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Posts tagged as “California African American Museum”

Office of Historic Resources and Getty Conservation Institute in Los Angeles Announce Project to Identify and Protect African American Historic Places in City

[St. Elmo Village, est. 1969. Photo: Elizabeth Daniels, © J. Paul Getty Trust. St. Elmo Village, an artists’ enclave of ten Craftsman bungalows in a colorful garden setting, was founded by artists Roderick and Rozell Sykes as a place where children and adults could explore their creativity.]

Getty and the City of Los Angeles recently announced the Los Angeles African American Historic Places Project, which plans to identify, protect and celebrate African American heritage within the city.

Despite comprehensive efforts over the years to record Los Angeles’ historic places, the city’s historic designation programs, by their own estimation, do not yet reflect the depth and breadth of African American history. Just over three percent of the city’s 1,200 designated local landmarks are linked to African American heritage.

Over the next three years, the project will work with local communities and cultural institutions to more fully recognize and understand African American experiences in Los Angeles. The work aims to identify and help preserve the places that best represent these stories and work with communities to develop creative approaches that meet their own aims for placemaking, identity, and empowerment.

As the African American population of such areas as West Adams and Jefferson Park began growing in the 1940s, new Black churches were founded. One of the most influential was Holman United Methodist, which commissioned architect Kenneth Nels Lind to design this sanctuary in 1958.

The project is led by the Getty Conservation Institute and the Office of Historic Resources (OHR) within Los Angeles’ Department of City Planning, which is responsible for the management of historic resources within the city. A community engagement program will create a space for meaningful input and local partnerships, drawing upon community-based knowledge of lesser-known histories.

“Historic preservation is about the acknowledgment and elevation of places and stories. The point of this work is to make sure that the stories and places of African Americans in Los Angeles are more present and complete than previously,” says Tim Whalen, John E. and Louise Bryson Director at the Getty Conservation Institute. “The work is also about making sure that preservation methods are examined for systemic bias. It’s ultimately about equity.”

Before embarking on this project, Getty and the city convened a virtual roundtable composed of a group of national and local thought leaders with experience in urban planning, historic preservation, African American history, and/or grassroots and community organizing.

Their discussions of diversity and inclusion in preservation policy helped shape the initiative and its goals. In particular, their input shed light on existing processes and practices that perpetuate biases in how places are recognized and protected, and helped expose current preservation policies that prevent the conservation of places of importance to Black communities.

“This project will illuminate overlooked narratives and historic places important to Los Angeles and our nation that deserve protection and recognition,” says Brent Leggs, executive director of the African American Cultural Heritage Action Fund at the National Trust for Historic Preservation and a member of the project’s initial thought leader round table meeting.

“Through public and private partnership, the Getty and City of Los Angeles can model broader reform in the U.S. preservation field and can work proactively at the local government and city levels to grow pathways for equitable interpretation and community-driven preservation.”

This project will include research to rethink and potentially expand the heritage preservation toolkit. This involves examining how current historic preservation and planning processes and policies may be reinforcing systemic racism. It will also work to bring new and improved processes that address injustices and bring greater inclusion and diversity to historic preservation practices.

Barber shops, such as Magnificent Brothers—in operation in the Crenshaw district since 1970— could be found eligible for listing based on their social significance to the community.

The initial phase of this project will also provide a framework for identifying and evaluating properties relating to African American history in Los Angeles. In 2018 OHR completed a framework for identifying African American heritage in the city, drawing upon nine themes that included civil rights, deed restriction and segregation, religion and spirituality, social clubs and organizations, and visual arts. The project will include deeper citywide community engagement around this framework and allow for the report’s potential expansion.

“As the largest planning department in the United States, City Planning is uniquely positioned to chart a course for a more fair, equitable, and just Los Angeles for future generations, in part, through cultural heritage and education,” says Vince Bertoni, director of planning for the City of Los Angeles. “We are excited to highlight this broader range of values and history that better represents our diverse city.”

In addition to rethinking the preservation toolkit, the project will include official historic designation of a number of African American historic places by the city. The work of the project will also extend beyond traditional preservation tools to address the development of broader cultural preservation strategies with selected historically Black communities.

The project will also provide opportunities for emerging history, preservation and planning professionals through dedicated paid internships. Additionally, Getty and OHR will soon launch a search for a consultant project leader to further develop, manage, and implement the work of this project, under the guidance of a soon-to-be-established local advisory committee representing key stakeholders in the city’s African American communities.

“The history of Los Angeles is incomplete without recognition of the African American individuals and institutions that shaped the economic, cultural and civic narrative of the region,” says Susan D. Anderson, history curator and program manager at the California African American Museum in Los Angeles and a member of the project’s initial thought leader round table meeting. “This important project will expand how heritage is defined and will provide an opportunity to work with local communities and residents to unearth stories that are vital to our understanding of the place we call home.”

The City of Los Angeles and the Getty Conservation Institute have worked together for nearly two decades on local heritage projects. Their joint efforts include SurveyLA, a citywide survey of historic places that was conducted from 2010 through 2017. SurveyLA  covered the entire City of Los Angeles—over 880,000 legal parcels in an area of almost 500 square miles—and identified resources dating from approximately 1865 to 1980. The data from SurveyLA was used to create HistoricPlacesLA, a website launched in 2015 that allows the public to explore these places.

Golden State Mutual Life Insurance building designed by Paul Williams

The announcement follows the Getty Research Institute and the USC School of Architecture’s recent joint acquisition of the archives of Paul R. Williams, one of the most significant African American architects of the 20th century. Several Williams buildings are already designated historic landmarks in Los Angeles, including the 28th Street YMCA and Golden State Mutual Life Insurance Company.

The new initiative also builds upon the work of City Planning, in establishing the Office of Racial Justice, Equity, and Transformative Planning in 2020 in response to Mayor Eric Garcetti’s Executive Order No. 27 on Racial Equity in City Government. Through the office, City Planning is comprehensively confronting how land use policies and zoning practices have reinforced racial segregation, environmental injustice, and poor health outcomes.

Lonnie Bunch, Founding Director of the National Museum of African American History and Culture, to Become New Secretary of Smithsonian

Lonnie G. Bunch, III, Founding Director of the National Museum of African American History and Culture, moderates a panel on the “Heroes of the Civil Rights Movement: Views from the Front Line” at the Civil Rights Summit at the LBJ Presidential Library. (Photo by Lauren Gerson via commons.wikipedia.org)

Lonnie G. Bunch III, the founding director of the Smithsonian National Museum of African American History and Culture (NMAAHC), was appointed the new Secretary of the Smithsonian on Tuesday. According to dcist.com, Bunch is the fourteenth person to hold the position in the Smithsonian’s 173-year history, and the first African American.

As Secretary, Bunch will manage the administration of the Smithsonian’s 19 museums, 21 libraries, and the National Zoo. He is also responsible for its $1.5 billion annual budget. Bunch succeeds David J. Skorton, who announced his resignation in December.

“Lonnie has spent 29 years of his life dedicated to the Smithsonian, so he knows the institution inside and out,” said David Rubenstein, the chair of the Smithsonian Board of Regents on Tuesday. The Board met at the Supreme Court earlier in the day unanimously elected Bunch as Secretary.

“He’s also highly regarded by members of Congress and highly respected by our donor base,” Rubenstein added, while also citing Bunch’s “incredible character” and his leadership of the NMAAHC as major assets.

“You’re going to make a historian cry,” Bunch said when he spoke at Tuesday’s press conference. “This is an emotional moment, because the Smithsonian means so much to me personally and professionally.”

Bunch was the first curator for the California African American Museum in Los Angeles in the 1980s and previously served as president and director of the Chicago History Museum from 2000 to 2005. In 2005, Bunch came to the Smithsonian to steward NMAAHC from conception. He shepherded both the David Adjaye-designed structure, did tireless fundraising, and helped build up and curate the museum’s collection from scratch.

The museum has been such a huge success that tickets are still largely required more than two years after opening, with visitors staying for hours longer than at other facilities. In its first year of operation, NMAAHC welcomed nearly 2.4 million visitors and was the fourth-most visited Smithsonian institution.

“It tells the unvarnished truth,” Bunch told DCist on the one-year anniversary of the museum’s opening. “I think there are people who were stunned that a federal institution could tell the story with complexity, with truth, with tragedy, and sometimes resilience.”

Over his tenure, Bunch and his team of curators made it a point to continue building a collection for the museum’s future, including acquiring artifacts from the Black Lives Matter movement, and to integrate D.C.’s own rich history into the fabric of the museum.

Read more: https://dcist.com/story/19/05/28/the-smithsonians-next-secretary-will-be-lonnie-bunch-the-head-of-the-african-american-history-museum/

Five African-American Museums to Visit in the U.S.

Black culture is found all across the country. Whether you’re in the rolling fields of the Midwest or the quiet back roads of the South, here are five inexpensive (or free) museums that feature art, music, and culture from the African diaspora.

experience.com
California African American Museum (photo via experiencela.com)

WEST 
What: California African American Museum
Where: Los Angeles, CA
How much: Free
This museum is home to some of the most fascinating exhibits of African and African American culture. Check out Toward Freedom: A Photo Exhibition of the Beta Israel Community in Israel and the Ethiopian Community in Los Angeles, photojournalist Irene Fertik’s images of Ethiopian communities establishing themselves in Israel and Los Angeles. Or, view The African American Journey West: Permanent Collection, which features art and artifacts that show the African American journey from the shores of Africa to America’s western frontier. Wherever your interests are, this museum is sure to have something that’ll satisfy your intellectual craving.
wttw.com
DuSable Museum of African American History (Photo: wttw.com)

MIDWEST

What: DuSable Museum of African American History  
Where: Chicago, IL 
How much: $10 
This museum is a crux in Chicago’s black community. Home to several after-school programs, the museum has a history of engaging with the community on current topics. Current popular exhibits include Freedom, Resistance, and the Journey Towards EqualityRed, White, Blue & Black: A History of Blacks in the Armed Services, and The Freedom Now Mural.

wikipedia.com
Buffalo Soldiers Museum (Photo: wikipedia.com)

SOUTHWEST

What: Buffalo Soldiers Museum
Where: Houston, TX
How much: $10 
The Buffalo Soldiers Museum has one of the most highly-curated museum collections of black soldier life. Founded in 2000 by a Vietnam veteran and African-American military historian, it’s currently the only museum primarily dedicated to the African-American veteran experience. Check out the memorabilia, fine arts collection and videos here.

grouptravelleader.com
Tubman African-American Museum (Photo: grouptravelleader.com)

SOUTHEAST

What: Tubman African American Museum
Where: Macon, GA
How much: $10  
This museum, which calls itself an “educational adventure through time,” houses one of the most diverse collections of African-American historical artifacts in the country. Currently, visitors can see areas such as Folk Art, the Inventors Gallery, and a special area for Black Artists of Georgia.

timeinc.net
Museum of African American History (Photo: timeinc.net)

NORTHEAST

What: Museum of African American History
Where: Boston, MA
How much: $3
This museum — which is the 1834 African American Meeting House — has both rotating and permanent exhibits on local African-American history. The Black Books exhibit examines the historical and cultural implications of forbidding enslaved Africans to read or write. It also traces the evolution and recovery of their written voices. You can also see the Abiel Smith School, the first public school built to educate black children.
article by Kayla Stewart via blavity.com