Press "Enter" to skip to content

Posts tagged as “De La Soul”

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

By goodblacknews on February 12, 2024

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Back in the fall of 1981 when I was in my first semester at Columbia College, I became friends with a fellow from a Chicagoland suburb.

He was a dyed-in-the-wool Rolling Stones fan. One afternoon their version of “Just My Imagination” played on the radio near us. I recall mentioning it was a Temptations cover, and with some level of indignation, he told me that Jagger and Richards wrote EVERY song The Stones performed.

I was shocked. We were decades away from being able to Google such matters at the moment. I was forced to leave him to the dubious opinion. I can only hope in the decades since that he’s come to know better.

Not only was that song a cover but the Rolling Stones, for better or worse, have been the heralds of Blues and R&B for generations of Americans who would rather enjoy Black music through the filter of whiteness.

Here is AfroStones, a collection of essential songs performed by Black artists that the Rolling Stones covered.

You will find Chuck Berry, Robert Johnson, The Drifters, and Solomon Burke to name a few. Throughout this collection, the original songs are presented back to back with the Stone’s covers.

Needless to say, along with touring as the opening act for Little Richard, the Stones learned a lot from these songs and built a 50-year career on them.

Mick Jagger has long acknowledged his debt to Black America, but is not a one-way street. This collection also features Black artists covering the Stones.

Sharon Jones, Musiq Soulchild, Etta James, and others. Merry Clayton, who’s featured prominently on “Gimme Shelter”, is present with her own version of the Stones classic.

I’ve also included tracks by De La Soul, Little Simz, Snoop Dogg, and others that feature samples of their music.

As Muddy Waters said in an interview, “They stole my music, but they gave me my name.” Yet he also provided them with their name when they adopted the title of his song, “Rollin’ Stone.”

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Me Myself and I: Best of De La Soul” Playlist (LISTEN)

MUSIC MONDAY: “Me Myself and I: Best of De La Soul” Playlist (LISTEN)

By goodblacknews on April 10, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

When De La Soul member David Jude Jolicoeur (aka Trugoy the Dove) unexpectedly passed away in February, anyone seeking to revisit the group’s best-known works would have come away baffled and empty-handed.

The scores of uncleared samples that defined De La Soul’s classic records made for a legal minefield when it came to making them available for streaming, until this March:

[spotifyplaybutton play=”https://open.spotify.com/playlist/1kRPAJoH5L1ZR4Bvf5u0hm?si=9d11edfb742f40e2″]

One of the giants of hip-hop’s “golden era” of the late ’80s through mid-’90s, De La’s penchant for playful creativity would fly in the face of the “gangsta rap” that dominated hip-hop at the time.

While most rapped about slinging drugs, they dedicated a track to telling the story of a drug-addicted family member and told the dangers of ignoring sexual abuse victims.

They would influence everyone from OutKast to The Pharcyde, Jungle Brothers to Childish Gambino.

For several years, the band’s catalog rights were tangled up in major label red tape from their time at Warner Bros. Records and Tommy Boy.

“Me Myself and I: The Best of De La Soul” is a collection of some of their classic, their many collaborations (Beastie Boys, Busta Rhymes, MF DOOM and others), and guest appearances (Gorillaz, Ibrahim Maalouf, Potatohead People and others.)

Enjoy this deep dive into the influential work of De La Soul.

And until next month, stay sane, safe, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Excursions” – A Jazz Rap Collection (LISTEN)

MUSIC MONDAY: “Excursions” – A Jazz Rap Collection (LISTEN)

By goodblacknews on July 12, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

The connection between jazz and rap goes back to the glory days of Louis Jordan. In the 1970s, The Last Poets and Gil Scott-Heron brought their spoken word to straight ahead jazz music.

Though the sub genre of Jazz Rap really started In 1988 with the release of Gang Starr’s debut single “Manifest” sampling Dizzy Gillespie‘s “Night in Tunisia” from 1952, AllMusic.com describes the genre as “an attempt to fuse African-American music of the past with a newly dominant form of the present, paying tribute to and reinvigorating the former while expanding the horizons of the latter.”

The main groups involved in the formation of the style include A Tribe Called Quest, Digable Planets, De La Soul, Gang Starr, The Roots, Jungle Brothers, and Dream Warriors.

This collection features classics of the genre as well as recent releases from this year. I do hope you all enjoy.

Stay safe, sane and kind, you all.

Marlon West (photo courtesy Marlon West)

De La Soul's Kickstarter Campaign for New Album Surpasses Goal

By goodblacknews on April 1, 2015
e0808f2610da03065031e14a9cd751a0_original
De La Soul (DE LA SOUL/KICKSTARTER)

According to theroot.com, it’s been over 10 years since the last De La Soul album was released, but thanks to a successful Kickstarter campaign, the trio famous for songs such as “Potholes In My Lawn,” “Me, Myself and I” and “Saturdays” will begin recording its eighth album, And the Anonymous Nobody. The group’s goal of $110,000 was met within 48 hours and has since been surpassed by $178,262 for a current grand total of $288,262.

“And the Anonymous Nobody really plays on two ideas,” the group told Rolling Stone.”No egos, no seniority, no bosses, just a group of equal ‘nobodies’ working towards one goal: making music. Second, there’s always a silent champion or brave individual—a ‘nobody’—that steps in saves the day. The person that steps in and stands for something. Something bigger than him … and makes a change. ‘Nobody can save the day!’ Well he sure can! We are those nobodies … stepping in, standing for something and hopefully making a change.”
The new album will also include guests such as David Byrne, 2 Chainz and Little Dragon. Those who helped fund the album will receive rewards ranging from exclusive album tracks to a shopping excursion with De La Soul.
There are still 30 days and several prizes left in the campaign, so if you’d like to donate, click here.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

J Dilla Recording Equipment Headed to the Smithsonian

By goodblacknews on July 20, 2014
J Dilla Recording Equipment Headed to the Smithsonian

J Dilla was only 32 years old when he died in 2006, but in his too-short life, the prolific producer worked with hip-hop icons including Busta Rhymes, Erykah Badu, The Roots, De la Soul, Common, and A Tribe Called Quest, even earning a Grammy nomination for his work with Tribe. And now, another honor for the late Detroit beatmaker: His recording equipment will be featured in the Smithsonian.
At the ninth DC Loves Dilla tribute concert on Thursday night, Dilla’s mom, Maureen Yancey, announced onstage that she would donate her son’s custom Minamoog Voyager — one of the last synthesizers Bob Moog built for someone before he died in 2005 — and his MPC to the Smithsonian’s National Museum of African American History and Culture.
“I feel it’s necessary to raise the level of art appreciation in the hip-hop sector and honor my son James Dewitt Yancey, one of the most influential individuals in the history of hip-hop,” Dilla’s mom said in a Smithsonian press release announcing the donation.
Below, watch Yancey announce the donation at the benefit concert, which raises money to battle lupus, a disease that might have played a part in Dilla’s early death.

article by Katie Atkinson via billboard.com