by Ricky Riley via blavity.com
With just a few more days until its release, Marvel‘s next installment into their cinematic universe, Black Panther, has already started shaping the imaginations of a generation of kids.
London-based Nigerian photographer Àsìkò, who goes by @asiko_artist on social media, decided to highlight this by recreating the sensational character posters with kids inspired by the film. Àsìkò shared a few individual pictures from the series on Instagram and wrote about why Black Panther matters and what it means to him as comic lover.
“As a kid who read comics black panther was one of the very few superheroes I came across,” he wrote. “For a child it is a beautiful thing to see yourself represented in a positive light in pop culture. What is also great is that it’s a hero steeped in culture and heritage and not drug deals or street thugging.”
“The images are inspired by the movie character posters and will be displayed at the BFI on its opening film night this Friday evening,” he added.
Àsìkò wrote that the photos were commissioned by the Talent Agency @lookslikemeuk. On his page, he posted a series of pictures featuring young kids channeling characters from the film, along with captions that include moving letters from fans on why black representation in film matters.
To read more, go to: https://blavity.com/these-awesome-kids-channelled-their-inner-black-panther-to-recreate-posters-for-the-film
Posts tagged as “Disney”
by Ramin Satoodeh via Variety.com
Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”
The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.
“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.
The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”
“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.
Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.
Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.”
via thegrio.com
A GoFundMe campaign launched to helping Harlem kids see Black Panther next month has already raised more than its $10,000 goal.
Black Panther, the highly anticipated Marvel film about a superhero with the same name, is the first Black-led superhero movie from the Marvel Cinematic Universe, and already, people are celebrating the milestone by purchasing tickets in advance.
With the biggest, Blackest movie of 2018 set to hit theaters in February, some people want to make sure those that may not be able to afford to go to the movies have an opportunity to see a hero who looks like them fighting crime and looking fabulous. So, one man started a campaign to make sure kids in Harlem could see the movie.
“The release of Marvel’s film the Black Panther is a rare opportunity for young students (primarily of color) to see a black major cinematic and comic book character come to life,” Frederick Joseph, who started the campaign, wrote on Twitter. “This representation is truly fundamental for young people, especially those who are often underserved, unprivileged, and marginalized both nationally and globally.”
“I want these children to be able to see that people who look like them can be superheroes, royalty, and more. All proceeds will go to paying for the private screening tickets for children and chaperones, as well as refreshments. The release of the film is February 16th, 2018, and the screenings will take place the following week between February 19th and 22nd.”
Making the goal
Within three days of Joseph posting his GoFundMe challenge, the account raised over $13,000. As of today, it stands at over $26,000.
Joseph told The Root that he initially wanted the funds to go to the Harlem’s Children Zone, but when the organization couldn’t take the money, he approached the Boys & Girls Club of Harlem.
The funds will be used to pay for tickets and concessions for the kids and their guardians. Anything left over will go to the Boys & Girls Club.
“We want to thank the organizers of this great fundraiser. Your commitment will help our kids see how powerful they can be!” a representative of Boys & Girls club wrote on Facebook.
You can still donate at: https://www.gofundme.com/help-children-see-black-panther
New Black Panther trailer below:
Source: https://thegrio.com/2018/01/09/black-panther-gofundme/
by Seth Kelley via variety.com
The first footage from Ava DuVernay’s highly-anticipated “A Wrinkle in Time” is finally here. Disney did the honors during its D23 Expo on Saturday.
DuVernay, the director of “Selma” and the documentary “13th,” among other projects, joined “A Wrinkle in Time” in February 2016. The story follows a group of children as they travel through time and visit strange worlds in order to find their missing father. Storm Reid plays the oldest daughter, Meg Murray, in the movie.
The cast includes Oprah Winfrey as Mrs. Which, Reese Witherspoon as Mrs. Whatsit, Mindy Kaling as Mrs. Who, and Chris Pine, who all joined the stage to present “Wrinkle” alongside DuVernay and Reid. Zach Galifianakis and Gugu Mbatha-Raw also star, but were not in attendance.
Jennifer Lee, who wrote and co-directed “Frozen” with Chris Buck, is responsible for the film adaptation of Madeleine L’Engle’s classic children’s book for Disney.
Earlier in the weekend, Winfrey was honored as a Disney Legend. During her acceptance speech, the legendary actress spoke about the studio’s impact on her life. “Disney, ABC 7 let me be me,” she said of her long-running “Oprah Winfrey Show.”
“A Wrinkle in Time” is expected to hit theaters March 9, 2018. The teaser can be seen above.
To read full article, go to: http://variety.com/2017/film/news/a-wrinkle-in-time-trailer-disney-ava-duvernay-watch-video-1202496728/
article via shadowandact.com
After a theatrical run in USA theaters that kicked off in late August, the documentary “Floyd Norman – An Animated Life” – an intimate journey through the celebrated life and career of the legendary animator Floyd Norman, the first African American animator at Disney – is now streaming on Netflix.
Directed by Michael Fiore and Erik Sharkey, the crowd-pleaser recently won the award for Best documentary at the 2016 San Diego Comic-Con. Born in 1935 in Santa Barbara, Norman’s love of animation first came when his mother took him to see Disney’s “Bambi” and “Dumbo.” By the time he was a high schooler, he knew his goal was to be an animator at Disney Studios. After graduation, with the help of a friend, Norman got an appointment at Disney and he walked into Disney Studios, portfolio in hand, for an interview. But instead of getting a job, he was told to go to school, which Norman said later was the best advice anyone had ever given him. He entered the Art Center College of Design and two years later, got a call to go work for Disney. He dropped out of school and started working at the studio the following Monday.
https://youtu.be/eHONDbMyhcc
He worked on various features including “Sleeping Beauty,” “The Sword in the Stone,” “The Jungle Book,” and several short subjects. He left Disney after Walt Disney died in 1966, and, with Ron Sullivan, formed AfroKids Animation Studio. Among the other properties they created was the first “Fat Albert” television special which aired in 1969 on NBC (the later more well-known Fat Albert TV series was made by Filmation Associates, not AfroKids). But starting in the early 1970s, Norman returned to Disney to work on projects like “Robin Hood.”
To read more, go to: Award-Winning New Doc on Floyd Norman, 1st Black Animator to Work for Disney, Now Streaming on Netflix – Shadow and Act
article by Justin Kroll via Variety.com
Jennifer Lee, who wrote and co-directed “Frozen” with Chris Buck, is penning the adaptation of Madeleine L’Engle’s book for Disney. The story follows children as they travel through time and visit strange worlds in order to find their missing scientist father.
“A Wrinkle in Time” is the first book in L’Engle’s “Time Quartet” series, which includes “A Wind in the Door,” “Many Waters” and “A Swiftly Tilting Planet.”
Winfrey will play Mrs. Which, one of the three Mrs. Ws that helps guide the children along their journey.
Winfrey and Duvernay have a relationship going back to “Selma,” which Winfrey appeared in and Duvernay directed. Sources say Duvernay always had Winfrey in mind for one of the three Mrs. Ws.
To read more, go to: http://variety.com/2016/film/news/oprah-winfrey-a-wrinkle-in-time-movie-1201823788/
article by Lisa Respers France via cnn.com
Misty Copeland is making the leap — or maybe a grand jeté — to the big screen. The prima ballerina has nabbed a role in Disney‘s forthcoming “The Nutcracker and the Four Realms” movie. Copeland posted a picture of the script on her Instagram account with the caption: “I’m thrilled to be a part of this amazing project with Disney and the wonderful Lasse Hallstrom. #TheNutcracker #MoreToCome.”
The studio announced the live-action film back in March and Hallstrom is set to direct.
Copeland has been lauded for breaking down barriers as an African-American dancer and is the subject of Nelson George‘s 2015 documentary “A Ballerina’s Tale.” For the upcoming film, she reportedly will appear as the lead ballerina in the “Nutcracker’s” only dance scene.
article by Dave McNary via Variety.com
“Selma” director Ava DuVernay has come on board to direct Disney’s “A Wrinkle in Time” movie adaptation.
Jennifer Lee, who wrote and co-directed “Frozen” with Chris Buck, is penning the adaptation of Madeleine L’Engle’s book for Disney. The story follows children as they travel through time and visit strange worlds in order to find their missing scientist father.
Variety reported in 2014 that Lee was attached to “Wrinkle in Time,” which was one of her favorite novels as a child. She impressed Disney executives with her take on the project, which emphasizes a strong female-driven narrative and creatively approaches the science fiction and world-building elements of the book.
“A Wrinkle in Time” is the first book in L’Engle’s “Time Quartet” series that also includes “A Wind in the Door,” “Many Waters” and “A Swiftly Tilting Planet.”
To read more, go to: http://variety.com/2016/film/news/ava-duvernay-wrinkle-in-time-movie-1201712895/
After several months of meeting with various black directors and not locking one to helm “Black Panther,” it’s finally confirmed that “Creed” director Ryan Coogler is in negotiations to direct the action film for Marvel and Disney, TheWrap reports.
The studio has been desperate to lock a black director, and had considered Ava Duvernay and F. Gary Gray for the project. Marvel and Coogler had discussed the movie in the past, but both sides cooled on the negotiations until recently resuming talks.
EUR previously reported on Coogler’s comments regarding why the race of the director is important on projects such as “Black Panther.” He explained ScreenRant, ”Yeah, I think it’s important. Perspective is so important in art. That’s not to say that you can’t work outside yourself.”
Since the critically acclaimed success of Coogler’s tragic drama “Fruitvale Station,” he has had his pick of projects, including the “Rocky” franchise, casting his “Fruitvale” star Michael B. Jordan as the son of Apollo Creed. The Oscar-buzzed film grossed nearly $30 million its opening weekend.
When asked during a recent interview how important it was “to build a central narrative of a black boxer in a film that doesn’t directly address race,” Ryan responded:
“It was very important. When I would watch “Rocky” films, Apollo was the guy that I identified with as a young black man, because I grew up as an athlete for most of my life. With boxing, we have a long history of the greatest American fighters and so many of them are black and Hispanic but you don’t see that representation in cinema so I was really excited.”
Chadwick Boseman is set to star as T’Challa, the superhero in charge of a fictional African nation called Wakanda. The character will first be introduced in “Captain America: Civil War.”
“Creed” is currently playing in theaters across the country. “Black Panther” is scheduled to be released Nov. 3, 2017.
article by Ny MaGee via eurweb.com
[youtube https://www.youtube.com/watch?v=bB0TPhWtpGk&w=560&h=315]
article by Lori Lakin Hutcherson (follow @lakinhutcherson)