Happy Music Monday, you all. It’s your friend and selector back again with another collection for listening, and this time rump shaking, pleasure.
While Detroit is known as “Hitsville U.S.A.” thanks to Motown, and Memphis is known as the epicenter of “Southern Soul” thanks to Stax Records. Dayton, however, is known as “The Funk Capital of the World.”
When Lakeside dubbed it “The Land of Funk” in its swashbuckling 1980 hit “Fantastic Voyage”, Dayton’s west side was already the birthplace of several of the funkiest groups on the planet.
My lifelong pal, Duane Myers, was the first to hip me to this fact a few years back. He pointed out that Ohio Players, Slave, Faze-O, Heatwave, Lakeside, Shirley Murdock, Zapp, Roger, and others are all from Dayton, Ohio.
This collection features a stable of funk bands whose influence can still be heard in hip-hop, house and other musical forms today.
The Ohio Players, who kicked open the door for them all, have had their tracks sampled or remade by Salt-N-Pepa, Soundgarden, Snoop Dogg, and the Red Hot Chili Peppers to name a few.
They are not alone. 1970s and ‘80s funk is being sampled and provides inspiration for many bands and artists. Please enjoy this playlist for classic funk music from the “Gem City”.
On #WorldPoetryDay, we celebrate poet and author Paul Laurence Dunbar, one of the first African American writers to celebrate Black speech and vernacular in his works.
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, March 21st, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Though several O.G. rappers jump-started their careers by selling CDs out of the trunks of their cars, the real O.G. was 19th century poet Paul Laurence Dunbar – he sold his poems to people riding in the elevator he operated!
One of the first African American writers to garner international fame, Dunbar celebrated Black speech and vernacular in many of his works.
In 1903 he wrote the lyrics for In Dahomey, the first all-African American musical produced on Broadway, but his best-known legacy — other than the poem “We Wear The Mask” — most likely springs from 20th century poet Maya Angelou, who “sampled” Dunbar’s poem Sympathyfor her autobiography’s title: I Know Why the Caged Bird Sings.
Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
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Dayton, Ohio was already a mecca of grooves, before Lakeside first dubbed it “The Land of Funk” in its swashbuckling cut “Fantastic Voyage.”
In the 1970s and 1980s, southwestern Ohio – particularly Dayton’s west side – was known for its collective of funk bands whose influence can still be heard in hip-hop, house, and other forms popular today.
The Ohio Players, the grandmasters of them all, have seen their songs sampled or remade by Snoop Dogg, Puff Daddy, Salt-N-Pepa, Soundgarden, and the Red Hot Chili Peppers to name but a few.
I’ve thrown in tracks by fellow Ohioans — Screamin’ Jay Hawkins, The Isley Brothers and Bobby Womack — to further show the disproportionate amount of funk Ohio has produced.
This will be another one that will make you move. Enjoy.
Scathing: Former slave Jordan Anderson wrote a satirical letter in 1865 to his old master after he was asked to return to work for him.
The photograph, scratched and undated, is captioned ‘Brother Jordan Anderson‘. He is a middle-aged black man with a long beard and a righteous stare, as if he were a preacher locking eyes with a sinner, or a judge about to dispatch a thief to the gallows.
Anderson was a former slave who was freed from a Tennessee plantation by Union troops in 1864 and spent his remaining 40 years in Ohio. He lived quietly and probably would have been forgotten, if not for a remarkable letter to his former master published in a Cincinnati newspaper shortly after the Civil War.
Treasured as a social document, praised as a masterpiece of satire, Anderson’s letter has been anthologized and published all over the world. Historians teach it, and the letter turns up occasionally on a blog or on Facebook. Humorist Andy Borowitz read the letter recently and called it, in an email to The Associated Press, “something Twain would have been proud to have written.”
Addressed to one Col. Patrick Henry Anderson, who apparently wanted Jordan to come back to the plantation east of Nashville, the letter begins cheerfully, with the former slave expressing relief that ‘you had not forgotten Jordon’ (there are various spellings of the name) and were ‘promising to do better for me than anybody else can’. But, he adds, ‘I have often felt uneasy about you’.
He informs the colonel that he’s now making a respectable wage in Dayton, Ohio, and that his children are going to school.
He tallies the monetary value of his services while on Anderson’s plantation – $11,608 – then adds, ‘we have concluded to test your sincerity by asking you to send us our wages for the time we served you.’
To learn more about Dayton, Ohio native Dunbar, read the 2017 paperback of 
