GOOD BLACK NEWS proudly celebrates its seventh anniversary today, with our followers across Facebook, Twitter, Tumblr, Pinterest, Instagram, Google+, YouTube, WordPress, our RSS feed, and LinkedIn. Although initially launched on March 18, 2010 as a Facebook page (read the detailed story behind GBN’s creation here), in September 2012, GBN created this dedicated website, goodblacknews.org, which has allowed us to expand our presence on the internet and provide archives and search functions to you, our loyal readers.
In the past year, we were greatly honored to not only have our Editorial “What I Said When My White Friend Asked for My Black Opinion on White Privilege” republished on The Huffington Post, On Being (we made their “Best of 2016” list), Everyday Feminism, and Quartz, but also to see so much thoughtful dialogue spark around the topic.
And as of last week, we are proud to share that because of the existence of Good Black News, Founder and Editor-in-Chief Lori Lakin Hutcherson is featured in (and earned the international cover of) Australian quarterly Dumbo Feather.
The outpour of appreciation you’ve shown us via likes, comments, shares, reblogs and e-mails means the world to us, and only inspires GBN to keep getting bigger and better and create more original content.
Good Black News remains a labor of love for our Founder/Editor-In-Chief (Lori) and Lifestyle Editor (Lesa Lakin), and we must gratefully acknowledge this year’s contributors: Rebecca Carpenter, Susan Cartsonis, Julie Bibb Davis, Alyss Dixson, Dan Evans, Gina Fattore, Eric Greene, Thaddeus Grimes-Gruczka, Ashanti Hutcherson, Warren Hutcherson, Brenda Lakin, Joyce Lakin, Ray Lancon, John Levinson, Jason Lief, Neeta McCulloch, Hanelle Culpepper Meier, Jeff Meier, Catherine Metcalf, Minsun Park, Tajamika Paxton, Patrick-Ian Polk, Flynn Richardson, Rosanna Rossetto, Gabriel Ryder, Terry Samwick, Becky Schonbrun, Susan Shaffer, Callie Teitelbaum, Teddy Tenenbaum, Arro Verse, and Joshua A.S. Young. You are all deeply, greatly appreciated. Special thanks to Maeve Richardson for re-conceiving and redesigning all the GBN logos and banners across social media.
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Thank you again for your support, and we look forward to providing you with more Good Black News in the coming year, and beyond!
Warmly,
The Good Black News Team
Posts tagged as ““Blessed Assurance””
Legendary actress Cicely Tyson was recognized Tuesday night for her contribution to the performing arts at the 2015 Kennedy Center Honors.
Tyson, 91, has had a dynamic career—spanning over 60 years, earning her Academy and SAG award nominations and wins from the Primetime Emmy, Golden Globe and Tony Awards.
On hand to help celebrate her accomplishments were actors Kerry Washington, Viola Davis and Tyler Perry during the 38th annual broadcast.
“Cicely Tyson chose to empower us when we didn’t even know it was possible for us to be empowered,” Perry began his introduction. “For six decades, she has been dilligent in her pursuit to better us all.”
Singer CeCe Winans joined in on the tribute by singing Tyson’s favorite gospel song, “Blessed Assurance.”
[youtube https://www.youtube.com/watch?v=fiSkmbzS4nw&w=560&h=315]
Click here to watch the entire show.
article by Lauren Porter via essence.com
Not long after the curtain rises on the second act of “The Trip to Bountiful,” the Broadway revival of the Horton Foote play at the Stephen Sondheim Theater, something unusual happens. Cicely Tyson, as Mrs. Carrie Watts, sits on a bus station bench in a small Texas town. She is on the run from her abusive daughter-in-law and henpecked son in Houston, desperate to see the family farm in Bountiful once more before she dies.
Audience members join in as Ms. Tyson sings “Blessed Assurance.” Overcome with emotion, she begins singing an old Protestant hymn, “Blessed Assurance.”
From the first note, there’s a palpable stirring among many of the black patrons in the audience, which the play, with its mostly black cast, draws in large numbers. When Ms. Tyson jumps to her feet, spreads her arms and picks up the volume, they start singing along. On some nights it’s a muted accompaniment. On other nights, and especially at Sunday matinees, it’s a full-throated chorus that rocks the theater.