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Posts tagged as “Film”

Oscar Grant film ‘Fruitvale’ Wins Jury Prize at Sundance Film Festival

By goodblacknews on January 27, 2013
Ryan Coogler accepts the Audience Award: U.S. Dramatic for Fruitvale onstage at the Awards Night Ceremony during the 2013 Sundance Film Festival at Basin Recreation Field House on January 26, 2013 in Park City, Utah. (Photo by Michael Loccisano/Getty Images)

Ryan Coogler accepts the Audience Award: U.S. Dramatic for Fruitvale onstage at the Awards Night Ceremony during the 2013 Sundance Film Festival at Basin Recreation Field House on January 26, 2013 in Park City, Utah. (Photo by Michael Loccisano/Getty Images)

PARK CITY, Utah (AP) — The dramatic film “Fruitvale” and the documentary “Blood Brother” won over audiences and Sundance Film Festival judges.  Both American films won audience awards and grand jury prizes Saturday at the Sundance Awards.
“Fruitvale” is based on the true story of Oscar Grant, who was 22 years old when he was shot and killed in a public transit station in Oakland, California. First-time filmmaker Ryan Coogler wrote and directed the dramatic narrative.

University of Arizona Introduces First Ever Hip-Hop Minor

By goodblacknews on January 7, 2013
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The University of Arizona has announced that it has created a “Hip-Hop Concentration” minor under the Africana Studies department, the first of its kind for any institution, according to the school’s website.
The course’s objectives are to “provide students with a solid introduction and broad understanding of the origins and developing of the forms of expression that make up hip-hop culture throughout the world: hip-hop dance, rap music, graffiti/tagging, fashion, business, and film.

Henry Louis Gates Jr. Talks to Quentin Tarantino: A Podcast Special

By goodblacknews on December 27, 2012

HenryLouisGates

Hear The Root’s editor-in-chief, Henry Louis Gates Jr., chat with the Django Unchained director about the n-word and a possible sequel.

A Django Unchained and Inglourious Basterds trilogy? The historical accuracy of the n-word in 

Django? The unlikely connection between the slavery-themed film and The Birth of a Nation? How Django fits into Hollywood’s overplayed, often offensive white-savior stereotype? You name it, and The Root‘s editor-in-chief, Henry Louis Gates Jr., and Quentin Tarantino — whose latest film, Django Unchained, a “postmodern slave-narrative Western,” as Gates describes it, opened on Christmas Day — likely covered it in this exhaustive interview.

QuentinTarantino

When asked why he wanted to combine a slave narrative with a Western, Tarantino said this:

It’s two separate stories I’ve always wanted to tell. One, I’ve always wanted to tell a Western story. Two, I’ve always wanted to re-create cinematically that world of the antebellum South, of America under slavery, and just what a different place it was — an unfathomable place. To create an environment and again, not just have a historical story play out — they did this and they did that, and they did this and they did that — but actually make it a genre story. Make it an exciting adventure.

Listen to the whole interview by clicking here.

Also, read it in three parts:

Tarantino Unchained Part 1: Django Trilogy?

Tarantino Unchained Part 2: On the N-Word.

Tarantino Unchained Part 3: White Saviors.

 

Black British Actors Making Waves in Hollywood

By goodblacknews on December 15, 2012
Colin Salmon attends the Royal World Premiere of 'Skyfall' at the Royal Albert Hall on October 23, 2012 in London, England. (Photo by Eamonn McCormack/Getty Images)
Colin Salmon attends the Royal World Premiere of ‘Skyfall’ at the Royal Albert Hall on October 23, 2012 in London, England. (Photo by Eamonn McCormack/Getty Images)

Black British actors are taking Hollywood by storm. In recent years more and more have been cast in on-screen roles, not just in big budget U.S. films but also on American television.  In fact, nowadays it is highly likely a Brit will be found starring in a major Hollywood movie or hit TV series. Currently, U.S. television boasts several black British actors who are regular cast members in popular shows like Homeland and Game of Thrones.

“I love British actors,” says Brooks Jackson Colyar, a Los Angeles-based agent who represents actors and comedians. “I am fascinated they can take that accent and turn it into everyday American English,” she adds.  Black British actor David Oyelowo, 36, is a classic example. Born in the Oxford to Nigerian parents, Oyelowo was best known in the UK for playing an intelligence officer in the television drama series Spooks.

Born On This Day in 1912: Acclaimed Photographer & Director Gordon Parks

By goodblacknews on November 30, 2012
Gordon Parks
(Photo: BILL FOLEY /Landov) 
Gordon Parks was a master of many arts: photography, film making, music and fiction. But the world almost missed the opportunity to experience and enjoy his major contributions.   Born on Nov. 30, 1912, to a family in Fort Scott, Kansas, that already included 14 other children, Parks was declared stillborn when his doctor couldn’t detect a heartbeat. Thanks to another doctor who thought to immerse him in cold water, which got his heart beating, he survived.

Parks, who taught himself photography with a used camera he bought for $7.50, led a life filled with firsts and major milestones, including shooting for Vogue and becoming the first Black photographer at Life magazine, where for two decades he documented the civil rights movement, race relations and urban life in America. 

‘Boyz n the Hood’ Reimagined by Interpretive Dancer Kyle Abraham

By goodblacknews on November 14, 2012

Kyle Abraham.jpg

The thirty-five-year-old choreographer Kyle Abraham has come a long way in just a few years. In 2006, he established his company, Abraham.In.Motion, and since then has produced dances that have earned him awards and critical acclaim. In December, the Alvin Ailey American Dance Theatre will première a work that it commissioned from him. For someone whose career has taken off in such a big way, though, he retains a strong connection to his Pittsburgh roots, and shows great integrity in his dance-making, both of which were evident in his newest work, “Pavement,” which Abraham presented recently at Harlem Stage.

Abraham, who is African-American, went to high school in the Hill District of Pittsburgh, a historically black neighborhood, and in several of his previous works he drew on his experiences there. For “Pavement,” he went back to 1991, to reimagine the film “Boyz n the Hood,” about gangs in South Central Los Angeles, which was released that summer. He used the film as a springboard for examining life in Pittsburgh’s African-American communities in the Hill District and East Liberty Homewood and reflecting on the state of the black American experience in the two decades since its release.

But Abraham’s conception was even more sweeping. He also wanted to look at the history that had preceded the strife represented in “Boyz n the Hood,” and found a pertinent source in “The Souls of Black Folk,” the 1903 book by W. E. B. Du Bois, whose essays became instrumental in African-Americans’ struggle for equality in the twentieth century. Du Bois’s text made no appearance in “Pavement,” but Abraham included a quote from it in the program, which hovered over the dance: “Men call the shadow prejudice, and learnedly explain it as a natural defense of culture against barbarism, learning against ignorance, purity against crime, the ‘higher’ against the ‘lower’ races.” In the light of Du Bois’s words from more than a century ago, the realities as depicted in the film are sobering. From the perspective of 1991, when the ravages of H.I.V., crack addiction, and gang genocide were entrenched, not much seems to have gone right.

Forest Whitaker Launches “Sharon Is Caring,” Teams Up With Indiegogo To Crowd Fund Films

By goodblacknews on November 7, 2012
Forest Whitaker AFI - P 2011
Forest Whitaker’s JuntoBox Films has greenlit production for romantic comedy Sharon Is Caring, while also announcing the shingle’s collaboration with crowd-funding platform Indiegogo.

Announcing the link-up at AFM on Nov. 5, the actor-turned-producer said the JuntoBox-Indiegogo partnership “represents another step toward using social collaboration and the elements of our digital world to empower the voices of independent filmmakers everywhere.”

As a result of the tie-up, entries on the website can now have the access to the production, mentorship and distribution services provided by Juntobox, a “collaborative” film studio chaired by Whitaker.

“Indiegogo’s roots were in film, so we’re excited to partner with JuntoBox to further extend our reach within the independent film community,” said Indiegogo co-founder and CEO Slava Rubin. “The JuntoBox Partner Page on Indiegogo will empower filmmakers to raise money for their films, tap into a global audience and bring more independent film projects to life.”

Founded in January 2008, the San Francisco-based portal aims at facilitating individuals to raise funds for their social or entrepreneurial projects from around the world.

Sharon Is Caring, revolving around two women avenging a man dating them at the same time and to be directed by New Yorker Wesley Mills, is JuntoBox’s fourth approved project this year. Aspiring filmmakers begin pitching the idea online, where members would vote on to pass judgment on whether they merit a launch.

article by Clarence Tsui via hollywoodreporter.com

Nigerian Director/Producer Tony Abulu Creates Film "Doctor Bello" To Help Legitimize Nollywood

By goodblacknews on September 30, 2012
Tony Abulu, center; with Bern Cohen, left; and Andre Leigh during the filming of “Doctor Bello.” (Ángel Franco/The New York Times)

On the surface the production that commandeered a few dormant rooms at the Coler-Goldwater Specialty Hospital on Roosevelt Island this year resembled many other low-budget film projects in New York City. Crew members were each handling multiple jobs. Those from out of town were spending their short nights on friends’ couches. The catering consisted of a box of Dunkin’ Donuts and a carton of coffee, both empty by late morning.

The film “Doctor Bello” also features Genevieve Nnaji, left; Isaiah Washington, center; and Olumide Bakare.
But despite the production’s humble appearance there was a lot riding on it. Its director and producer, Tony Abulu, and his financial backers say the film, “Doctor Bello,” has the potential to chart a new direction for the booming Nigerian film industry half a world away.
That industry, known as Nollywood, is perhaps the world’s third-largest filmmaking industry in revenues, producing more than 1,000 titles every year. But the industry is known for churning out slapdash films with feeble story lines, amateurish acting and sloppy production values. Nearly all go straight to video and are soon forgotten.

Nigerian Director/Producer Tony Abulu Creates Film “Doctor Bello” To Help Legitimize Nollywood

By goodblacknews on September 30, 2012
Tony Abulu, center; with Bern Cohen, left; and Andre Leigh during the filming of “Doctor Bello.” (Ángel Franco/The New York Times)

On the surface the production that commandeered a few dormant rooms at the Coler-Goldwater Specialty Hospital on Roosevelt Island this year resembled many other low-budget film projects in New York City. Crew members were each handling multiple jobs. Those from out of town were spending their short nights on friends’ couches. The catering consisted of a box of Dunkin’ Donuts and a carton of coffee, both empty by late morning.

The film “Doctor Bello” also features Genevieve Nnaji, left; Isaiah Washington, center; and Olumide Bakare.

But despite the production’s humble appearance there was a lot riding on it. Its director and producer, Tony Abulu, and his financial backers say the film, “Doctor Bello,” has the potential to chart a new direction for the booming Nigerian film industry half a world away.

That industry, known as Nollywood, is perhaps the world’s third-largest filmmaking industry in revenues, producing more than 1,000 titles every year. But the industry is known for churning out slapdash films with feeble story lines, amateurish acting and sloppy production values. Nearly all go straight to video and are soon forgotten.

Zimbabwean Director Mark Tonderai Helms Horror Film ‘House at the End of the Street’

By goodblacknews on September 21, 2012
Mark Tonderai goes over a scene with star Jennifer Lawrence in Relativity Media's thriller 'House at the End of the Street.' © 2011 HATES, LLC. All Rights Reserved. Photo Credit: Albert Camicioli

Mark Tonderai goes over a scene with star Jennifer Lawrence in Relativity Media’s thriller ‘House at the End of the Street.’ © 2011 HATES, LLC. All Rights Reserved. Photo Credit: Albert Camicioli

House at the End of the Street hits theaters today just as Halloween season approaches.
The horror film, which stars Jennifer Lawrence of The Hunger Games fame, tells the story of a mother and daughter who move to a new neighborhood only to learn that a young girl killed her parents in the house next to them. Lawrence, who plays the daughter,  Elissa, becomes friends with the surviving son and finds that the mystery has only begun to unfold. Oscar nominee Elisabeth Shue stars alongside Lawrence as her mother Sarah.
[youtube http://www.youtube.com/watch?v=Wphg2Rx9RQY&w=560&h=315]
The director behind the psychological thriller is Mark Tonderai. He first made his debut as a director in 2008 with another horror film called Hush, which received a lot of praise and was nominated for a British Independent Film Award.