In 1953, the Marshall Scholarships program was established by an act of the British Parliament. Funded by the British government, the program is a national gesture of thanks to the American people for aid received under the Marshall Plan, the U.S.-financed program that led to the reconstruction of Europe after World War II. The scholarships provide funds for up to two years of study at a British university, and include money for travel, living expenses, and books. Applicants must earn a degree at an American college or university with a minimum of a 3.7 grade point average.
The Marshall Aid Commemoration Commission is authorized to award up to 40 scholarships each year. This year 32 scholarships were awarded. It appears from JBHE research, that four of the 32 winners are African Americans.
Quenton Bubb is a senior at Johns Hopkins University in Baltimore who is majoring in biophysics. A native of Brooklyn, New York, Bubb hopes to go to medical school and to earn a Ph.D. in molecular biophysics. In England, he will pursue graduate studies in chemistry at the University of Cambridge.
Robert Clinton is a senior at the Gallatin School of Individualized Study at New York University. His independent study degree is focusing on the sociology and politics of urban agriculture. In England, Clinton will pursue a master of science degree in sustainable urbanism and a master of research degree in interdisciplinary urban design.
Ophelia Johnson is a graduate of the University of Alabama Birmingham with a bachelor’s degree in biomedical engineering. She is currently pursuing a master’s degree at the university in engineering. Johnson is a former UNCF Merck Undergraduate Research Fellow and won a Goldwater Scholarship. Johnson will spend a year studying medical device design and entrepreneurship at Imperial College London.
Joel Rhone is a senior at Howard University in Washington, D.C., majoring in English. A native of California, Rhone served as president of the Sterling Allen Brown English Society at Howard. Rhone will conduct research at the University of Manchester on African-American literature, particularly its impact on, and depiction of, the African-American church.
article via jbhe.com
Posts tagged as “England”
In more than 100 photographs, including a striking set that has been lost for more than 120 years, “Black Chronicles II” reveals a mash-up of racist imagery and cultural tropes that in many ways will be familiar to American viewers — and still often reveals the timeless humanity of the subjects.
Current issues of cultural identity and self-determination are at the fore of the exhibit, says gallery executive director Vera Grant, although the works themselves were largely made from 1862 to 1899. Curated by Renée Mussai and Mark Sealy of the London-based arts agency Autograph ABP, “Black Chronicles II” was produced through original research in private collections in the United Kingdom in collaboration with the Hulton Archive, London, a division of Getty Images. Part of a larger ongoing project called “The Missing Chapter,” it is the second in a series of exhibitions dedicated to excavating archives that began in 2011 with a small showcase done in collaboration with Magnum Photos in London.
Despite the anonymity of many of its subjects (research is ongoing), “Black Chronicles II” reveals the complicated nature of life for people of color in Victorian England. Ndugu M’Hali, for example, came to the public’s attention as Kalulu, the boy servant of the explorer Sir Henry Morton Stanley. In this show, he is depicted several times, in both African and Western dress, a child between cultures.
A more formal series of small portraits — largely cartes de visites, or calling cards — opens the exhibit. These include images of Sarah Forbes Bonetta, a native of West Africa who was “given” to Queen Victoria as a slave and raised as her goddaughter. In two portraits from 1862, one with her husband, she appears the essence of a calm, well-dressed Victorian lady, despite her tragic history.
Looking at the models on Lorde Inc’s website, the first thing that strikes you is that these people are, to put it in Zoolander’s words, really, really good looking. Ornello has long plaits and a gap between her teeth. Mohammed is all chocolate eyes and wavy locks. And Urjii is cheekbones and expressive stare. The second thing? None of the models – about 60 in all – are white.
Lorde was set up in May 2014 as the first of its kind – an agency made up entirely of models of colour. It is the brainchild of Nafisa Kaptownwala, a 26-year-old Canadian art history graduate, who began to work on the fringes of fashion and noticed the lack of non-white models. Despite no experience in the modeling industry, she set up Lorde in London with a friend and “the next thing, people were contacting us”. A year on, and Lorde has worked with magazines including Dazed & Confused and i-D, and collaborated with London streetwear brand Cassette Playa. Despite these relative triumphs, Kaptownwala is pessimistic about diversity in modelling in 2015. “There’s still not a massive demand because this is still a radical idea and people in fashion are not really ready for it,” she says. “How does that make me feel? In general I think, as a person of colour, you internalize. Creating this agency is a way to channel those feelings.” If diversity – across age, race and size – is always a swirl of debate in fashion, there seems to be the signs of change, with Balmain’s Olivier Roustein (himself mixed race) championing a catwalk of all sorts of ethnicities, Rihanna becoming the first black woman in a Dior campaign and Lineisy Montero walking the Prada catwalk with a visible afro. “Things are changing but in a minimal way,” acknowledges Kaptownwala. “But there were more models of color on the catwalk in the 90s than there are now. It kind of goes in cycles.” She praises former model Bethan Hardison’s campaign to increase diversity on the catwalk at major brands but says “two models in a show of 30 models is not enough”.
The dominance of white faces in fashion means her job, compared to that of a model booker at a larger agency, is a lot harder. “They work with everyone and we are fulfilling a niche,” she says. “The beauty standards are that the European is the epitome of what’s marketable, and not just to European consumers. I have spoken to magazines in Japan who only use Japanese and European models.” Kaptownwala believes the internet – and the culture of selfies – has a role to play in broadening what we think beautiful is, and has made an entire generation comfortable in front of the camera. “People are posing in their own ways, creating their own photo shoots,” she says. “It redefines beauty, opens things up and allows people to say ‘I want to be part of this.’”
article by Lauren Cochrane via theguardian.com
They will start preparing the red carpet in New York City soon for Serena Williams.
She won the Wimbledon tennis title Saturday, her sixth and her 21st Grand Slam title, by beating a young Spaniard, Garbiñe Muguruza, 6-4, 6-4.
That meant that Williams had completed her second “Serena Slam” — four major titles in a row — and also meant she would be gunning for a rare calendar-year Grand Slam at the U.S. Open in New York, starting in late August.
Only one other player in the modern era of tennis has achieved that, Steffi Graf in 1988, when she also won an Olympic gold medal. Mo Connolly in 1953 and Margaret Court in 1970 are the only women who have previously won calendar-year Grand Slams.
Williams, typically, started slowly against the 20-year-old, 20th-ranked Muguruza, falling behind in the first set, 1-3 and 2-4. But she roared back for a 6-4 victory and kept rolling to a 5-2 lead in the second set.
Usually, at this point on the women’s tour against the No. 1 and always dominant Williams, the other player packs it in.
Not Muguruza. To the delight of the packed Centre Court crowd of 15,000, she broke Williams’ serve twice to get back on serve, but then yielded at love in her 4-5 service game.
article by Bill Dwyre via latimes.com
The University of Cambridge is staging a mayor exhibition exploring the 6,000-year history of the afro comb and the politics of black hair. The fascinating display charts the inception of the comb in Ancient Egypt through to its ascendancy as a political emblem post-1960s.
“What we know from the early hair combs is they were connected to status, group affiliation, cultural and religious beliefs,” says curator Sally-Ann Ashton. “In more recent times, the ‘black fist’ comb that references the black power salute has wider political connotations.”
The material is being showcased at 2 university sites: The Fitzwilliam Museum, and alongside life-size installations created by artist Dr. Michael McMillan at the Museum of Archaeology and Anthropology (MAA). Items on display at Fitzwilliam include hundreds of combs from pre-dynastic Egypt to contemporary picks. Some interesting artifacts include a 5,500-year-old comb from Southern Egypt and the original black fist comb, which was patented in 1976 in America.
The idea behind the exhibition was to take a fresh look at Egyptology within the parameters Africa in all its diversity, rich heritage, and culture, says Ashton. Interestingly, she says the earliest combs in the collection are from Egypt and this alongside her scholarly research has left her with no doubt that ancient Egyptians were racially and culturally black African.
“People do not want to admit or believe that these early civilizations were non-European but they were,” says Ashton. Associated material includes paintings, sculpture and images showing the variety and complexity of hair styles found in Africa and on the Diaspora.
Adam’s other impressive abilities include being able to spell 100 words, reciting most of his times tables up to 10, learning the periodic table and mastering a map-of-the-world puzzle designed to challenge adults. After receiving his IQ test results, he was invited to join the world’s oldest and most prestigious genius society Mensa.
Dad Dean, an IT consultant from Mitcham, London, said: “Adam’s abilities are outstanding and we’ve been actively developing his intelligence since he was 10 weeks old. We’re certainly delighted for him. “While most children are just learning to stand up or crawl, Adam was reading books. His development was just mind-blowingly quick.”
Adam’s score of 141 – just four shy of the ’Genius’ category – puts him head and shoulders above the average score of 100. The Stanford-Binet exam, originally developed by French psychologist Alfred Binet, has become renowned for being able to accurately determine a child’s intelligence levels and predict future grades.
Read more: http://www.thesun.co.uk/sol/homepage/news/4985250/Child-prodigy-2-joins-Mensa.html#ixzz2aNmxoX5Z
From the Times London:
Scotland Yard was found guilty today (May 14) of discrimination, harassment and victimisation against a black, gay officer who was dismissed for “discrediting the police service”.
Sir Bernard Hogan-Howe, the Met commissioner, pledged last year to be the “implacable enemy” of racism after a series of allegations against his officers.
Mr Maxwell, 34, a former detective constable in the Met’s Counter-terrorism Command, has fought a three-year legal battle with the Met since lodging a complaint about his treatment.
Stationed at Heathrow airport he complained of homophobic remarks and said ethnic minority officers were used as a “buffer” to stop passengers who would then be passed to white officers to be searched.
He lodged an employment tribunal claim but details of it, and especially comments about his sexuality, were leaked to The Sun newspaper.
In February 2012 an employment tribunal ruled in Mr Maxwell’s favor and also criticised senior Met officers for not appearing to understand their own policies on supporting whistleblowers. Against the advice of the tribunal, the Met launched an appeal against the ruling.
After that, Harry headed off to the Russell Senate Office Building, where he was treated like a rock star by a crowd of about 500 screaming onlookers (mostly women and girls). Back home, Harry serves as a co-pilot gunner in the British Army, and has served in Afghanistan. Championing military families has been one of Mrs. Obama’s signature causes, along with Dr. Jill Biden, her partner in the Joining Forces initiative.
article via thegrio.com