In 1971, Wadsworth A. Jarrell painted “Revolutionary (Angela Davis),” tapping into his own power and skills as an artist to amplify the message and mission of the Black Power and Civil Rights movements by dynamically depicting political activist and leader Angela Davis.
The last line in the song presciently lays out a deeper truth – “The Revolution Will Be Live” – because for any moment to turn into a lasting movement that culminates in systemic change, we all have to “be live.” To harness, hone and offer on our own unique power and skills to the greater mission.
Last week Tedx speaker, performance coach and GBN’s “This Way Forward”contributor Dena Crowder offered a six-minute“Power Shot” with guiding words and an exercise to help release and transform trauma into energy to fuel us forward.
Today, Dena (pictured above with Jarell’s painting) offers a five-minute “Power Shot” to help focus on tapping into and staying connected to our own inner power and skills and using them to guide our actions as we navigate the political and societal sea change ahead of us. Watch:
Like that? You can also check out Dena’s three-minute video designed to help maintain our mental health and wellness.
A new scholarship fund has been established at Vanderbilt University to honor James M. Lawson Jr., a leading figure in the civil rights movement and an associate of Dr. Martin Luther King Jr. The new scholarship was made possible by a gift from Doug Parker, an alumnus of the Graduate School of Management at Vanderbilt, the CEO of American Airlines, and a new trustee of the university, and his wife Gwen.
The new scholarships will be given to students from underrepresented groups who have shown a commitment to civil rights and social justice.
Lawson, enrolled at the Vanderbilt Divinity School in 1958. While a student he helped organize sit-ins at lunch counters in downtown Nashville. In 1960, he was expelled from the university for his participation in civil rights protests.
Lawson completed his divinity studies at Boston University and then served as director of nonviolent education for the Southern Christian Leadership Conference. From 1974 to 1999, Rev. Lawson was the pastor of the Holman United Methodist Church in Los Angeles.
Lawson returned to Vanderbilt as a distinguished visiting professor form 2006 to 2009. An endowed chair at the Divinity School was named in his honor in 2007.
by Adrienne Samuels Gibbs via chicagomag.com
Digitizing legacy. That’s the job of the curators behind The Obsidian Collection – archivists for The Chicago Defender, Baltimore Afro American and other historically black newspapers in the United States. Their task is massive: digitize every image and article from newspapers that played a central role in the Great Migration, Civil Rights and Jim Crow eras. But they won’t have to do it all alone. Google Arts & Culture is working with the Obsidian group on creating digital exhibits that can be free and searchable by anyone around the world.
That’s just the first step, and it’s huge.
“More than just digitizing it for researchers, I’m passionate about the next generation seeing how awesome we are and in changing the narrative permeating the American conversation right now about African Americans,” says Angela Ford, who is helming the project and is excited about how it will add a more accurate variety of African American image metadata to the Google brain trust.
Harold Washington and Charles Hayes with a young Carol Moseley Braun cropped from the original published image, 1983 PHOTO: COURTESY OF THE CHICAGO DEFENDER—OBSIDIAN COLLECTION
“What happens is a lot of these archive collections speak in an echo chamber of libraries and archives where it just doesn’t get out to the laypeople. What I love about Google Arts and Culture is you could be standing in line at the grocery store and viewing our archives. We’ll keep rotating them in and out and keep pushing them through social media. We want everyone to see us.” Eight exhibits are live on Google, giving people access to a wide range of images, from famed boxer Joe Louis at home in Chicago to coverage of a 1959 housewares show that illustrates how middle class black families lived at the time.
Obsidian already has an image of Harold Washington sitting with a young Carol Moseley Braun, except she was cropped out the image. There’s a water splattered image of children running through the spray of an open fire hydrant on 44th and Champlain, circa 1987. Even the mundane is fascinating, says Ford.
“The Defender had a housewares show in October 1959 and it was a big deal,” says Ford. “It cost a quarter to get in and we have pictures of all the black people promoting their products and Whirlpool was there with their miracle kitchen. We were separate from mainstream America and a lot of things went on in our community that shows a black middle class home.”
Ford is also working with her board—which includes people who have worked with the Smithsonian’s National Museum of African American History and Culture—on the larger issues that include the creation of virtual reality online exhibits.
“Google Culture Institute in Paris has invented the capacity to create virtual 3D spaces from a photograph,” says Ford, discussing the possibilities involved in using old picture to create virtual realities. “The question is, are we altering the art?”
Joe Louis and young fans, c. 1945 PHOTO: COURTESY OF THE CHICAGO DEFENDER—OBSIDIAN COLLECTION
A lot of this work is already on microfilm, but moving it to an online space will make it easier to access via smartphone, which is the end goal. Obsidian will slog through uploading everything to their own website and meanwhile, visitors will soon be able to head to Google Arts & Culture for a taste of what’s to come.
“Google’s arts and culture strategy is that everybody in the world can access everybody in the world and that will create a new world,” says Ford. “We want to make sure we are part of that conversation.” Source: http://www.chicagomag.com/city-life/June-2018/How-the-Obsidian-Collection-Is-Bringing-Black-Newspapers-to-Google/
Millicent Brown, left, 15, daughter of state NAACP President J. Arthur Brown, one of two black girls to enter Rivers High School in Charleston, S.C, chats with fellow students while awaiting a report from police and fireman concerning a bomb scare at the school on Sept. 3, 1963. (AP Photo) by Melinda D. Anderson via theatlantic.com
There’s an enduring myth that the 1954 Brown v. Board of Educationdecision was “the first step” in the fight to desegregate schools. Rachel Devlin, an associate professor of history at Rutgers University, is looking to upend that myth. A Girl Stands At The Door, her new account of the black girls and teens who laid the groundwork for the historic ruling, draws from interviews and archival research to show that before Linda Brown, a 9-year-old, became the lead plaintiff in the Supreme Court case, a generation of black girls and young women from the Deep South to the Midwest fueled the grassroots crusade to strike down the “separate but equal” doctrine in America’s public schools and colleges.
Before Brown, some dozen lawsuits were filed on behalf of young black women attempting to enroll in all-white schools—and after Brown, black girls, almost exclusively, did the hard labor of walking through all-white mobs and sitting in previously all-white classrooms, with sometimes hostile classmates and teachers, in pursuit of school integration. I spoke with Devlin about the black youth who led the effort to racially integrate schools and catalyzed the broader anti-segregation movement. The interview that follows has been condensed and edited for length and clarity.
Melinda D. Anderson: A disproportionate number of black girls were at the forefront of the school-desegregation movement from the late ’40s to the mid-’60s. Why were black girls continually chosen to break the color barrier? Rachel Devlin: Interestingly, there are no written records about why girls were chosen over and over again in individual lawsuits. These choices were made on a level that was not always entirely conscious. Parents would explain why they should file a lawsuit, and girls agreed. Many of them said, “I was willing.” Other parents drafted their daughters, and the young women cooperated, yet most of the young women who participated were fully invested in school desegregation.
The other thing about girls is that they were good at it. To speak to principals and lawyers and the press you have to be poised, you have to be personable and diplomatic, and young black women had these attributes. They dealt with constant verbal and sexual harassment on the streets of southern cities, of northern cities, and they were acutely aware of their self-presentation in public. It was drilled into them as a way to protect their dignity. Also, very few African American girls and young women did not at some point in their lives work in a white home, and they had to learn how to navigate around white people.
But I want to be clear. This was not just about being accommodating—they knew how to stand their ground. Girls were good at combining different forms of bravery; they could be both stubborn and tough, but also project social openness. They had that sense of self-possession that was extremely useful in these situations.Anderson: You write that the language in the Brown v. Board of Education decision contains “the same moral conviction that inspired black girls to walk up to the doors of white schools and seek to cross the threshold.” In what way are these girls’ untold stories reflected in this landmark ruling? Devlin: A black girl walking up the steps of a white school and announcing her intentions to go to school with white children was a radical act of social optimism. Most white people—and a good many African Americans—in the late 1940s and early 1950s believed that white and black children would never be able to learn in an integrated setting. That racial hostility was intractable.
In fact, judges who ruled against these plaintiffs said just that in their decisions. By showing up at the schoolhouse door, these girls were asserting not only their right to attend historically white schools, but that they believed they were capable of sharing a classroom with white students. Their actions and moral clarity reflected their confidence that they and their white peers could coexist in the intimate setting of a school. The Supreme Court decision asserted this same presumption: that it was fitting, right, and possible for children of different races to attend school together in the United States. Anderson: The battle for school integration sparked bitterness, anger, and even violence. Some of these black girls were elementary-school age. What was the physical and psychological cost of being first?Devlin:Tessie Prevost-Williams and Leona Tate integrated T.J. Semmes Elementary School in New Orleans, in third grade. Along with Gail Etienne, the three of them received the worst violence that I recorded in the book. Because they were so young and so little, people would punch them, trip them, spit in their food. They said they could hardly go to the bathroom because that was a very dangerous space. It was a war inside the school. Tessie, Leona, and Gail all said it was a living hell.
I think the resilience that these young women had is hard to imagine. One would think that it would have been a crippling experience, but they sensed from a very early age the weight and enormity of what they were doing. They came to understand the notion of sacrifice for social justice. The stamina that it took to survive was fed and reinforced by the magnitude of what they were accomplishing.
I think it’s very hard from a current-day perspective to imagine a child going through that. In some ways we just have to be astonished at what they did. America was effecting social change on the backs of young children, and we have to ask ourselves what this means about political change in this country, that we leaned on young children to do this work of racial reconciliation. Anderson: You talked to some of these women in your research. How do they view the resegregation of schools today—what some have called the broken promises of Brown v. Board of Education? Devlin: Of the nearly 30 people that I interviewed, to a person, they still very much believe in what they did. They tend to look at the broader changes that have happened as a result of Brown v. Board, the day-to-day interactions between white and black Americans in a society that is diverse and desegregated. They see a larger tableau that has been fundamentally altered because the schools desegregated—the ripple effects of the Brown decision.
They also understand that people within the black community question desegregation. Some of them have even been the object of complaints: If you hadn’t done this, we would still have all-black schools. But they say it had to be done. Millicent Brown, who was among the first to integrate schools in Charleston, South Carolina, in 1963, put it in a way that’s quite striking: “We could not have apartheid in the schools.” Source: https://www.theatlantic.com/education/archive/2018/05/rachel-devlin-school-desegregation/561284/
Dovey Johnson Roundtree outside the United States District Court in Washington, about 1985. “As a woman, and as a woman of color in an age when black lawyers had to leave the courthouse to use the bathrooms, she dared to practice before the bar of justice and was unflinching,” the co-author of her memoir said. (Credit: via Dovey Johnson Roundtree)
The jurors were looking at her when they filed into court. That, Dovey Johnson Roundtree knew, could have immense significance for her client, a feebleminded day laborer accused of one of the most sensational murders of the mid-20th century.
Little had augured well for that client, Raymond Crump Jr., during his eight-day trial in United States District Court in Washington: Mr. Crump, who had been found near the crime scene, was black and poor. The victim was white, glamorous and supremely well connected. The country, in the summer of 1965, seethed with racial tension amid the surging civil rights movement.
Federal prosecutors had amassed a welter of circumstantial evidence — including 27 witnesses and more than 50 exhibits — to argue that on Oct. 12, 1964, Mr. Crump had carried out the execution-style shooting of Mary Pinchot Meyer, a Washington socialite said to have been a former lover of President John F. Kennedy.
By contrast, Ms. Roundtree, who died on Monday at 104, had chosen to present just three witnesses and a single exhibit to the jury, which comprised men and women, blacks and whites. Her closing argument was only 20 minutes long.
Now, on July 30, 1965, the jury, having deliberated, was back. The court clerk handed the verdict slip to the judge, Howard F. Corcoran. For most observers, inside the courtroom and out, conviction — and an accompanying death sentence — was a foregone conclusion.
“Members of the jury,” Judge Corcoran said. “We have your verdict, which states that you find the defendant, Ray Crump Jr., not guilty.”
Ms. Roundtree’s defense, which hinged partly on two forensic masterstrokes, made her reputation as a litigator of acuity, concision and steel who could win even the most hopeless trials. And this in a case for which she had received a fee of one dollar.
“As a woman, and as a woman of color in an age when black lawyers had to leave the courthouse to use the bathrooms, she dared to practice before the bar of justice and was unflinching,” Katie McCabe, the co-author of Ms. Roundtree’s memoir, “Justice Older Than the Law,” said in an interview for this obituary in 2016. “She was a one-woman Legal Aid Society before people used that term.”
Officer, Lawyer, Minister
Ms. Roundtree’s victory in the Crump case was not her first noteworthy accomplishment, and it was by no means her last. Born to a family of slender means in the Jim Crow South, Ms. Roundtree — or the Rev. Dovey Johnson Roundtree, as she was long formally known — was instrumental in winning a spate of advances for blacks and women in midcentury America, blazing trails in the military, the legal profession and the ministry.
As an inaugural member of the Women’s Army Auxiliary Corps (later the Women’s Army Corps), she became, in 1942, one of the first women of any race to be commissioned an Army officer. Attaining the rank of captain, she personally recruited scores of African-American women for wartime Army service.
Ms. Roundtree in Washington about 1963, not long before she took on the greatest criminal case of her career, the United States v. Raymond Crump Jr., in which she won acquittal for a black man accused of the murder of a white Washington socialite. (Credit: via Dovey Johnson Roundtree)
As a Washington lawyer, she helped secure a landmark ban on racial segregation in interstate bus travel in a case that originated in 1952 — three years before Rosa Parks refused to yield her seat in Montgomery, Ala.
As a cleric, Ms. Roundtree was one of the first women to be ordained a minister in the African Methodist Episcopal Church.
In 2009, in a statement honoring the publication of “Justice Older Than the Law,” the first lady, Michelle Obama, said, “As an Army veteran, lawyer and minister, Ms. Roundtree set a new path for the many women who have followed her and proved once again that the vision and perseverance of a single individual can help to turn the tides of history.”
Yet for all her perseverance, and all her prowess, Ms. Roundtree remained, by temperament, choice and political circumstance, comparatively unknown.
“One has to start with the fact — and I think it’s an acknowledged fact — that the civil rights movement was notoriously sexist,” Ms. McCabe said in 2016. “There were many men who did not appreciate being ground up into hamburger meat by Dovey Roundtree. There are many, many white lawyers — male — in Washington who were humiliated by having been beaten by a black woman. And I think that played out in a number of ways. And one of those ways has been a diminution in the recognition that I think her accomplishments merit.”
Marian Spencer (photo via cincinnati.com) via jbhe.com Marian Spencer, a civil rights leader and the first African American woman elected to the city council in Cincinnati, Ohio, is being recognized by having a dormitory on the campus of the University of Cincinnati named in her honor. Ironically, when Spencer was a student at the University of Cincinnati in the 1940s, she was not permitted to live in campus housing because of her race.
Spencer was born in 1920 in Gallipolis, Ohio. She lived with her grandfather who was a born a slave. As a child, she remembers watching the Ku Klux Klan parade in the street in front of her house.
Spencer joined the NAACP at the age of 13. She was the valedictorian of her high school class and earned a bachelor’s degree in English at the University of Cincinnati in 1942.
Spencer became active in the civil rights movement and was a major figure in the fight to desegregate the city schools and parks. She was the first woman to chair the Cincinnati chapter of the NAACP and in 1983 was elected to the city council. Spencer also served on the board of trustees of the University of Cincinnati.
The board of trustees recently announced that the university’s new high-rise residence hall on Campus Green will be known as Marian Spencer Hall.
Below is a video of Marian Spencer discussing her life story. More information is available in the book Keep on Fighting: The Life and Civil Rights Legacy of Marian A. Spencer (Ohio University Press, 2015).
The photographer Don Hogan Charles in New York in the late 1960s. Among his better-known photographs was one taken in 1964 of Malcolm X holding a rifle as he peered out the window of his Queens home. (Photo Credit: The New York Times)
Don Hogan Charles, who was the first black photographer to be hired by The New York Times, and who drew acclaim for his evocative shots of the civil rights movement and everyday life in New York, died on Dec. 15 in East Harlem. He was 79.
His niece Cherylann O’Garro, who announced the death, said his family did not yet know the cause.
In more than four decades at The Times, Mr. Charles photographed a wide range of subjects, from local hangouts to celebrities to fashion to the United Nations. But he may be best remembered for the work that earned him early acclaim: his photographs of key moments and figures of the civil rights era.
In 1964, he took a now-famous photograph, for Ebony magazine, of Malcolm X holding a rifle as he peered out of the window of his Queens home. In 1968, for The Times, he photographed Coretta Scott King, her gaze fixed in the distance, at the funeral of her husband, the Rev. Dr. Martin Luther King Jr.
Mr. Charles resisted being racially pigeonholed but also considered it a duty to cover the movement, said Chester Higgins, who joined The Times in 1975 as one of its few other black photographers.
“He felt that his responsibility was to get the story right, that the white reporters and white photographers were very limited,” Mr. Higgins, who retired in 2015, said in a telephone interview.
Even in New York, historically black neighborhoods like Harlem, where Mr. Charles lived, were often covered with little nuance, said James Estrin, a longtime staff photographer for The Times and an editor of the photojournalism blog Lens. But Mr. Charles, through his photography, provided readers a fuller portrait of life throughout those parts of the city, Mr. Estrin said.
“Few people on staff had the slightest idea what a large amount of New York was like,” he added. “He brought this reservoir of knowledge and experience of New York City.”
Malcolm X (Credit: Don Hogan Charles)
Exacting and deeply private, Mr. Charles came off as standoffish to some. But to others, especially many women, he was a supportive mentor.
“He’s going to give you the bear attitude, but if you look past that he was something else,” said Michelle Agins, who met Mr. Charles while she was a freelance photographer in Chicago and he was working in The Times’s bureau there.
The two reconnected when she joined The Times as a staff photographer in 1989.
“When you’re a new kid at The New York Times and you needed a big brother, he was all of that,” she said. “He was definitely the guy to have on your team. He wouldn’t let other people bully you.”
Mr. Charles took Ms. Agins under his wing, and she was not alone. “I’ve had many women photographers tell me that he stood up for them,” Mr. Estrin said.
That may be because Mr. Charles knew the hardships that came with belonging to a group that was underrepresented in the workplace.
At one Thanksgiving dinner decades ago, Ms. O’Garro said, he tearfully described the pain he felt on arriving at a New York City store for an assignment, only to be asked to come in through a back entrance. She added that while covering the civil rights movement in the South, he would often check the tailpipe of his vehicle for explosives.
Despite those obstacles, Mr. Charles went on to have a long career at The Times, covering subjects including celebrities like John Lennon and Muhammad Ali and New York institutions like the United Nations. In 1996, four of his photographs were included in an exhibition at the Museum of Modern Art on a century of photography from The Times.
Daniel James Charles (he later went by Donald or Don) was born in New York City on Sept. 9, 1938. His parents, James Charles and the former Elizabeth Ann Hogan, were immigrants from the Caribbean, Ms. O’Garro said.
After graduating from George Washington High School in Manhattan, he enrolled at the City College of New York as an engineering student before dropping out to pursue photography, although at the time it was just a hobby. He worked as a freelance photographer before joining The Times in 1964. He retired in 2007.
Mr. Charles never married and had no children. No immediate family members survive, though he was close with his three nieces and one nephew.
by Fisher Jack via eurweb.com Rosa Parks’ refusal to give up her bus seat 62 years ago was only the beginning.
Premiering on TV One in February, Behind the Movement offers a closer look at how the history-making Montgomery Bus Boycott was planned in just three days and ultimately led to the Civil Rights Movement of the 1950s and 1960s.
A new trailer released today, provides a glimpse into Mrs. Parks’ thoughts as she sat on the bus that December evening.
“It was reported that I was tired and that wasn’t true,” states Meta Golding as Rosa Parks in the trailer. “I was tired of all the injustice, all the fear and indignity that they were putting us through. That’s the truth.”
Meta Golding stars as Rosa Parks in TV One’s ‘Behind The Movement’ (photo via TV One)
Starring Meta Golding (“The Hunger Games”) as Rosa Parks, Isaiah Washington (“The 100”) as E.D. Nixon, Loretta Devine (“Waiting to Exhale”) as Jo Ann Robinson, Roger Guenveur Smith (“American Gangster”) as Raymond Parks and Shaun Clay as Dr. Martin Luther King, Jr., Behind the Movement reveals the untold story of how a group of everyday people decided this incident was the right time to take a stand for their civil rights and demand equal treatment.
Premiering during Black History Month, this original made-for-television movie honors the contributions of many unsung heroes of this watershed moment in the Civil Rights struggle. The film recounts the inner workings and behind the scenes preparation that took place during three intense days between the fateful evening when Parks refused to give up her seat through the launch of this significant protest. While Dr. Martin Luther King Jr. was a prominent leader of the Montgomery Bus Boycott, there was a chorus of lesser-known heroes, including Rosa Parks, who galvanized the most successful boycott of its time.
In a scene from TV One’s ‘Behind the Movement,’ Rosa (Golding) is finally allowed to make her one phone call to let her husband know she’s in jail (photo via TV One)
Behind the Movementis written by Katrina M. O’Gilvie and directed by Aric Avelino. For TV One, Karen Peterkin is Director of Scripted Original Programming and shares Executive in charge of production duties with Tia A. Smith, Sr. Director of Original Programming & Production. Donyell McCullough is Senior Director of Talent & Casting; Robyn Greene-Arrington is VP of Original Programming, and D’Angela Proctor is Head of Original Programming and Production. To read more, go to: http://www.eurweb.com/2017/12/in-honor-of-rosa-parks-day-tv-one-premieres-behind-the-movement-trailer-watch/
Malcolm X’s Daughters L to R: Qubilah Shabazz, Gamilah Lumumba Shabazz Malaak Shabazz, Attallah Shabazz, Ilyasah Shabazz (Image: malcolmxlegacy.com) via newsone.com
During a time in our country where the political climate has been heated and racial tensions were seemingly at an all-time high, the daughters of the late civil rights leader Malcolm X were using fashion as an avenue for social activism, Black Enterprise reported. Ilyasah Shabazz, Qubilah Shabazz, Attallah Shabazz, Gamilah Lumumba Shabazz and Malaak Shabazz have all teamed up with the tech company Hingeto to create a clothing line that pays homage to their father’s legacy. The line, dubbed Malcolm X Legacy, features items that are inspired by the activist’s twelve principles which stressed the importance of human rights, education, economic independence, cultural pride, and justice. The collection features hats, t-shirts, sweatshirts, and will soon include artwork. Leandrew Robinson, the CEO of Hingeto, told Black Enterprise that a clothing line like this is more fitting now than ever with all of the turmoil that has been happening within our country. “It was clear Malcolm’s principles are as relevant today as ever. We all thought it was imperative to represent his message and today’s human rights movement as a brand that people can outfit themselves in daily,” said Robinson. He also added that Colin Kaepernick has cosigned the new brand and has taken to Twitter to share info about the line. Malcolm X Legacy’s site delves into his contributions to the Civil Rights movement. “Malcolm X will be remembered for his contribution to society of underscoring the value of a truly free populace by demonstrating the great lengths to which human beings will go to secure their freedom,” read the site. To read more, go to: https://newsone.com/3760613/malcolm-x-daughters-launch-clothing-line/
Autherine Lucy Foster (photo via universityofalabama.tumblr.com) via jbhe.com
On June 11, 1963, Vivian Malone and James Hood, under the protection of federal marshals and the federalized Alabama National Guard, broke the racial barrier and enrolled as undergraduate students at the University of Alabama. That day, Alabama Governor George Wallace made a ceremonial stand in the schoolhouse door protesting the federal court order that called for the admittance of the Black students. But Malone and Hood were not the first Black students at the university. Autherine Lucy Foster Historical Marker
In 1952, after graduating with an English degree from Miles College, Autherine Lucy Foster applied to the graduate program in education at the University of Alabama but was rejected because of her race. After a three-year legal battle, she was admitted to the university by court order. In 1956 Foster enrolled in a graduate program in education at the university. Angry protests by White students ensued. Foster was suspended three days later “for her own safety” and she was later expelled.
In 1988, the University officially annulled her expulsion. The next year she re-enrolled at the University of Alabama with her daughter, Grazia. Foster earned a master’s degree in elementary education in 1991 and participated in the graduation ceremony in May 1992 with her daughter, a corporate finance major. In 1998, the University of Alabama named an endowed fellowship in Foster’s honor and unveiled a portrait of her in the Student Union Building. She was recognized again in 2010 when the university dedicated the Autherine Lucy Clock Tower.
Recently, the Autherine Lucy Foster Historical Marker was unveiled on the Tuscaloosa campus near where the mob gathered to protest her presence at the university. A video of the dedication ceremony for the historical marker can be seen below.
