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Posts tagged as “Brooklyn”

Brooklyn-based Artist Jennie C. Jones Wins $50,000 Wein Prize

By goodblacknews on January 22, 2013

Artist Jennie C. Jones
Artist Jennie C. Jones

Studio Museum in Harlem is awarding its Wein Prize, one of the most lucrative in contemporary art, to Jennie C. Jones, a 44-year-old Brooklyn-based painter and sculptor whose work – which she describes as “listening as a conceptual practice” – centers on music.

The prize, with a $50,000 award, has been given every year since 2006 to established or emerging African-American artists. It was started by George Wein, a founder of the Newport Jazz Festival, in honor of his wife, Joyce Alexander Wein, a longtime trustee of the museum who died in 2005.
l1060599The prize, whose announcement was delayed by Hurricane Sandy, will be given at a museum gala on Feb. 4. Thelma Golden, the museum’s director and chief curator, said in an interview that Ms. Jones was chosen “not only to celebrate the rigor and strength of her practice, but also because of the thinking about what this amazingly generous prize could do for her at this point in her career.”
Ms. Jones, who will have a solo exhibition in May at the Hirshhorn Museum and Sculpture Garden, has been featured in several shows over the last decade at the Studio Museum and in Chelsea. Her work often uses the language of Minimalism to explore, and sometimes  appropriate, avant-garde jazz and other modern music.
“I kept seeing these amazing parallels in ideologies for both disciplines, especially in jazz and abstraction,” Ms. Jones has said. “Conceptualism allows these different media to occupy the same space.”
article by Randy Kennedy via nytimes.com

Black Arts Movement Works Acquired by Brooklyn Museum

By goodblacknews on January 18, 2013
UrbanWallSuitJae Jarrell’s “Urban Wall Suit,” from 1969, recently bought by the Brooklyn Museum.

As the curator of American art at the Brooklyn Museum began work on an exhibition to coincide with next year’s anniversary of the Civil Rights Act of 1964, she happened on a trove of works from the Black Arts Movement, the cultural arm of the black power movement of the 1960s and ’70s, the New York Times reported.

Noticing that the collection bridged two generations of works already among the museum’s holdings — by earlier African-American artists like John Biggers, Sargent Johnson and Lois Mailou Jones, and by their contemporary successors — the curator, Teresa A. Carbone, persuaded the museum to acquire it.

“Even at a time when people are more aware of the established canon of black artists,” Ms. Carbone said, “these artists are only now gaining the recognition they deserve.”

The collection — 44 works by 26 artists — was assembled by David Lusenhop, a former Chicago dealer now living in Detroit, and his colleague Melissa Azzi. About a dozen years ago the two began buying pieces they felt were prime examples of the Black Arts Movement.

New York Woman Wins $1M Jackpot, Can Now Pay For College

By goodblacknews on December 21, 2012

linza ford lottery new york state

Linza Ford (pictured), a 19-year-old Brooklynite who had to drop out of college and work to help her family makes ends meet, won a $1 million jackpot this week, the New York Daily News reports. She was one of ten New Yorkers who won a share of $13 million in winnings.

Ford had just finished her freshman year at Hofstra University when her father had to go on disability, forcing her family to make tough choices.  “I didn’t want to leave,” she said. “That’s one of the colleges I really wanted to go to. I was sobbing.”

DIVAS Bring STEM Program, Social Justice To Brooklyn

By goodblacknews on December 1, 2012

Professor Andrea Taylor with members of the robotics group.

According to the National Center for Women & Information Technology, only 25 percent of professional computing occupations in the US were held by women in 2011. Additionally, only three percent were African-American women, four percent were Asian women, and one percent were Hispanic women.

A Brooklyn-based nonprofit organization, DIVAS for Social Justice, is hoping to change those numbers with its programming, which encourages students to use multimedia projects to discuss social justice and other issues facing their communities. DIVAS, which stands for Digital, Interactive, Visual Arts, and Sciences, launched five years ago as a way to get students in underserved neighborhoods more interested in science, technology, engineering, and math (STEM).

First African-American Female Chess Master Could Be Brooklyn Girl

By goodblacknews on October 29, 2012

Rochelle Ballantyne is a 17 year-old teenage girl from Brooklyn who is on her way to becoming the first Black female chess master. Ballantyne is one among a group of teens from I.S. 318 middle school in Brooklyn who will be the stars of a new documentary called “Brooklyn Castle”. The documentary chronicles the outstanding achievements of the middle school students.

65 percent of the students at I.S. 318 middle school in Brooklyn are living below the federal poverty level but the school still holds close to 30 national championships and is the highest ranked junior high team in the country. Rochelle is unique because until she joined the team, all the champions had been boys.

Ballantyne has been profiled in Teen Vogue where she shared her story and how she has stayed motivated along her amazing journey to chess stardom. The Brooklyn teen says that her grandmother is the woman behind much of her success.

She says:

“My grandmother taught me to play when I was in the third grade. I was really active as a child, and she wanted to find a way to keep me relaxed and get my brain going. When I first started playing, she introduced to me the idea of being the first African-American female chess master. I didn’t think about it much because for me it seemed like an impossible feat, and I didn’t think it could happen. I wasn’t as focused and dedicated as I am now. I didn’t think I was a good chess player—people told me I was, but it wasn’t my mentality at that moment. But then after she died, that really affected me, because she was the one person that always had confidence in me. She never pushed me, and she always respected me for who I was. I have to reach that goal for her.”

Brooklyn High School Preps Students For Technology Jobs

By goodblacknews on October 21, 2012

Students use computers even in English class at the Pathways in Technology Early College High School, also known as P-Tech.(Michael Appleton for The New York Times)

Flakes of green paint are peeling from the third-floor windowsills. Some desks are patched with tape, others etched with graffiti. The view across the street is of a row of boarded-up brownstones.  Students attended an Introduction to Computer Systems class at Pathways in Technology Early College High School in Brooklyn.  The building and its surroundings in Crown Heights, Brooklyn, may look run-down, but inside 150 Albany Avenue may sit the future of the country’s vocational education: The first 230 pupils of a new style of school that weaves high school and college curriculums into a six-year program tailored for a job in the technology industry.

By 2017, the first wave of students of P-Tech — Pathways in Technology Early College High School — is expected to emerge with associate’s degrees in applied science in computer information systems or electromechanical engineering technology, following a course of studies developed in consultation with I.B.M.

Nigerian Director/Producer Tony Abulu Creates Film "Doctor Bello" To Help Legitimize Nollywood

By goodblacknews on September 30, 2012
Tony Abulu, center; with Bern Cohen, left; and Andre Leigh during the filming of “Doctor Bello.” (Ángel Franco/The New York Times)

On the surface the production that commandeered a few dormant rooms at the Coler-Goldwater Specialty Hospital on Roosevelt Island this year resembled many other low-budget film projects in New York City. Crew members were each handling multiple jobs. Those from out of town were spending their short nights on friends’ couches. The catering consisted of a box of Dunkin’ Donuts and a carton of coffee, both empty by late morning.

The film “Doctor Bello” also features Genevieve Nnaji, left; Isaiah Washington, center; and Olumide Bakare.
But despite the production’s humble appearance there was a lot riding on it. Its director and producer, Tony Abulu, and his financial backers say the film, “Doctor Bello,” has the potential to chart a new direction for the booming Nigerian film industry half a world away.
That industry, known as Nollywood, is perhaps the world’s third-largest filmmaking industry in revenues, producing more than 1,000 titles every year. But the industry is known for churning out slapdash films with feeble story lines, amateurish acting and sloppy production values. Nearly all go straight to video and are soon forgotten.

Nigerian Director/Producer Tony Abulu Creates Film “Doctor Bello” To Help Legitimize Nollywood

By goodblacknews on September 30, 2012
Tony Abulu, center; with Bern Cohen, left; and Andre Leigh during the filming of “Doctor Bello.” (Ángel Franco/The New York Times)

On the surface the production that commandeered a few dormant rooms at the Coler-Goldwater Specialty Hospital on Roosevelt Island this year resembled many other low-budget film projects in New York City. Crew members were each handling multiple jobs. Those from out of town were spending their short nights on friends’ couches. The catering consisted of a box of Dunkin’ Donuts and a carton of coffee, both empty by late morning.

The film “Doctor Bello” also features Genevieve Nnaji, left; Isaiah Washington, center; and Olumide Bakare.

But despite the production’s humble appearance there was a lot riding on it. Its director and producer, Tony Abulu, and his financial backers say the film, “Doctor Bello,” has the potential to chart a new direction for the booming Nigerian film industry half a world away.

That industry, known as Nollywood, is perhaps the world’s third-largest filmmaking industry in revenues, producing more than 1,000 titles every year. But the industry is known for churning out slapdash films with feeble story lines, amateurish acting and sloppy production values. Nearly all go straight to video and are soon forgotten.