
Related Posts:
- Cicely Tyson Makes A Memorable ‘Trip to Bountiful’
- People of Note: Cicely Tyson Knocks ‘The Trip to Bountiful’ off the Map
- Theater Review: ‘The Trip to Bountiful,’ at the Stephen Sondheim Theater
article by Lori Lakin Hutcherson
article by Lori Lakin Hutcherson
Certainly less romantic, and probably for that reason less popular than say Romeo and Juliet, Shakespeare’s Julius Caesar has nonetheless surfaced in the past year in a modern day prison in the Triviani brothers’ film Caesar Must Die, in an all-female production staged at the Donmar Warehouse, directed by Phyllida Lloyd, and now in an all-black production by Gregory Doran, using the political upheaval that has plagued modern day Africa as its backdrop.
Doran’s interpretation takes this classic drama’s transcendent themes – the corrupting influence of personal ambition, the fickle nature of public favor, and the unreliable symbols we pursue in making meaning of the world around us, just to name a few – out of the cool, limestone halls and monuments of ancient Rome, making them work and sweat under the hot, unflinching glare of the African sun.
From Tambay A. Obenson of Shadow And Act: Cinema of the African Diaspora:
Described as Australia’s answer to Harold and Kumar, as well as Cheech And Chong, and also Australia’s first indigenous comedy feature film, Stone Bros stars Aboriginal actors Luke Carroll and Leon Burchill, and is directed by Richard J Frankland.
The movie was released in Australian cinemas in September, 2009 and is now making its debut in the USA, viaiTunes, as I’ve been informed.
Previously profiled on this blog, the synopsis for the pot-fueled road-trip reads:
Sick of the city life and their dead end jobs, primo-stoner Charlie and his up-tight cousin Eddie decide it’s time to reconnect with their homegrown roots. Taking off in a beat-up Ford they spark it up on a spiritual journey across the Australian Outback to find and return a sacred stone, which Charlie lost in a blaze of confusion. To succeed they will have to survive a series of hilarious encounters with a demonically possessed dog, a depressed drag queen, a jilted ex-lover, a soul-searching cop, and a deadly spider that has come along for the ride. Only one thing is for certain, it’s going to be a blast!
While I can’t say that I’m looking forward to seeing it (I’m not really a fan of stoner comedies), I’ll check it out eventually. It’s not everyday that one gets to see an Aboriginal stoner comedy.
Full details below via press release…
Film & Script Submissions Now Being Accepted for 13th Edition of the Hollywood Black Film Festival; New FILM DIASPORA Sidebar Added
The Hollywood Black Film Festival (HBFF) — recognized as one of the leading black film festivals in the world — is now accepting submissions for the 2013 festival, to be held October 2-6, 2013 in Hollywood, CA. Regular feature, short, student and documentary film submissions, Project Stargazer submissions, and scripts for the Storyteller Competition will be accepted through June 16. The late deadline is July 8.
HBFF welcomes narrative features, shorts, student and documentary films for its competitive program. Animation films and music videos submitted are accepted for the non-competitive program only. All films submitted must have been completed after September 1, 2012.
HBFF will introduce a new competitive sidebar this year, FILM DIASPORA, to showcase independent films and filmmakers from the African Diaspora. Feature, short and documentary films submitted to compete in FILM DIASPORA must have been produced by filmmakers residing outside the U.S. — in Africa, the Caribbean, Central or Latin America.
From Shadow and Act‘s Tambay A. Obenson via indiewire.com:
Web-wide reactions to this when I first wrote about this film in late 2011 was strong; lots of excited folks curious and anxious to see it, and with good reason, given the subject matter. And some of those same people (specifically those who live in New York City) will be pleased to know that it’s getting a 1-week theatrical run at the Film Society of Lincoln Center, from May 10 – 16, after a lengthy film festival circuit run.
So if you happen to be in or around NYC during those specific dates, and you’re interested in seeing the film, here’s your chance to do so (I suspect there’ll be other similar limited theatrical runs in other parts of the country; but no confirmation of that).
A quick recap:
Director Judy Chaikin’s documentary, The Girls In The Band, highlights the untold stories of women in jazz and big band instrumentalists, from the 1930s to the present day.
I’d say, for the average enthusiast, it’s likely an easier challenge to name women jazz vocalists than instrumentalists. Images like the one above probably aren’t the first to come to mind when most of us think of jazz music. And Chaikin’s doc hopes to influence that, with this poignant narrative, which includes lots of wonderful archival footage, telling the fascinating stories about the lives and careers of these trailblazing women who endured sexism, racism and diminished opportunities for decades, yet continued to persevere, inspire and elevate their talents in a field that seldom welcomed them.
The film also looks at the present-day young women who are following in the footsteps of those who paved the way for them in the male-dominated world of jazz. For more on the upcoming theatrical run, visit the Lincoln Center website HERE.
Watch the trailer below:
[youtube http://www.youtube.com/watch?v=o6XDjh8gRGg&w=560&h=315]