Lesa Lakin GBN Lifestyle
This Labor Day weekend Jeffrey Osborne headlines the 26th Annual African Festival of the Arts held in Chicago’s historic Washington Park (September 4 – 7, 2015). http://www.aihusa.org/african-festival
This extraordinary event transforms Washington Park into a simulated African village. Patrons experience African culture, spirituality, fine art, film, video, music and more! Over 300 vendors will present artifacts, textiles, music, food and many other interactive program spaces.
AFA is the largest event of its kind held in the U.S. with a focus on African arts and culture. Attendees are transported across the Diaspora with the AFA’s authentic pavilions, including the Drum & African Folk Village; Children and Family Pavilion; Wellness Village; Book & Author Pavilion; and Fine Art Pavilion.
Each day of the Festival is themed: Opening day (Friday, Sept. 4th) will be the Chicago Steppin’ Party and Show, featuring R&B crooner K’Jon. K’Jon’s hit, “On the Ocean,” is fast becoming a classic and is a fan favorite among the Steppers’ crowd.
On Saturday, the focus will be on African Beats with Reggae, Afro-Columbian, Nigerian, and Caribbean music; Sunday is Chicago’s Best with Jazz vocalist Tammy McCann, percussionist Taylor Moore and vocal powerhouse Terisa Griffin, as well as Chicago-style Blues and comedy. Leading up to Osborne’s main-stage performance on Monday evening will be award-winning jazz/R&B vocalist Joan Collaso, along with soul artist, Sax Preacher, and the Big Band rhythms of Soundmine Merchants.
This festival is a virtual African marketplace brought to us by African International House. The mission of Africa International House (AIH) is to serve as a center that exposes and educates all people to the individual works and collective contributions of African cultures. This mission is addressed through their flagship program, the African Festival of the Arts, and through other activities that promote African-based culture. To find out more click here: http://www.aihusa.org
Thelma Golden: Director and Chief Curator at the Studio Museum in Harlem (Photo: Patrick McMullan) Thelma Golden, former curator at the Whitney Museum and current director and chief curator of The Studio Museum in Harlem, has been picked by President Barack Obama to join the board of the Obama Foundation. Her role will be to plan the presidential library at the Barack Obama Presidential Center in the South Side of Chicago, a museum and library for Obama’s life, presidency, and legacy.
Other new members of the board include John Doerr, a venture capitalist who was on Obama’s USA Economic Recovery Advisory Board and Julianna Smoot, the former White House Social Secretary and Deputy Assistant to the President. Both Smoot and Doerr have played vital roles in fundraising for Obama, reports the Observer.
During Golden’s 15-year tenure at The Studio Museum (she has been the director for the past 10 years) the museum has seen immense visitor growth and international acclaim. She will also oversee a $122 million expansion. Golden is lauded for organizing pioneering exhibitions of African-American artists, raising profiles of important artists such as Glenn Ligon, Lorna Simpson, and Chris Ofili, and turning the museum into a cultural focal point in Harlem.
“I am very much looking forward to joining the Board of Directors, and working to make the Obama Presidential Center a hub for creative expression through the arts,” Golden said in a statement on the foundation’s website. “The South Side of Chicago has historically been the nexus of several important cultural movements for African-Americans, and I believe the new Center will help usher in a new era of community engagement for this extraordinary neighborhood.”
According to the website, the Foundation “will inspire the next generation of young leaders all over the world. It will convene the brightest minds with the newest ideas from across the political spectrum, and draw strength from the rich diversity and vitality of Chicago, the city it calls home.” article by Christie Chu via news.artnet.com
Tamar Manasseh formed Mothers Against Senseless Killings and said she is looking for more volunteers. (DNAinfo/Andrea V. Watson)
When Tamar Manasseh formed Mothers Against Senseless Killings to patrol the neighborhood in Englewood, IL after a murder in the 7500 block of South Stewart last month, she hoped to stop any retaliatory violence. So far, in the five weeks since a man opened fire on three women on June 23, killing 34-year-old Lucille Barnes, there have been no shootings on the block or on the 7500 block of South Harvard where the patrols have also been set up, according to a DNAinfo Chicago map of shootings in the city.
“When you have sisters like sister Manasseh and others out here just participating, it makes a big difference,” said Johnny Banks, the executive director of the community organization A Knock at Midnight.
But Manasseh, who makes the trek daily from her home in Bronzeville to the neighborhood, said her group really needs more people in the area to join the effort, and that recruitment has been difficult. “Recruiting and getting more volunteers has been quite the challenge,” Manasseh said as she sat on her folding chair on 75th Street and Stewart Avenue, watching over the block, not far from where she used to live at 55th Street and Bishop Avenue.
Tamar Manasseh sits with other volunteers keeping an eye on the neighborhood since a murder on June 23. (DNAinfo/Andrea V. Watson)
Right now there are about 15 adult volunteers who have pledged to be out there every day until Labor Day. That’s about the same number the group had when it started a few days after the June shooting.
Manasseh said she didn’t think it would be this difficult to bring in more concerned residents.
“What we’ve learned since we’ve been out here is that people’s attention spans are short,” she said. “It’s hard to keep their interests between tragedies.”
Andrea Watson says organizers want moms to remain active:
[soundcloud url=”https://api.soundcloud.com/tracks/216600561″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
The block and surrounding area where the “army of mothers,” as she refers to it, have set up have been peaceful since the group formed, she said, but the lack of adult volunteers surprised her.
“It’s like some people want to put their children in a bubble because they have good kids,” she said. “They want to separate their good kids from all of these bad kids, but your kids are going to grow up in the world alongside those very kids that you tried to shield them from. So wouldn’t it be better if you tried to save them all instead of just yours?”
She said she had higher expectations for the adults, but underestimated the teens from the neighborhood. At least two dozen teens have taken an interest in keeping their community safe and have taken part in the patrols, Manasseh said.
The ultimate goal is to get people on other blocks to follow her and start their own neighborhood patrols. She said she wants to hold an orientation in the near future to teach them conflict resolution and strategic placement.
Community policing in Englewood and on the South Side is important to Manasseh, she said, because she wants to help save her own children from becoming victims of the violence.
Chicago Police did not respond to a request for comment.
Banks’ group, which provides direct services such as workforce development, family advocacy and more to Englewood residents, encourages more adults to volunteer, but he said he understands why some might be hesitant.
“It’s not easy,” he said. “Our people are afraid so they don’t participate.”
He said that’s all the more reason the group of moms and others should be praised for their courage and determination.
Manasseh said although the neighborhood has changed since she was a child, she is holding on to one day seeing a better, safer community. “It’s like Englewood is the land that time forgot,” she said. “It’s the land that has been forgotten, but I have hope, I see hope here.”
In addition to seeking more volunteers, she’s asking for water and any other donations, which can be dropped off daily between 4-8 p.m. at 75th and Stewart.
To help, people can visit Behindthemask.org. article by Andrea V. Watson via dnainfo.com
Tamar Manasseh formed Mothers Against Senseless Killings and said she is looking for more volunteers. (DNAinfo/Andrea V. Watson)
When Tamar Manasseh formed Mothers Against Senseless Killings to patrol the neighborhood in Englewood, IL after a murder in the 7500 block of South Stewart last month, she hoped to stop any retaliatory violence. So far, in the five weeks since a man opened fire on three women on June 23, killing 34-year-old Lucille Barnes, there have been no shootings on the block or on the 7500 block of South Harvard where the patrols have also been set up, according to a DNAinfo Chicago map of shootings in the city.
“When you have sisters like sister Manasseh and others out here just participating, it makes a big difference,” said Johnny Banks, the executive director of the community organization A Knock at Midnight.
But Manasseh, who makes the trek daily from her home in Bronzeville to the neighborhood, said her group really needs more people in the area to join the effort, and that recruitment has been difficult. “Recruiting and getting more volunteers has been quite the challenge,” Manasseh said as she sat on her folding chair on 75th Street and Stewart Avenue, watching over the block, not far from where she used to live at 55th Street and Bishop Avenue.
Tamar Manasseh sits with other volunteers keeping an eye on the neighborhood since a murder on June 23. (DNAinfo/Andrea V. Watson)
Right now there are about 15 adult volunteers who have pledged to be out there every day until Labor Day. That’s about the same number the group had when it started a few days after the June shooting.
Manasseh said she didn’t think it would be this difficult to bring in more concerned residents.
“What we’ve learned since we’ve been out here is that people’s attention spans are short,” she said. “It’s hard to keep their interests between tragedies.”
Andrea Watson says organizers want moms to remain active:
[soundcloud url=”https://api.soundcloud.com/tracks/216600561″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
The block and surrounding area where the “army of mothers,” as she refers to it, have set up have been peaceful since the group formed, she said, but the lack of adult volunteers surprised her.
“It’s like some people want to put their children in a bubble because they have good kids,” she said. “They want to separate their good kids from all of these bad kids, but your kids are going to grow up in the world alongside those very kids that you tried to shield them from. So wouldn’t it be better if you tried to save them all instead of just yours?”
She said she had higher expectations for the adults, but underestimated the teens from the neighborhood. At least two dozen teens have taken an interest in keeping their community safe and have taken part in the patrols, Manasseh said.
The ultimate goal is to get people on other blocks to follow her and start their own neighborhood patrols. She said she wants to hold an orientation in the near future to teach them conflict resolution and strategic placement.
Community policing in Englewood and on the South Side is important to Manasseh, she said, because she wants to help save her own children from becoming victims of the violence.
Chicago Police did not respond to a request for comment.
Banks’ group, which provides direct services such as workforce development, family advocacy and more to Englewood residents, encourages more adults to volunteer, but he said he understands why some might be hesitant.
“It’s not easy,” he said. “Our people are afraid so they don’t participate.”
He said that’s all the more reason the group of moms and others should be praised for their courage and determination.
Manasseh said although the neighborhood has changed since she was a child, she is holding on to one day seeing a better, safer community. “It’s like Englewood is the land that time forgot,” she said. “It’s the land that has been forgotten, but I have hope, I see hope here.”
In addition to seeking more volunteers, she’s asking for water and any other donations, which can be dropped off daily between 4-8 p.m. at 75th and Stewart.
To help, people can visit Behindthemask.org. article by Andrea V. Watson via dnainfo.com
Chris Rock, Sam Jones, JTDC Superintendent Leonard Dixon, and staff members of the JTDC. (Photo/JTDC staff)
Having garnered more than 16 million weekly viewers, and multiple Television Critics Association, Critics Choice, and Emmy award nominations, nearly everyone is eagerly anticipating the second season of the mega hit TV series, Empire.
But as we clamor to grasp its standing in pop culture, lost in the mist of the growing body of Empire lore has been scant consideration of the significant contributions some of its star performers are making in the lives of many Americans.
For instance, Empire’sChris Rock departed from an exceptionally rigorous day of production to address youth at Chicago’s Juvenile Temporary Detention Center.
The facility is the largest youth detention facility in the nation, reportedly housing between 250 to 350 youth a day and employing more than 600 employees. Situated under the auspices of the Circuit Court of Cook County, the largest circuit court system in the nation, it is quite arguably the epicenter for juvenile detention in the United States. And Mr. Rock’s visit with the youth was symbolic of a perfect hybrid of pop culture and social justice consciousness.
Mr. Rock spoke candidly about the need for the youth to accept responsibility for their behavior and to resist the temptation to blame others for their current circumstances. In so doing, he specifically warned against a seemingly popular inclination to blame black fathers. Exceptionally genuine and compelling in nature, Mr. Rock lamented that too often black fathers are denounced for the perilous conditions facing many black youth, without being afforded deserving credit for their favorable contributions.
Chris Rock, Sam Jones, JTDC Superintendent Leonard Dixon, and staff members of the JTDC. (Photo/JTDC staff)
Having garnered more than 16 million weekly viewers, and multiple Television Critics Association, Critics Choice, and Emmy award nominations, nearly everyone is eagerly anticipating the second season of the mega hit TV series, Empire.
But as we clamor to grasp its standing in pop culture, lost in the mist of the growing body of Empire lore has been scant consideration of the significant contributions some of its star performers are making in the lives of many Americans.
For instance, Empire’sChris Rock departed from an exceptionally rigorous day of production to address youth at Chicago’s Juvenile Temporary Detention Center.
The facility is the largest youth detention facility in the nation, reportedly housing between 250 to 350 youth a day and employing more than 600 employees. Situated under the auspices of the Circuit Court of Cook County, the largest circuit court system in the nation, it is quite arguably the epicenter for juvenile detention in the United States. And Mr. Rock’s visit with the youth was symbolic of a perfect hybrid of pop culture and social justice consciousness.
Mr. Rock spoke candidly about the need for the youth to accept responsibility for their behavior and to resist the temptation to blame others for their current circumstances. In so doing, he specifically warned against a seemingly popular inclination to blame black fathers. Exceptionally genuine and compelling in nature, Mr. Rock lamented that too often black fathers are denounced for the perilous conditions facing many black youth, without being afforded deserving credit for their favorable contributions.
When Ida B. Wells was 22, she was asked by a conductor of the Chesapeake & Ohio Railroad Company to give up her seat on the train to a white man. She refused, and the conductor attempted to forcibly drag her out of her seat. Wells wouldn’t budge.
“The moment he caught hold of my arm I fastened my teeth in the back of his hand,” she wrote in her autobiography. “I had braced my feet against the seat in front and was holding to the back, and as he had already been badly bitten he didn’t try it again by himself. He went forward and got the baggageman and another man to help him and of course they succeeded in dragging me out.”
The year was 1884 — about 70 years before Rosa Parks would refuse to give up her seat on an Alabama bus. Wells’ life was full of such moments of courage and principle. Born into slavery in Holly Springs, Mississippi in 1862, Wells was a vocal civil rights activist, suffragist and journalist who dedicated her life to fighting inequality.
On July 16, Wells’ 153rd birthday, Google honored the “fearless and uncompromising” woman with a Doodle of her typing away on typewriter, a piece of luggage by her side.
“She was a fierce opponent of segregation and wrote prolifically on the civil injustices that beleaguered her world. By twenty-five she was editor of the Memphis-based Free Speech and Headlight, and continued to publicly decry inequality even after her printing press was destroyed by a mob of locals who opposed her message,” Google wrote in tribute of Wells.
The journalist would go on to work for Chicago’s Daily Inter Ocean and the Chicago Conservator, one of the oldest African-American newspapers in the country. As Google notes, she “also travelled and lectured widely, bringing her fiery and impassioned rhetoric all over the world.”
Wells married Chicago attorney Ferdinand Barrett in 1895. She insisted on keeping her own name, becoming Ida Wells-Barnett — a radical move for the time. The couple had four children. Wells died in Chicago of kidney failure in 1931. She was 68.
Every year around her birthday, Holly Springs celebrates Wells’ life with a weekend festival. Mayor Kelvin Buck said at this year’s event that people often overlook “the historic significance of Ida B. Wells in the history of the civil rights struggle in the United States,” per the South Reporter. article by Dominique Mosbergen via huffingtonpost.com
NEW YORK (AP) — Amazon Studios says it has acquired Spike Lee‘s new film as its first Amazon Original Movie.
The film, with the working title “Chi-Raq,” features a cast including Nick Cannon, Wesley Snipes, Jennifer Hudson and Teyonah Parris, as well as D.B. Sweeney, Harry Lennix, Steve Harris and Angela Bassett, plus John Cusack and Samuel L. Jackson.
“Chi-Raq” was shot entirely in Chicago and wrapped last week. Directed by Lee, it was co-written by Lee and Kevin Willmott. It focuses on violence in inner-city Chicago.
Amazon Studios’ Ted Hope said, “It would be impossible to find a better filmmaker” than Lee to launch the studio with.
Amazon Original Movies, announced in January, was formed to produce and acquire original movies for theatrical release as well as distribution to its Amazon Prime members. article via blackamericaweb.com
Tika Sumpter and Parker Sawyers as Michelle Robinson and Barack Obama in “Southside With You” (photo via deadline.com)
Here is one of the first images from Southside With You, a film inspired by the first date of future First Couple Barack Obama and Michelle Obama.
Written by Richard Tanne, who also is making his directorial debut, the feature takes place in summer 1989 in Chicago, where the young associate Obama (Parker Sawyers) woos his colleague Michelle Robinson (Tika Sumpter) in a romantic dramedy about the couple’s early romantic encounters. The eventful day took them from the Chicago Art Institute to a screening of Spike Lee’s Do The Right Thing to the eventual first kiss, which occurred outside of an ice cream parlor.
Sawyers recently wrapped the Oliver Stone-directed Snowden opposite Joseph Gordon Levitt and will appear in The Autopsy Of Jane Doe along with Brian Cox and Emile Hirsch. Sumpter stars on OWN’s The Haves And The Have Nots and will appear in Universal’s Ride Along 2 with Kevin Hart and Ice Cube.
IM Global and State Street Pictures are producing the film, with Tanne and Sumpter as producers alongside Glendon Palmer and Robert Teitel. Tracey Bing is executive producing. article by Amanda N’Duka via deadline.com
Keke Palmer And Sherri Shepherd’s Debut In ‘Cinderella’ On Broadway (Source: Jenny Anderson / Getty)
‘The Great White Way’ is seeing a serious dose of color these days.
In 2014, Black actors broke ground on Broadway when Norm Lewis became the first Black male to play the Phantom in Phantom of the Opera, and Keke Palmer played Rodger and Hammerstein’s first Black Cinderella on the stage. This year, Brandy scored another career milestone as the third notable Black actress to play femme fatale Roxie Hart in Chicago.And just last week, photos of Taye Diggs as Hedwig & The Angry Inch’s first Black male superstarhit the web to tons of excitement.
These inspiring moves are not only monumental for the actors, but also for the world of Broadway. While television and film are often called out for their extreme lack of diversity, Broadway has a long history of incorporating actors of color, as well as from the LGBT and disabled communities. And yet, despite impressive attempts at inclusivity, most people remain unaware of the strides made in the theater world.
To put it mildly, Hollywood could learn a lot from the Great White Way’s moves to culturally harmonize the stage. Brandy as “Roxie Hart: in “Chicago” (Source: Bruce Glikas / Getty)
Black actors first began standing under those bright white lights in 1920 when Charles Giplin became the first Black actor on Broadway to play the lead role in The Emperor Jones. Seven years later, Ethel Waters became the first Black actress in a lead role in Africana. Meanwhile, Show Boat was the first production to feature an integrated cast and even an interracial marriage.
The Roaring Twenties gave us our “Black firsts” on Broadway, but racism and segregation marred an otherwise elegant art scene, due much in part to the terrible effects of minstrelsty. Minstrels shows may not have been “Broadway” productions, but the racist shows garnered popularity nonetheless. Sometimes performed through the vaudeville platform (think baby Broadway), the productions continued through the 1960s, when fight for civil rights decreased their popularity.
Still, amid all of the setbacks, Black actors persevered by singing, dancing and acting their way into our hearts. More importantly, they did so not for the amusement of the White man, but out of their talent and genuine passion for the field.
In 1950, Juanita Hill was the first Black woman to win a Tony Award for a Supporting Role as Bloody Mary in South Pacific. Another Rodgers and Hammerstein production, the story was far from the famed duo’s most famous shows, but was notable for its tackling of the harmful affects of racism head-on.
The next 30 years would see a number of other noteworthy moments, including Diahann Carroll’s Tony Award for Best Actress in a Musical for No Strings. Vinnette Justine Carroll‘s achievement as the first Black female director of Don’t Bother Me, I Can’t Cope, the production of Ntozake Shange’s emotional For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, powerhouse actress Audra McDonald winning and of course Jennifer Holliday’s portrayal of Effie White in Dreamgirls:
But the last two years have been extremely notable for their high-profile and consistent opportunities for Black stage actors.Not only did Broadway darling Audra McDonald make history by winning her sixth Tony in 2014 (also becoming the only actress to win in all four acting categories), but Phyllicia Rashad won a Tony for the revival of A Raisin In The Sun and Denzel Washington shone in his much-praised role in August Wilson’s Pulitzer Prize-winning play Fences.
