Roy Hargrove, a virtuoso trumpeter who became a symbol of jazz’s youthful renewal in the early 1990s, and then established himself as one of the most respected musicians of his generation, died on Friday in Manhattan. He was 49.
His death, at Mount Sinai Hospital, was caused by cardiac arrest brought on by kidney disease, according to his manager, Larry Clothier. He said Mr. Hargrove had been on dialysis for 13 years.
Beginning in his high school years Mr. Hargrove expressed a deep affinity for jazz’s classic lexicon and the creative flexibility to place it in a fresh context. He would take the stock phrases of blues and jazz and reinvigorate them while reminding listeners of the long tradition whence he came.
“He rarely sounds as if he stepped out of a time machine,” the critic Nate Chinen wrote in 2008, reviewing Mr. Hargrove’s album “Earfood” for The New York Times. “At brisk tempos he summons a terrific clarity and tension, leaning against the current of his rhythm section. At a slower crawl, playing fluegelhorn, he gives each melody the equivalent of a spa treatment.”
In the late 1990s, already established as a jazz star, Mr. Hargrove became affiliated with the Soulquarians, a loose confederation of musicians from the worlds of hip-hop and neo-soul that included Questlove, Erykah Badu, Common and D’Angelo. For several years the collective convened semi-regularly at Electric Lady Studios in Manhattan, recording albums now seen as classics. Mr. Hargrove’s sly horn overdubs can be heard, guttering like a low flame, on records like “Voodoo,” by D’Angelo, and “Mama’s Gun,” by Ms. Badu.
“He is literally the one-man horn section I hear in my head when I think about music,” Questlove wrote on Instagram after Mr. Hargrove’s death.
Even as he explored an ever-expanding musical terrain, Mr. Hargrove did not lose sight of jazz traditions. “To get a thorough knowledge of anything you have to go to its history,” he told the writer Tom Piazza in 1990 for an article about young jazz musicians in The New York Times Magazine. “I’m just trying to study the history, learn it, understand it, so that maybe I’ll be able to develop something that hasn’t been done yet.”
In 1997 he recorded the album “Habana,” an electrified, rumba-inflected parley between American and Cuban musicians united under the band name Crisol. The album, featuring Hargrove originals and compositions by jazz musicians past and present, earned him his first of two Grammy Awards.
His second was for the 2002 album “Directions in Music,” a live recording on which he was a co-leader with the pianist Herbie Hancock and the tenor saxophonist Michael Brecker. That album became a favorite of jazz devotees and music students trying to envision a future for acoustic-jazz innovation.
In the 2000s, Mr. Hargrove released three records with RH Factor, a large ensemble that built a style of its own out of cool, electrified hip-hop grooves and greasy funk from the 1970s.
He held onto the spirit that guided those inquiries — one of creative fervor, tempered by cool poise — in the more traditionally formatted Roy Hargrove Quintet, a dependable group he maintained for most of his career. On “Earfood,” a late-career highlight, the quintet capers from savvy updates of jazz standards to original ballads and new tunes that mix Southern warmth and hip-hop swagger.
According to Variety.com, actor, producer and Academy Award-winning musician Common has signed an overall deal with Lionsgate Television. Under the new agreement, Common’s Freedom Road Productions will develop new series projects for the studio.
“We’re thrilled to have the talented multi-hyphenate Common join our television team along with his longtime manager and producing partner Derek Dudley, president of production Shelby Stone, and creative executive Melisa Resch,” said Lionsgate executive vice president and head of worldwide scripted television Chris Selak. “Common’s expertise from working across all different artistic platforms offers a rich and exciting creative vision to our group. We look forward to the bold, premium content Freedom Road Productions will bring to our deep and diverse television slate.”
Common has starred in installments of Lionsgate’s “John Wick” and “Now You See Me” film franchises, and the Chicago native also currently stars in and executive produces “The Chi” on Showtime.
“I’m proud to expand my relationship with the innovative content creator Lionsgate,” said Common. “The studio offers a collaborative, creative freedom that is unique in the entertainment industry, which makes them a perfect partner for Freedom Road Productions. I’m looking forward to teaming up with Kevin, Chris and the Lionsgate collective on exciting and fresh television programming.”
MEMPHIS, Tenn. (AP) — The daughter of the Rev. Martin Luther King Jr. remembered him as “the apostle of nonviolence” as admirers marked the 50th anniversary of his assassination Wednesday with marches, speeches and quiet reflection.
The Rev. Bernice A. King recalled her father as a civil rights leader and great orator whose message of peaceful protest was still vital decades later. “We decided to start this day remembering the apostle of nonviolence,” she said during a ceremony to award the Martin Luther King Jr. Nonviolent Peace Prize held at the King Center in Atlanta.
Dixie Spencer, president of the Bolivar Hardeman County, Tennessee, branch of the NAACP, said remembrances of King’s death should be a call to action. “We know what he worked hard for, we know what he died for, so we just want to keep the dream going,” Spencer said. “We just want to make sure that we don’t lose the gains that we have made.”
Wednesday’s events followed a rousing celebration the night before of King’s “I’ve Been To the Mountaintop” speech at Memphis’ Mason Temple Church of God in Christ. He delivered this speech the night before he was assassinated.
Inside the church, Bernice King called her older brother, Martin Luther King III, to join her in the pulpit, and she discussed the difficulty of publicly mourning their father — a man hated during his lifetime, now beloved around the world.
“It’s important to see two of the children who lost their daddy 50 years ago to an assassin’s bullet,” said Bernice King, now 55. “But we kept going. Keep all of us in prayer as we continue the grieving process for a parent that we’ve had yet to bury.”
A gospel singer led a rousing rendition of “Lift Every Voice and Sing,” and the gathering took on the air of a mass meeting.
Lee Saunders, a national labor leader, recounted how on that night in 1968, King made an unplanned appearance to deliver the famous speech without notes after his aides saw how passionate the crowd was: “There was one man they wanted to hear from.”
But Saunders stressed that the purpose of the week’s commemorations was not just to look to the past.
“Dr. King’s work — our work — isn’t done. We must still struggle; we must still sacrifice. We must still educate and organize and mobilize. That’s why we’re here in Memphis. Not just to honor our history, but to seize our future,” he said.
Some of the sanitation workers who participated with King in a 1968 strike sat in the front row and were treated like celebrities, with audience members stopping to take photos with them before the event started.
One of the nation’s most renowned performing arts institutions has taken a major step in recognizing hip-hop culture’s influence on society. The Kennedy Center for the Performing Arts in Washington, D.C.recently announced the creation of its hip-hop culture council.
The council was developed in efforts to bring more hip-hop-focused programming to the institution. Through an array of different events, hip-hop culture will be examined through the lens of workshops, film screenings, panels, and virtual programs. Rapper Q-Tip will spearhead the council which is made up of a collective of influential individuals that are connected to hip-hop. Amongst some of the individuals who will sit on the council are Questlove of The Roots, rapper Common, rapstress MC Lyte, producer Mimi Valdes, DJ Bobbito Garciaand Interactive One’s own Kierna Mayo. Rapper LL Cool J—who was honored by Kennedy Center last year—will also be a part of the council.
“We are thrilled to be collaborating with such an extraordinary group of icons, innovators, and contributors to the Culture,” said Simone Eccleston, Director of Hip Hop Culture and Contemporary Music at the Kennedy Center in a statement. “As we continue to build the complex ecosystem that supports this program, the Council becomes an integral piece in sustaining Hip Hop’s presence at the Center.” Events that are lined up include a screening of the film Wild Style and a live performance inspired by Ta-Nehisi Coates’ Between the World and Me.
The creation of the council comes at a time where many institutions are bringing hip-hop’s influence to the forefront. In November 2017, it was announced that the Smithsonian in Washington, D.C. planned on creating an anthology to capture the essence of hip-hop history and highlight how its culture has left an indelible mark on the world. Check out Q-Tip’s introduction to the Kennedy Center’s hip-hop culture council below.
According to Variety.com, Universal Pictures has optioned the rights to Jason Reynolds‘ best-selling young adult novel “Long Way Down,” which was also a National Book Award finalist. John Legend‘s Get Lifted Film Co. and Michael De Luca‘s Michael De Luca Productions have signed on to produce the film.
Reynolds’ book has an unusual premise – the whole story takes place in 60 seconds, as a young man struggles to decide whether or not he’s going to murder the person who killed his brother. Additionally, the book is written in free verse and is set in an elevator.
Although Legend is best known for his work as a singer and songwriter, but he has also racked up some major film credits, appearing in the likes of “La La Land” and “Soul Men,” and has produced the television series “Underground.” Legend also shared an Academy Award with rapper Common for best original song in 2015 for writing “Glory” from the film “Selma.”
Reynolds’ novels include “All American Boy” and “As Brave as You.” De Luca is the former president of New Line Cinema as well as an Oscar-nominated producer whose credits include the “Fifty Shades” trilogy, “The Social Network,” and “Moneyball.”
Fresh on the heels of kicking off his Hope & Redemption Tour, Common is bringing his social activism to center stage. The “Glory” rapper recently paid a visit to the Folsom State Prison in California, where he treated the inmates to a concert in part with his Imagine Justice initiative.
Imagine Justice took to social media to share the photos of Common’s inspiring trip through its “Faces of Mass Incarceration” photo series. The photos capture the men captivated by the MC, smiling with raised fists as the Chi-Town native performed. Other photos show Common heading down to the crowd of inmates to greet them.
“I’m blessed to have the opportunity to connect with my brothers inside Folsom State Prison and perform for them to inspire them and spread a message of hope, redemption, justice, love and compassion,” the rapper wrote in an Instagram post.
The multi-hyphenate star recently documented his four-day prison tour visits in a YouTube web series titled The Hope & Redemption Tour, giving viewers the opportunity to hear the heartfelt stories of the women and men facing lengthy prison sentences and what their lives are like behind the prison walls.
Thirty years after becoming rap’s first sex symbol, LL Cool J will be the first hip-hop artist to receive Kennedy Center Honors in its 40-year history.
The rapper-turned-actor born James Todd Smith will be inducted with a prestigious 2017 class — including pop stars Lionel Richie, Gloria Estefan, television icon Norman Lear and choreographer Carmen de Lavallade – on Sunday, Dec. 3 at the Kennedy Center Opera House in Washington, D.C.
The honorees will be saluted by performers while seated alongside President Trump and First Lady Melania Trump. While Kennedy Center Honors acknowledge the lifetime achievements of contributors to American culture, the list has traditionally been limited in scope. But the inclusion of LL, born James Todd Smith, in this year’s honoree list further expands the center’s growing embrace of hip-hop culture.
Earlier this year the center appointed Simone Eccleston as its first director of Hip-Hop Culture after naming A Tribe Called Quest’s Q-Tip as artistic director of Hip-Hop Culture in 2016. Historic performances by Kendrick Lamar and Commonhave also underlined the center’s investment, and more programming for the 2017-18 season is expected to be announced in the coming months.
At 49, LL will be the Kennedy Center’s youngest honoree since Stevie Wonder. It’s a long way from home for the St. Albans, Queens native who made his first record, “I Need A Beat,” at 16, after his demo tape made it to the ears of producer and Def Jam founder Rick Rubin. As rap’s first bona fide solo star, LL was larger than life in the 1980s, the first to embody the street-corner swagger and sex appeal that would become a blueprint for future hip-hop icons ranging from Big Daddy Kane to Biggie.
Before an artist like Drake could legitimately mix hip-hop lyricism with R&B vulnerability, LL turned out the first hit rap ballad with 1987’s “I Need Love.” And the ladies loved him for it. Best known today for his starring roles in TV and film, he received his star on the Hollywood Walk of Fame last year. But after a career spanning 30-plus years and 13 albums, he’s yet to leave rap alone — he’s rumored to be in the studio recording with Dr. Dre.
The boys of “Moonlight” will be getting their moment.
Both 13-year-old Alex Hibbert and 12-year-old Jaden Piner, are slated to receive keys to the city of Miami Gardens, FL at this year’s Jazz in the Gardens Music Festival. The two students from Norland Middle School in Miami Gardens had starring roles in the Oscar-winning film “Moonlight,” with Alex playing young Chiron and Jaden playing Kevin, Chiron’s best friend.
“We think it’s a great opportunity for us to acknowledge what they’ve done at a young age, and tell them how proud we are of them,” shares Miami Gardens Mayor Oliver G. Gilbert III. “Because so often when you hear about young black kids, people don’t want to tell you the stories of these kids and areas that they excel in,” continues Mayor Gilbert. “We aren’t talking about them most times. Most times we’re talking about young black boys in a negative context, so anytime we get an opportunity to tell them how extraordinary they are, we will do it. And ‘Jazz In The Gardens’ is the biggest stage that we can offer in the city.”
The key ceremony will be just one highlight of the highly-anticipated weekend. As the staple event each year in the city of Miami Gardens, Jazz in the Gardens Music Festival is back for its 12th year, and is quickly growing beyond its borders. Hosted again by veteran comedian Rickey Smiley, the city can expect more than 70,000 music lovers from all over the United States and Caribbean Islands.
The festival will take place this upcoming weekend, March 17-19 at Hard Rock Stadium, featuring performances by Jill Scott, Esperanza Spalding, Common, and LLCoolJ.
Ava DuVernay’s “13th” opened the 54th New York Film Festival with a jolt of topical urgency, shaking up tradition as the first documentary to kick off the festival and addressing head-on the issue of mass incarceration and its historical roots. The crowd at the premiere screening rose to its feet when the credits rolled — and then did it a couple more times after that: once when the lights came up on the filmmakers, activists and academics involved in the film, and again when DuVernay appeared for a brief talkback after the movie.
Heightened security measures, a reaction to the Sept. 17 bombing in Chelsea, made the opening the first in recent memory to involve bomb-sniffing dogs and security wands. Famous faces including Oprah Winfrey, Common and Don Lemon turned out for the film, which confronts issues at the forefront of the current political conversation: race, inequality, the fallout of slavery, police brutality and Black Lives Matter.
“This moment, this Black Lives Matter moment, it’s not a moment. It’s a movement,” said DuVernay on the red carpet before the film’s world premiere (in words she would later echo when she addressed the crowd in the theater). “People thought, ‘Oh, will it last?’ Well, it has lasted. It’s changed things. It’s forced candidates to talk about things that they did not talk about in previous elections. It’s opened people’s minds. It’s changed art-making. It’s changed music. People are seeing things through a different filter now.”