After two public hearings, the Boston Art Commission voted to remove the Emancipation Group, a statue installed in 1879 in Boston’s Park Square, according to a statement announcing the removal.
The statue is a replica of one in Washington DC, and has been controversial since its installation for the depiction of the freed slave.
The statue features Archer Alexander, a Black man who “assisted the Union Army, escaped slavery, and was recaptured under the Fugitive Slave Act,” the statement says.
The vote follows a nationwide movement calling for the removal of monuments that celebrate the Confederacy or viewed as racist.
“For generations, Bostonians have called for its removal due to its racist depiction of a Black person. Many also feel it implies that one person ended slavery and misrepresents the complexity of United States history,” the statement said.
The statue has always been criticized, but a petition started in early June renewed interest in its removal.
Tory Bullock, a Boston area actor and activist, launched the petition with the intention of getting 1,000 signatures, but quickly surpassed that goal. Currently, the petition has over 12,000 signatures.
Bullock was inspired by the social and cultural moment that Black Lives Matter protests created and felt this was a good time to reintroduce the issue.
Although I’m typically calm-if-a-bit-nerdy when I meet artists I admire, there is one time in my life I fully lost my natural mind for someone. That someone was the woman and musical legend Good Black News is celebrating today, April 25, on what would have been her 103rd birthday – Ella Fitzgerald.
To set the scene, it was the day of my college graduation in June of 1990. I was standing in my black cap and gown next to my roommates, as the graduating class formed something akin to a Soul Train line for alumni, professors and distinguished guests to walk through on the way to taking the stage for the ceremony. I’d spent four long, great years earning a bachelor’s degree at Harvard in American History and Literature with a minor in African-American Studies. I also DJ’d at the college radio station 92.3FM WHRB all four of those years.
In addition to being all about hip-hop, house, R&B and dance music, I fell in love with jazz at WHRB, too. So much so that I got up several mornings a week to jock the 6-8am “Jazz Spectrum” program at WHRB, and even found a way to incorporate jazz into my senior thesis by comparing jazz autobiography to the slave narrative. Not exactly everyone’s idea of a page-turner, I know, but it was nice and egghead-y, earned me high honors from my department, and was a sneaky way to earn credit while spending time deepening my nascent love of jazz and jazz history.
So when I heard Ella Fitzgerald – the singer whose interpretation of “Lullaby of Birdland” took my heart and mind to heights of joy so unexpected that I immediately began to consume her versions of every standard as if they were musical narcotics – was on the list of people receiving honorary degrees from Harvard that year, I was beyond thrilled. Ella, Billie Holiday, Sarah Vaughan and Nancy Wilson were my personal Mt. Rushmore of jazz singers, and having her name indelibly connected to my class was momentous.
But I also knew she’d had some recent health issues (she was 73 at the time) and did not expect her to accept her doctorate in person. In fact, I was saying pretty much that to my roommate Susan as several of the distinguished graduation guests filed past us. And then I turned. And saw her. Elegant. Beautiful. Smiling. Ella.
There was a consistent smattering of applause accompanying every step she took. When I finally caught my breath, all that came roaring out of my mouth was the primal scream – “ELLLLLLLAAAAA!!!! ELLLLLLLAAAAA!!!” I couldn’t stop. I was hopping up and down and cheering and – as I said before – losing my natural mind.
I saw on my roommate’s face and other faces around me that amused “Damn, what exactly is happening to her right now?” look, but that was all in slow motion and I did not care because a national treasure was walking towards me. The architect of vocal improvisation and scatting and so much pure jazz singing greatness was in my sights, and I could not contain myself.
I think Ella heard me before she saw me, because I saw her glance my way, smile, then veer close enough to lay her hand on my forearm. Yes, that’s right, I can now and forever brag that the one and only Ella Fitzgerald touched me.
As I observed her small but mighty hand on my forearm, it reminded me of my grandmother’s. From it I felt a gentle squeeze – and in that squeeze she communicated her amusement, her thanks, and, if I’m being 💯 about it, encouragement to get a gotdamn grip on myself and attempt some level of decorum. I was at my college graduation ceremony, her hand reminded me, not Showtime at the Apollo. And then she kept going down the line and when no more dignitaries were left to file past us, we collapsed the Soul Train line and headed to our seats.
https://youtu.be/or1kqkeGXrI
I have no idea what else was said or done during the rest of that ceremony – I spent most of it plotting with my wing woman Karen Moody on how to get close enough to the stage so I could ask Ella for her autograph. Moody offered to distract the security guard once the ceremony was over – she turned on her gift of gab and I was able to glide by and up to Miss Fitzgerald with a pen and the only paper I had, my graduation program. Ella graciously signed it and smiled at me once again as security quickly became undistracted and pointed me away.
Thirty years later, when I look back on this moment, I can’t help but ask myself exactly why I went so crazy. The obvious answer is, duh – ELLA FITZGERALD – but it was such lightning bolt of energy that came through me, it was more than that. Back then I didn’t know much about her life, her professional or personal struggles, but something in me knew to honor the totality of who she was, what she’d gone through and what she gave to this world.
Ella Fitzgerald deserved (and got) a full body-and-soul shout out from the younger generation through me that day. To let her know that she was seen, heard, loved and would never be forgotten, particularly by those, like me, who present to the world in the same type of package.
And here I am again, thirty years later, shouting out love and appreciation for the one and only Ella, master of tone, phrasing, intonation, improvisation and interpretation, so the next generation may know her and pass on to the next their appreciation for one of the best to ever do it.
Below is a playlist compiled in her honor, as well as several other resources and links to foster even more awareness of the “First Lady of Song.” Love you always, Ella!
If you are a medical professional (particularly a Black medical professional), or just an overall Black history buff, you likely have heard of Mary Eliza Mahoney.
For those who have been denied tales of Mahoney’s excellence, she is heralded as the first African-American licensed nurse.
Mahoney worked in nursing for almost 40 years before retiring, but during her time as a medical professional, as well as long after, she was a champion of women’s rights. A trailblazer, not just as a Black person, but also as a woman.
Mahoney’s story starts in 1845 in Boston, where she was born to freed slaves. Her exact date of birth is unknown, but she is believed to have been born in the spring, the National Women’s History Museum notes.
Even as a teenager, Mahoney knew she wanted to become a nurse, and she began working at the New England Hospital for Women and Children, which, as its name suggests, provided health care exclusively to women and their children. At the time, the hospital was also known for its all-women staff of doctors.
There, Mahoney worked from the ground up over the next 15 years, in jobs such as janitor, cook and washerwoman, while also seizing the opportunity to work as a nurse’s aide.
The hospital operated one of the first nursing schools in the United States, and as you can probably guess, in 1878 a then 33-year-old Mahoney was allowed to enter the hospital’s professional graduate school for nursing. During the intensive 16-month training program, students attended lectures and got hands-on experience in the hospital.
The program was rigorous, and according to the Women’s History Museum, of the 42 students who entered the program, only four, including Mahoney, completed the requirements in 1879. In the same breath, she became the first Black person in the U.S. to earn a professional nursing license.
Mahoney would go on to serve as a private-duty nurse for the remainder of her impeccable career (she decided against public nursing because of the rampant discrimination there) and became known across the East Coast for her “efficiency, patience and caring bedside manner,” according to the Women’s History Museum.
A staunch advocate of those within the profession, Mahoney became a member of the Nurses Associated Alumnae of the United States and Canada (NAAUSC, later known as the American Nurses Association) in 1896. But she faced discrimination at NAAUSC, which had a predominantly white membership, so Mahoney took it upon herself to co-found the National Association of Colored Graduate Nurses (NACGN) in 1908.
According to jbhe.com, Julius P. Williams has been named President of the Conductors Guild, a global membership organization comprised of conductors of symphony, opera, ballet, choral, band, contemporary, and chamber ensembles. Dr. Williams is the first African American president in Conductors Guild history, and began his two-year term in earlier this month.
Williams is a Professor of Composition at the Berklee College of Music in Boston currently, as well as artistic director and conductor of the Berklee Contemporary Symphony Orchestra. His other positions include music director and conductor of Trilogy: An Opera Company in New Jersey, composer with the Boston Symphony Orchestra‘s “Composer-in-Residence Project.” Williams also works with the Boston Pops Orchestra.
“The appointment of Julius Williams as president of Conductors Guild is both meaningful and newsworthy. Maestro Williams has not only the stellar credentials, but the right vision, breadth and leadership, to set a powerful example for our field,” said Afa S. Dworkin, president and artistic director of The Sphinx Organization. “We applaud the Conductors Guild on this news and look forward to many inspiring programs and ideas that will undoubtedly emerge!”
Throughout his career, Williams has conducted ensembles at Carnegie Hall, and performances with orchestras in Dallas, Savannah, Hartford, Sacramento, Tulsa, and Knoxville, as well as the Harlem Symphony, Armor Artist Chamber Orchestra, Connecticut Opera, and the Kalistos Chamber Orchestra in Boston.
Ayanna Pressley, a Boston City Council member, celebrated her win in the Democratic primary at an election night party in Dorchester, Mass., on Tuesday. (Credit: Sarah Rice for The New York Times)
Ayanna Pressley upended the Massachusetts political order on Tuesday, scoring a stunning upset of 10-term Representative Michael Capuano and positioning herself to become the first African-American woman to represent the state in Congress.
Ms. Pressley’s triumph was in sync with a restless political climate that has fueled victories for underdogs, women and minorities elsewhere this election season, and it delivered another stark message to the Democratic establishment that newcomers on the insurgent left were unwilling to wait their turn. Ms. Pressley propelled her candidacy with urgency, arguing that in the age of Trump, “change can’t wait.”
Her victory carried echoes of the surprise win in June by Alexandria Ocasio-Cortez, who trounced a longtime House incumbent, Joseph Crowley, in New York. Ms. Pressley is also among several African-American progressives who beat expectations, and in some cases performed far better than polling projections; they include Stacey Abrams of Georgia, Andrew Gillum of Florida and Ben Jealous of Maryland, who each won the Democratic Party’s nominations for governor.
There is no Republican on the November ballot in this storied Boston-based district, which was once represented by John F. Kennedy and is one of the most left leaning in the country. Addressing jubilant supporters at a union hall in Dorchester Tuesday night, Ms. Pressley said: “It seems like change is on the way.”
Speaking in abnormally hushed tones, in contrast to her fiery and impassioned style on the campaign trail, she told supporters “we have together ushered in something incredible.”
“People who feel seen and heard for the first time in their lives, a stakehold in democracy and a promise for our future,” she said. “That is the real victory, that is bigger than any electoral victory. And I want to thank you all for being foot soldiers in this movement and for ushering in this change.”
Mr. Capuano conceded with barely 13 percent of the votes counted, saying: “I’m sorry it didn’t work out, but this is life, and this is O.K. America’s going to be O.K. Ayanna Pressley is going to be a good congresswoman, and I will tell you that Massachusetts will be well served.” Soon afterward, The Associated Press pronounced Ms. Pressley the winner.
Ms. Pressley, who in 2009 became the first black woman elected to the Boston City Council, overcame a powerful lineup of the Massachusetts political establishment. Mr. Capuano, 66, who has held the seat for 20 years, was endorsed by almost every major political figure, including Mayor Martin J. Walsh of Boston, who deployed his extensive political machine on Tuesday on Mr. Capuano’s behalf.
“This is a big wake-up call to any incumbent on the ballot in November,” said Mary Anne Marsh, a Boston-based Democratic strategist. “We’ve been in a change election cycle for years. But Trump may have opened the door for all these young candidates, women, people of color, because voters want the antithesis of him.”
Ms. Pressley’s win, the margin of victory, and the historic nature of her candidacy are sure to reverberate throughout Boston, a city whose fraught racial history is baked into its national reputation. Ms. Pressley said Democrats throughout the state discouraged her from running against Mr. Capuano, and John Lewis, the civil rights legend and longtime Georgia congressman, held a campaign event for him in May. Yet Ms. Pressley rode a strong turnout among Boston’s minority communities toward history.
Her slogan, “change can’t wait,” was a nod to those who said her candidacy was disrupting the traditional order of Boston politics, she said. It was also a rallying cry for the state’s only minority-majority district — to have a representative who mirrors the community’s diversity.
Political observers said the win was the biggest sign yet that a “new Boston” was emerging in the shadow of the city’s historically white, union-driven political establishment. This new electorate is powered by minorities, immigrants and young college students who have flocked to the city’s start-upsstartups and tech-friendly industries.
Only two of the state’s nine House members are women, and one is retiring. It was not until 2012 that Massachusetts elected its first woman — Elizabeth Warren — to the Senate. It has never elected a female governor.
Gwen Ifill (photo via Getty Images) via jbhe.com Simmons College in Boston, Massachusetts, announced that it will rename its College of Media, Arts and Humanities after Gwen Ifill, the noted journalist and Simmons College alumna who died in 2016.
Ifill was born in Jamaica, New York, the daughter of immigrants from the Caribbean. She earned a bachelor’s degree in communications at Simmons College and worked as a reporter for the Boston Herald-American, the Baltimore Evening Sun, the Washington Postand the New York Times.
Her first job in television was for NBC News. She then joined the Public Broadcasting System in 1999 and served as co-anchor of NewsHour and moderator of Washington Week. Ifill moderated two vice presidential debates and a primary contest between Hillary Clinton and Bernie Sanders. Ifill was the author of The Breakthrough: Politics and Race in the Age of Obama (Doubleday, 2009).
In announcing the honor, Simmons College President Helen Drinan stated, “For over 100 years, our mission at Simmons has been to prepare our students to lead meaningful lives and build successful careers. Gwen’s example stands tall in that mission. The kind of unimpeded curiosity Gwen brought to her work, coupled with her warmth, integrity and commitment to truth-telling, is something all of our students aspire to – no matter what field of study they pursue. We are extraordinarily proud of her and so pleased to formalize her legacy at Simmons this way.” Source: https://www.jbhe.com/2017/11/simmons-college-in-boston-names-a-college-in-honor-of-journalist-and-alumna-gwen-ifill/
Frederick Clay, center, who was wrongfully convicted of a 1979 murder, leaves Suffolk Superior Court with attorneys Jeff Harris, left, and Lisa Kavanaugh yesterday. (photo credit: Angela Rowlings) by Chris Villani via bostonherald.com
A Boston man who has maintained his innocence through nearly four decades behind bars was granted his freedom after Suffolk, MA prosecutors admitted his 1981 murder conviction was tainted by discredited witness identification and police tactics. “To quote Sam Cooke, ‘it’s been a long time coming,’ ” Frederick Clay said after walking out of the Suffolk Superior courtroom yesterday. “It’s been 38 years for something I didn’t do. I’m overwhelmed and sort of nervous.”
Clay, 53, emerged from the Boston courthouse with his arms raised and a wide smile on this face, having last experienced freedom when Jimmy Carter was in the White House and “Bad Girls” by Donna Summer was at the top of the charts. He was convicted of the 1979 execution-style murder of 28-year-old cab driver Jeffrey Boyajian, who was shot five times in the head at a Roslindale housing project.
“From day one, they told me I was facing natural life in prison,” Clay told reporters, “and that scared me. But I was not going to voluntarily put myself in prison for something I didn’t do.” Professing his innocence cost Clay at his first parole hearing in 2015, when the three board members who denied his release wrote that he had “yet to accept responsibility for his actions.”
One of the witnesses to the crime said he was sure about Clay’s guilt after being hypnotized by police, then a widely-accepted practice thought to enhance recollection. A second witness ID’d Clay after being promised he and his family could be relocated from their housing project if he helped investigators. Another man convicted in the slaying, James Watson, is still behind bars and prosecutors remain confident of his involvement.
Boyajian’s brother Jerry spoke in support of releasing Clay.“All my family has ever wanted was justice for my brother,” Boyajian said, recalling his older brother as a “jock” with a great sense of humor. “I really feel that justice failed Mr. Clay and, in that respect, it also failed my brother.” To read full article, go to: Frederick Clay wins freedom, innocence back after nearly four decades in prison | Boston Herald
Esperanza Spalding (Photo: Sandrine Lee) via blavity.com Esperanza Spalding is at the top of her field. She’s won just about every award a musician can win: four Grammys, a Smithsonian award, an NAACP Image Award, a Frida Kahlo award, a Boston Music Award — we could go on for ten minutes. And now, according to a press release from Harvard University, Spalding is going to teach others how she did it.
The bassist and singer has been appointed the a professor of the practice in the university’s Department of Music. The university’s professors of the practice are individuals “who have a national or international reputation as leaders” and who are “the best in the field.” That certainly sounds like Spalding. The press release refers to the artist as “a national treasure with global resonance” who “stands apart for the intelligence and deep sense of humanity” found in her work.
This won’t be Spalding’s first time in front of students, either. She taught at Boston’s Berklee College of Music from 2005 to 2008, and has instructed many pupils as an artist in residence in the years since. At Harvard, Spalding will lead courses in songwriting, improvisation and performance. The school also promises that Spalding will bring her “commitment to music as a voice for social justice” to the classroom with her. To read full article, go to: Esperanza Spalding Is Now A Harvard Professor | BLAVITY
Barack Obama (photo via nbcnews.com) article by Associated Press via nbcnews.com
Former President Barack Obama was named the 2017 winner of the John F. Kennedy Profile in Courage Award on Thursday for carrying on his fellow Democrat’s legacy.
“President Kennedy called on a new generation of Americans to give their talents to the service of the country,” Kennedy’s daughter, Caroline Kennedy, said in a statement. “With exceptional dignity and courage, President Obama has carried that torch into our own time, providing young people of all backgrounds with an example they can emulate in their own lives.”
Caroline Kennedy and her son, Jack Schlossberg, will present Obama with the award May 7 at the John F. Kennedy Presidential Library and Museum in Boston. Obama tweeted he is “humbled” by the recognition.
The award is presented annually by the John F. Kennedy Library Foundation to public servants who have made courageous decisions of conscience without regard for the personal or professional consequences. It is named for Kennedy’s 1957 Pulitzer Prize-winning book, “Profiles in Courage.” The book tells the stories of eight U.S. senators who risked their careers by taking principled stands for unpopular positions. To read more, go to: Barack Obama Named Recipient of JFK Profile in Courage Award – NBC News
The PBS NewsHour and Washington Press Club Foundation announced yesterday the creation of The Gwen Ifill/PBS NewsHour Journalism Fellowship.T he 10-week PBS NewsHour summer fellowship was created in honor of award-winning anchor, reporter and author Gwen Ifill.
The former PBS NewsHour co-anchor and managing editor and Washington Week moderator died in Nov. 2016 following complications from endometrial cancer.
“Gwen Ifill was the best of the best, a remarkable journalist with boundless curiosity, who insisted on the highest standards for herself and her colleagues,” Sara Just, PBS NewsHour executive producer said. “We are grateful for the generosity of the Washington Press Club Foundation for the opportunity to honor Gwen’s legacy in this way and guiding young people into practicing journalism with her high standards.”
Ifill had a decades-long career in news and was the best-selling author of The Breakthrough: Politics and Race in the Age of Obama. She covered eight Presidential campaigns and moderated the Vice Presidential debates during the Presidential elections in 2004 and 2008.
Before joining PBS in 1999, Ifill was chief congressional and political correspondent for NBC News. The New York City native graduated from Simmons College in Boston and received more than 25 honorary doctorates.
In 2015, she was awarded the National Press Club’s highest honor, the Fourth Estate Award.
