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Posts tagged as “Bob Marley”

MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

By goodblacknews on May 13, 2024

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

While Reggae is a true import from Jamaica, it really gained a global footing in England. It and Punk both arose out of the economic depression and social inequality in the late 1960’s and 1970’s.

Many Reggae songs of the time like Bob Marley’s “Punky Reggae Party” and “Concrete Jungle” were overt commentary on life in London, while many Punk artists adopted some of these traits and spreading a message of rebellion against the Establishment.

The Clash, The Police, and others used reggae beats in the early tracks. “(White Man) In Hammersmith Palais” tells he story of The Clash’s Joe Strummer, Don Letts and others attending an all-night reggae showcase that was headlined by Dillinger, Leroy Smart and Delroy Wilson.

He was not the only one to see that punks and Rastas shared a same idea of freedom and of rebellion against social norms and the setting of said norms.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

I’ve included tracks for the “Second Wave” of ska where bands like The Specials, English Beat, and Selector combined traditional ska song and grooves with a sped-up rhythms of punk music, introducing ska to new generations.

I’ve also included tracks from “Rocket To Kingston” credited to Bobby Ramone. It is a melding of the isolated vocal tracks from Bob Marley dropped over edited Ramones backing tracks. It shouldn’t work, but it does.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

Marlon West
MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

By goodblacknews on March 21, 2022
by Jeff Meier (FB: Jeff.Meier.90)

In honor of Academy Award-winning filmmaker Spike Lee‘s 65th birthday yesterday, we’re celebrating the music from his movies in today’s Music Monday playlist, “Mo’ Better Music: Spike Lee’s Greatest Hits“:

Lee first made his mark on the Hollywood scene in the summer of 1986 with his independently-financed debut feature, She’s Gotta Have It.  From that start, it was clear that not only was Lee an original filmmaking voice, but also that he valued the role of music in his movies.

The body of musical work he has enabled through his movies spans the history of Black music, including Blues, Hip Hop, traditional R&B. His early career bloomed in the heyday of new jack swing, but he’s also served us gospel, jazz, and plenty of Stevie Wonder.

Lee’s  usual composer of choice, Terence Blanchard, has earned two Oscar nominations for his work on BlacKkKlansman and Da Five Bloods.

There also have been Number One Billboard R&B/Hip-Hop Hits, E.U.‘s “Da Butt” from School Daze and Teddy Riley & Guy‘s “My Fantasy” from Do the Right Thing.

Working with his father, jazz musician Bill Lee (still alive at age 93) through his first four movies, Spike’s soundtrack choices displayed a musical depth of knowledge from the start.

“Nola” – the song about Nola Darling, the central character in She’s Gotta Have It – was sung on the original soundtrack by legendarily unsung vocalist Ronnie Dyson (the subject of a previous GBN playlist and profile – https://goodblacknews.org/?s=ronnie+dyson).

Though that soundtrack is one of the few Spike Lee soundtracks unavailable on Spotify, we’ve included a fairly faithful rendition of the song from contemporary jazz vocalist Jose James on our playlist.

To celebrate his 65 years, the playlist is comprised of 65 original songs and score selections from all of Spike Lee’s scripted features films with tracks were available for streaming (all the rest of his movies are included except Summer of Sam and the recent made-for-streaming Pass Over).

We’ve focused on titles that were either newly released or recorded for Spike’s movies, not on classic hits that just made their way onto the soundtrack.

And there’s plenty of great material to choose from, including multiple tracks from Prince, backup singer turned indie soul darling Judith Hill, Public Enemy, Terence Blanchard, and Stevie Wonder.

The Spike Lee soundtrack for Bamboozled introduced the first major song ever released by India.Arie — “Always In My Head.”

Though the soundtracks to Girl 6 and Get on the Bus are also unavailable on Spotify in album form, we’ve located the original Prince track “She Spoke 2 Me” from Girl 6 as well as a number of songs from the Get on the Bus soundtrack from God’s Property, Stevie Wonder, and Curtis Mayfield.

While Lee has mostly worked with Black composers and musicians, rootsy White rock musician Bruce Hornsby has worked on multiple Spike Lee movies, including songs for Bamboozled and Chi-raq, and a full score for Red Hook Summer.  He was also the composer for the lovely ballad “Love Me Still,” sung by Chaka Khan for the soundtrack to Clockers.

For his soundtrack to Da Sweet Blood Of Jesus, a 2014 horror film that Lee funded through Kickstarter, he issued a social media call for unsigned artists to submit songs and picked through over 800 submissions to find the songs he used – which included “As We May Dream,” another beautiful ballad from singer/songwriter Siedah Garrett of Michael Jackson duet fame.

Spike’s movies have also yielded some smooth new remakes of R&B standards – and we’re happy to include Stevie Wonder’s take on Bob Marley‘s “Redemption Song,” Erykah Badu‘s cover of Rufus featuring Chaka Khan’s “Hollywood,” Marc Dorsey‘s version of The Stylistics‘ “People Make the World Go Round,” and of course, Aretha Franklin‘s beautiful contribution to the Malcolm X soundtrack – her epic 8 minute rendition of Donny Hathaway‘s “Someday We’ll All Be Free.”

Most recently, Spike introduced his BlacKkKlansman‘audiences to a Prince rendition of the gospel classic “Mary Don’t You Weep” that had been originally recorded in 1983, but left in the vaults until its appearance in the closing credits of Lee’s movie.

In addition to all the above, you’re sure to uncover plenty of great but lesser-known material from Spike’s movies. With 24 scripted feature films under his belt, a Spike Lee film festival might take you a week of evenings to complete – but with our GBN playlist, you can cover all the musical memories from Spike’s movies in an afternoon.

Happy 65th birthday to Spike Lee! Though for many that’s retirement age, we hope to be updating this playlist with more great music from many more movies in the years to come.

MUSIC MONDAY: Tribute Playlist to Reggae Legend Bob Marley and What GBN Will Do about Spotify (LISTEN)

MUSIC MONDAY: Tribute Playlist to Reggae Legend Bob Marley and What GBN Will Do about Spotify (LISTEN)

By goodblacknews on February 7, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. As yesterday was what would have been Bob Marley’s 77th birthday, and since Marlon West crafted such a lovely tribute playlist to the reggae legend in his honor last year, I thought it fitting to share it once again in case anyone missed it:

What I’d like to add this time around —  you can read Marlon’s words about Bob Marley and his indelible contributions to the genre of Reggae and music worldwide here — is some thoughts about the recent controversy around Spotify, Joe Rogan, india.arie and if GBN will continue to utilize the platform for our playlists.

In case anyone doesn’t know what I’m referring to, a handful of high-profile musicians including india.arie have requested their music be removed from Spotify while the streaming service continues to host Joe Rogan’s podcast.

Some musicians are upset about the COVID-19 disinformation he’s propagated on his show; india.arie said her choice stems from his racist comments and content:

India.arie’s protest has certainly hit home. GBN unequivocally does not support what Joe Rogan has said, and fully understands why artists and platform users alike may want to #DeleteSpotify.

So, the question remains: Will GBN, an outlet dedicated to promoting positivity about Black people, Black culture and Black history, continue to utilize a platform that is still supporting a high-profile voice that has spoken words and spouted ideas antithetical to our mission, even if they have removed the offending episodes?

The simple answer is yes. And here is the main reason why.

When we started offering music lists regularly in 2020, we chose Spotify because of the biggest platforms out there – Apple Music, Spotify, Tidal – Spotify is the only one that offers a free tier that makes its platform accessible to all without the need of a paid subscription.

That felt (and still feels) like a democratic offering that made it the best choice for GBN. And because this free access eliminates an economic barrier to what we feel is a form of education as much as it is entertainment, we will continue to post our playlists through Spotify for as long as the music we highlight and seek to honor remains available there.

At the same time, we respect and support anyone who no longer wants to be on that platform. So going forward, we also are looking into offering our playlists on Apple Music and Tidal as well and providing those links in our Music Monday or other Music posts.

Whatever your take on the situation, we appreciate your convictions as well as your support.  And as always, we hope you enjoy the music.

MUSIC MONDAY: Christmas Around The World Playlist 2021 (LISTEN)

MUSIC MONDAY: Christmas Around The World Playlist 2021 (LISTEN)

By goodblacknews on December 6, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Christmastime is here, y’all. Hope you all are having a wonderful first Monday of December. Here is a collection of Christmas music from around the globe. This collection of artists from Jamaica, Africa, and various points around the world will put you in the holiday spirit:

Dig these tracks from Bob Marley, Jacob Miller, Calypso Rose, Angelique Kidjo, Yellowman, Boney M., and others are a showcase of originals and fresh takes on holiday standards. Happy Holidays!!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Dream Land” – A Tribute Playlist to Bunny Wailer and the Wailers Legacy (LISTEN)

MUSIC MONDAY: “Dream Land” – A Tribute Playlist to Bunny Wailer and the Wailers Legacy (LISTEN)

By goodblacknews on March 8, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Bunny Wailer, born Neville O’Riley Livingston, died on March 2nd. He was an original member of The Wailers along with Bob Marley and Peter Tosh, and a lifelong standard-bearer of reggae music.

“The Wailers are to reggae what the Beatles are to rock ‘n roll and pop music,” according to Jamaican music-business veteran Copeland Forbes.

This collection is devoted to the work of The Wailers, and the solo work of Rita Marley, Peter Tosh, and of Bunny Wailer himself.

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In the 1960s The Wailers hit their initial stride with Coxsone Dodd’s Studio One label, often called Jamaica’s Motown. They recorded for several producers, including Leslie Kong and, most notably, Lee “Scratch” Perry.

I’ve included several of those songs, and ones The Wailers went on to release on their own Wail ‘N Soul ‘M and Tuff Gong labels.

By 1974, Tosh and Wailer both would leave the group for solo careers. Bob Marley would use The Wailers name for his backup band.

Hope you enjoy this collection of music by greats artist done together and separately.

Stay stay, sane, and kind, you all. Until such time.

Marlon West (photo courtesy Marlon West)

R.I.P. Reggae Legend Bunny Wailer, 73, Founding Member of the Wailers with Bob Marley and Peter Tosh (VIDEO)

R.I.P. Reggae Legend Bunny Wailer, 73, Founding Member of the Wailers with Bob Marley and Peter Tosh (VIDEO)

By goodblacknews on March 2, 2021

Bunny Wailer, a founding member of the Wailers and a reggae music titan whose career spanned seven decades, died today at the age of 73, according to the Jamaica Observer.

Wailer’s manager Maxine Stowe confirmed that Wailer died  at the Medical Associates Hospital in Kingston, Jamaica (via the Jamaica Observer). No cause of death has been named so far, but Wailer had been in and out of the hospital since suffering his second stroke, in 2020.

Wailer, born Neville Livingston — before adopting his famous moniker — was a member of the original Wailers trio with Bob Marley and Peter Tosh.

https://youtu.be/R2rmFRHhwoA

To quote from Rolling Stone:

While Marley and Livingston were being mentored by Joe Higgs, “the Godfather of Reggae,” they met Higgs’ fellow student Peter Tosh; the then-trio ventured to Kingston. Soon after, they were joined by singer Junior Braithwaite and backup vocalists Beverley Kelso and Cherry Smith. Following a string of name changes that included the Teenagers and the Wailing Wailers, the Wailers aligned with Coxsone Dodd’s sound system and Studio One label — which employed songwriters and producers like Lee “Scratch” Perry and Jackie Mittoo — and released the Marley-penned “Simmer Down,” a Number One hit in Jamaica.

Braithwaite, Kelso, and Smith soon departed the Wailers, leaving the nucleus of Marley, Livingston, and Tosh intact; that trio recorded the band’s debut LP, 1965’s The Wailing Wailers, a collection of tracks the band recorded during the mid-Sixties. The Wailers then went on hiatus as Marley married his wife Rita and joined his mother in Wilmington, Delaware; during this period, Livingston served a yearlong sentence for marijuana possession. However, the three principle Wailers reunited upon Marley’s return to Jamaica.

While Marley and Tosh served as the Wailers’ primary singers and songwriters, Livingston played an indispensable role in providing harmonies to the trio’s songs. The Wailers next teamed with Perry and his Upsetters for 1970’s Soul Rebels and 1971’s Soul Revolution; around that time, Livingston wrote and recorded one of his signature songs, “Dreamland,” a track he revisited when he released his solo LP Blackheart Man in 1976.

To read more:

MUSIC MONDAY: “Roots, Rock, Reggae” – a Bob Marley Collection in Honor of his 76th (LISTEN)

MUSIC MONDAY: “Roots, Rock, Reggae” – a Bob Marley Collection in Honor of his 76th (LISTEN)

By goodblacknews on February 15, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley.

It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality.

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He is still a global symbol of Jamaican music, culture, and Pan-Africanism. He co-founded The Wailers vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.

They created early ska and rocksteady in the studios of legendary producers Coxsone Dodd and Lee “Scratch” Perry.

Marley would go on to bring reggae music to an international audience, and was inducted into the Rock and Roll Hall of Fame in 1994.

Rolling Stone has ranked him No. 11 on its list of the 100 Greatest Artists of All Time.

Here’s a collection includes his many classics, early recordings, live performances, and remixes, and dub reworkings. This playlist is a testament to the lasting impact of Bob Marley.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: Black History Month 2021 Tribute to African American Music Through the Centuries (LISTEN)

MUSIC MONDAY: Black History Month 2021 Tribute to African American Music Through the Centuries (LISTEN)

By goodblacknews on February 8, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Last week our fearless leader here at GBN, Lori Lakin Hutcherson, suggested a playlist celebrating Black History Month. I joked that every Music Monday at Good Black News is celebrating Black history.

Though a free-wheeling offer celebrating a century of Black music is definitely the thing to do. Here is a collection of African American music ranging from Mamie Smith to Marvin Gaye to J. Cole – from gospel, to hip hop, to jazz, to blues – and all points in between.

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As is our wont here on Mondays, this playlist is hours long and will take you on a journey of classics and deep cuts. I hope you all enjoy it.

Next week we’ll celebrate the 76th anniversary of Bob Marley‘s birth with a heaping serving of roots reggae. Until such time, have a great week.

And as always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “I Can See Clearly Now” – A Playlist Tribute to Johnny Nash (LISTEN)

MUSIC MONDAY: “I Can See Clearly Now” – A Playlist Tribute to Johnny Nash (LISTEN)

By goodblacknews on October 12, 2020
[Photo: American singer and songwriter Johnny Nash poses in a park in London, 1972. By Michael Putland / Getty Images]

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Johnny Nash had no particular episode of personal hardship in mind when he composed “I Can See Clearly Now” in the early 1970s, though over the years it has struck a firm chord with generations who appreciate its feeling of new hope emerging from the despair: “I can see clearly now the rain has gone / I can see all obstacles in my way / Gone are the dark clouds that had me blind / It’s gonna be a bright, bright, sunshine-y day.”

He died last week at age 80.

Nash was American but spent time living in Jamaica in the mid-1960s, and the island’s influence on his music came to the fore in 1968, when his rock-steady compositions “You Got Soul” and “Hold Me Tight” were Top 10 hits in the UK, helping to kickstart a period of mainstream interest in reggae that remains to this day.

His reggae-fied version of Sam Cooke’s “Cupid” made it to No. 6 in the UK the following year, followed by “Stir it Up,” written for him, and later reclaimed, by his friend Bob Marley. That was a UK No. 13 in 1972, only months before the release of “I Can See Clearly Now.”

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This playlist includes many of Johnny Nash’s recordings, songs by him, Bob Marley, and other early reggae artists, plus many of the cuts that dominated the radio in 1972 alongside Johhny Nash’s enduring song of hope.

Hope you enjoy this tribute collection. Next week I’ll be back with a more “seasonal” offering.

Until such time, stay safe sane, and kind… and vote!

Marlon West (photo courtesy Marlon West)

MUSIC: Celebrating Jamaican Independence Day with Stevie Wonder Reggae Covers (LISTEN)

MUSIC: Celebrating Jamaican Independence Day with Stevie Wonder Reggae Covers (LISTEN)

By goodblacknews on August 6, 2020

by Jeff Meier (FB: Jeff.Meier.90)

Jamaican Independence Day is celebrated every August 6th in honor of the date in 1962 when Jamaica gained its independence from England after more than 300 years of British colonial rule.

On the heels of Jamaica’s independence, Jamaican ska music partially shifted to celebrate the country’s newfound freedoms, eventually paving the way for the birth of reggae music, which has been the driving force of the nation’s music since then.

To enjoy the evolution of those sounds, you can check out the GBN playlists we posted earlier this year – Celebrating The History and Evolution of Ska Music and Celebrating Reggae Songs of Struggle and Peace.

All you faithful Good Black News readers may also remember that just a few months ago we saluted the amazing Stevie Wonder with a month-long series of themed playlists (see below). Well, believe it or not, we still had a few additional Stevie playlists we never got to share with you in May. So today, in honor of Jamaican Independence Day, we are showcasing “Stevie Wonder Goes to Jamaica – Reggae Wonder Covers.”

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Although it’s hard to remember a time when iconic reggae superstar Bob Marley wasn’t universally known, back in 1974, when Stevie Wonder first issued the song “Boogie on Reggae Woman,” Marley had yet to really break through on the U.S. music charts – and not that many people knew what Stevie was talking about.

Always one to infuse his music with innovative sounds, in the final years of the seventies when Stevie acknowledged reggae yet again with the smash hit “Master Blaster (Jammin’)” – in which he detailed “From the park I hear rhythms / Marley’s hot on the box” – the world had finally caught up with Stevie’s vision.

Later, in 1982, Stevie even wrote and produced the big R&B/reggae crossover hit ‘Try Jah Love” for Jamaica superstars Third World.

While Stevie was relatively early to jump on reggae sounds, reggae music had actually jumped on Stevie Wonder sounds even earlier. A longtime tradition of reggae music – particularly in the “lovers rock” genre – is to remake popular US chart hits in a reggae style.

Wonder’s hits provided fertile territory. From the late 1960s, all the way up through contemporary times, Stevie’s own hits as well as his compositions for others have yielded dozens of reggae cover versions, whether ballads or uptempo, more modern dancehall sounds.

Today’s playlist kicks off with Stevie’s version of “Master Blaster” and his Third World composition before heading into covers from today’s most known reggae hitmakers such as Wayne Wonder, Tanya Stephens, Sly & Robbie, Maxi Priest, Bob Marley scion Stephen Marley, as well as such legends as John Holt, Desmond Dekker, Dennis Brown, Toots & the Maytals, and Lee Perry & the Upsetters.

Finally, in honor of the “birth” of Jamaica’s independence from colonial rule, we close with Barry Biggs’ reggae rendition of Stevie’s classic “Happy Birthday,” which Wonder famously composed to honor Martin Luther King, Jr.’s birthday as well as Black America’s fight for equal rights and justice.

Happy Birthday, Jamaica!