coin image, watch below:

In related news, Harriet Tubman will be the new face of the $20 bills by 2020.