Oprah Winfrey to Receive 2018 Cecil B. DeMille Award at 75th Annual Golden Globes

Oprah Winfrey (CREDIT: VARIETY)

by  via Variety.com

Oprah Winfrey will be honored with the 2018 Cecil B. DeMille Award at the 75th Annual Golden Globes.

Each year the recipient of the prestigious award is selected by the Hollywood Foreign Press Association (HFPA) board of directors and must be someone who has made “an incredible impact on the world of entertainment.” HFPA president Meher Tatna said Winfrey embodies this qualification for the generations she has “celebrated strong female characters on and off screen, and has been a role model for women and young girls for decades.”

“As a global media leader, philanthropist, producer and actress, she has created an unparalleled connection with people around the world, making her one of the most respected and admired figures today,” Tatna said in a statement. “Holding titles such as Chairman, CEO and Founder, Oprah is one of the most influential women of our time, and this honor is well deserved especially in this 75th anniversary year of the Golden Globe Awards.”

Chairman and CEO of her own cable network — OWN: Oprah Winfrey Network — Winfrey is currently an executive producer on series such as “Greenleaf,” “Queen Sugar” and “Oprah’s Master Class.” In 2017 she executive produced and starred in the Emmy nominated HBO original movie “The Immortal Life of Henrietta Lacks,” and in 2018 she will appear in “A Wrinkle in Time” from Ava DuVernay. She is also the founder of O, The Oprah Magazine, and oversees Harpo Films.

Perhaps best known as the host of her multi-award-winning talk show, “The Oprah Winfrey Show,” which came to an end in 2011, Winfrey is also the founder of the Oprah Winfrey Leadership Academy for Girls in South Africa, which provides education for “academically gifted” girls from disadvantaged backgrounds and is celebrating its 10th anniversary this year and celebrating the school’s seventh graduating class.

Winfrey has been celebrated by the HFPA before, with a Golden Globe Award nomination for her role in “The Color Purple” in 1986.

Morgan Freeman, who received the same award in 2012, announced Winfrey’s honoree status during the airing of the Hollywood Foreign Press Association’s (HFPA) “Golden Globe 75th Anniversary Special,” which aired on NBC.

In addition to Freeman, recent honorees include Audrey Hepburn, Barbra Streisand, Denzel Washington, George Clooney, Harrison Ford, Jodie Foster, Lucille Ball, Martin Scorsese, Meryl Streep, Michael Douglas, Robert De Niro, Robin Williams, Sidney Poitier, Sophia Loren and Steven Spielberg.

The 75th Annual Golden Globes will be hosted by Seth Meyers and air live coast-to-coast on Jan. 7, 2018 starting at 8pm ET/5pm PT on NBC.

Watch Freeman announce Winfrey as the 2018 Cecil B. DeMille Award recipient below:

Source: http://variety.com/2017/tv/awards/2018-cecil-b-demille-award-recipient-oprah-winfrey-1202640271/

“The Equalizer” Director Antoine Fuqua to Develop Film Based on Police Murder of Black Panther Fred Hampton

Director Antoine Fuqua (l); Black Panther Fred Hampton (r) Credit: Getty Images

by Brennan Williams via huffpost.com

Antoine Fuqua is developing a film about the late activist and Black Panther affiliate Fred Hampton. The project is based on Jeffrey Haas’ 2009 book The Assassination of Fred Hampton: How the FBI and the Chicago Police Murdered a Black Panther, according to Variety. Beginning at the age of 15, Hampton inserted himself into the world of activism by organizing a chapter of the NAACP at his high school and later became the chairman of the Illinois Black Panther Party at age 20.

Haas’ book, adapted for the screen by screenwriter Chris Smith, uncovers the controversial events surrounding Hampton’s 1969 murder. The 21-year-old was shot dead in his bed as 14 officers opened fire during a police raid. Though Hampton’s death was ruled as a “justifiable” homicide by officials, Hampton’s surviving family members filed a civil lawsuit in 1970, which resulted in a settlement of $1.85 million in 1982. The untitled project is a part of Fuqua’s new production deal with Sony Studios.

For the filmmaker, the new deal is a homecoming of sorts as the film studio has helmed some of his biggest films including “The Equalizer,” “Training Day,” and his breakout feature, “The Replacement Killers.” “I started my feature film career almost 20 years ago at Columbia,” Fuqua said to Variety about rejoining Sony for his new deal. “Since then some of my biggest career achievements have been with the studio. I am proud of our work together and am very much looking forward to this new collaboration and our upcoming creative endeavors.”

As Fuqua continues to develop his Fred Hampton project, fans can expect the filmmaker to reteam with Denzel Washington for the sequel to their 2014 blockbuster, “The Equalizer,” which will hit theaters September 2018.

To read full article, go to: Antoine Fuqua To Develop Film Based On Black Panther Murdered By Police | HuffPost

International Hits “Moonlight,” “Hidden Figures,” and “Straight Outta Compton” Disprove Hollywood Myth That “Black Films Don’t Travel”

(image via latimes.com)

article by Tre’vell Anderson via latimes.com

On his way to winning a best picture Oscar for “Moonlight,” a film made for a minuscule $1.5 million, writer-director Barry Jenkins took time between awards-season red carpet appearances for a six-city European promotion tour. It was time well spent.

“Moonlight,” about a poor black boy living in the projects of Miami and struggling with his sexuality, wasn’t supposed to be the kind of movie that wins the best picture Oscar. Its modest coming-of-age narrative, unconventional story structure and outsider characters with no mega stars made it, as filmmaker Mark Duplass said recently with admiration, “a bit of a miracle” that it even reached U.S. theaters. Certainly, it’s not the kind of movie that was expected to make money overseas. After all, says a longstanding Hollywood myth, black films don’t travel.

Yet as of Tuesday, “Moonlight” has made $28.6 million at the international box office — more than its $27.5 million domestic take — for a worldwide total of $56.1 million. With the film still in theaters, even more is expected.“This black film is definitely selling overseas,” Jenkins said to The Times on the red carpet for the Screen Actors Guild Awards, just after he’d returned from Europe.

“Every time there’s a success, it gets swept under the rug,” says Jeff Clanagan, president of Lionsgate’s Codeblack Films, which primarily produces films with African American casts. “It’s almost like there’s an asterisk on it. They chalk it off as an anomaly.”

For 1988’s “Coming to America,” the anomaly was the comedic genius of Eddie Murphy, who “transcended race” when the film grossed $160.6 million internationally for a $288.8 million worldwide take. (Samuel L. Jackson, Morgan Freeman, Will Smith, Kevin Hart, Denzel Washington and Don Cheadle are other box office champs for whom the “transcended race” label has been applied.)

For 1995’s “Bad Boys” and its 2003 sequel — which together pulled in a combined $210.3 million internationally and $414.7 million worldwide — it was the fact that the film was an action flick, never mind leads Smith, Martin Lawrence and Gabrielle Union. For 2015’s “Straight Outta Compton,” a $40.4 million payoff internationally (and $201.6 million worldwide), it was the popular music of rap group N.W.A.

Even as three-time Oscar nominee “Hidden Figures,” with its predominantly black cast, has so far made $48.8 million internationally — helping to push its $166 million domestic sales to nearly $215 million worldwide and counting — the myth persists.

When asked about the myth, Octavia Spencer, Oscar-nominated for her “Hidden Figures” role, responded simply: “I have two words for you: Will Smith.”

“He was told the same thing [at the beginning of his career] — that he wasn’t going to be taken to promote his film,” she said at the annual pre-Oscars Sistahs Soiree honoring women of color in the industry. “Had he not paid for himself to fly all over the world that very first time, he would not be an international box office star. So they have to start investing and taking black actresses and actors across the world just like they do with unknown white actors. They need to do the same thing for black actors. If you don’t know ’em, why would you go support the film?”

To read full article, go to: Disproving the ‘black films don’t travel’ Hollywood myth – LA Times

Kareem Abdul-Jabbar Joins Hollywood Reporter as Contributing Editor on Pop Culture, Race and Politics

NBA legend and author Kareem Abdul-Jabbar (photo via Getty Images)

article via hollywoodreporter.com

The Hollywood Reporter, one of entertainment media’s flagship outlets, announced that NBA legend, actor, activist, cultural commentator and New York Times bestselling author Kareem Abdul-Jabbar has joined the publication as contributing editor. In his role, Abdul-Jabbar will pen a regular column and conduct select celebrity interviews.  Abdul-Jabbar’s first column on race and romance in La La Land will run in the Feb. 24 print issue and online at THR.com.

“With decades of experience in the media spotlight and a keen eye on the pop culture landscape, Kareem will bring a unique perspective to The Hollywood Reporter’s readers on critical issues like race, gender and the role of media in society,” said Matthew Belloni, editorial director of The Hollywood Reporter. “His voice will be an especially important one as The Hollywood Reporter continues to expand its coverage and grow its global audience.”

On his new role, Abdul-Jabbar said, “I’m excited to join The Hollywood Reporter because it allows me to continue to write about the intersection of politics and pop culture, which is where our values and beliefs are forged.”

Abdul-Jabbar has contributed a number of guest columns to The Hollywood Reporter in recent months. In November, he conducted a wide-ranging interview with Denzel Washington and Viola Davis, who appeared together in the film adaptation of August Wilson’s classic 1983 play, Fences. Abdul-Jabbar also recently penned columns focusing on the issues of the day, calling on black celebrities to be “fearless” in standing up to the current president, intoning on the social and psychological effects of reality-romance series The Bachelor and comparing Trump’s refugee ban to a “bad horror movie.”

In addition to The Hollywood Reporter, Abdul-Jabbar has contributed to publications like The Washington Post, The New York Times, Time, Esquire and The Huffington Post.

To read full article, go to: Kareem Abdul-Jabbar Joins Hollywood Reporter as Contributing Editor | Hollywood Reporter

BLACK HISTORY MONTH: The Best New Films to Watch this February

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Movies to see this Black History Month (photo collage via theguardian.com)

article by Rebecca Carroll via theguardian.com

Fences

If you’ve ever seen or read an August Wilson play, you know that writing is how the late playwright processed the world around him – a magnificently black world filled with funk and nuance in which language plays a central role. For Wilson, though, learning how to work with that language as a writer didn’t happen overnight. “For the longest time I couldn’t make my characters talk,” Wilson told me several years ago before his death in 2005. “I thought in order to incorporate the black vernacular into literature, the language had to be changed or altered in some way to sound more clear … until I realized that it’s no less romantic and meaningful to say, ‘It’s cold outside.’” As a play, Wilson’s Fences, which tells the story of a working-class black man – who was denied a baseball career in the major leagues – trying to raise his family in mid-century Pittsburgh, gives us that blunt romance and powerful meaning. As a movie, it gives us Denzel Washington and Viola Davis. Enough said.

Fences is on nationwide release now

Get Out

I don’t go in for horror films at all – not even horror film parodies – but I also can’t think of a brighter, more innovative voice in film right now than Jordan Peele, one half of the masterful sketch comedy series Key and Peele, which he co-created with Keegan-Michael Key. And while the potentially great Keanu, co-written by Peele and Alex Rubin, was a disappointing failure, Get Out, which Peele both wrote and directed, looks legitimately genius. The premise is a pretty straightforward Guess Who’s Coming to Dinner setup – rich white girlfriend brings her smart, learned black boyfriend upstate for a weekend to meet the parents – what could go wrong? It’ll be awkward, parents will remark more than once on how articulate the black boyfriend is, lecture them both on how hard it will be to maintain an interracial relationship in this day and age, and then finally concede that love is all that matters. Or will it?

Get Out will be in theaters February 24

Hidden Figures

In America, when it comes to the mainstream celebration of black historical figures, we primarily see the spotlight shined on our athletes, entertainers and a handful of activists who generally get depoliticized posthumously. Seldom do we hear about engineers, innovators and mathematicians, much less our black women in those positions. It’s thrilling and really quite long overdue for a film like Hidden Figures, which tells the story of “colored computers” Katherine Johnson, Dorothy Vaughan and Mary Jackson, who worked at NASA in the early 1960s and played a vital role in getting John Glenn and the Friendship 7 into space. As Katherine Johnson, Taraji P. Henson is on career-best form – pushing her glasses up on her nose, hustling to the coloreds bathroom carrying a stack of data research, doing mathematical equations on a chalkboard – creating a truly revelatory performance. Octavia Spencer as Dorothy and Janelle Monáe as Mary are icing on the cake. An added bonus comes in the form of Pharrell Williams, who is a producer on the film and wrote original songs for the soundtrack that give the movie a beautiful sense of joy.

Hidden Figures is in nationwide release now

I Am Not Your Negro

The thing about James Baldwin, beyond his utter brilliance and undeniable prescience as a writer and public intellectual, is that he was like the blackest man who ever lived. And he wore it like a badge of honor. In the newly Oscar-nominated documentary I Am Not Your Negro, Haitian-born film-maker Raoul Peck mines Baldwin’s unpublished writing about the assassinations of Medgar Evers, Martin Luther King Jr. and Malcolm X to create an intellectual and visual mosaic that somehow captures Baldwin’s own very personal and stubborn sense of blackness. It hits hard, and the film will make you long for the leadership and integrity of Evers, King and Malcolm in these increasingly divisive times. But it will also, if only temporarily, let you sit in the glory that is James Baldwin’s company.

I Am Not Your Negro is out on Friday

To read full article, go to: The best new releases to watch during Black History Month | Film | The Guardian

“Hidden Figures,” Viola Davis, Mahershala Ali, Denzel Washington Win Screen Actors Guild Awards

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“Hidden Figures” Wins Best Cast Ensemble for Film at 2017 SAG Awards (photo via kansascitystar.com)

article by Lori Lakin Hutcherson (follow @lakinhutcherson)

The 2017 SAG Awards took place on Sunday night at the Shrine Auditorium in Los Angeles, and among the winners were favorites Viola Davis for Best Supporting Female Actor in a Motion Picture (“Fences”) and Mahershala Ali for Best Supporting Actor in a Motion Picture (“Moonlight”), as well as surprise victors Denzel Washington for Lead Actor in a Motion Picture (“Fences”) and “Hidden Figures” for Best Cast Ensemble in a Motion Picture.

“Hidden Figures”  also added $14 million to its box office numbers this weekend to cross the $100 million mark and bring its current total gross to $104 million.

Other notable wins were “Orange Is the New Black” for Best Cast in a Comedy Series and “Stranger Things” for Best Ensemble in a Drama Series.

The complete list of winners is below:

Outstanding Performance by a Male Actor in a Leading Role
Denzel Washington, “Fences” (WINNER)
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”

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‘Moonlight,’ ‘Fences,’ ‘Hidden Figures’ and Actors of Color Make Oscar History

BEVERLY HILLS, CA - JANUARY 08: (L-R) Actors Trevante Rhodes and Naomie Harris, director Barry Jenkins, actors Ashton Sanders, Janelle Monae and Mahershala Ali of 'Moonlight,' winner of Best Motion Picture - Drama, pose in the press room during the 74th Annual Golden Globe Awards at The Beverly Hilton Hotel on January 8, 2017 in Beverly Hills, California. (Photo by Kevin Winter/Getty Images)

BEVERLY HILLS, CA – JANUARY 08: (L-R) Actors Trevante Rhodes and Naomie Harris, director Barry Jenkins, actors Ashton Sanders, Janelle Monae and Mahershala Ali of ‘Moonlight,’ winner of Best Motion Picture – Drama, pose in the press room during the 74th Annual Golden Globe Awards at The Beverly Hilton Hotel on January 8, 2017 in Beverly Hills, California. (Photo by Kevin Winter/Getty Images)

article by Sameer Rao via colorlines.com

Reversing course from last year, the Academy of Motion Picture Arts and Sciences honored “Moonlight,” “Fences,” “Hidden Figures” and other people of color-centered works with Oscar nominations today (January 24).

The three films, each of which features a predominantly Black cast, compete in the “Best Picture” and “Writing (Adapted Screenplay)” categories. Actresses Viola Davis (“Fences”), Naomie Harris (“Moonlight”) and Octavia Spencer (“Hidden Figures”) also square off for best “Actress in a Supporting Role.”

“Moonlight”‘s eight nominations are the most of any film this year besides the musical “La La Land.” They include “Best Director” and “Writing (Adapted Screenplay)” for Barry Jenkins, and “Actor in a Supporting Role” for Mahershala Ali.

“Fences” star and director Denzel Washington received a best “Actor in a Leading Role” nomination. Playwright August Wilson‘s script, based on his original 1983 play, earned him a posthumous “Writing (Adapted Screenplay)” nod.

Other acting nominees of color include Ruth Negga (“Loving”) for “Actress in a Leading Role” and Dev Patel (“Lion”) for “Actor in a Supporting Role.” Patel is the first performer of South Asian descent to receive an acting Oscar nomination since Ben Kingsley for 2000’s “Sexy Beast.”

Ava DuVernay‘s “13th,” Raoul Peck‘s “I Am Not Your Negro” and Ezra Edelman‘s “O.J.: Made in America” each received Documentary (Feature) nominations. The category also includes another Black director’s work: Roger Ross Williams“Life, Animated,” and Joi McMillon became the first black female to be nominated in the Editing category for “Moonlight.”

This year’s nominations are far more diverse overall than last year’s, and NBC News reports that this year’s acting nominee pool is the most diverse in Oscar history.

To read more, go to: http://www.colorlines.com/articles/moonlight-fences-and-actors-color-make-oscar-history

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