The butler did it. Despite a clutch of new films in theaters this weekend, Lee Daniels’ The Butler topped them all, serving up $25 million, according to studio estimates. The victory came as a surprise to some analysts, who expected summer’s latest superhero flick, Kick-Ass 2, to whip the competition. But Butler trounced the newcomers among critics, and connected solidly with fans. About 73% of reviewers recommended the movie, while it scored an 81% approval rating among moviegoers, says survey site Rottentomatoes.com. The movie earned an “A” among audiences, says pollsters CinemaScore.
The Forest Whitaker drama also benefited from canny timing, says Box Office Mojo’s Ray Subers, who notes that similar August dramas including Julie & Julia, Eat Pray Love and The Help all enjoyed August debuts above $20 million. “One of The Butler‘s biggest advantages is its very strong release date,” Subers says. “After a few months of big-budget, male-skewing blockbuster fare, female-skewing adult dramas have consistently done good business” at summer’s close.
Posts tagged as “Forest Whitaker”
The Weinstein Co. has unveiled the first posters for Lee Daniels’ The Butler, four days after it was forced to change the title from The Butler. Both posters show a white-gloved Forest Whitaker along with the new title (the poster above evoking the famous photo from the 1968 Olympics of Tommie Smith and John Carlos giving the black power salute during their medal ceremony). TWC is releasing the film on Aug. 16. The Motion Pictures Assn. of America (MPAA) ruled Friday that TWC could keep The Butler”as part of the title, but would have to change its marketing materials and pay $400,000 in fines for violating a July 2 finding that the use of The Butler as the title had violated MPAA rules because Warner Bros. owns rights to The Butler.
The ruling also required that, should TWC use Lee Daniels’ The Butler as the title, the “Lee Daniels” part of title had to be 75% the size of “The Butler.” Lee Daniels’ The Butler is centered on African-American butler Eugene Allen, who worked in the White House during eight presidencies throughout the civil rights era. The film also stars Oprah Winfrey. TWC’s fine of $25,000 a day, dating back to July 2, is based on violating the initial ruling. The fine will increase to $50,000 a day if the studio fails to issue new digital materials (trailers, TV ads) by Thursday and new print materials by Aug. 2.
article by Dave McNary via Variety.com; additions by Lori Lakin Hutcherson
The ruling also required that, should TWC use Lee Daniels’ The Butler as the title, the “Lee Daniels” part of title had to be 75% the size of “The Butler.” Lee Daniels’ The Butler is centered on African-American butler Eugene Allen, who worked in the White House during eight presidencies throughout the civil rights era. The film also stars Oprah Winfrey. TWC’s fine of $25,000 a day, dating back to July 2, is based on violating the initial ruling. The fine will increase to $50,000 a day if the studio fails to issue new digital materials (trailers, TV ads) by Thursday and new print materials by Aug. 2.article by Dave McNary via Variety.com; additions by Lori Lakin Hutcherson
LOS ANGELES (AP) — Ryan Coogler is back on the University of Southern California campus for the first time since becoming one of the country’s most promising young filmmakers, and he heads straight to the camera-rental center where he worked as a student. He runs into a former classmate, who high-fives and congratulates him, then asks for a photo. Coogler sheepishly obliges.
“This is inspiring, right here!” the younger man says as he snaps an iPhone shot of himself and Coogler. “Thank you, bro!” Coogler gives the student his email address, then looks for his old boss, the equipment manager, who tells the 27-year-old filmmaker that he’s set a new standard for success at USC’s film school, which counts Ron Howard and George Lucas as alumni.
There’s no doubt he has. Coogler’s ”Fruitvale Station” — his first dramatic feature and first project since graduating with a master’s degree in 2011 — won both jury and audience awards at the Sundance Film Festival, where the Weinstein Co. outbid a dozen studios to distribute it. Originally called simply “Fruitvale,” the film opens Friday in New York and Los Angeles, and around the nation later this month. Oscar buzz has already begun.
“This is inspiring, right here!” the younger man says as he snaps an iPhone shot of himself and Coogler. “Thank you, bro!” Coogler gives the student his email address, then looks for his old boss, the equipment manager, who tells the 27-year-old filmmaker that he’s set a new standard for success at USC’s film school, which counts Ron Howard and George Lucas as alumni.
There’s no doubt he has. Coogler’s ”Fruitvale Station” — his first dramatic feature and first project since graduating with a master’s degree in 2011 — won both jury and audience awards at the Sundance Film Festival, where the Weinstein Co. outbid a dozen studios to distribute it. Originally called simply “Fruitvale,” the film opens Friday in New York and Los Angeles, and around the nation later this month. Oscar buzz has already begun.
Idris Elba is poised to make a big splash at the movies this year. Not only is the sexy British actor headlining Guillermo del Toro‘s latest sci-fi epic Pacific Rim, he will be also playing Nelson Mandela in the biopic Mandela: Long Walk to Freedom. His performance as the legendary South African leader is already generating tremendous buzz. Elba himself has not been shy about touting his upcoming movie. In a recent interview with The Guardian, Elba called his version of Mandela “hands down the best.”
He went on to clarify, “Not in terms of performance…but my film’s about his entire life. Anyone wanting to understand who Mandela was should go and watch my film.” “Morgan Freeman is outstanding. Terrence Howard is an outstanding actor. But my film is about his life,” Elba added, referring to Freeman’s 1999 movie Invictus and Howard’s depiction of Mandela in Winnie – a 2012 film which never made it to theaters.
Now we’re getting our first glimpse of Elba as the iconic man. A promo poster for the movie has been released (pictured above). Elba may have some stiff competition from his fellow black actors come awards season with both Michael B. Jordan (Fruitvale) and Forest Whitaker (The Butler) earning early praise for their starring roles in prestige pictures due out this fall. Mandela: Long Walk to Freedom is expected to be released on November 27, 2013.
article via thegrio.com
The long-gestating Richard Pryor biopic is starting over from scratch with Forest Whitaker now in charge.
Fresh from producing the Sundance Grand Jury Prize and Audience Award winner “Fruitvale,” Whitaker has taken over the nearly two-decade effort to bring the legendary comic’s life of the big screen, reports Deadline.com.
Whitaker is teaming with the late comic’s widow, Jennifer Pryor, to produce the film through his Significant Productions shingle. Whitaker will develop a new script with input from Jennifer Pryor, and Significant Productions’ Nina Yang-Bongiovi, will also produce.
The Pryor biopic has been attempted numerous times, and the most recent version had Bill Condon poised to direct Marlon Wayans in the starring role for Sony Pictures, where Adam Sandler’s Happy Madison had set the project. Condon was certainly passionate about Pryor, but everything took a back seat when he signed on to helm the final two “Twilight Saga” installments. The project languished.
The first Pryor project was a Martin Scorsese-directed drama to star Damon Wayans, this well before Pryor died in 2005. Later, there was a Showtime pic that was to star Eddie Griffin and another attempt at a feature that was to star Mike Epps with Kasi Lemmons directing.
Condon’s first flirtation had Eddie Murphy briefly interested, and then Chris Rock was briefly in the conversation.
The question now is, who will be Whitaker’s Richard Pryor? Deadline.com’s Mike Fleming Jr. thinks he should look no further than his “Fruitvale” star, Michael B. Jordan, “who by all accounts crushed it in that film.”
Fleming writes: “Jordan, who grew up playing roles in ‘The Wire’ and ‘Friday Night Lights’ before starring in ‘Chronicle,’ certainly has the charisma and should be established enough as the lead on a modestly budgeted film after The Weinstein Company releases ‘Fruitvale’ later this year.”
article via eurweb.com
Forest Whitaker’s JuntoBox Films has greenlit production for romantic comedy Sharon Is Caring, while also announcing the shingle’s collaboration with crowd-funding platform Indiegogo.
Announcing the link-up at AFM on Nov. 5, the actor-turned-producer said the JuntoBox-Indiegogo partnership “represents another step toward using social collaboration and the elements of our digital world to empower the voices of independent filmmakers everywhere.”
As a result of the tie-up, entries on the website can now have the access to the production, mentorship and distribution services provided by Juntobox, a “collaborative” film studio chaired by Whitaker.
“Indiegogo’s roots were in film, so we’re excited to partner with JuntoBox to further extend our reach within the independent film community,” said Indiegogo co-founder and CEO Slava Rubin. “The JuntoBox Partner Page on Indiegogo will empower filmmakers to raise money for their films, tap into a global audience and bring more independent film projects to life.”
Founded in January 2008, the San Francisco-based portal aims at facilitating individuals to raise funds for their social or entrepreneurial projects from around the world.
Sharon Is Caring, revolving around two women avenging a man dating them at the same time and to be directed by New Yorker Wesley Mills, is JuntoBox’s fourth approved project this year. Aspiring filmmakers begin pitching the idea online, where members would vote on to pass judgment on whether they merit a launch.
article by Clarence Tsui via hollywoodreporter.com
Morgan Freeman accepted the American Film Institute’s 39th Life Achievement Award on a Sony Studios sound stage in Culver City on Thursday night, basking in 3 1/2 hours of film clips and tributes from Clint Eastwood, Tim Robbins, Forest Whitaker, Garth Brooks, Betty White and more.
“I’m proud to be an actor, although for this one night, you’ve made me feel like a star,” Freeman said.
The AFI celebration included clips of Freeman’s legendary films and early performances interspersed with recorded segments of Freeman and other actors and filmmakers reflecting on his career. And yes, his singing and dancing on public TV’s ’70s kids show “The Electric Company” was included.
Freeman blew Robbins a kiss when “The Shawshank Redemption” star said, “It was an honor being locked up with you, Morgan.”
Also on hand at the star-studded event, to name a few (and only a few): Helen Mirren, Samuel L. Jackson,Matthew McConaughey, Cuba Gooding Jr., Cary Elwes, Djimon Honsou, Kimora Lee Simmons and film critic Leonard Maltin.
“This is easy to take but hard to believe. Where I come from in Mississippi, they call this walking in high cotton,” he said. “For me, heaven has always been about acting in the movies.”
by Christie D’Zurilla via latimes.com