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Posts tagged as “Brittany Howard”

MUSIC MONDAY: “Ring of Fire” – Black Voices in Rock And Country Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday! In the weeks since Beyoncé’s recent Country releases, there’s been much debate on her Country bona fides, though the sista has never been shy about voicing her Texas pride.

From Beyoncé’s history with the genre, from the song “Daddy Lessons”, from her 2016 album Lemonade, to the Stetsons worn by Destiny’s Child, many Country devotees ignore her roots and those of other Black artists.

While talking to a good friend and colleague last week, he pointed out that it’s not musicians that draw designations often based on race, it’s the so-called fans. It is also music writers and editors who act as gatekeepers.

Ray Charles, James Brown, Jerry Lee Lewis, B.B. King, Elvis Presley, Aerosmith, Love, Brittany Howard, Lola, Valerie June and so many others can’t be bothered. Music is music.

It has been a long-running theme of my playlist and missives here on GBN, that the roots and current impact of Black artists on Country Music and Rock ’n Roll is deep and continuing.

Rhiannon Giddens is present playing the banjo (an instrument whose roots go back to Africa), on “Texas Hold ‘Em”, and with The Carolina Chocolate Drops. As is Lil Nas X, who was also soundly rebuffed by Country music gatekeepers initially.

I’ve included The Black Pumas, TV On The Radio, Clarence Clemons, Tracy Chapman and of course Lenny Kravitz, who all reject rock music being the domain of white artists.

So, please enjoy this collection of artists that aren’t inclined to be labeled and defy labels.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Mind Playing Tricks” – a Soulful Halloween Collection for 2021 (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

“I walked forty-seven miles of barbed wire / I got a cobra snake for a necktie / A brand new house on the roadside / and it’s a-made out of rattlesnake hide / Got a brand new chimney put on top / and it’s a-made outta human skull / I’ve got a tombstone hand and a graveyard mind / I’m just twenty-two and I don’t mind dying.”

Just a few lyrics from Bo Diddley’s “Who Do You Love” that go a long way towards illustrating the nature of the Halloween collection. Of course, there’s Screamin Jay Hawkins and Lambert, Hendricks and Ross vocalizing overt spooky tales.

Though there are many tracks in this collection that simply reference dark imagery to warn of the perils of romantic love, and make social commentary.

Geto Boys, Brittany Howard, Funkadelic, and others all are here to tell of real-world horrors. While Alice Smith is present with an umpteenth version of “I Put A Spell On You,”  and sista manages to transform it into a statement all her own.

There are several versions of  St. Louis true folktale “Stagger Lee.” You can bet there are songs aplenty of about vampires, ghosts, and zombies too. More chills to come next week.

Until such time, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Janelle Monáe and 15 More Black Women Artists and Activists Drop 17-Minute “Say Her Name” Anthem to Protest Police Violence Against Black Woman (VIDEO)

Musician, actor and activist Janelle Monáe partnered with the African American Policy Forum to create “Say Her Name (Hell You Talmbout),” an anthem protesting police violence and calling attention to 61 Black women and girls who were killed by law enforcement.

The 17-minute song features 15 other Black female artists and activists, including Professor Kimberlé Crenshaw, Beyoncé, Alicia Keys, Chloe x Halle, Tierra Whack, Isis V., Zoë Kravitz, Brittany Howard, Asiahn, Jovian Zayne, Angela Rye, Nikole Hannah-Jones, Brittany Packnett-Cunningham, Alicia Garza and MJ Rodriguez.

“This International Daughter’s Day and we are proud to stand with the African American Policy Forum’s #SayHerName Mothers Network & Kimberlé Crenshaw as we honor the Black women and girls who lost their lives at the hands of police,” Monáe said in a statement.

“We support the tireless work that #SayHerName has been doing for years to help bring these mothers justice for their daughters. This work is too important to do alone and can only be sustained through our collective voices,” she added. “We take up this call to action as daughters ourselves trying to create a world where stories like these are no longer commonplace. This is a rally cry.”

https://twitter.com/AAPolicyForum/status/1441080268727615495?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet

#AAMAM: “Black Parade” – Celebrating African-American Women Vocalists (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

This is the last week of African-American Music Appreciation Month. And what a month it has been. 2020 is shaping up to be Black History Year.

I am honored to offer one more playlist for this final week of June. I hope you enjoy this freewheeling and eclectic collection of Black woman vocalists.

Here is almost a century of recordings spanning Blues, Gospel, Jazz, Soul, and Hip-Hop. Yes. You’ll find Beyoncé, Missy Elliott, Mahaila Jackson, Tina Turner, Chaka Khan, Erykah Badu, Big Mama Thornton, Sister Rosetta Tharpe, Brittany Howard and more all on this playlist.

Coming in at over 9 hours, it is barely the tip of the iceberg of the musical offering and impact of African-American women.

We’ve been keeping it American musicians here in June, though next week I plan to sling some reggae music. Sistas and brothas from Jamaica, UK, and Africa have had a thing or two to say about protest and conscious music as well.

Until next time! Stay safe, sane, and kind.

#blacklivesmatter #goodblacknews #musicheals

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Marlon West (photo courtesy Marlon West)

#AAMAM: “Black and Proud” – Celebrating Black LGBT Musical Pioneers (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

As June is both African-American Music Appreciation Month and Pride Month, and today is the anniversary of the beginning of the landmark Stonewall Riots marking the unofficial launch of the gay rights movement, Good Black News today brings you a musical playlist celebrating some of the Black LGBT musical pioneers of the contemporary music era.

Just last year, rapper Lil Nas X made history in multiple ways when his genre-bending country/rap tune, the infectious ‘Old Town Road’ (which, in remixed form, included country star Billy Ray Cyrus), launched on TikTok and headed straight to #1, where it stayed for 19 weeks.

In the process, the 1:53 minute song (which was the shortest song to hit #1 since the mid-1960s), literally became the longest running #1 in chart history, outlasting the 16 week #1 runs of  Mariah  Carey & Boyz II Men’s ‘One Sweet Day’ and Luis Fonsi/Daddy Yankee/Justin Bieber’s ‘Despacito’.

One year ago during Pride Month, in the middle of the song’s #1 run on the charts, Lil Nas X revealed himself to be gay and joined what has become a burgeoning scene of LGBTQ artists among the Gen Z crowd, many of them African-American. Frank Ocean, Kehlani, Brittany Howard, Azealia Banks, Janelle Monae, and Big Freedia are just some of the other artists that have broken through the pack in recent years, publicly claiming their respective LGBTQ identities even as their careers were still on the rise. 

And musically-talented TV personalities such as one-time reality star Todrick Hall, the now notorious, but nevertheless pioneering ‘Empire’ star Jussie Smollett, ‘Glee’ co-star Alex Newell and ‘The Flash’ co-star Keiynan Lonsdale have also helped pave the way, bringing Black, openly LGBT faces into millions of homes.  

Hopping around Spotify in the search for Black LGBT artists now leads to not just these artists, but dozens of other openly LGBT independent artists making it happen in rap, dance, soul, and pop.

It wasn’t always this way, however. So in today’s playlist, we are celebrating 15 significant, pioneering LGBT artists who got their starts between the late 1950s (when the contemporary pop/rock music era began) and the end of the 20th century. The truth is that we’ve always been watching and listening to LGBT artists – the general public just may not have known it at the time.

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Some of these artists we’re celebrating in our list were loud and proud right from the start. With others, we didn’t publicly know they were part of the LGBT community until after they passed away.  

The goal with this list is not to stir up controversy, but rather celebration and re-interpretation – so we’re steering away from the numerous popular artists about whom there are simply rumors.  Perhaps time and the history books will reveal more about the stories of many other artists from an era of music in which most prominent artists remained in the closet.  

For now, it’s interesting to look back at these 15 Black artists and see the array of musical and personal journeys, and examine them anew. We present the artists in roughly chronological order of their career prominence, and feature five songs from each – trying to include early work, a big hit or two and something recent if they are still making music.  

We hope this playlist will both introduce you to some talented but unheralded artists, and help you re-evaluate some artists you may already know and love – and can now see in a new light.  

#AAMAM: “Just A Shot Away” – Rediscovering Legendary Session Singer Merry Clayton (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

As part of Good Black News’ celebration of African-American Music Appreciation Month (#AAMAM), we are taking some time to honor quality artists whose music has nevertheless remained unappreciated.  Last week, we brought you a playlist from Ronnie Dyson.

This week we’d like to introduce/re-introduce you to Merry Clayton.

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Back in March 2014, as she was experiencing 50 years in the music business, legendary session singer Merry Clayton got one more chance at stardom when the documentary 20 Feet From Stardom, about the world’s most renowned backup singers, won the Best Documentary Oscar.

The doc brought renewed attention to performers such as Lisa Fischer, Judith Hill, Gloria Jones, and Clayton – whose voices you’ve undoubtedly heard, but whose names are a little less than familiar.

In the early ‘60s, Merry (who got her name because she was born on Christmas day) launched into a music career as a young teen, cutting a few one-off soul singles, and singing duet “Who Can I Count On?” with then 26 year-old pop hitmaker Bobby Darin when she was just a 14 year-old girl with a commanding voice.

Merry Clayton

By the late ‘60s, Merry Clayton’s role as a star backup singer hit its stride on The Rolling Stones’ “Gimme Shelter” opposite Mick Jagger.  Her cries of “Rape, Murder/It’s just a shot away” are known to any classic rock fan. The story goes that she got the random session call late at night from one of the song’s producers during an all-night mixing session – and showed up in curlers, heavily pregnant, belting out the iconic vocals in just a few takes before heading back home (where she subsequently suffered a miscarriage).

During that same era, Merry Clayton was also one of the backup crew on countless legendary records by Carole King, Joe Cocker, Barbra Streisand, Lynyrd Skynyrd, Linda Ronstadt, Billy Preston, Tori Amos, and, as recently as 2015, Coldplay.

Her prominent rock backup turns earned the attention of rock music producer/impresario Lou Adler, who signed her to his Ode Records label (most famous for Carole King’s Tapestry LP).  In 1972, she further cemented her rock bonafides by appearing as The Acid Queen in the first London stage production of The Who’s rock opera, Tommy.

The very enjoyable 20 Feet (you can check it out on Netflix right now) essentially argued that if only these women had gotten the chance, they could have been big stars.