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Posts tagged as “Chris Molanphy”

MUSIC MONDAY: “Ain’t That Good News” – a Sam Cooke Birthday Tribute (LISTEN)

MUSIC MONDAY: “Ain’t That Good News” – a Sam Cooke Birthday Tribute (LISTEN)

By goodblacknews on January 24, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. As this past Saturday was what would have been Sam Cooke’s 91st birthday, and since Marlon West crafted such a lovely tribute playlist to the “King of Soul” in honor of his 90th last year, I thought it fitting to share it once again in case anyone missed it:

What I’d like to add this time around —  you can read Marlon’s words about Cooke and his indelible contributions to music and the genre of Soul here — is a couple of great podcasts I heard about Cooke’s musical journey in the past year.

The first is the “Don’t Know Much About History” episode of Chris Molanphy‘s Hit Parade podcast, which covers the chart history and influence of Sam Cooke’s singing and songwriting on American popular music:

The second is an in-depth look at “You Send Me” as one of the pivotal songs in the long term development and metamorphosis of the genre called Rock music (which has its roots in jazz, blues, R&B, country and soul) in Andrew Hickey‘s A History of Rock Music in 500 Songs:

There may be even more in depth looks at Cooke and his music in the podcast verse, but these are two that I’ve heard and can assure you are worth your time.

Also worth your time is the 1995 biography You Send Me: The Life and Times of Sam Cooke by Daniel J. Wolff.

The two documentaries available on Amazon Prime, I gotta admit, not as much. Worth it if you want to know more about the parts of Cooke’s life and his untimely death that sometimes overshadow his contributions to music. I’ve watched them both, and the archival footage of Cooke’s performances in Legend makes it the superior choice.

Lastly, as one of the inaugural members of the Rock and Roll Hall of Fame in 1986, it should be no surprise that Cooke’s music has been sampled and covered for decades by artists as diverse as Beyoncé, The Game, Amy Winehouse, Terence Trent D’Arby, Bruce Springsteen and Beenie Man. To check out the entire list, go here: https://www.whosampled.com/Sam-Cooke/

I hope you enjoy all the Sam Cooke options available, and that you, as Marlon says, stay safe, sane and kind!

(paid links)

#AAMAM: “The Great Black Way” – Celebrating African Americans on Broadway (LISTEN)

#AAMAM: “The Great Black Way” – Celebrating African Americans on Broadway (LISTEN)

By goodblacknews on June 12, 2020

by Teddy Tenenbaum (@teddyt)

We talk about how African Americans invented rock and roll. We talk about the great musicians Scott Joplin and W.C. Handy, the giant of ragtime and the “Father of the Blues.” Before rock and roll was a gleam in Chuck Berry’s mother’s eye, Jazz was the great American music form, a creation of Black artists.

And of course, rap and R&B rule the Billboard charts in the 21st century. And a century before Lil Nas X reimagined country music, the genre was born with the help of the banjo, a descendent of the West African lute brought to America by Africans who were enslaved, and with inspiration from early forms of Black music, such as spirituals and “field tunes.”

But there’s one more great American musical tradition, one where the contributions of Black people is sometimes forgotten, often under-appreciated. Maybe it shouldn’t surprise us that African Americans are often ignored when the discussion turns to the history of the Broadway musical, when Broadway itself is known as the “Great White Way.”

Broadway has never been an easy world for an outsider to break in, even when that outsider is White, wealthy, and part of the New York establishment. Mounting a Broadway show costs a small fortune, and there’s no cheap or easy way to distribute it. It’s a medium for people with powerful connections or large assets.

But African-American artists have made a tremendous impact, primarily as writers and performers, but also as creators of source material for Broadway shows and music. I don’t profess to be a historian of Broadway or African-American music, but I will do my best to take you on a fan’s journey through the long, storied history of African Americans and Broadway.

Savion Glover in “Bring In ‘Da Noise, Bring in ‘Da Funk”

To limit the scope a bit, this playlist is focused on Broadway shows only, ignoring the contributions made to Hollywood musicals, Off-Broadway, regional theater and West End theater in London. And even though I could add another hundred amazing cuts (thanks to Hamilton, Dreamgirls, Jelly’s Last Jam, etc.), I’ve limited the playlist to one crucial number from each show… with two notable exceptions (and for good reason).

These liner notes contain a short intro for every cut, but you don’t need them to enjoy the music. So without further ado, curtains up on the historic African-American tradition on Broadway, aka the Great Black Way.

Personal note: This playlist is dedicated to Good Black News’ Lori Lakin Hutcherson (who suggested and inspired it, and who has always inspired me), and musicologist Chris Molanphy, whose Slate columns on music and podcast Hit Parade feed the hungry amateur music historian in me.

  1. “I’m Just Wild About Harry” (1921)

Even though Shuffle Along was not the first Broadway musical featuring a Black cast in a Broadway theater (that distinction belongs to In Dahomey in 1903), it was the first Broadway musical written, composed and performed entirely by Black artists. Previous to the opening of Shuffle Along, there hadn’t been a successful “Black musical” on Broadway in 12 years, which made it particularly hard to mount the production. (Not to mention the fact that just a couple of decades before, African-Americans were prohibited from performing for White audiences, unless in – believe it or not – blackface). But Black vaudevillians Flournoy Miller and Aubrey Lyles teamed with Eubie Blake and Noble Sissle (who wrote the music and lyrics) and put every nickel they could find into creating this musical comedy. It paid off; Shuffle Along was a huge success. Shuffle Along deserves note for a few other reasons. It was the first production where a White audience witnessed two Black people on stage romancing and touching each other. It also helped launch the careers of two legends – Paul Robeson and Josephine Baker.    

  1. Ol’ Man River” (1927)

Six years before Jerome Kern and Oscar Hammerstein II wrote Showboat, a musical about a Mississippi River showboat, Paul Robeson was making his powerful baritone heard in Shuffle Along. His star only grew from there, and Hammerstein and Kern specifically wrote the crucial Showboat role of Joe for Robeson. Sadly, he wasn’t available for the original production, but took over the role in the 1932 revival and the film adaptation. Because one can’t think of Ol’ Man River without thinking of Robeson, his is the version I’ve included on this playlist. When Hammerstein and Kern adapted the Edna Ferber novel that among other things deals with prejudice in the South, they changed Broadway forever. It is generally considered the first successful musical to bring a serious topic to the genre, which was a revelation after years of vaudeville, revues, and musical comedies. It was also the first well-known racially integrated musical and the first musical to deal with the issue of interracial marriage. And it also has its share of controversy due to the stereotypical use of vernacular and its outdated stereotypes. But it was another milestone for African-Americans on Broadway.

  1. “Summertime” (1935)

So much has been written about Porgy and Bess and its treatment of African-American characters, both bad and good. Porgy and Bess has its detractors and supporters. It is a troubling artifact of American culture’s history of the depiction of African Americans. But no one can deny the impact the show has had on American pop culture. In fact, “Summertime” is one of the most covered songs in history (over 25,000 times)! Which is why, instead of featuring the original version, I decided to include one of the most famous covers, by Ella Fitzgerald and Louis Armstrong. This is also to make the point that just as Broadway has used African-American artists, African-American artists have used Broadway music to great advantage. In fact, Louis Armstrong makes one more appearance on this playlist, in a similar historical role.

EDITORIAL: A Letter to Friends Who Really Want to End Racism

EDITORIAL: A Letter to Friends Who Really Want to End Racism

By goodblacknews on May 28, 2020

by Lori Lakin Hutcherson (@lakinhutcherson)

Yesterday I posted a letter to friends on my personal Facebook page to help process my thoughts and feelings on what happened in Central Park with birder Christian Cooper and Amy Cooper and what happened to George Floyd at the hands of Minneapolis police, as well as other recent events. Some have encouraged me to make the letter public, as it might help others. Since that is the primary mission of Good Black News, here it is:

Dear Friends,

First off, this is going to be a long one, so if you are inclined to read my more serious posts, circle back when you have a good 5-to-7 minutes. Secondly, thank you to everyone who took a moment to read, respond and/or comment on my post yesterday about the woman in Central Park who called the police to falsely report that an African American man was threatening her life. I appreciate the solidarity, the rage, the links, the legal statutes, the sharing of up-to-date information on the incident – all of it!

But I did not have it in me to reply or respond yesterday because following that post, I saw the Minnesota footage. I saw what could have happened to Christian Cooper actually happen to George Floyd. That took me places. If Central Park woman was my trigger, George Floyd was the bullet. I literally had to lie down.

Many of you know I have a site called Good Black News where for the last 10 years, I have been posting positive stories about Black people or about those who are doing positive things for Black people. If you don’t already know the reasons why I do it, I believe you can infer.

Part of my process in finding those positive stories is reading through A LOT of stories that are not. I usually bear this well for a few reasons: 1)I believe witnessing injustices, other human beings’ pain, struggles and conflicts and reading different perspectives on them is a helpful step to healing for everyone even when you don’t know yet what the step after that is 2)I’ve observed over time that within a few days or weeks, stories can swing from negative to positive, giving real-time affirmation to MLK’s “the arc of the moral universe bends towards justice” quote 3) it’s worth the psychic toll it can take because knowledge is power and finding the good stuff is worth it.

But then there are days like yesterday, like after Ferguson, Trayvon Martin, the Charleston church massacre, Charlottesville… where I have to lie down. I no longer have it in me to find the way forward, to come up with suggestions, to look for the light.

I tried – I pulled out a pen and paper and tried to find clearer words to express what I was trying to say with the Central Park post re: advocating for policy/law change to help defang one specific part of systemic racism – the ability to lie to the police, attempt to use them as personal assassins and get away with it – but what I ended up writing down instead was a list of stories I’ve read recently that had been getting to me but I had not consciously acknowledged their deleterious affect:

Ahmaud Arbery

Breonna Taylor and her boyfriend

NFL listing Colin Kaepernick as “retired”

Disproportionate numbers of Black and Brown people dying from COVID-19

Armed White protestors intimidating lawmakers with NO police response

Swarms of park and beach parties – participants overwhelmingly White

Joe Biden’s “you ain’t Black” comment

The GOP and PROGRESSIVE’s weaponization of Joe Biden’s “you ain’t Black” comment

Children being deported from the border back to countries of origin WITH NO parent/guardian notified and no provisions put in place for their safety

A doctor friend’s post with the long list of names of doctors and healthcare providers who had lost their lives while combatting the COVID-19 crisis

The morning’s post on GBN about three Black men in Cleveland wrongly imprisoned for decades finally receiving $18 million from the city

After all that came out of me, I gave up trying to write out what I still couldn’t find words for. So I got up, focused on the home evening routine, and thought maybe after a good night’s sleep I might feel recharged or at least a little bit clearer and able to process it all.

Nope.

I woke up in the dark with Amy Cooper on my mind. There was something about that particular incident that contained some crucial connective tissue to all of the above that I still couldn’t find the words to express. Overtly, I knew it was about entitlement and feeling no compunction about weaponizing racist infrastructures, but there was something unnamed going on I needed to pinpoint, which was about more than one individual acting badly and, in my opinion, violently.

I couldn’t go back to sleep so I got out of bed before 5am to take the dog for an early walk. Maybe that would clear my head. I put on my headphones so I could listen to the “Hit Parade” episode on Lady Gaga as a welcome distraction (random pop culture aside: the “Hit Parade” podcast which my pal Teddy hipped me to is SO GOOD! Check it out if you love pop music history).

Twenty minutes later, my little Maltese Daisy had me all the way up the hill that ends at the beginning of the Mulholland trail. I am sweating and singularly transfixed by host Chris Molanphy’s analysis of all four “A Star Is Born” movies and what distinguishes Gaga’s turn at bat from Barbra’s, Judy’s and Janet’s.

Daisy and I normally don’t go on the trail because there are too many people up there with no masks in too narrow a space. But it was so early and there were no cars (indicating people already on the trail) and Daisy was curious, so we went up a small ways into it.

After a minute or two I decided to turn us around because the trail was getting narrow and some bikers or hikers could be coming down at any moment and I didn’t want to deal. As we were making our way out, I chose the fork to the right because it’s a little smoother grade and gives a better view of oncoming traffic.

But just as we head that way, a man with no mask and his unleashed 65-lb. dog come up towards us on that same fork. I react by immediately pulling Daisy towards the left and walking down the other way. This man’s unleashed dog keeps coming towards us. The man DOES NOTHING.

Daisy starts to get agitated and turns because the dog is coming at us. Daisy is 7 lbs. wet and leashed so I can control her, but her resistance and the rocks and the slope of the path make it more difficult to hustle away quickly and safely. The dog keeps coming, the man still does NOTHING, so I myself say “No!” to the dog. His dog ignores me, keeps coming.

Finally, the man calls the dog’s name. The dog turns its head for a moment but then still proceeds to come our way! I hustle as fast as I can down the other side of the fork and the dog finally trots back towards its master. The man says nothing and proceeds with his back turned from me as if this is all okay. I yell after him from a safe distance, “Your dog should be on a leash!” Because leash laws, which apply to this trail and all the streets surrounding it. He does not turn around. He ignores me and heads up the trail.

Well, that was it for Lady Gaga. I couldn’t concentrate on the podcast anymore so I turned it off and walked back down the hill with Daisy in silence. So much for forgetting about Amy Cooper. And that’s when it crystallized for me what the problem with that guy was and what the problem with Amy was.

They cared only about their freedom, their dog’s freedom and nothing about mine or Christian Cooper’s. And not (at first) in an aggressive or even a conscious way. It’s just something that neither this man nor Amy chose to factor into how they go into a public space.

They know the laws but want to ignore them when they think no one is around. And if someone else does show up – they are the ones who are annoyed! They don’t seem to have a conversation with themselves ahead of time or even in the moment that might go “Okay, I know I’m not following the rules/law, but if I do come across someone who is bothered or in any way put out by that, I’ll yield.”

And that was it. That is the most insidious, underlying aspect of entitlement – of supremacy – be it based on gender, creed, sexual preference, class or race – even when I’m wrong, even when I’m in a shared public space with rules and laws governing it for everyone’s protection, I DO NOT HAVE TO YIELD. Other people need to get out of my way. Cater to my choices. Even when I’m wrong, because the rules don’t apply to me. Or my dog. Only to others.

I was simultaneously angry and grateful in this moment. Angry because I had to yield and change my path to stay safe even though this guy was completely in the wrong. And I bet he’s not given one more thought to this morning’s moment, because unlike me, HE DOESN’T HAVE TO.

And yes, he was a White guy. (BTW, for what it’s worth, I do not think this was a racial incident in any conscious way because this guy did not know I would be there. But it IS racial because of his subconscious sense of entitlement that laws don’t apply to him when he doesn’t want them to, and there will be little to no consequence for him.) Grateful, because I think I finally found the words that are a good place to start for people who want to do the work to bring about equity, justice and safety for all:

Observe who you won’t yield to, then think about why. Observe others who won’t yield to others, then think about why.

Thank you for reading. I feel clearer now. Stronger. And ready to look for the light again.

Love,

Lori